Televisuality

Author: John Thornton Caldwell
Publisher: Rutgers University Press
ISBN: 0813521645
Release Date: 1995
Genre: Performing Arts

“Holling is tormented by Koyaanisqatsi dreams until he goes out and does the wild thing with a young stag . . . . ”––Synopsis from production company “Bible,” Northern Exposure, March 30, 1992 The collision of auteurism and rap––couched by primetime producers in the Northern Exposure script––was actually rather commonplace by the early 1990s. Series, and even news broadcasts, regularly engineered their narratives around highly coded aesthetic and cultural fragments, with a kind of ensemble iconography. Televisuality interrogates the nature of such performances as an historical phenomenon, an aesthetic and industrial practice, and as a socially symbolic act. This book suggests that postmodernism does not fully explain television's stylistic exhibitionism and that a reexamination of “high theory” is in order. Caldwell's unique approach successfully integrates production practice with theory in a way that will enlighten both critical theory and cultural studies.

Tom s Midnight Garden

Author: Philippa Pearce
Publisher:
ISBN: 0192717774
Release Date: 1998
Genre: Children's stories

Tom is not prepared for what is about to happen when he hears the grandfather clock strike thirteen. Outside the back door is a garden, which everyone tells him does not exist.

Paint by Number

Author: William L. Bird
Publisher: Princeton Architectural Press
ISBN: 1568982828
Release Date: 2001-03-01
Genre: Art

Leonardo da Vinci conceived of a way to teach painting using numbered blocks of colour. Dan Robbins refined the idea, marketing Paint by Number art kits in the 1950s. Today, there's still lively interest as kits are collected, exhibited in galleries and traded on eBay. This book pays tribute to the artists who created the kits, the critics who reviled them and the consumers who bought them by the carload. Included are over 200 examples of paint by number ephemera and two pull-out paintings ready to be filled-in.

Mystic Chords of Memory

Author: Michael Kammen
Publisher: Vintage
ISBN: 9780307761408
Release Date: 2011-08-17
Genre: History

Mystic Chords of Memory "Illustrated with hundreds of well-chosen anecdotes and minute observations . . . Kammen is a demon researcher who seems to have mined his nuggets from the entire corpus of American cultural history . . . insightful and sardonic." —Washington Post Book World In this ground-breaking, panoramic work of American cultural history, the Pulitzer Prize-winning author of A Machine That Would Go of Itself examines a central paradox of our national identity How did "the land of the future" acquire a past? And to what extent has our collective memory of that past—as embodied in our traditions—have been distorted, or even manufactured? Ranging from John Adams to Ronald Reagan, from the origins of Independence Day celebrations to the controversies surrounding the Vietnam War Memorial, from the Daughters of the American Revolution to immigrant associations, and filled with incisive analyses of such phenonema as Americana and its collectors, "historic" villages and Disneyland, Mystic Chords of Memory is a brilliant, immensely readable, and enormously important book. "Fascinating . . . a subtle and teeming narrative . . . masterly." —Time "This is a big, ambitious book, and Kammen pulls it off admirably. . . . [He] brings a prodigious mind and much scholarly rigor to his task . . . an importnat book—and a revealing look at how Americans look at themselves." —Milwaukee Journal

I ve heard those songs before

Author: Elston Brooks
Publisher: William Morrow & Co
ISBN: UCSD:31822027341874
Release Date: 1981-04
Genre: Juvenile Nonfiction

A week-by-week listing of the ten most popular American songs from 1930 to the present

Rhythms of Race

Author: Christina D. Abreu
Publisher: UNC Press Books
ISBN: 9781469620855
Release Date: 2015-05-04
Genre: Social Science

Among the nearly 90,000 Cubans who settled in New York City and Miami in the 1940s and 1950s were numerous musicians and entertainers, black and white, who did more than fill dance halls with the rhythms of the rumba, mambo, and cha cha cha. In her history of music and race in midcentury America, Christina D. Abreu argues that these musicians, through their work in music festivals, nightclubs, social clubs, and television and film productions, played central roles in the development of Cuban, Afro-Cuban, Latino, and Afro-Latino identities and communities. Abreu draws from previously untapped oral histories, cultural materials, and Spanish-language media to uncover the lives and broader social and cultural significance of these vibrant performers. Keeping in view the wider context of the domestic and international entertainment industries, Abreu underscores how the racially diverse musicians in her study were also migrants and laborers. Her focus on the Cuban presence in New York City and Miami before the Cuban Revolution of 1959 offers a much needed critique of the post-1959 bias in Cuban American studies as well as insights into important connections between Cuban migration and other twentieth-century Latino migrations.

Doctor Zhivago

Author: Boris Leonidovich Pasternak
Publisher: Vintage
ISBN: 9780307390950
Release Date: 2011
Genre: Fiction

"This translation was originally published in hardcover in the United States by Pantheon Books, a division of Random House, Inc., New York, in 2010"--T.p. verso.

Books in Print

Author:
Publisher:
ISBN: UOM:39015049090825
Release Date: 2001
Genre: American literature

Books in print is the major source of information on books currently published and in print in the United States. The database provides the record of forthcoming books, books in-print, and books out-of-print.

The Bank of England and Public Policy 1941 1958

Author: John Fforde
Publisher: Cambridge University Press
ISBN: 0521391393
Release Date: 1992
Genre: Business & Economics

In this 1992 book, the official history of the Bank of England was continued into the late wartime and early postwar periods. The author's position as a central banker by trade and a former Executive Director of the Bank put him in an ideal position to carry out this analysis.

This Is Our Music

Author: Iain Anderson
Publisher: University of Pennsylvania Press
ISBN: 9780812201123
Release Date: 2012-05-26
Genre: History

This Is Our Music, declared saxophonist Ornette Coleman's 1960 album title. But whose music was it? At various times during the 1950s and 1960s, musicians, critics, fans, politicians, and entrepreneurs claimed jazz as a national art form, an Afrocentric race music, an extension of modernist innovation in other genres, a music of mass consciousness, and the preserve of a cultural elite. This original and provocative book explores who makes decisions about the value of a cultural form and on what basis, taking as its example the impact of 1960s free improvisation on the changing status of jazz. By examining the production, presentation, and reception of experimental music by Ornette Coleman, Cecil Taylor, John Coltrane, and others, Iain Anderson traces the strange, unexpected, and at times deeply ironic intersections between free jazz, avant-garde artistic movements, Sixties politics, and patronage networks. Anderson emphasizes free improvisation's enormous impact on jazz music's institutional standing, despite ongoing resistance from some of its biggest beneficiaries. He concludes that attempts by African American artists and intellectuals to define a place for themselves in American life, structural changes in the music industry, and the rise of nonprofit sponsorship portended a significant transformation of established cultural standards. At the same time, free improvisation's growing prestige depended in part upon traditional highbrow criteria: increasingly esoteric styles, changing venues and audience behavior, European sanction, withdrawal from the marketplace, and the professionalization of criticism. Thus jazz music's performers and supporters—and potentially those in other arts—have both challenged and accommodated themselves to an ongoing process of cultural stratification.

Bazin on Global Cinema 1948 1958

Author: André Bazin
Publisher: University of Texas Press
ISBN: 9780292767409
Release Date: 2014-12-10
Genre: Performing Arts

André Bazin is renowned for almost single-handedly establishing the study of film as an accepted intellectual pursuit, as well as for being the spiritual father of the French New Wave. In 1951 he cofounded and became editor-in-chief of Cahiers du cinéma, the most influential critical periodical in the history of cinema. Four of the film critics whom he mentored at the magazine later became the most acclaimed directors of the postwar French cinema—François Truffaut, Jean-Luc Godard, Jacques Rivette, and Claude Chabrol. Bazin is also considered the principal instigator of the influential auteur theory—the idea that, since film is an art form, the director of a movie must be perceived as the chief creator of its unique cinematic style. Bazin wrote some 2,600 articles and reviews, only about 150 of which are accessible in anthologies or edited collections. Bazin on Global Cinema, 1948–1958 offers English-language readers much of his writing on Asian cinema; previously untranslated essays on James Dean, the star system, political engagement and the cinema, and film criticism itself; and several reviews of film books, as well as reviews of notable American, British, and European movies, such as Johnny Guitar, High Noon, Umberto D., Hamlet, Kanal, and Le jour se lève (Daybreak). The book also features a contextual introduction to Bazin's life and work, the first comprehensive bibliography of works by and about Bazin, credits of all the films he discusses in this book, and an extensive index.