Author: Colin Davies
Publisher: Laurence King Publishing
Release Date: 2018-02-06
Combining a fascinating, thought-provoking and – above all – readable text with over 800 photographs, plans, and sections, this exciting new reading of modern architecture is a must for students and architecture enthusiasts alike. Organized largely as a chronology, chapters necessarily overlap to allow for the discrete examination of key themes including typologies, movements, and biographical studies, as well as the impact of evolving technology and country-specific influences.
Der erste Band der Bauwelt Fundamente versammelt 34 Texte von Architekten und Architekturtheoretikern, die das Bauen in den ersten sechs Jahrzehnten des 20. Jahrhunderts nachhaltig gestaltet und geprägt haben. 1963 von Ulrich Conrads, dem damaligen Chefredakteur der Bauwelt, zusammengestellt und kommentiert, bietet diese Sammlung von Programmen, Grundsätzen und Manifesten zur Architektur der Moderne auch heute noch eine Grundlage für das Verständnis und die Auseinandersetzung mit der Praxis und der Theorie des Bauens im vergangenen Jahrhundert. Mit Texten von van de Velde, Loos, Wright, van der Rohe, Le Corbusier, Gropius, Buckminster Fuller, Hollein, Friedman, u.a. sind die Protagonisten des architektonischen Schaffens im 20. Jahrhundert vertreten. 50 Jahre nach Erscheinen ist mit dieser Sammlung von Quellentexten auch ein historisches Dokument der (Selbst-)Reflexion der Architektur wieder lieferbar.
Let it be said at once that the format of this work is richly handsome: it is atwo-volume boxed set comprising 844 pages and well over 1,000 high-quality illustrations, and itreflects throughout its publisher's conviction that good design is an essential, not superficial,part of bookmaking.Beyond that, it should be emphasized that this work is not another facilecultural tour of modern architecture. It is a serious and original study of the beginnings anddevelopment of modernism in which the pictorial aspects are designed to aid in the communication ofthe author's closely reasoned formulations, rather than to gloss over a lack of substantivecontent.The book is a translation of the third Italian edition, published in 1966. Benevolo, who ison the faculty of architecture in Venice, has earned an international reputation as a historian ofarchitecture and town planning, and his publications embrace the span of time from the Renaissanceto the foreseeable future. One such publication, The Origins of Modern Town Planning (The MIT Press,1967), may be read as a prelude to the present work as well as an independent contribution. Perhapsmore than any other architectural historian in our time, Benevolo has made a determined effort toplace developments in design and planning in their proper social and political settings.Indeed, theauthor argues that the development of the modern movement in architecture was determined, not byaesthetic formalisms, but largely by the social changes that have occurred since about 1760: "Afterthe middle of the eighteenth century, without the continuity of formal activity being in any waybroken, indeed while architectural language seems to be acquiring a particular coherence, therelations between architect and society began to change radically.... New material and spiritualneeds, new ideas and modes of procedure arise both within and beyond the traditional limits, andfinally they run together to form a new architectural synthesis that is completely different fromthe old one. In this way it is possible to explain the birth of modern architecture, which otherwisewould seem completely incomprehensible...."This second volume is concerned with the modern movementproper, from 1914 to 1966. The author emphasizes the unity of the movement, rejecting the usualtreatment that allots to the individual architects separate and unconnected biographicalaccounts.Benevolo remarks at one point, "When one talks about modern architecture one must bear inmind the fact that it implies not only a new range of forms, but also a new way of thinking, whoseconsequences have not yet all been calculated." His main concern is to provide a more exactcalculation of those consequences.
Author: Jon T. Lang
Publisher: Orient Blackswan
Release Date: 2002
In Lucid Language That Speaks To Laymen And Architects Alike, This Book Provides A History Of Twentieth Century Architecture In India. It Examines In Detail The Early Influences On Indian Architecture Both Of Movements Like The Bauhaus As Well As Prominent Individuals Like Habib Rehman, Jawaharlal Nehru, Frank Lloyd Wright And Le Corbusier.
Author: Kathryn E. O'Rourke
Publisher: University of Pittsburgh Press
Release Date: 2017-03-10
Mexico City became one of the centers of architectural modernism in the Americas in the first half of the twentieth century. Invigorated by insights drawn from the first published histories of Mexican colonial architecture, which suggested that Mexico possessed a distinctive architecture and culture, beginning in the 1920s a new generation of architects created profoundly visual modern buildings intended to convey Mexico’s unique cultural character. By midcentury these architects and their students had rewritten the country’s architectural history and transformed the capital into a metropolis where new buildings that evoked pre-conquest, colonial, and International Style architecture coexisted. Through an exploration of schools, a university campus, a government ministry, a workers’ park, and houses for Diego Rivera and Luis Barragán, Kathryn O’Rourke offers a new interpretation of modern architecture in the Mexican capital, showing close links between design, evolving understandings of national architectural history, folk art, and social reform. This book demonstrates why creating a distinctively Mexican architecture captivated architects whose work was formally dissimilar, and how that concern became central to the profession.
Author: Dr Elie G Haddad
Publisher: Ashgate Publishing, Ltd.
Release Date: 2014-03-28
This book provides a comprehensive, critical overview of the developments in architecture from 1960 to 2010. The first section provides a presentation of major movements in architecture after 1960, and the second, a geographic survey that covers a wide range of territories around the world. This book not only reflects the different perspectives of its various authors, but also charts a middle course between the 'aesthetic' histories that examine architecture solely in terms of its formal aspects, and the more 'ideological' histories that subject it to a critique that often skirts the discussion of its formal aspects.
This acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980. For this fourth edition Kenneth Frampton has added a major new chapter that explores the effects of globalization on architecture in recent years, the rise annd rise of the celebrity architect, and the way in which practices worldwide have addressed such issues as sustainability and habitat. The bibliography has also been updated and expanded, making this volume more complete and indispensable than ever.
How did Modern Architecture come about as a way of thinking? What were the forces that led to its emergence and evolution? From where did the new desires, values and beliefs, the design methods and building types that make up its cognitive system originate? In this book Liane Lefaivre and Alexander Tzonis bring together 140 documents spanning a period from the year 1000 to the end of the eighteenth century. They argue that Modern Architectural thinking was created during this period, a wholly new forma mentis for conceiving buildings, landscapes, and cities. The material includes, in addition to the more predictable texts, key extracts from architectural treatises, handbooks, and textbooks, material from letters, articles from the press of the times, scientific memoirs, maxims, poems, plays, and novels. Their authors are equally varied architects, patrons, politicians, artists, poets, scientists, priests, philosophers, and journalists. Some describe and systematize, some argue and criticize, and a large number are eager to present new findings and new ways to construe and construct the world. Through these diverse records, figures, and voices Lefaivre and Tzonis reconstruct a process of complex and perplexing events, conflicts, experiments, and interactions. They uncover that modernism is by its very nature multiple and identify what they call the cognitive 'co-revolution', a web of parallel revolutionary changes occurring in courts, monasteries, palaces, villas, academies, and workshops. This is the story of the replacement over a period of eight centuries of an 'archaic' design mentality, based on myth and ritual, with today's modern forms of reasoning. Marked with contradictions, Modern Architecture emerges making use of rigorous science but also freewheeling fantasy, driven by the desire for efficiency as well as for luxury and aesthetic delight, for adventure of experiences and for critical reflection, for global universality and for regionalist identity, for totalitarian power and for emancipation of the deprived and the oppressed.
Author: Bill Risebero
Publisher: MIT Press
Release Date: 1985
British architect and planner Bill Risebero recreates 200 years of modern architecture and design against a backdrop of class dominance over rising industrialism. The lively and opinionated text and more than 1,000 captioned drawings by the author provide a refreshing reinterpretation of architectural developments in the modern period.
Author: John Peter
Publisher: Harry N Abrams Inc
Release Date: 1994
This appealing and unprecedented book with compact disc tells the story of the development of modern architecture in the words of the people who created it. Comprised of interviews conducted over 40 years with more than 60 of the best architects and engineers. 200 photos. 72-minute CD.
Author: Marc Kushner
Publisher: S. Fischer Verlag
Release Date: 2015-10-22
Die Zukunft der Architektur hat schon begonnen – 100 faszinierende Bauwerke an ungewöhnlichen Orten Ein Pavillon aus Papier, eine aufblasbare Konzerthalle, ein Forschungslabor, das durch den Schnee laufen kann – von den Gebäuden von morgen wird mehr verlangt. Marc Kushner hat 100 innovative Gebäude auf der ganzen Welt ausgewählt, um sie uns in Bild und Text vorzustellen. Eine faszinierende Reise durch die Architektur der Zukunft.