Arriving home to find his wife murdered and their toddler left alone, art history professor George Clare is targeted with suspicion by a relentless police officer as dark community secrets are revealed over a span of decades.
A dark, riveting, beautifully written book—by “a brilliant novelist,” according to Richard Bausch—that combines noir and the gothic in a story about two families entwined in their own unhappiness, with, at its heart, a gruesome and unsolved murder Late one winter afternoon in upstate New York, George Clare comes home to find his wife killed and their three-year-old daughter alone—for how many hours?—in her room across the hall. He had recently, begrudgingly, taken a position at a nearby private college (far too expensive for local kids to attend) teaching art history, and moved his family into a tight-knit, impoverished town that has lately been discovered by wealthy outsiders in search of a rural idyll. George is of course the immediate suspect—the question of his guilt echoing in a story shot through with secrets both personal and professional. While his parents rescue him from suspicion, a persistent cop is stymied at every turn in proving Clare a heartless murderer. And three teenage brothers (orphaned by tragic circumstances) find themselves entangled in this mystery, not least because the Clares had moved into their childhood home, a once-thriving dairy farm. The pall of death is ongoing, and relentless; behind one crime there are others, and more than twenty years will pass before a hard kind of justice is finally served. A rich and complex portrait of a psychopath and a marriage, this is also an astute study of the various taints that can scar very different families, and even an entire community. Elizabeth Brundage is an essential talent who has given us a true modern classic. From the Hardcover edition.
Author: Elizabeth Brundage
Publisher: Hachette UK
Release Date: 2016-04-07
'Ghosts, murder, a terrifying psychotic who seems normal, and beautiful writing. Loved it' Stephen King 'Can make you gasp in astonishment or break your heart with a single line' Wall St Journal 'Superb. Think a more literary, and feminist, Gone Girl' Vogue This begins the morning Catherine Clare died. The day her daughter spent in the house with her. The evening her husband came home to find her. This becomes the tale of their marriage, and the ones around them. A tale of bonds between families, between lives living and lost and of the lonely ones that share no bonds at all. Who should be pitied. Who must be feared.
A taut, complex psychological thriller from the author of The Doctor's Wife Like The Doctor's Wife - which The Boston Globe called "a compelling read"-Somebody Else's Daughter is a literary page-turner peopled with fascinating and disturbing characters. In the idyllic Berkshires, at the prestigious Pioneer School, there are dark secrets that threaten to come to light. Willa Golding, a student, has been brought up by her adoptive parents in elegant prosperity, but they have fled a mysterious and shameful past. Her biological father, a failing writer and former drug addict, needs to see the daughter he abandoned, and so he gains a teaching position at the school. A feminist sculptor initiates a reckless affair, the Pioneer students live in a world to which adults turn a blind eye, and the headmaster's wife is busy keeping her husband's current indiscretions well hidden. Building to a breathtaking collision between two fathers-biological and adoptive, past and present- Somebody Else's Daughter is both a suspenseful thriller and a probing study of richly conflicted characters in emotional turmoil.
Inciting the wrath of an unstable aspiring screenwriter whose film she cancelled for its implausible violence, movie executive Hedda is abducted by the writer, who decides to prove his story's worth by staging its plot with Hedda as the victim.
"A thriller for fans of The Girl on the Train and Gone Girl...[with] a striking, original voice all Berry’s own.” —The New York Times Book Review Winner of the 2017 Edgar Award for Best First Novel Named one of the "10 Best Mystery Books and Thrillers of the Year" by The Washington Post Named one of the best books of the year by The Atlantic When Nora takes the train from London to visit her sister in the countryside, she expects to find her waiting at the station, or at home cooking dinner. But when she walks into Rachel’s familiar house, what she finds is entirely different: her sister has been the victim of a brutal murder. Stunned and adrift, Nora finds she can’t return to her former life. An unsolved assault in the past has shaken her faith in the police, and she can’t trust them to find her sister’s killer. Haunted by the murder and the secrets that surround it, Nora is under the harrow: distressed and in danger. As Nora’s fear turns to obsession, she becomes as unrecognizable as the sister her investigation uncovers. A riveting psychological thriller and a haunting exploration of the fierce love between two sisters, the distortions of grief, and the terrifying power of the past, Under the Harrow marks the debut of an extraordinary new writer.
“A marital thriller more scary than Gone Girl." —The Washington Post A scathing and exhilarating thriller that begins with a husband's obsession with the seemingly vacant house next door. It's wintertime in the Hamptons, where Scott and his wife, Elise, have come to be with her terminally ill father, Victor, to await the inevitable. As weeks turn to months, their daily routine—Elise at the hospital with her father, Scott pretending to work and drinking Victor's booze—only highlights their growing resentment and dissatisfaction with the usual litany of unhappy marriages: work, love, passion, each other. But then Scott notices something simple, even innocuous. Every night at precisely eleven, the lights in the neighbor's bedroom turn off. It's clearly a timer . . .but in the dead of winter with no one else around, there's something about that light he can't let go of. So one day while Elise is at the hospital, he breaks in. And he feels a jolt of excitement he hasn't felt in a long time. Soon, it's not hard to enlist his wife as a partner in crime and see if they can't restart the passion. Their one simple transgression quickly sends husband and wife down a deliriously wicked spiral of bad decisions, infidelities, escalating violence, and absolutely shocking revelations. Matt Marinovich makes a strong statement with this novel. The Winter Girl is the psychological thriller done to absolute perfection. From the Hardcover edition.
Set in Minnesota, Gone to Dust is the debut private eye murder mystery from Emmy Award-winning Seinfeld writer Matt Goldman. “Sharp wit, complex characters, and masterful plotting makes Goldman a writer to watch. Irreverent and insightful, private detective Nils Shapiro is sure to become a fan favorite.”—Harlan Coben, New York Times bestselling author A brutal crime. The ultimate cover-up. How do you solve a murder with no useable evidence? Private detective Nils Shapiro is focused on forgetting his ex-wife and keeping warm during another Minneapolis winter when a former colleague, neighboring Edina Police Detective Anders Ellegaard, calls with the impossible. Suburban divorcee Maggie Somerville was found murdered in her bedroom, her body covered with the dust from hundreds of emptied vacuum cleaner bags, all potential DNA evidence obscured by the calculating killer. Digging into Maggie’s cell phone records, Nils finds that the most frequently called number belongs to a mysterious young woman whose true identity could shatter the Somerville family--but could she be guilty of murder? After the FBI demands that Nils drop the case, Nils and Ellegaard are forced to take their investigation underground, where the case grows as murky as the contents of the vacuum cleaner bags. Is this a strange case of domestic violence or something with far reaching, sinister implications? “A perfect blend of light touch and dark story—I want more of Nils Shapiro.” —Lee Child, New York Times bestselling author At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
#1 NEW YORK TIMES BESTSELLER • “A thrilling finale to a trilogy that will stand as one of the great achievements in American fantasy fiction.”—Stephen King You followed The Passage. You faced The Twelve. Now enter The City of Mirrors for the final reckoning. As the bestselling epic races to its breathtaking finale, Justin Cronin’s band of hardened survivors await the second coming of unspeakable darkness. The world we knew is gone. What world will rise in its place? The Twelve have been destroyed and the terrifying hundred-year reign of darkness that descended upon the world has ended. The survivors are stepping outside their walls, determined to build society anew—and daring to dream of a hopeful future. But far from them, in a dead metropolis, he waits: Zero. The First. Father of the Twelve. The anguish that shattered his human life haunts him, and the hatred spawned by his transformation burns bright. His fury will be quenched only when he destroys Amy—humanity’s only hope, the Girl from Nowhere who grew up to rise against him. One last time light and dark will clash, and at last Amy and her friends will know their fate. Praise for The City of Mirrors “Compulsively readable.”—The New York Times Book Review “The City of Mirrors is poetry. Thrilling in every way it has to be, but poetry just the same . . . The writing is sumptuous, the language lovely, even when the action itself is dark and violent.”—The Huffington Post “This really is the big event you’ve been waiting for . . . A true last stand that builds and comes with a bloody, roaring payoff you won’t see coming, then builds again to the big face off you’ve been waiting for.”—NPR “A masterpiece . . . with The City of Mirrors, the third volume in The Passage trilogy, Justin Cronin puts paid to what may well be the finest post-apocalyptic epic in our dystopian-glutted times. A stunning achievement by virtually every measure.”—The National Post “Justin Cronin’s Passage trilogy is remarkable for the unremitting drive of its narrative, for the breathtaking sweep of its imagined future, and for the clear lucidity of its language.”—Stephen King “Superb . . . This conclusion to bestseller Cronin’s apocalyptic thriller trilogy ends with all of the heartbreak, joy, and unexpected twists of fate that events in The Passage and The Twelve foreordained.”—Publishers Weekly (starred review) “Readers who have been patiently awaiting the conclusion to Cronin’s sweeping postapocalyptic trilogy are richly rewarded with this epic, heart-wrenching novel. . . . Not only does this title bring the series to a thrilling and satisfying conclusion, but it also exhibits Cronin’s moving exploration of love as both a destructive force and an elemental need, elevating this work among its dystopian peers.”—Library Journal (starred review) Praise for Justin Cronin “One of those rare authors who work on two different levels, blending elegantly crafted literary fiction with cliff-hanging thrills.”—Fort Worth Star-Telegram
Winner of the Art Seidenbaum Award for First Fiction A New York Times 2016 Notable Book Entertainment Weekly's #1 Book of the Year A Washington Post 2016 Notable Book A Slate Top Ten Book NEW YORK TIMES BESTSELLER “The Nix is a mother-son psychodrama with ghosts and politics, but it’s also a tragicomedy about anger and sanctimony in America. . . . Nathan Hill is a maestro.” —John Irving From the suburban Midwest to New York City to the 1968 riots that rocked Chicago and beyond, The Nix explores—with sharp humor and a fierce tenderness—the resilience of love and home, even in times of radical change. It’s 2011, and Samuel Andresen-Anderson—college professor, stalled writer—has a Nix of his own: his mother, Faye. He hasn’t seen her in decades, not since she abandoned the family when he was a boy. Now she’s re-appeared, having committed an absurd crime that electrifies the nightly news, beguiles the internet, and inflames a politically divided country. The media paints Faye as a radical hippie with a sordid past, but as far as Samuel knows, his mother was an ordinary girl who married her high-school sweetheart. Which version of his mother is true? Two facts are certain: she’s facing some serious charges, and she needs Samuel’s help. To save her, Samuel will have to embark on his own journey, uncovering long-buried secrets about the woman he thought he knew, secrets that stretch across generations and have their origin all the way back in Norway, home of the mysterious Nix. As he does so, Samuel will confront not only Faye’s losses but also his own lost love, and will relearn everything he thought he knew about his mother, and himself.
NATIONAL BESTSELLER • Two sensational unsolved crimes—one in the past, another in the present—are linked by one man’s memory and self-deception in this chilling novel of literary suspense from National Book Award finalist Dan Chaon. Includes an exclusive conversation between Dan Chaon and Lynda Barry “We are always telling a story to ourselves, about ourselves.” This is one of the little mantras Dustin Tillman likes to share with his patients, and it’s meant to be reassuring. But what if that story is a lie? A psychologist in suburban Cleveland, Dustin is drifting through his forties when he hears the news: His adopted brother, Rusty, is being released from prison. Thirty years ago, Rusty received a life sentence for the massacre of Dustin’s parents, aunt, and uncle. The trial came to epitomize the 1980s hysteria over Satanic cults; despite the lack of physical evidence, the jury believed the outlandish accusations Dustin and his cousin made against Rusty. Now, after DNA analysis has overturned the conviction, Dustin braces for a reckoning. Meanwhile, one of Dustin’s patients has been plying him with stories of the drowning deaths of a string of drunk college boys. At first Dustin dismisses his patient's suggestions that a serial killer is at work as paranoid thinking, but as the two embark on an amateur investigation, Dustin starts to believe that there’s more to the deaths than coincidence. Soon he becomes obsessed, crossing all professional boundaries—and putting his own family in harm’s way. From one of today’s most renowned practitioners of literary suspense, Ill Will is an intimate thriller about the failures of memory and the perils of self-deception. In Dan Chaon’s nimble, chilling prose, the past looms over the present, turning each into a haunted place. Praise for Ill Will “In his haunting, strikingly original new novel, [Dan] Chaon takes formidable risks, dismantling his timeline like a film editor.”—The New York Times Book Review “The scariest novel of the year . . . ingenious . . . Chaon’s novel walks along a garrote stretched taut between Edgar Allan Poe and Alfred Hitchcock.”—The Washington Post “Powerful . . . Chaon is one of America’s best and most dependable writers, and in the end, Ill Will is a ruthlessly ‘realistic’ piece of fiction about the unrealistic beliefs people entertain about their world.”—Los Angeles Times “This intriguing novel about a tightly wired criminal psychologist with a murky past has the tension of a thriller plus the emotional release of justice finally served.”—O: The Oprah Magazine “Powerfully unsettling . . . There’s a lot going on under the surface of Ill Will—more than one reading will reveal. Going back and reading this oddly compelling book again will only provide more pleasure.”—Chicago Tribune “Terrifically eerie . . . Too few writers prize atmosphere as much as narrative tautness. With Ill Will, Chaon succeeds at delivering both.”—The Dallas Morning News “Outstanding . . . Chaon’s writing is cool and precise, but his story is thrillingly unstable. It also boasts, at the end, a traditional horror-novel payoff I didn’t see coming—Stephen King couldn’t have done it better.”—The Wall Street Journal “One of the best thrillers I’ve encountered in a very, very long time.”—Newsweek
In the first volume of an exciting new series, bestselling author Alison Weir brings the dramatic reigns of England’s medieval queens to life. The lives of England’s medieval queens were packed with incident—love, intrigue, betrayal, adultery, and warfare—but their stories have been largely obscured by centuries of myth and omission. Now esteemed biographer Alison Weir provides a fresh perspective and restores these women to their rightful place in history. Spanning the years from the Norman conquest in 1066 to the dawn of a new era in 1154, when Henry II succeeded to the throne and Eleanor of Aquitaine, the first Plantagenet queen, was crowned, this epic book brings to vivid life five women, including: Matilda of Flanders, wife of William the Conqueror, the first Norman king; Matilda of Scotland, revered as “the common mother of all England”; and Empress Maud, England’s first female ruler, whose son King Henry II would go on to found the Plantagenet dynasty. More than those who came before or after them, these Norman consorts were recognized as equal sharers in sovereignty. Without the support of their wives, the Norman kings could not have ruled their disparate dominions as effectively. Drawing from the most reliable contemporary sources, Weir skillfully strips away centuries of romantic lore to share a balanced and authentic take on the importance of these female monarchs. What emerges is a seamless royal saga, an all-encompassing portrait of English medieval queenship, and a sweeping panorama of British history. Praise for Queens of the Conquest “Best-selling author [Alison] Weir pens another readable, well-researched English history, the first in a proposed four-volume series on England’s medieval queens. . . . Weir’s research skills and storytelling ability combine beautifully to tell a fascinating story supported by excellent historical research. Fans of her fiction and nonfiction will enjoy this latest work.”—Library Journal (starred review) “Another sound feminist resurrection by a seasoned historian . . . Though Norman queens were largely unknowable, leave it to this prolific historical biographer to bring them to life. . . . As usual, Weir is meticulous in her research.”—Kirkus Reviews
A spellbinding psychological debut novel, Swan Huntley's We Could Be Beautiful is the story of a wealthy woman who has everything--and yet can trust no one. Catherine West has spent her entire life surrounded by beautiful things. She owns an immaculate Manhattan apartment, she collects fine art, she buys exquisite handbags and clothing, and she constantly redecorates her home. And yet, despite all this, she still feels empty. She sees her personal trainer, she gets weekly massages, and occasionally she visits her mother and sister on the Upper East Side, but after two broken engagements and boyfriends who wanted only her money, she is haunted by the fear that she'll never have a family of her own. One night, at an art opening, Catherine meets William Stockton, a handsome man who shares her impeccable taste and love of beauty. He is educated, elegant, and even has a personal connection--his parents and Catherine's parents were friends years ago. But as he and Catherine grow closer, she begins to encounter strange signs, and her mother, Elizabeth (now suffering from Alzheimer's), seems to have only bad memories of William as a boy. In Elizabeth's old diary she finds an unnerving letter from a former nanny that cryptically reads: "We cannot trust anyone . . . " Is William lying about his past? And if so, is Catherine willing to sacrifice their beautiful life in order to find the truth? Featuring a fascinating heroine who longs for answers but is blinded by her own privilege, We Could Be Beautiful is a glittering, seductive, utterly surprising story of love, money, greed, and family.
From the author of the National Book Award–nominated Veronica: Mary Gaitskill's most poignant and powerful work yet—the story of a Dominican girl, the white woman who introduces her to riding, and the horse who changes everything for her Velveteen Vargas is eleven years old, a Fresh Air Fund kid from Brooklyn. Her host family is a couple in upstate New York: Ginger, a failed artist on the fringe of Alcoholics Anonymous, and Paul, an academic who wonders what it will mean to “make a difference” in such a contrived situation. The Mare illuminates the couple's changing relationship with Velvet over the course of several years, as well as Velvet's powerful encounter with the horses at the stable down the road, as Gaitskill weaves together Velvet's vital inner-city community and the privileged country world of Ginger and Paul. The timeless story of a girl and a horse is joined with the timeless story of people from different races and socioeconomic backgrounds trying to meet one another honestly in a novel that is raw, striking, and completely original.