A dark, riveting, beautifully written book—by “a brilliant novelist,” according to Richard Bausch—that combines noir and the gothic in a story about two families entwined in their own unhappiness, with, at its heart, a gruesome and unsolved murder Late one winter afternoon in upstate New York, George Clare comes home to find his wife killed and their three-year-old daughter alone—for how many hours?—in her room across the hall. He had recently, begrudgingly, taken a position at a nearby private college (far too expensive for local kids to attend) teaching art history, and moved his family into a tight-knit, impoverished town that has lately been discovered by wealthy outsiders in search of a rural idyll. George is of course the immediate suspect—the question of his guilt echoing in a story shot through with secrets both personal and professional. While his parents rescue him from suspicion, a persistent cop is stymied at every turn in proving Clare a heartless murderer. And three teenage brothers (orphaned by tragic circumstances) find themselves entangled in this mystery, not least because the Clares had moved into their childhood home, a once-thriving dairy farm. The pall of death is ongoing, and relentless; behind one crime there are others, and more than twenty years will pass before a hard kind of justice is finally served. A rich and complex portrait of a psychopath and a marriage, this is also an astute study of the various taints that can scar very different families, and even an entire community. Elizabeth Brundage is an essential talent who has given us a true modern classic. From the Hardcover edition.
Author: Elizabeth Brundage
Publisher: Hachette UK
Release Date: 2016-04-07
'Ghosts, murder, a terrifying psychotic who seems normal, and beautiful writing. Loved it' Stephen King 'Can make you gasp in astonishment or break your heart with a single line' Wall St Journal 'Superb. Think a more literary, and feminist, Gone Girl' Vogue This begins the morning Catherine Clare died. The day her daughter spent in the house with her. The evening her husband came home to find her. This becomes the tale of their marriage, and the ones around them. A tale of bonds between families, between lives living and lost and of the lonely ones that share no bonds at all. Who should be pitied. Who must be feared.
Arriving home to find his wife murdered and their toddler left alone, art history professor George Clare is targeted with suspicion by a relentless police officer as dark community secrets are revealed over a span of decades.
A taut, complex psychological thriller from the author of The Doctor's Wife Like The Doctor's Wife - which The Boston Globe called "a compelling read"-Somebody Else's Daughter is a literary page-turner peopled with fascinating and disturbing characters. In the idyllic Berkshires, at the prestigious Pioneer School, there are dark secrets that threaten to come to light. Willa Golding, a student, has been brought up by her adoptive parents in elegant prosperity, but they have fled a mysterious and shameful past. Her biological father, a failing writer and former drug addict, needs to see the daughter he abandoned, and so he gains a teaching position at the school. A feminist sculptor initiates a reckless affair, the Pioneer students live in a world to which adults turn a blind eye, and the headmaster's wife is busy keeping her husband's current indiscretions well hidden. Building to a breathtaking collision between two fathers-biological and adoptive, past and present- Somebody Else's Daughter is both a suspenseful thriller and a probing study of richly conflicted characters in emotional turmoil.
Inciting the wrath of an unstable aspiring screenwriter whose film she cancelled for its implausible violence, movie executive Hedda is abducted by the writer, who decides to prove his story's worth by staging its plot with Hedda as the victim.
Author: Nathan Hill
Publisher: Pan Macmillan
Release Date: 2017-01-26
'The best new writer of fiction in America. The best.' John Irving Meet Samuel: stalled writer, bored teacher at a local college, obsessive player of online video games. He hasn't seen his mother, Faye, in decades, not since she abandoned her family when he was a boy. Now she has suddenly reappeared, having committed an absurd politically motivated crime that electrifies the nightly news, beguiles the Internet, and inflames a divided America. The media paints Faye as a radical hippie with a sordid past, but as far as Samuel knows, his mother was an ordinary girl who married her high-school sweetheart. Which version of his mother is true? Two facts are certain: she's facing some serious charges, and she needs Samuel's help. As Samuel begins to excavate his mother's - and his country's - history, the story moves from the rural Midwest of the 1960s, to New York City during Occupy Wall Street, back to Chicago in 1968 and, finally, to wartime Norway, home of the mysterious Nix. Samuel will unexpectedly find that he has to rethink everything he ever knew about his mother - a woman with an epic story of her own, a story she has kept hidden from the world.
Author: Iain Reid
Publisher: Simon and Schuster
Release Date: 2016-06-14
AN NPR BEST BOOK OF THE YEAR 2016 “I’m Thinking of Ending Things is one of the best debut novels I’ve ever read. Iain Reid has crafted a tight, ferocious little book, with a persistent tenor of suspense that tightens and mounts toward its visionary, harrowing final pages” (Scott Heim, award-winning author of Mysterious Skin and We Disappear). I’m thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It’s always there. Always. Jake once said, “Sometimes a thought is closer to truth, to reality, than an action. You can say anything, you can do anything, but you can’t fake a thought.” And here’s what I’m thinking: I don’t want to be here. In this “dark and compelling…unputdownable” (Booklist, starred review) literary thriller, debut novelist Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear, and the limitations of solitude. Reminiscent of Jose Saramago’s early work, Michel Faber’s cult classic Under the Skin, and Lionel Shriver’s We Need to Talk about Kevin, I’m Thinking of Ending Things is an edgy, haunting debut. Tense, gripping, and atmospheric, this novel “packs a big psychological punch with a twisty story line and an ending that will leave readers breathless” (Library Journal, starred review).
Author: Lee Clay Johnson
Release Date: 2016-05-17
An astonishing, even shocking debut written with both humor and heart by, as John Casey puts it, “a natural-born writer who inhabits every one of his characters—the good, the bad, and those who swing back and forth.” Set in a bitterly benighted, mine-polluted corner of Virginia, Nitro Mountain follows a group of people bound together by alcohol, small-time crime and music. There’s Leon, a hapless bass player who can embroil himself in trouble just by getting out of bed in the morning. And his would-be girlfriend, Jennifer, who’s living with Arnett, the town’s most dangerous thug—and hoping Leon will help her poison him. And there’s Arnett himself, a psychopath for the ages—albeit so charming and deranged, so strikingly authentic, that he arrests the reader’s attention at first sight and holds it fast. His mirror image, a singer-songwriter named Jones, has his own moral issues, though at least he’s trying to be a good man. The bright if battered soul who pulls us through this story is Jennifer, a vulnerable yet strong woman struggling heroically to survive the endemic hopelessness and violence that have surrounded her since birth. Relentless? Yes, of course, but never remotely gratuitous. Every single moment is shot through with the pain and misery that inspire so much of the music these people love more than life itself. From the Hardcover edition.
Author: Victoria Kelly
Publisher: Simon and Schuster
Release Date: 2016-03-01
"Before escape artist Harry Houdini died, he vowed he would find a way to speak to his beloved wife Bess from beyond the grave using a coded message known only to the two of them. When a widowed Bess begins seeing this code in seemingly impossible places, it becomes clear that Harry has an urgent message to convey. Unlocking the puzzle will set Bess on a course back through the pair's extraordinary romance, which swept the illusionist and his bride from the beaches of Coney Island, to the palaces of Budapest, to the back lots of Hollywood"--Dust jacket flap.
Longlisted for the Bailey's Women's Prize for Fiction • A Finalist for the Aidoo-Snyder Book Prize • One of Publishers Weekly's Writers to Watch • One of The Millions' and Refinery 29's Most Anticipated Books of the Year • One of the Best Black Heritage Reads (Essence Magazine) Loving thy neighbor is easier said than done. Hortensia James and Marion Agostino are neighbors. One is black, the other white. Both are successful women with impressive careers. Both have recently been widowed, and are living with questions, disappointments, and secrets that have brought them shame. And each has something that the woman next door deeply desires. Sworn enemies, the two share a hedge and a deliberate hostility, which they maintain with a zeal that belies their age. But, one day, an unexpected event forces Hortensia and Marion together. As the physical barriers between them collapse, their bickering gradually softens into conversation, which yields a discovery of shared experiences. But are these sparks of connection enough to ignite a friendship, or is it too late to expect these women to change? The U.S. debut of a finalist for the Etisalat Prize for Literature, The Woman Next Door is a winning story of the common ground we sometimes find in unexpected places, told with wit and wry humor.
A RICHARD & JUDY BESTSELLER 72 HOURS TO FIND HER... ‘Hits the sweet spot between literary and crime fiction – Gripping’ ERIN KELLY ‘For those who love their crime fiction rich in psychology, beautifully written and laced with dark humour. Dive in’ LUCIE WHITEHOUSE
#1 NEW YORK TIMES BESTSELLER • “A thrilling finale to a trilogy that will stand as one of the great achievements in American fantasy fiction.”—Stephen King You followed The Passage. You faced The Twelve. Now enter The City of Mirrors for the final reckoning. As the bestselling epic races to its breathtaking finale, Justin Cronin’s band of hardened survivors await the second coming of unspeakable darkness. The world we knew is gone. What world will rise in its place? The Twelve have been destroyed and the terrifying hundred-year reign of darkness that descended upon the world has ended. The survivors are stepping outside their walls, determined to build society anew—and daring to dream of a hopeful future. But far from them, in a dead metropolis, he waits: Zero. The First. Father of the Twelve. The anguish that shattered his human life haunts him, and the hatred spawned by his transformation burns bright. His fury will be quenched only when he destroys Amy—humanity’s only hope, the Girl from Nowhere who grew up to rise against him. One last time light and dark will clash, and at last Amy and her friends will know their fate. Praise for The City of Mirrors “Compulsively readable.”—The New York Times Book Review “The City of Mirrors is poetry. Thrilling in every way it has to be, but poetry just the same . . . The writing is sumptuous, the language lovely, even when the action itself is dark and violent.”—The Huffington Post “This really is the big event you’ve been waiting for . . . A true last stand that builds and comes with a bloody, roaring payoff you won’t see coming, then builds again to the big face off you’ve been waiting for.”—NPR “A masterpiece . . . with The City of Mirrors, the third volume in The Passage trilogy, Justin Cronin puts paid to what may well be the finest post-apocalyptic epic in our dystopian-glutted times. A stunning achievement by virtually every measure.”—The National Post “Justin Cronin’s Passage trilogy is remarkable for the unremitting drive of its narrative, for the breathtaking sweep of its imagined future, and for the clear lucidity of its language.”—Stephen King “Superb . . . This conclusion to bestseller Cronin’s apocalyptic thriller trilogy ends with all of the heartbreak, joy, and unexpected twists of fate that events in The Passage and The Twelve foreordained.”—Publishers Weekly (starred review) “Readers who have been patiently awaiting the conclusion to Cronin’s sweeping postapocalyptic trilogy are richly rewarded with this epic, heart-wrenching novel. . . . Not only does this title bring the series to a thrilling and satisfying conclusion, but it also exhibits Cronin’s moving exploration of love as both a destructive force and an elemental need, elevating this work among its dystopian peers.”—Library Journal (starred review) Praise for Justin Cronin “One of those rare authors who work on two different levels, blending elegantly crafted literary fiction with cliff-hanging thrills.”—Fort Worth Star-Telegram
'Wilde Lake is a knockout.' Stephen King 'Intriguing premise, stunning reveal, irresistible read.' Val McDermid 'Wilde Lake is a standout novel: an intelligent, emotional, satisfying mystery that explores huge themes in small-town microcosm, in the manner of To Kill A Mockingbird, the inspiration on which it reflects.' Alex Marwood 'Wilde Lake is engrossing, suspenseful and substantial.' Scott Turow Luisa 'Lu' Brant is the newly elected - and first female - state's attorney of Howard County, Maryland, a job in which her revered father famously served. Fiercely intelligent and ambitious, she sees an opportunity to make her name by trying a mentally disturbed drifter accused of beating a woman to death in her home. As Lu prepares for the trial, the case dredges up painful memories, reminding her small but tight-knit family of the night when her brother, AJ, saved his best friend at the cost of another man's life. Only eighteen, AJ was cleared by a grand jury. Now, Lu wonders if the events of 1980 happened as she remembers them. What details might have been withheld from her when she was a child? The more she learns about the case, the more questions arise. Propelled into the past, she discovers that the legal system, the bedrock of her entire life, does not have all the answers and that the truth might be a dangerous thing to learn.
A spellbinding psychological debut novel, Swan Huntley's We Could Be Beautiful is the story of a wealthy woman who has everything—and yet can trust no one. Catherine West has spent her entire life surrounded by beautiful things. She owns an immaculate Manhattan apartment, she collects fine art, she buys exquisite handbags and clothing, and she constantly redecorates her home. And yet, despite all this, she still feels empty. She sees her personal trainer, she gets weekly massages, and occasionally she visits her mother and sister on the Upper East Side, but after two broken engagements and boyfriends who wanted only her money, she is haunted by the fear that she'll never have a family of her own. One night, at an art opening, Catherine meets William Stockton, a handsome man who shares her impeccable taste and love of beauty. He is educated, elegant, and even has a personal connection—his parents and Catherine's parents were friends years ago. But as he and Catherine grow closer, she begins to encounter strange signs, and her mother, Elizabeth (now suffering from Alzheimer's), seems to have only bad memories of William as a boy. In Elizabeth's old diary she finds an unnerving letter from a former nanny that cryptically reads: "We cannot trust anyone . . . " Is William lying about his past? And if so, is Catherine willing to sacrifice their beautiful life in order to find the truth? Featuring a fascinating heroine who longs for answers but is blinded by her own privilege, We Could Be Beautiful is a glittering, seductive, utterly surprising story of love, money, greed, and family.
Author: Elizabeth Gilbert
Publisher: A&C Black
Release Date: 2013-10-01
LONGLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION SHORTLISTED FOR THE WELLCOME BOOK PRIZE From the moment Alma Whittaker steps into the world, everything about life intrigues her. Instilled with an unquenchable sense of wonder by her father, a botanical explorer and the richest man in the New World, Alma is raised in a house of luxury and curiosity. It is not long before she becomes a gifted botanist in her own right. But as she flourishes and her research takes her deeper into the mysteries of evolution, the man she comes to love draws her in the opposite direction ? into the realm of the spiritual, the divine and the magical. The Signature of All Things soars across the globe of the nineteenth century, from London and Peru, to Philadelphia, Tahiti and beyond. Peopled with extraordinary characters along the way, most of all it has an unforgettable heroine in Alma Whittaker.