Ancient Drama in Music for the Modern Stage

Author: Peter Brown
Publisher: OUP Oxford
ISBN: 9780191610943
Release Date: 2010-09-02
Genre: History

Opera was invented at the end of the sixteenth century in imitation of the supposed style of delivery of ancient Greek tragedy, and, since then, operas based on Greek drama have been among the most important in the repertoire. This collection of essays by leading authorities in the fields of Classics, Musicology, Dance Studies, English Literature, Modern Languages, and Theatre Studies provides an exceptionally wide-ranging and detailed overview of the relationship between the two genres. Since tragedies have played a much larger part than comedies in this branch of operatic history, the volume mostly concentrates on the tragic repertoire, but a chapter on musical versions of Aristophanes' Lysistrata is included, as well as discussions of incidental music, a very important part of the musical reception of ancient drama, from Andrea Gabrieli in 1585 to Harrison Birtwistle and Judith Weir in the late twentieth and early twenty-first centuries.

Music in the London Theatre from Purcell to Handel

Author: Colin Timms
Publisher: Cambridge University Press
ISBN: 9781107154643
Release Date: 2017-06-29
Genre: Art

This book is concerned with a hundred years of musical drama in England. It charts the development of the genre from the theatre works of Henry Purcell (and his contemporaries) to the dramatic oratorios of George Frideric Handel (and his). En route it investigates the objections to all-sung drama in English that were articulated in the decades around 1700, various proposed solutions, the importation of Italian opera, and the creation of the dramatic oratorio - English drama, all-sung but not staged. Most of the constituent essays take an in-depth look at a particular aspect of the process, while others draw attention to dramatic qualities in non-dramatic works that also were performed in the theatre. The journey from Purcell to Handel illustrates the vigour and vitality of English theatrical and musical traditions, and Handel's dramatic oratorios and other settings of English words answer questions posed before he was born.

Dance and Drama in French Baroque Opera

Author: Rebecca Harris-Warrick
Publisher: Cambridge University Press
ISBN: 9781107137899
Release Date: 2016-10-31
Genre: Music

Examining the evolving practices in music, librettos, choreographed dance, and staging throughout the history of French Baroque opera.

The Politics of Appropriation

Author: Jason Geary
Publisher: Oxford University Press
ISBN: 9780199736119
Release Date: 2014-01
Genre: History

This book explores the intersection of music and Hellenism in nineteenth-century Germany.It shows how productions such as that of the Prussian court of Sophocles' Antigone with music by Felix Mendelssohn reflect an effort by the rulers who commissioned them to appropriate the legacy of Greece for the creation of a German cultural and national identity.

Harrison Birtwistle s Operas and Music Theatre

Author: David Beard
Publisher: Cambridge University Press
ISBN: 9780521895347
Release Date: 2012-10-25
Genre: Music

A definitive source study of the stage works of Harrison Birtwistle, one of Britain's foremost living composers.

Sophocles and the Language of Tragedy

Author: Simon Goldhill
Publisher: Oxford University Press
ISBN: 9780199978823
Release Date: 2012-03-05
Genre: History

Written by one of the best-known interpreters of classical literature today, Sophocles and the Language of Tragedy presents a revolutionary take on the work of this great classical playwright and on how our understanding of tragedy has been shaped by our literary past. Simon Goldhill sheds new light on Sophocles' distinctive brilliance as a dramatist, illuminating such aspects of his work as his manipulation of irony, his construction of dialogue, and his deployment of the actors and the chorus. Goldhill also investigates how nineteenth-century critics like Hegel, Nietzsche, and Wagner developed a specific understanding of tragedy, one that has shaped our current approach to the genre. Finally, Goldhill addresses one of the foundational questions of literary criticism: how historically self-conscious should a reading of Greek tragedy be? The result is an invigorating and exciting new interpretation of the most canonical of Western authors.

Textual Intersections

Author: Rachael Langford
Publisher: Rodopi
ISBN: 9789042027312
Release Date: 2009-01
Genre: Art

This volume examines the multifaceted ways in which textual material in nineteenth-century European cultures intersected with non-literary cultural artefacts and concepts. The essays consider the presence of such diverse phenomena as the dandy, nationhood, diasporic identity, operatic and dramatic personae and effects, trapeze artists, paintings, and the grotesque and fantastic in the work of a variety of writers from France, Germany, Spain, Britain, Russia, Greece and Italy. The volume argues for a view of the long nineteenth century as a century of lively cultural dialogue and exchange between national and sub-national cultures, between 'high' and popular art forms, and between different genres and different media, and it will be of interest to general readers and scholars alike.

The Context of Ancient Drama

Author: Eric Csapo
Publisher: University of Michigan Press
ISBN: 0472082752
Release Date: 1995
Genre: History

An easy-to-use guide to the nature and stagecraft of ancient plays

Choruses Ancient and Modern

Author: Joshua Billings
Publisher: Oxford University Press
ISBN: 9780199670574
Release Date: 2013-09-19
Genre: History

The ancient singing and dancing chorus has exerted a powerful influence in the modern world. This is the first book to look systematically at the points of similarity and difference between ancient and modern choruses, across time and place, in their ancient contexts in modern theatre, opera, dance, musical theatre, and in political debate.

Distance Theatre and the Public Voice 1750 1850

Author: M. Nuss
Publisher: Springer
ISBN: 9781137291417
Release Date: 2012-12-05
Genre: History

As theatres expanded in the eighteenth and nineteenth centuries, the distance between actor and audience became a telling metaphor for the distance emerging between writers and readers. Nuss explores the ways in which theatre helped authors imagine connecting with a new mass audience.

The Symposion in Ancient Greek Society and Thought

Author: Fiona Hobden
Publisher: Cambridge University Press
ISBN: 9781107026667
Release Date: 2013-02-21
Genre: History

This book provides nsights into the symposion's importance in Greek culture by tracing the discursive power of its representations.

About Greece

Author: Pericles Smerlas
Publisher:
ISBN: STANFORD:36105073294832
Release Date: 1999
Genre: Greece


The Attic Theatre

Author: Arthur Elam Haigh
Publisher: Ardent Media
ISBN:
Release Date: 1968
Genre: Greek drama

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Operatic and the Everyday in Postwar Italian Film Melodrama

Author: Louis Bayman
Publisher: Edinburgh University Press
ISBN: 9780748656431
Release Date: 2014-05-16
Genre: Performing Arts

Italian cinemas after the war were filled by audiences who had come to watch domestically-produced films of passion and pathos. These highly emotional and consciously theatrical melodramas posed moral questions with stylish flair, redefining popular ways of feeling about romance, family, gender, class, Catholicism, Italy, and feeling itself. The Operatic and the Everyday in Postwar Italian Film Melodrama argues for the centrality of melodrama to Italian culture. It uncovers a wealth of films rarely discussed before including family melodramas, the crime stories of neorealismo popolare and opera films, and provides interpretive frameworks that position them in wider debates on aesthetics and society. The book also considers the well-established topics of realism and arthouse auteurism, and re-thinks film history by investigating the presence of melodrama in neorealism and post-war modernism. It places film within its broader cultural context to trace the connections of canonical melodramatists like Visconti and Matarazzo to traditions of opera, the musical theatre of the sceneggiata, visual arts, and magazines. In so doing it seeks to capture the artistry and emotional experiences found within a truly popular form.