Author: Vivian M. May
Release Date: 2012-08-21
Genre: Social Science
Vivian M. May explores the theoretical and political contributions of Anna Julia Cooper, a renowned Black feminist scholar, educator and activist whose ideas deserve far more attention than they have received. Drawing on Africana and feminist theory, May places Cooper's theorizing in its historical contexts and offers new ways to interpret the evolution of Cooper's visionary politics, subversive methodology, and defiant philosophical outlook. Rejecting notions that Cooper was an elitist duped by dominant ideologies, May contends that Cooper's ambiguity, code-switching, and irony should be understood as strategies of a radical methodology of dissent. May shows how across six decades of work, Cooper traced history's silences and delineated the workings of power and inequality in an array of contexts, from science to literature, economics to popular culture, religion to the law, education to social work, and from the political to the personal. May emphasizes that Cooper eschewed all forms of mastery and called for critical consciousness and collective action on the part of marginalized people at home and abroad. She concludes that in using a border-crossing, intersectional approach, Cooper successfully argues for theorizing from experience, develops inclusive methods of liberation, and crafts a vision of a fundamentally egalitarian social imaginary.
Author: Aaronette M. White
Publisher: SUNY Press
Release Date: 2010-05-04
Genre: SOCIAL SCIENCE
African American women and men share their stories of how feminism has influenced their daily lives. How might ordinary people apply feminist principles to everyday situations? How do feminist ideas affect the daily behaviors and decisions of those who seek to live out the basic idea that women are as fully human as men? This collection of essays uses concrete examples to illuminate the ways in which African Americans practice feminism on a day-to-day basis. Demonstrating real-life situations of feminism in action, each essay tackles an issue—such as personal finances, parenting, sexual harassment, reproductive freedom, incest, depression and addiction, or romantic relationships—and articulates a feminist approach to engaging with the problem or concern. Contributors include African American scholars, artists, activists, and business professionals who offer personal accounts of how they encountered feminist ideas and are using them now as a guide to living. The essays reveal how feminist principles affect people’s perceptions of their ability to change themselves and society, because the personal is not always self-evidently political. “If … you seek a book that will touch you on a personal level, that will provoke you to examine your own perspective, and that will likely stimulate new research questions, pick up a copy of White’s book. You will be introduced to a group of people who don’t have to think about begin feminist; they simply live it every day.” — PsycCRITIQUES This collection of first-person narratives provides much-needed examples of the concrete ways in which contemporary African Americans, both women and men, live by feminist principles, not just as beliefs or theories but by their actions in concrete situations. It contributes to the continued development of feminist theory in practice, grounding it in the diverse experiences of self-identified African American feminists.” — SirReadaLot.org “The topic of thinking about feminism and feminist theory as functional is very important: students often want to know more about how they can put feminist thinking and politics into action. Having concrete, lived examples of how various people have done so is a real contribution to the field.” — Vivian M. May, author of Anna Julia Cooper, Visionary Black Feminist: A Critical Introduction
Black Feminist Cultural Criticism is the first comprehensive analysis of the full range of Black women's creative achievements. In this outsdanding collection, writers and scholars in literature, film, television, theatre, music, art, material culture, and other cultural forms explicate Black women's artistry within the context of an activist framework. The contributors are concerned with the politics of cultural production and the ways in which Black women have confronted institutional and social barriers.
Author: Vivian M. May
Release Date: 2015-01-09
Pursuing Intersectionality, Unsettling Dominant Imaginaries offers a sustained, interdisciplinary exploration of intersectional ideas, histories, and practices that no other text does. Deftly synthesizing much of the existing literatures on intersectionality, one of the most significant theoretical and political precepts of our time, May invites us to confront a disconcerting problem: though intersectionality is widely known, acclaimed, and applied, it is often construed in ways that depoliticize, undercut, or even violate its most basic premises. May cogently demonstrates how intersectionality has been repeatedly resisted, misunderstood, and misapplied: provocatively, she shows the degree to which intersectionality is often undone or undermined by supporters and critics alike. A clarion call to engage intersectionality’s radical ideas, histories, and justice orientations more meaningfully, Pursuing Intersectionality answers the basic questions surrounding intersectionality, attends to its historical roots in Black feminist theory and politics, and offers insights and strategies from across the disciplines for bracketing dominant logics and for orienting toward intersectional dispositions and practices.
Author: Rudolph P. Byrd
Publisher: Indiana University Press
Release Date: 2001-01-01
Genre: Social Science
"This is a valuable project. The editors are excellent, well-known scholars, and activists in the academy." —Darlene Clark Hine "After looking carefully at Traps’ selections, I have to confess that I’m both excited and satisfied by what Rudolph Byrd and Beverly Guy-Sheftall have assembled here from the 19th century to the present. Educators genuinely need a text like this for opening their classroom to critical discussions on the well-worn subjects of race and gender." —Charles Johnson Traps is the first anthology of writings by 19th- and 20th-century African American men on the overlapping categories of race, gender, and sexuality. The selections on gender in Sections I and II reveal what some may view as the unexpected commitment of African American men to feminism. Included here are critiques of the subordinate social, economic, and political position of black women. Sections III and IV analyze the taboos and myths in which black sexuality is enmeshed. These essays also stress the importance of rejecting homophobia and the need to contest the predominance of a heterosexual paradigm. Monolithic constructions of gender and sexuality, reinforced by sexism and historically sanctioned homophobia, are the "traps" that give this book its focus and its title.
Author: Tommy L. Lott
Release Date: 2006-01-23
This wide-ranging, multidisciplinary collection of newly commissioned articles brings together distinguished voices in the field of Africana philosophy and African-American social and political thought. Provides a comprehensive critical survey of African-American philosophical thought. Collects wide-ranging, multidisciplinary, newly commissioned articles in one authoritative volume. Serves as a benchmark work of reference for courses in philosophy, social and political thought, cultural studies, and African-American studies.
Song from the Land of Fire explores Azerbaijanian musical culture, a subject previously unexamined by American and European scholars. This book contains notations of mugham performance--a fusion of traditional poetry and musical improvisation--and analysis of hybrid genres, such as mugham-operas and symphonic mugham by native composers. Intimately connected to the awakening of Azerbaijanian national consciousness while ruled by the Russian Empire and the USSR, mugham is inseparable from the contexts in which it is produced and heard. Inna Naroditskaya provides the historical and political contexts for mugham and profiles the musicians, musical genealogies, and musical institutions of Azerbaijan.
Author: Philip Gerard
Publisher: John F. Blair, Publisher
Release Date: 1997-05-01
In August 1898, Wilmington, North Carolina, was a mecca for middle-class Negroes. Many of the city's lawyers, businessmen, and other professionals were black, as were all the tradesmen and stevedores. Negroes outnumbered whites by more than two to one.But the white civic leaders, many descended from the antebellum aristocracy, did not consider this progress. They looked around and saw working class whites out of jobs. They heard Negroes addressing whites "in the familiar." They hated the fact that local government was run by Republican "Fusionists" sympathetic to the black majority.Rumors began to fly. The newspaper office turned into an arsenal. Secret societies espousing white supremacy were formed. Isolated incidents occurred: a shot was fired through a streetcar bearing whites, a black cemetery was desecrated.This incendiary atmosphere was inflamed further by public speeches from an ex-Confederate colonel and a firebrand Negro preacher.One morning in November, the almost inevitable gunfire began. By the time order was restored, many of the city's most visible black leaders had been literally put on trains and told to leave town, hundreds of blacks were forced to hide out in the city's cemetery or the nearby swamps to avoid massacre, and dozens of victims lay dead.Based on actual events, Cape Fear Rising tells a story of one city's racial nightmare--a nightmare that was repeated throughout the South at the turn of the century. Although told as fiction, the core of this novel strikes at the heart of racial strife in America.
Author: Anna J. Cooper
Publisher: Rowman & Littlefield Publishers
Release Date: 2000-01-01
Recently Anna Julia Cooper has emerged as the most important classic writer in the tradition of African American feminist thought. Mary Helen Washington described Cooper's work as "the most precise, forceful, well-argued statement of black feminist thought to come out of the nineteenth century." This is the first collection of all of Cooper's major writings, including many never before published. It includes all of the essays from her famous book, A Voice from the South, in addition to many other essays and letters accessible only in archives until now. The organization of this important new collection lends itself to a clearer understanding of the major themes and contributions of Cooper's thought, her development as a thinker and writer, and the critiques and controversies surrounding her work. Lemert and Bhan introduce Cooper as an activist, settlement founder, school teacher, college president, linguist, and scholar—a life that paralleled the prodigious accomplishments of W.E.B. Du Bois in so many ways.
Author: Pauline Elizabeth Hopkins
Release Date: 2007-01
Pauline E. Hopkins came to prominence in the early years of the 20th century as an outspoken writer, editor, and critic. This work brings together many of her essays, including non-fiction works such as 'Famous Men of the Negro Race', 'Famous Women of the Negro Race', 'The Dark Races of the Twentieth Century', and more.
Author: Anna Julia Cooper
Publisher: Courier Dover Publications
Release Date: 2016-05-10
Genre: Social Science
Regarded as the first voice of black feminism, these essays focus on racial progress and women's rights. Author emphasizes importance of women's education and discusses African Americans' economic role and their literary representation.