Rautenberg Ursula Schneider Ute Archiv f r Geschichte des Buchwesens 2012

Author: Ursula Rautenberg
Publisher: Walter de Gruyter
ISBN: 3110280876
Release Date: 2012
Genre: Language Arts & Disciplines

Das Archiv f�r Geschichte des Buchwesens ver�ffentlicht wissenschaftliche Beitr�ge und Quelleneditionen und pflegt alle mit dem Buch und seiner Geschichte zusammenh�ngenden Themen. Band 67 enth�lt neben Rezensionen folgende Beitr�ge: Sch�fer, Jochen: Adeliger Buchbesitz in der Zeit des b�rgerlichen Wandels. Die Bibliothek von Georg Ernst von und zu Gilsa (1740-1798). Estermann, Monika: Gustav Freytag und das Sammeln im Historismus. Vogler, Sebastian: "Angekauft Tiniussche Auction in Leipzig" - B�cher aus der Bibliothek eines vermeintlichen M�rders in der Th�ringer Universit�ts- und Landesbibliothek Jena. Herz, Randall: Two Proof Sheets of Unrecorded Incunabula from the Presses of Peter Wagner and Conrad Zeninger. Green, Jonathan: Prining and Prophecy in 15th and 16th century.

Archiv f r Geschichte des Buchwesens

Author: Bertold Hack
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 9783110949599
Release Date: 2017-12-04
Genre: History

Das Archiv für Geschichte des Buchwesens (AGB) wurde 1956 begründet. Das Archiv ist die zentrale wissenschaftliche Zeitschrift für die Buchwissenschaft sowie für die Buch- und Buchhandelsgeschichte. Es ist in führenden wissenschaftlichen Bibliotheken international vertreten. Das Publikationsprofil des AGB bilden Abhandlungen zu allen nationalen und internationalen Themen der buchwissenschaftlichen und buchhistorischen Forschung. Dazu gehören medien-, kultur-, sozial- und geistesgeschichtliche wie auch technikgeschichtliche Perspektiven der Buchwissenschaft und Buchhandelsgeschichtsschreibung, die zum Beispiel folgende Aspekte thematisieren: Geschichte und Bedingungen von Autorschaft Geschichte des Urheberrechts Buchhandels- und Verlagsgeschichte Zensurgeschichte Bibliotheksgeschichte Historische Leserforschung Materialität des Buches und Geschichte einzelner Publikationsformen Das Buch im Medienkontext sowie Medienumbrüche. Publiziert werden darüber hinaus kommentierte Bibliographien und Kataloge zur Verlags- oder Bibliotheksgeschichte oder Dokumentationen mit Auswertung von Archivalien und anderen ungedruckten Materialien. Der Schwerpunkt der jeweiligen Bände liegt auf umfangreichen Quellen- und Materialstudien, hinzu kommen Aufsätze aus den genannten Themenschwerpunkten, Miszellen sowie Rezensionen und Forschungsberichte. Für sehr umfangreiche Forschungsarbeiten steht die Reihe Archiv für Geschichte des Buchwesen. Studien zur Verfügung. Das AGB nimmt interdisziplinäre Beiträge in deutscher oder englischer Sprache auf. Es richtet sich nicht nur an Buchwissenschaftler, sondern an alle Wissenschaftler, die medien- und kulturhistorische Themen bearbeiten. In über fünf Jahrzehnten sind im AGB zahlreiche Standardwerke erschienen, beispielhaft genannt seien: Rolf Engelsing: Der Bürger als Leser (Bd. 3, 1961); Heinrich Grimm: Die Buchführer des deutschen Kulturbereichs und ihre Niederlassungsorte in der Zeitspanne 1490 bis um 1550 (Bd. 7, 1967); Reinhard Wittmann: Die frühen Buchhändlerzeitschriften als Spiegel des literarischen Lebens (Bd. 13, 1973); Martin Vogel: Deutsche Urheber- und Verlagsrechtsgeschichte zwischen 1450 und 1850 (Bd. 19, 1978); Ursula Rautenberg: Die Entstehung und Entwicklung des Buchtitelblatts in der Inkunabelzeit in Deutschland, den Niederlanden und Venedig. Quantitative und qualitative Studien (Bd. 62, 2008).

2000

Author: Historische Kommission des Börsenvereins
Publisher: Walter de Gruyter
ISBN: 9783110942965
Release Date: 2000-01-01
Genre: Language Arts & Disciplines


1982

Author: K. G. Saur Verlag GmbH & Company
Publisher: Walter de Gruyter
ISBN: 3598248202
Release Date: 1986-01-01
Genre:


Privilege and Property

Author: Ronan Deazley
Publisher: Open Book Publishers
ISBN: 9781906924188
Release Date: 2010
Genre: Law

What can and can't be copied is a matter of law, but also of aesthetics, culture, and economics. The act of copying, and the creation and transaction of rights relating to it, evokes fundamental notions of communication and censorship, of authorship and ownership - of privilege and property. This volume conceives a new history of copyright law that has its roots in a wide range of norms and practices. The essays reach back to the very material world of craftsmanship and mechanical inventions of Renaissance Italy where, in 1469, the German master printer Johannes of Speyer obtained a five-year exclusive privilege to print in Venice and its dominions. Along the intellectual journey that follows, we encounter John Milton who, in his 1644 Areopagitica speech 'For the Liberty of Unlicensed Printing', accuses the English parliament of having been deceived by the 'fraud of some old patentees and monopolizers in the trade of bookselling' (i.e. the London Stationers' Company). Later revisionary essays investigate the regulation of the printing press in the North American colonies as a provincial and somewhat crude version of European precedents, and how, in the revolutionary France of 1789, the subtle balance that the royal decrees had established between the interests of the author, the bookseller, and the public, was shattered by the abolition of the privilege system. Contributions also address the specific evolution of rights associated with the visual and performing arts. These essays provide essential reading for anybody interested in copyright, intellectual history and current public policy choices in intellectual property. The volume is a companion to the digital archive Primary Sources on Copyright (1450-1900), funded by the UK Arts and Humanities Research Council (AHRC): www.copyrighthistory.org.

The Birth of the Codex

Author: Colin H. Roberts
Publisher: OUP Oxford
ISBN: 0197260616
Release Date: 1987-09-10
Genre: Antiques & Collectibles

In The Codex, published in 1954, C.H. Roberts studied the process by which in the early centuries of our era the roll as the vehicle for literature was replaced by the codex, which has remained the format of the book ever since. New evidence that has accumulated in the last thirty years has set some of the problems in a new light and in this book, published here for the first time in paperback, the authors re-examine these and offer a different explanation for the remarkable part in the transformation played by the early Church.

Music and Culture in the Middle Ages and Beyond

Author: Benjamin Brand
Publisher: Cambridge University Press
ISBN: 9781316798959
Release Date: 2016-10-27
Genre: Music

It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad cultural contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation.

Narratives of Low Countries History and Culture

Author: Jane Fenoulhet
Publisher: UCL Press
ISBN: 9781910634974
Release Date: 2016-11-07
Genre: History

This edited collection explores the ways in which our understanding of the past in Dutch history and culture can be rethought to consider not only how it forms part of the present but how it can relate also to the future. Divided into three parts – The Uses of Myth and History, The Past as Illumination of Cultural Context, and Historiography in Focus – this book seeks to demonstrate the importance of the past by investigating the transmission of culture and its transformations. It reflects on the history of historiography and looks critically at the products of the historiographic process, such as Dutch and Afrikaans literary history. The chapters cover a range of disciplines and approaches: some authors offer a broad view of a particular period, such as Jonathan Israel's contribution on myth and history in the ideological politics of the Dutch Golden Age, while others zoom in on specific genres, texts or historical moments, such as Benjamin Schmidt’s study of the doolhof, a word that today means ‘labyrinth’ but once described a 17th-century educational amusement park. This volume, enlightening and home to multiple paths of enquiry leading in different directions, is an excellent example of what a past-present doolhof might look like.