Art history and its methods

Author: E. C. Fernie
Publisher: Phaidon Press
ISBN: STANFORD:36105021829911
Release Date: 1995-07-09
Genre: Art

Approaches to the history of art are probably more varied - and more debated than in any other branch of history, and a study of different historicalpproaches is becoming an increasingly important component of many academicourses. This anthology of art-historical writings from the Renaissance tohe present day has a particular focus, for key texts have been chosen inhich the authors themselves reflects on the nature of their subject and onheir own methods of inquiry. Included are texts by Vasari, Winckelmann,urckhardt, Wolfflin, Panofsky, Gombrich and Pollock, among others. Thentroduction gives a summary of art-historical methods, and each of the textss accompanied by a brief commentary which places it in context and discusseshe issues it raises. Also provided is a critical glossary of art-historicalerms, a brief biography of each of the historians, and a select bibliography.

The Art of Art History A Critical Anthology

Author: Donald Preziosi
Publisher: Oxford University Press, UK
ISBN: 9780191552021
Release Date: 1998-04-30
Genre: Art

What is art history? Why, how, and where did it originate, and how have its aims and methods changed over time? This anthology is a guide to understanding art history through a critical reading of the field's key texts over the past two centuries. Each section focuses on a major issue: aesthetics, style, history as an art, iconography and semiology, modernity and post-modernity, gender, deconstruction, and museology. More than thirty readings from writers as diverse as Winckelmann, Kant, Gombrich, Warburg, Panofksy, Nanette Salomon, and Mary Kelly are brought together, and Donald Preziosi's introductions to each topic provide background information and to elucidation of the critical issues at stake. His own concluding essay is an important and original contribution to scholarship in the field. `vivid and inspiring prose ... a flamboyant book that offers anything but a celebratory reading of art history ... Preziosi frames his selection of texts, and threads through them with an array of different strategic voices' Professor Johanne Lamoureux, University of Montreal - ;What is art history? Why, how and where did it originate, and how have its aims and methods changed over time? The history of art has been written and rewritten since classical antiquity. Since the foundation of the modern discipline of art history in Germany in the late eighteenth century, debates about art and its histories have intensified. Historians, philosophers, psychologists and anthropologists among others have changed our notions of what art history has been, is, and might be. This anthology is a guide to understanding art history through a critical reading of the field's most innovative and influential texts over the past two centuries. Each section focuses on a key issue: aesthetics, style, history as an art, iconography and semiology, gender, modernity and postmodernity, deconstruction and museology. More than thirty readings from writers as diverse as Winckelmann, Kant, Gombrich, Warburg, Panofsky, Heidegger, Lisa Tickner, Meyer Schapiro, Jacques Derrida, Mary Kelly, Michel Foucault, Rosalind Krauss, Louis Marin, Margaret Iversen and Nestor Canclini are brought together, and Donald Preziosi's introductions to each topic provide background information, bibliographies, and critical elucidations of the issues at stake. His own concluding essay is an important and original contribution to scholarship in the field. From the pre-publication reviews: 'Until now, anthologies about the history of art have tended to be worthy yet inert, plotting a linear evolution from the great precursors (Vasari, Winckelmann) to the founding fathers of the modern discipline (W--ouml--;lfflin, Riegl, Panofsky) to the achievements and refinements of today's scholarship. The texts that Donald Preziosi has brought together provide something far more challenging: the juxtapositions and alignments between individual essays point the reader towards unresolved problems, ongoing debates, and paths not takenor not taken yet. In place of the consoling tale of intellectual progress, the collection defamiliarizes the whole field, and opens up a space for radical reflection on its basic procedures and assumptions. Definitely the best introduction to art history currently available.' Professor Norman Bryson, Harvard University 'Donald Preziosi has prepared an anthologyfrom the Greek, a collection of flowersof art history. His bouquet contains representatives from the discipline's two-hundred year history, arranged in standard and innovative methodological categories. Within each, the readings selected provide stimulating congruencies and contradictions that will inspire productive debate and contemplation. But what makes this anthology more than an arresting assemblage is the author's critical stance toward what he has wrought. His introduction and concluding chapter write around and under the subjects presented, emphasizing the 'art' of art history, its kinship with modernity's post-Enlightenment project, and its collaboration with the rise of nationalism. Thus the discipline's past is probed and questioned and made relevant for its present and future. The whole thereby addresses, without healing or concealing, the disciplinary ruptures of modernism. The book might also have explored further nature of art history's history within the emergent discourse of post-colonialism and the globalization of culture Yet the many new perspectives it does offer help to re-present the discipline for its readers, students, teachers, and curators, for other areas of humanistic inquiry, which are being subject to similar critiques, and for artists and the larger art community, for whom history, narrative, and an accounting of art's past have once again become vital issues' Professor Robert S. Nelson, Professor of Art History and Chair, Committee for the History of Culture, University of Chicago 'Rather than focusing on its Vasarian moment or on the later academic institutionalization of art history in the 19th and 20th centuries, Donald Preziosi, in The Art of Art History, constructs a reading of this hegemonic and reductive practice of making 'the visible legible' as one that is inextricably tied to the museographic paradigm of late 18th and early 19th centuries. This shift, he sees as equivalent in importance to the brought by the 'invention' of perspective. But the author goes further than to underline the implication of art history with the premises of modernity, he makes a strong case, in a vivid and inspiring prose, for a tighter equation between art history and modernity: an equation grounded in his insightful considerations (and meteoric formulations) of the epistemological setting, rhetorical operations political (colonialist) aims and schizophrenic yet all-invasive aestheticization of knowledge that, in the last two centuries, have fashioned what we will no longer dare to call the discipline of art history. The result is a flamboyant book that offers anything but a celebratory reading of art history. It does not constitute an articulation of canonical texts or an up-to-date menu of art historical currents, methods, or trends. Yet it manages to avoid none of these dimensions. Art history is not envisages as the learned discourse of modernity on a specific class of objects nor is it reduced to a genealogy of outstanding artist-subjects and their volatile constellations of contemporary subjects-readers. It becomes a practice wherein objects and subjects relate and relations often crystallize, under the unrecognized aegis of the fetish, this Other of art, since Preziosi concisely defines art as 'the anti-fetish fetish'. Far from the fantastic neutrality that is traditionally found in the format of such an historiographic endeavour, Preziosi frames his selection of text and threads through them with an array of different strategic voices, superimposed (to stress a spatial figure he is keen to discern) in order to elaborate a strong polemic position that situates art history as an enduring and well disguised fictional genre. In the process, the author courageously takes on the paradox that is at the core of his project: to introduce students to the coming out o art history... as art, one that is not necessarily meant to be our coming out of it but that certainly well establishes our motives to continue to shake its grounds and its multi-storied apparatus.' Professor Johanne Lamoureux, University of Montreal. -

How to Write Art History

Author: Anne D'Alleva
Publisher: Laurence King Publishing
ISBN: 1856694887
Release Date: 2006
Genre: Academic writing

An invaluable handbook, enables students to get the most from their art history course, and empowers readers to approach their coursework with confidence and energy. The book introduces two basic art historical methods formal analysis and contextual analysis revealing how to use these methods in writing papers and in class discussion

Art History

Author: Michael Hatt
Publisher: Manchester University Press
ISBN: 0719069599
Release Date: 2006-04-30
Genre: Art

This book provides a lively and stimulating introduction to methodological debates within art history. Offering a lucid account of approaches from Hegel to post-colonialism, the book provides a sense of art history's own history as a discipline from its emergence in the late-eighteenth century to contemporary debates.

The Expressionist Turn in Art History

Author: KimberlyA. Smith
Publisher: Routledge
ISBN: 9781351544726
Release Date: 2017-07-05
Genre: Art

During the period in which Expressionist artists were active in central Europe, art historians were producing texts which also began to be characterized evocatively as ?expressionist?, yet the notion of an expressionist art history has yet to be fully explored in historiographic studies of the discipline. This anthology offers a cross-section of noteworthy art history texts that have been described as expressionist, along with critical commentaries by an international group of scholars. Written between 1912 and 1933, the primary sources have been selected from the published scholarship of both recognized and less-familiar figures in the field's Germanic tradition: Wilhelm Worringer, Fritz Burger, Ernst Heidrich, Max Dvor? Heinrich W?lfflin, and Carl Einstein. Translated here for the first time, these examples of an expressionist turn in art history, along with their secondary analyses and the book's introduction, offer a productive lens through which to re-examine the practice and theory of art history in the early twentieth century.

Art and Its Histories

Author: Steve Edwards
Publisher: Yale University Press
ISBN: 0300077440
Release Date: 1999
Genre: Art

Published with six accompanying books in the series 'Art and its Histories'.

Critical Terms for Art History Second Edition

Author: Robert S. Nelson
Publisher: University of Chicago Press
ISBN: 0226571696
Release Date: 2010-03-15
Genre: Art

"Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's Fountain. But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and terminology. Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of "loaded" terms in the history of art, from sign to meaning, ritual to commodity. Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses "Originality" in Vija Celmins's To Fix the Image in Memory, a work made of eleven pairs of stones, each consisting of one "original" stone and one painted bronze replica. In addition to the twenty-two original essays, this edition includes nine new ones—performance, style, memory/monument, body, beauty, ugliness, identity, visual culture/visual studies, and social history of art—as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars. Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison, James D. Herbert, Amelia Jones, Wolfgang Kemp, Joseph Leo Koerner, Patricia Leighten, Paul Mattick Jr., Richard Meyer, W. J. T. Mitchell, Robert S. Nelson, Margaret Olin, William Pietz, Alex Potts, Donald Preziosi, Lisbet Rausing, Richard Shiff, Terry Smith, Kristine Stiles, David Summers, Paul Wood, James E. Young

Theory for Art History

Author: Jae Emerling
Publisher: Routledge
ISBN: 9781135871451
Release Date: 2013-09-13
Genre: Art

Theory for Art History provides clear and concise introductions to thirty key figures of contemporary theory: four essential predecessors – Freud, Marx, Nietzsche, and Saussure – and twenty-six major moderns from Adorno to Spivak. This book includes key concepts, biography, survey of work, bibliography of primary texts, and a bibliography of secondary criticism. Adapted from Theory for Religious Studies, by William E. Deal and Timothy K. Beal.

Methods and Theories of Art History

Author: Anne D'Alleva
Publisher: Laurence King Publishing
ISBN: 1856694178
Release Date: 2005
Genre: Art

This is an analysis of complex forms of art history. It covers a broad range of approaches, presenting individual arguments, controversies and divergent perspectives. The book begins by introducing the concept of theory and explains why it is important to the practice of art history.

Art History s History

Author: Vernon Hyde Minor
Publisher: Pearson College Division
ISBN: 0130851337
Release Date: 2001
Genre: Art

Written in jargon-free, reader-friendly language, this is one of the first volumes to make art historical theory accessible to those at the introductory level. A review of contemporary theory of art history provides readers with lucid prose and concrete examples. Discussion of eighteenth- and nineteenth- century theories that are important to art history offers readers a review of historically important issues in philosophy. Illustrations of well-known works of art show readers how theory has application to images. Art historians and educators.

Rethinking Art History

Author: Donald Preziosi
Publisher: Yale University Press
ISBN: 0300049838
Release Date: 1989-01-01
Genre: Art

A general overview of the theoretical and institutional history of the discipline of art history. Refuting the image of art history as a discipline in crisis, Preziosi asserts that many of the dilemmas and contradictions of art history today are not new but can be traced back to problems surrounding the founding of the discipline, its institutionalization, and its academic expansion since the 1870s.

The Critical Historians of Art

Author: Michael Podro
Publisher: Yale University Press
ISBN: 0300032404
Release Date: 1984-07-01
Genre: Art

Reviews the work of nineteenth-century German art critics and connects their writings with the basic philosophical problems of aesthetics considered by Kant, Schiller, and Hegel

Patterns of Intention

Author: Michael Baxandall
Publisher: Yale University Press
ISBN: 0300037635
Release Date: 1985
Genre: Art

Defines and explains various concepts regarding the painter's intentions in order to provide a basis for understanding of a work of art

Art History

Author: Michael Hatt
Publisher: Manchester University Press
ISBN: 0719069599
Release Date: 2006-04-30
Genre: Art

This book provides a lively and stimulating introduction to methodological debates within art history. Offering a lucid account of approaches from Hegel to post-colonialism, the book provides a sense of art history's own history as a discipline from its emergence in the late-eighteenth century to contemporary debates.

The Methodologies of Art

Author: Laurie Schneider Adams
Publisher: Routledge
ISBN: 9780429974076
Release Date: 2018-03-09
Genre: Art

Since the nineteenth century, when art history became an established academic discipline, works of art have been ?read? in a variety of ways. These different ways of describing and interpreting art are the methodologies of artistic analysis, the divining rods of meaning. Regardless of a work's perceived difficulty, an art object is, in theory, complex. Every work of art is an expression of its culture (time and place) and its maker (the artist) and is dependent on its media (what it's made of). The methodologies discussed here?formal analysis, iconology and iconography, Marxism, feminism, biography and autobiography, psychoanalysis, structuralism, race and gender?reflect the multiplicity of meanings in an artistic image. The second edition includes nineteen new images, new sections on race, gender, orientalism, and colonialism, and a new epilogue that analyzes a single painting to illustrate the different methodological viewpoints.