Author: Adam Rothman
Publisher: Harvard University Press
Release Date: 2015
After Union forces captured New Orleans in 1862, Rose Herera’s owners fled to Havana, taking her three children with them. Adam Rothman tells the story of Herera’s quest to rescue her children from bondage after the war. As the kidnapping case made its way through the courts, it revealed the prospects and limits of justice during Reconstruction.
Author: Jason A. Gillmer
Publisher: University of Georgia Press
Release Date: 2017
In these absorbing accounts of five court cases, Jason A. Gilmer offers intimate glimpses into Texas society in the time of slavery. Each story unfolds along boundaries - between men and women, slave and free, black and white, rich and poor, old and young - as rigid social orders are upset in ways that drive people into the courtroom.,br> One case involves a settler in a rural county along the Colorado River, his thirty-year relationship with an enslaved woman, and the claims of their children as heirs. A case in East Texas arose after an owner refused to pay an overseer who had shot one of her slaves. Another case details how a free family of color carved out a life in the sparsely populated marshland of Southeast Texas, only to lose it all as waves of new settlers "civilized" the county. An enslaved woman in Galveston who was set free in her owner's will - and who got an uncommon level of support from her attorneys - is the subject of another case. In a Central Texas community, as another case recounts, citizens forced a Choctaw native into court in an effort to gain freedom for his slave, a woman who easily "passed" as white. The cases considered here include Gaines v. Thomas, Clark v. Honey, Brady v. Price, and Webster v. Heard. All of them pitted communal attitudes and values against the exigencies of daily life in an often harsh place. Here are real people in their own words, as gathered from trial records, various legal documents, and many other sources. People of many colors, from diverse backgrounds, weave their way in and out of the narratives. We come to know what mattered most to them - and where those personal concerns stood before the law.
Author: Kim Vaz-Deville
Publisher: Univ. Press of Mississippi
Release Date: 2018-06-15
Genre: Social Science
Contributions by Jennifer Atkins, Vashni Balleste, Mora J. Beauchamp-Byrd, Ron Bechet, Melanie Bratcher, Jerry Brock, Ann Bruce, Violet Harrington Bryan, Rachel Carrico, Sarah Anita Clunis, Phillip Colwart, Keith Duncan, Rob Florence, Pamela R. Franco, Daniele Gair, Meryt Harding, Megan Holt, DeriAnne Meilleur Honora, Marielle Jeanpierre, Ulrick Jean-Pierre, Jessica Marie Johnson, Karen La Beau, D. Lammie-Hanson, Karen Trahan Leathem, Charles Lovell, Annie Odell, Ruth Owens, Steve Prince, Nathan "Nu'Awlons Natescott" Haynes Scott, LaKisha Michelle Simmons, Tia L. Smith, Gailene McGhee St.Amand, and Kim Vaz-Deville Since 2004, the Baby Doll Mardi Gras tradition in New Orleans has gone from an obscure, almost forgotten practice to a flourishing cultural force. The original Baby Dolls were groups of black women, and some men, in the early Jim Crow era who adopted New Orleans street masking tradition as a unique form of fun and self-expression against a backdrop of racial discrimination. Wearing short dresses, bloomers, bonnets, and garters with money tucked tight, they strutted, sang ribald songs, chanted, and danced on Mardi Gras Day and on St. Joseph feast night. Today's Baby Dolls continue the tradition of one of the first street women's masking and marching groups in the United States. They joyfully and unabashedly defy gender roles, claiming public space and proclaiming through their performance their right to social citizenship. Essayists draw on interviews, theoretical perspectives, archival material, and historical assessments to describe women's cultural performances that take place on the streets of New Orleans. They recount the history and contemporary resurgence of the Baby Dolls while delving into the larger cultural meaning of the phenomenon. Over 140 color photographs and personal narratives of immersive experiences provide passionate testimony of the impact of the Baby Dolls on their audiences. Fifteen artists offer statements regarding their work documenting and inspired by the tradition as it stimulates their imagination to present a practice that revitalizes the spirit.
Author: Rashauna Johnson
Publisher: Cambridge University Press
Release Date: 2016-11-07
New Orleans is an iconic city, which was once located at the crossroads of early America and the Atlantic World. New Orleans became a major American metropolis as its slave population exploded; in the early nineteenth century, slaves made up one third of the urban population. In contrast to our typical understanding of rural, localized, isolated bondage in the emergent Deep South, daily experiences of slavery in New Orleans were global, interconnected, and transient. Slavery's Metropolis uses slave circulations through New Orleans between 1791 and 1825 to map the social and cultural history of enslaved men and women and the rapidly shifting city, nation, and world in which they lived. Investigating emigration from the Caribbean to Louisiana during the Haitian Revolution, commodity flows across urban-rural divides, multiracial amusement places, the local jail, and freedom-seeking migrations to Trinidad following the War of 1812, it remaps the history of slavery in modern urban society.
ΣΤΗΝ ΠΑΓΩΜΕΝΗ ΛΕΥΚΟΤΗΤΑ ΤΟΥ ΒΕΡΜΟΝΤ… Ο Φρανκ Ραθ νόμιζε πως είχε ξεμπερδέψει με τις δολοφονίες όταν παρέδωσε το σήμα του αστυνομικού για να γίνει ιδιωτικός ντετέκτιβ και να μεγαλώσει την κόρη του ως ο μοναδικός της κηδεμόνας. Όμως η αστυνομία στην απομακρυσμένη ορεινή κοινότητα που ζει βρίσκει ένα εγκαταλελειμμένο αυτοκίνητο παρατημένο στον δρόμο και διαπιστώνει πως ανήκει σε μια πανέμορφη έφηβη που έχει εξαφανιστεί χωρίς κανένα ίχνος. Του ζητείται λοιπόν να αναλάβει την έρευνα… ΤΟ ΚΑΚΟ ΚΑΡΑΔΟΚΕΙ… Αυτή είναι μόνο η αρχή καθώς οι εξαφανίσεις νεαρών γυναικών διαδέχονται η μία την άλλη και ο Ραθ αναγκάζεται να αντιμετωπίσει τόσο τις συνέπειες του βίαιου και επώδυνου παρελθόντος του όσο και τις σκοτεινότερες εκδηλώσεις της ανθρώπινης ψυχής. ΚΑΙ ΚΑΝΕΙΣ ΔΕΝ ΕΙΝΑΙ ΑΣΦΑΛΗΣ.
Bella must choose between her friendship with Jacob, a werewolf, and her relationship with Edward, a vampire, but when Seattle is ravaged by a mysterious string of killings, the three of them need to decide whether their personal lives are more important than the well-being of an entire city.
Stin arkha�a Ath�na, i �ntres �nai aporrophim�ni ap' ton p�lemo me tous Sparti�tes kai paramelo�n tis yina�kes kai ta spitik� tous. Apifdism�nes, i yina�kes apophas�zoun me epikephal�s ti Lisistr�ti na kir�xoun erotik� apokh�, me skop� na tous exanang�soun na sin�psoun epit�lous ir�ni. Kai, molon�ti i engr�tia den �nai i m�ni l�si, i Sparti�tisses sp�fdoun ki aft�s na enotho�n maz� tous, apait�ntas ir�ni ap� tous diko�s tous �ntres, ton op�on i apous�a ap� ti siziyik� kl�ni �khi y�ni ep�sis aisthit�.