Author: Tim Etchells
Publisher: Psychology Press
Release Date: 1999
Genre: Performing Arts
An exploration of what lies at the heart of contemporary theatre. Written by the artistic director of Forced Entertainment, it investigates the process of devising performance, theatre's interdisciplinary role, and the city's influence.
Author: Tim Etchells
Release Date: 2010
Ein computersüchtiger Ich-Erzähler verliert sich beim Verfassen eines Wegweisers zu einem Online-Spiel so sehr in der virtuellen Welt, dass er gar nicht bemerkt, wie sein wirkliches Leben zerbricht. / Rouven Hans
Was wird hier eigentlich gespielt? Diese Frage können und müssen sich Zuschauer in Aufführungen der britischen Theatertruppe »Forced Entertainment« immer wieder stellen. Damit steht die Kompanie in der noch jungen Tradition des post-dramatischen Theaters. Interdisziplinär zwischen der Theaterwissenschaft und der Soziologie angesiedelt, befragt Stefanie Husels Studie Aufführungssituationen der Inszenierungen »Bloody Mess« und »The World in Pictures«: Mithilfe welcher Praktiken lassen die Teilnehmer den »Spiel-Raum« und die »Spielfiguren« der Aufführungen entstehen? Auf welche Weise werden die Zuschauer zu den eigentlichen »Spielern« der Aufführungen? Der Band enthält zahlreiche Interviews mit Tim Etchells, Gründungsmitglied von »Forced Entertainment«.
This lively and provocative study offers a radical reappraisal of a century of Shakespearean theatre. Topics addressed include modernist Shakespearean performance's relation with psychoanalysis, the hidden gender dynamics of the open stage movement, and the appropriation of Shakespeare himself as a dramatic fiction and theatrical icon.
What value does theatre have in Britain at the beginning of the twenty-first century? How has theatre responded to the challenge of remaining relevant in the media-saturated world of today? These are the questions that underpin this stimulating study of some of the leading dramatists of contemporary British theatre. At the Sharp End sets the scene examining how the forces that created a revolution in theatre fifty years ago have been replaced by a new wave of political and social issues. It goes on to explore the ways in which five key writers have sought to reflect and wrestle with the changing character of modern Britain. The work of David Edgar, David Greig, Mark Ravenhill, Tanika Gupta and Tim Etchells' company Forced Entertainment is considered, with recent plays examined in detail, an interview with each writer; and suggestions of other writers and plays for reading and comparison. At the Sharp End provides the perfect companion for anyone wanting to understand the changing face of contemporary drama and the writers whose work is making an impact on our stages today.
Publisher: A&C Black
Release Date: 2013-12-02
Genre: Performing Arts
Encountering Ensemble, is a text for students, teachers, researchers and practitioners who wish to develop a deeper understanding of the history, conceptual foundations and practicalities of the world of ensemble theatre. It is the first book to draw together definitions and practitioner examples, making it a cutting edge work on the subject. Encountering Ensemble combines historical and contemporary case studies with a wide range of approaches and perspectives. It is written collaboratively with practitioners and members from the academic community and is divided into three sections: 1. Introduction and an approach to training ensembles 2. Practitioner case studies and analysis of specific practical approaches to training ensembles (or individuals in an ensemble context) 3. Succinct perspectives from practitioners reflecting on a range of questions including: What is an ensemble?; the place of ensemble in the contemporary theatre landscape; and training issues.
Publisher: Stanford University
Release Date: 2011
This project focuses on the process and performance of three contemporary collective creation groups: Goat Island, Elevator Repair Service, and Nature Theater of Oklahoma. I draw processual and aesthetic connections between collective creation methodologies and the consequences of those methodologies in performance, claiming that processes leave footprints that are ultimately visible to audiences, though their visibility requires new ways of seeing. Taking into account an American genealogy of collective creation, I outline the footprints of method through the images of everyday employment, instances of untrained bodies enacting danced gesture, and the speeds and velocities that characterize the work of these three contemporary groups. Through these aesthetics we can locate evidence of methodological principles that constitute a politics. In the work of Goat Island, Elevator Repair Service, and Nature Theater of Oklahoma, this politics does not play out through the ideological content of performance, but is embedded within collaborative acts of making.
Author: David Lane
Publisher: Edinburgh University Press
Release Date: 2010-09-09
Genre: Literary Criticism
This book offers an extended analysis of writers and theatre companies in Britain since 1995, and explores them alongside recent cultural, social and political developments. Referencing well-known practitioners from modern theatre, this book is an excelle
Author: Tony White
Publisher: Hachette UK
Release Date: 2015-01-15
Bursting out of the literary underground, all the writers in this ground-breaking anthology put the emphasis firmly back on gratuitous story-telling and brutal, break-neck plots. The scorching hardcore prose of Stewart Home's Sex Kick collides with the bitterly romantic confessions of Billy Childish. Nicholas Blincoe's cool and stylish thriller writing meets the street realism of Victor Headley's Retropolitan Police, while well-dressed London gangsters fight for page space with the old school skinheads of Richard Allen. The collections also includes contributions from boundary- pushing authors like China Miéville, Michael Moorcock, J.J. Connolly and the editor of this searing collection, Tony White. Contributors in order of appearance: Michael Moorcock, Ted Lewis, Richard Allen, Victor Headley, Nicholas Blincoe, Catherine Johnson, Roy A. Bayfield, Steve Aylett, Stella Duffy, Simon Lewis, J.J. Connolly, Jane Graham, Karline Smith, Tim Etchells, Stewart Home, Jenny Valentish (née Knight), Billy Childish, Darren Francis, China Miéville, Steve Beard, Tony White, Jack Trevor Story
Author: Peter Brook
Publisher: Alexander Verlag Berlin
Release Date: 2016-05-31
Genre: Performing Arts
Der leere Raum ist der Klassiker unter den Büchern zum Theater. Es basiert auf vier Vorlesungen, die Peter Brook unter dem Titel The Empty Space: The Theater Today in den sechziger Jahren an den Universitäten von Hull, Keele, Manchester und Sheffield hielt. 1968 erschienen diese Gedanken zum Gegenwartstheater in Buchform. Nachdem der Band für längere Zeit vergriffen war, machte ihn der Alexander Verlag 1983 wieder greifbar für das deutsche Publikum. Brook unterteilt das Theater in vier verschiedene Formen: Das konventionelle Theater definiert er als "tödlich", das an Ritualen festhaltende Theater als das "heilige", das leicht verständliche, volksnahe Theater als "derbes" und das von ihm favorisierte als "unmittelbares Theater".
Dramaturgy in the Making maps contemporary dramaturgical practices in various settings of theatre-making and dance to reveal the different ways that dramaturgs work today. It provides a thorough survey of three major areas of practice - institutional dramaturgy, production dramaturgy and dance dramaturgy - with each illustrated through a range of case studies that illuminate methodology and which will assist practitioners in developing their own 'dramaturgical toolbox'. In tracing the development of the role of the dramaturg, the author explores the contribution of Lessing, Brecht and Tynan, foundational figures who shaped the practice. She excavates the historical and theoretical contexts for each strand of the work, uniquely offering a history of dance dramaturgy and its associated theories. Based on extensive research, the volume features material from the author's interviews with fifty eminent professionals from Europe and North America, including: Robert Blacker, Jack Bradley, DD Kugler, Ruth Little and Hildegard De Vuyst. Through these, a detailed and precise insight is provided into dramaturgical processes at organisations such as the Akram Khan Company, les ballets C de la B (Gent), the National Theatre and the Royal Court (London), the SchaubÃ1⁄4hne (Berlin) and The Sundance Institute Theatre Lab (Utah), among others. Dramaturgy in the Making will prove indispensable to anyone working in theatre or wanting to better understand the dramaturgical processes in performance-making today. The book features a foreword by Geoff Proehl, author of Toward a Dramaturgical Sensibility: Landscape and Journey.