Infamous for the murder of Maria Iribarne, the artist Juan Pablo Castel is now writing a detailed account of his relationship with the victim from his prison cell: obsessed from the first moment he saw her examining one of his paintings, Castel had become fixated on her over the next months and fantasized over how they might meet again. When he happened upon her one day, a relationship was formed which swiftly convinced him of their mutual love. But Castel�s growing paranoia would lead him to destroy the one thing he truly cared about... Sabato's first novel El T�nel (translated as �The Outsider� or �The Tunnel�), written in 1948, is framed as the confession of the painter Juan Pablo Castel, who has murdered the only woman capable of understanding him. Sabato�s novels were praised by authors such as Albert Camus and Graham Greene.
Author: Ernesto Sabato
Publisher: Verba Mundi
Release Date: 2017
Godine first published this towering work of Latin American literature in 1981, to a front page New York Times review. Now reissued in softcover with a new introduction, the book, often mentioned in the same breath as Borges, was praised by Camus and writers as various as Thomas Mann, Graham Greene, Pablo Neruda, Salman Rushdie, and Colm Tóibin. Sabato was an important political figure as well as a novelist, exposing the state terrorism of Argentina's "dirty war" while writing about everything from metaphysics to tango. On Heroes and Tombs is his masterpiece. In his obituary in 2011, the New York Times wrote, "In 1972, the Chilean poet Pablo Neruda listed Mr. Sabato among the Latin American writers who displayed 'greater vitality and imagination than anything since the great Russian novels' of the 19th century. On Heroes and Tombs, the story of a young man trying to find his way in life in Buenos Aires, is considered his most important work of fiction. But many people also know Mr. Sabato for his work in helping Argentina heal when democracy was restored in 1983 after seven years of military dictatorship." This book is woven around a violent crime: the scion of a prominent Argentinian family, Alejandra, shoots her father and burns herself alive over his corpse. The story shifts between perspectives to reveal the lives of those closest to her, telling of Martin, her troubled lover; Bruno, a writer who loved her mother; and Fernando, her father, who believes himself hunted by a secret, international organization of the blind. Exploring the tumult of Buenos Awes in the 1950s, Heroes illuminates its characters against burning churches and corporate greed. An examination of Argentinian history and culture, it reveals the country at every level, leading its reader into a world of passion, philosophy, and paranoia that still persists. Book jacket.
This extraordinary ambitious novel sets out to portray the spiritual landscape of the Cuban people in the wake of Castro's revolutionary upheaval. Like Cervantes' Don Quixote, The Lazarus Rumba describes a country best by social dislocation and personal confusion, a country whose soul is best captured by a lush magic realism woven from innumerable tales, tales told contrapuntally in voices both melancholy and lively, lyrical and coarse, delicate and grotesque. As intensely political as Manuel Puig's Kiss Of The Spider Woman or Milan Kundera's The Book Of Laughter And Forgetting, The Lazarus Rumba centers around three generations of women in the Lucientes family and follows the story of Alicia Lucientes as she almost inadvertantly becomes the most famous dissident on the Island. A modern tale rooted in recent historical events but filtered through a patiently unfolding storytelling style that pays homage to The Arabian Nights, The Lazarus Rumba is a stunning literary debut, a virtuoso performance like no other Latino writer has ever produced.
Author: Qiu Miaojin
Publisher: New York Review of Books
Release Date: 2017
"Set in the post-martial-law era of 1990s Taipei, Notes of a Crocodile depicts the coming-of-age of a group of queer misfits discovering love, friendship, and artistic affinity while hardly studying at Taiwan's most prestigious university. Told through the eyes of an anonymous lesbian narrator nicknamed Lazi, Qiu Miaojin's cult classic novel is a postmodern pastiche of diaries, vignettes, mash notes, aphorisms, exegesis, and satire by an incisive prose stylist and countercultural icon. Afflicted by her fatalistic attraction to Shui Ling, an older woman who is alternately hot and cold toward her, Lazi turns for support to a circle of friends that includes the devil-may-care, rich-kid-turned-criminal Meng Sheng and his troubled, self-destructive gay lover Chu Kuang, as well as the bored, mischievous overachiever Tun Tun and her alluring slacker artist girlfriend Zhi Rou. Bursting with the optimism of newfound liberation and romantic idealism despite corroding innocence, Notes of a Crocodile is a poignant and intimate masterpiece of social defiance by a singular voice in contemporary Chinese literature"--]cProvided by publisher.
Author: Ernesto Che Guevara
Publisher: Ocean Press
Release Date: 2015-04-10
Genre: Political Science
“If you are curious and open to the life around you, if you are troubled as to why, how and by whom political power is held and used, if you sense there must be good intellectual reasons for your unease, if your curiosity and openness drive you toward wishing to act with others, to ‘do something,’ you already have much in common with the writers of the three essays in this book.” — Adrienne Rich With a preface by Adrienne Rich, Manifesto presents the radical vision of four famous young rebels: Marx and Engels’ Communist Manifesto, Rosa Luxemburg’s Reform or Revolution and Che Guevara’s Socialism and Humanity.
This is not simply a triumph of style; it is both a reflection on a time of bloodshed and a raw vision of human misery. Guillermo Saccomanno, winner of the Argentine National Literature Prize. This man knows. He knows about guns, knows about women, knows about dead bodies. . . . But above all he knows how to narrate. Ana Mara Shua, author of El peso de la tentacin Superintendent Lascano is a detective working under the shadow of military rule in Buenos Aires in the late 1970s. Sent to investigate a double murder, he arrives at the crime scene to find three bodies. Two are clearly the work of the Junta's death squads, murders he is forced to ignore; the other one seems different. The trail leads Lascano through a decadent Argentina, a country poisoned to its core by the tyranny of the regime. The third corpse turns out to be that of Biterman, moneylender and Auschwitz survivor. When Lascano digs too deep, he must confront Giribaldi, an army major, quick to help old friends but ruthless in dealing with dissenters such as Eva, the young militant with whom Lascano is falling in love. Born in 1948, Ernesto Mallo is a published essayist, newspaper columnist, screenwriter, and playwright. He is a former anti-Junta militant who was pursued by the dictatorship. Needle in a Hay Stack is his first novel and the first in a trilogy with superintendent Lascano. The first two are being made into films.
In a stunning narrative combining the gritty rhythms of Junot Diaz with the noir genius of Walter Mosley, Bodega Dreams pulls us into Spanish Harlem, where the word is out: Willie Bodega is king. Need college tuition for your daughter? Start-up funds for your fruit stand? Bodega can help. He gives everyone a leg up, in exchange only for loyalty—and a steady income from the drugs he pushes. Lyrical, inspired, and darkly funny, this powerful debut novel brilliantly evokes the trial of Chino, a smart, promising young man to whom Bodega turns for a favor. Chino is drawn to Bodega's street-smart idealism, but soon finds himself over his head, navigating an underworld of switchblade tempers, turncoat morality, and murder.
Longlisted for the National Book Award in Fiction • A Finalist for the PEN/Faulkner Award for Fiction • A Finalist for the Los Angeles Times Book Prize for Fiction • A Finalist for the James Taite Black Prize for Fiction • A Finalist the Center for Fiction First Novel Prize • A Finalist for the Green Carnation Prize • A New York Times Book Review Editors’ Choice • A Los Angeles Times Bestseller Named One of the Best Books of the Year by More Than Fifty Publications, Including: The New Yorker, The Paris Review, The New York Times (selected by Dwight Garner), GQ, The Washington Post, Esquire, NPR, Slate, Vulture, the San Francisco Chronicle, The Guardian (London), The Telegraph (London), The Evening Standard (London), The Philadelphia Inquirer, The Miami Herald, The Millions, BuzzFeed, The New Republic (Best Debuts of the Year), Kirkus Reviews, and Publishers Weekly (One of the Ten Best Books of the Year) "Garth Greenwell's What Belongs to You appeared in early 2016, and is a short first novel by a young writer; still, it was not easily surpassed by anything that appeared later in the year....It is not just first novelists who will be envious of Greenwell's achievement."—James Wood, The New Yorker On an unseasonably warm autumn day, an American teacher enters a public bathroom beneath Sofia’s National Palace of Culture. There he meets Mitko, a charismatic young hustler, and pays him for sex. He returns to Mitko again and again over the next few months, drawn by hunger and loneliness and risk, and finds himself ensnared in a relationship in which lust leads to mutual predation, and tenderness can transform into violence. As he struggles to reconcile his longing with the anguish it creates, he’s forced to grapple with his own fraught history, the world of his southern childhood where to be queer was to be a pariah. There are unnerving similarities between his past and the foreign country he finds himself in, a country whose geography and griefs he discovers as he learns more of Mitko’s own narrative, his private history of illness, exploitation, and want. What Belongs to You is a stunning debut novel of desire and its consequences. With lyric intensity and startling eroticism, Garth Greenwell has created an indelible story about the ways in which our pasts and cultures, our scars and shames can shape who we are and determine how we love. A conversation between Garth Greenwell and Hanya Yanagihara is included inside the e-book edition.
The most comprehensive selection of poems in English by Latin America's legendary poet-activist, Ernesto Cardenal. Pluriverse: New and Selected Poems charts the life-work of the celebrated poet Ernesto Cardenal -- 'one of the world's major poets' ('Choice') and 'the preeminent poet of Central America today' ('Library Journal'). Follow Cardenal's poetic development across six decades, from the early exteriorismo poems and romantic epigrams of the early 1950s, to the increasingly spiritual and political verse he wrote as priest and activist (including his classic revolutionary documentary poem 'Zero Hour'), to the shorter victory and ecology poems, and elegies to fallen Sandinistas, and on to the cosmic-mystical-scientific dimensions of his laterwork. 'Here they are -- ' editor Jonathan Cohen writes in his Introduction, 'to gladden your heart and enrich your soul.'
About the Book Since it was first published in 1971, Galarza's classic work has been assigned in high school and undergraduate classrooms across the country, profoundly affecting thousands of students who read this true story of acculturation into American life. To celebrate the 40th anniversary of the publication of Barrio Boy, the University of Notre Dame Press is proud to reissue this best-selling book with a new text design and cover, as well an introduction--by Ilan Stavans, the distinguished cultural critic and editor of the Norton Anthology of Latino Literature--which places Ernesto Galarza and Barrio Boy in historical context. About the Author Ernesto Galarza (1905-1984) was a labor organizer, historian, professor, and community activist. When he was eight, he migrated from Jalcocotan, Nayarit, Mexico, to Sacramento, California, where he worked as a farm laborer. He received a Ph.D. in history from Columbia University. In addition to Barrio Boy, he is the author of a number of books, including Strangers in Our Fields (1956), Merchants of Labor (1964), and Spiders in the House and Workers in the Fields (1970). In 1979, Dr. Galarza was nominated for the Nobel Prize in Literature. "Unlike people who are born in hospitals, in an ambulance, or in a taxicab I showed up in an adobe cottage with a thatched roof that stood at one end of the only street of Jalcocotan, which everybody called Jalco for short. Like many other small villages in the wild, majestic mountains of the Sierra Madre de Nayarit, my pueblo was a hideaway. Even though you lived there, arriving in Jalco was always a surprise." --from Chapter 1 Reviews of the original edition: ". . . An illuminating record of the forebodings of ordinary rural Mexicans at the beginning of the revolution." -- The New York Review of Books "With its suspense, humor, and occasional sadness, Barrio Boy is splendid reading." -- American Anthropologist "Galarza's proud and moving book is a testament to who he is, where he came from, and to the country which received him and in which he has devoted his life fighting for both la justicia and justice." -- Social Education Journal Barrio Boy is the remarkable story of one boy's journey from a Mexican village so small its main street didn't have a name, to the barrio of Sacramento, California, bustling and thriving in the early decades of the twentieth century. With vivid imagery and a rare gift for re-creating a child's sense of time and place, Ernesto Galarza gives an account of the early experiences of his extraordinary life--from revolution in Mexico to segregation in the United States--that will continue to delight readers for generations to come.
Author: RANDOM HOUSE INC
Publisher: NYRB Classics
Release Date: 2009-10-27
The NYRB Classics series is designedly and determinedly exploratory and eclectic, a mix of fiction and non-fiction from different eras and times and of various sorts. The series includes nineteenth century novels and experimental novels, reportage and belles lettres, tell-all memoirs and learned studies, established classics and cult favorites, literature high, low, unsuspected, and unheard of. NYRB Classics are, to a large degree, discoveries, the kind of books that people typically run into outside of the classroom and then remember for life. Inevitably literature in translation constitutes a major part of the NYRB Classics series, simply because so much great literature has been left untranslated into English, or translated poorly, or deserves to be translated again, much as any outstanding book asks to be read again. The series started in 1999 with the publication of Richard Hughes's A High Wind in Jamaica. NYRB Classics includes new translations of canonical figures such as Euripides, Dante, Balzac, and Chekhov; fiction by modern and contemporary masters such as Vasily Grossman, Mavis Gallant, Daphne du Maurier, Stefan Zweig, and Upamanyu Chatterjee; tales of crime and punishment by George Simenon and Kenneth Fearing; masterpieces of narrative history and literary criticism, poetry, travel writing, biography, cookbooks, and memoirs from such writers as Norman Mailer, Lionel Trilling, and Patrick Leigh Fermor; and unclassifiable classics on the order of J. R. Ackerley's My Dog Tulip and Robert Burton's The Anatomy of Melancholy. Fall 2009 sees the publication of the series' first graphic novel, Poem Strip by Dino Buzzati, translated into English for the first time. Published in handsome uniform trade paperback editions, almost all the 250 NYRB Classics included in this collection feature an introduction by an outstanding writer, scholar, or critic of our day. Taken as a whole, NYRB Classics may be considered a series of books of unrivaled variety and quality for discerning and adventurous readers. This collection includes one each of the following titles: A High Wind in Jamaica by Richard Hughes Jakob von Gunten by Robert Walser The Living Thoughts of Kierkegaard by Soren Kierkegaard Lolly Willowes by Sylvia Townsend Warner My Dog Tulip by J.R. Ackerley My Father and Myself by J.R. Ackerley The Other House by Henry James Peasants and Other Stories by Anton Chekhov Prison Memoirs of an Anarchist by Alexander Berkman A Handbook on Hanging by Charles Duff Hindoo Holiday by J.R. Ackerley Memoirs of My Nervous Illness by Daniel Paul Schreber The Wooden Shepherdess by Richard Hughes The Stories of J.F. Powers by J.F. Powers Memoirs of Lorenzo Da Ponte by Lorenzo Da Ponte Morte D'Urban by J.F. Powers Records of Shelley, Byron, and the Author by Edward John Trelawny Wheat that Springeth Green by J.F. Powers Classic Crimes by William Roughead The Lore and Language of Schoolchildren by Iona Opie The Unknown Masterpiece by Honore de Balzac Virgin Soil by Ivan Turgenev The Glass Bees by Ernst Junger The Pure and the Impure by Colette The Waste Books by Georg Christoph Lichtenberg A Month in the Country by J.L. Carr Seven Men by Max Beerbohm To Each His Own by Leonardo Sciascia The Wine-Dark Sea by Leonardo Sciascia Alfred and Guinevere by James Schuyler The Pilgrim Hawk by Glenway Wescott The Fox in the Attic by Richard Hughes The Haunted Looking Glass by Edward Gorey A House and Its Head by Ivy Compton-Burnett Manservant and Maidservant by Ivy Compton-Burnett Hadrian the Seventh by Fr. Rolfe Madame de Pompadour by Nancy Mitford The Quest for Corvo by A.J.A. Symons The Root and the Flower by L.H. Myers The Anatomy of Melancholy by Robert Burton Exploits and Adventures of Brigadier Gerard by Sir Arthur Conan Doyle Letty Fox by Christina Stead The Golovlyov Family by Shchedrin The Radiance of the King by Camara Laye Eustace and Hilda by L.P. Hartley Seduction and Betrayal by Elizabeth Hardwick Sleepless Nights by Elizabeth Hardwick A Way of Life, Like Any Other by Darcy O'Brien As a Man Grows Older by Italo Svevo Autobiography of an Unknown Indian by Nirad C. Chaudhuri Renoir, My Father by Jean Renoir An African in Greenland by Tete-Michel Kpomassie Letters: Summer 1926 by Boris Pasternak Mr. Fortune' s Maggot by Sylvia Townsend Warner Selected Works of Cesare Pavese by Cesare Pavese The Life of Henry Brulard by Stendhal On the Yard by Malcolm Braly Selected Stories of Robert Walser by Robert Walser The Adventures and Misadventures of Maqroll by Alvaro Mutis Mawrdew Czgowchwz by James McCourt The Go-Between by L.P. Hartley The Outcry by Henry James A Book of Mediterranean Food by Elizabeth David Letters from Russia by Astolphe De Custine Miserable Miracle by Henri Michaux Riders in the Chariot by Patrick White Summer Cooking by Elizabeth David Corrigan by Caroline Blackwood Great Granny Webster by Caroline Blackwood Mary Olivier by May Sinclair Randall Jarrell's Book of Stories by Randall Jarrell The New Life by Dante Alighieri The Ten Thousand Things by Maria Dermout The Unpossessed by Tess Slesinger The Middle of the Journey by Lionel Trilling The World of Odysseus by M.I. Finley The Book of My Life by Girolamo Cardano The Moon and the Bonfires by Cesare Pavese Paris Stories by Mavis Gallant Troubles by J.G. Farrell In the Freud Archives by Janet Malcolm The Private Memoirs and Confessions of a Justified Sinner by James Hogg A Sorrow Beyond Dreams by Peter Handke The Fountain Overflows by Rebecca West Prisoner of Love by Jean Genet We Always Treat Women Too Well by Raymond Queneau Witch Grass by Raymond Queneau The Stuffed Owl by D.B. Wyndham Lewis To the Finland Station by Edmund Wilson The Vet's Daughter by Barbara Comyns Walter Benjamin by Gershom Scholem Fancies and Goodnights by John Collier Shelley: The Pursuit by Richard Holmes In Parenthesis by David Jones Peking Story by David Kidd Rene Leys by Victor Segalen Black Sun by Geoffrey Wolff Dirty Snow by Georges Simenon The Invention of Morel by Adolfo Bioy Casares The Day of the Owl by Leonardo Sciascia Equal Danger by Leonardo Sciascia Monsieur Proust by Celeste Albaret Three Bedrooms in Manhattan by Georges Simenon The Tenants of Moonbloom by Edward Lewis Wallant The Towers of Trebizond by Rose MacAulay Varieties of Exile by Mavis Gallant My Century by Aleksander Wat The World I Live In by Helen Keller American Humor by Constance Rourke The Ivory Tower by Henry James The Gallery by John Horne Burns Paris and Elsewhere by Richard Cobb Apartment in Athens by Glenway Wescott Envy by Yuri Olesha The Moro Affair by Leonardo Sciascia Nights in the Gardens of Brooklyn by Harvey Swados Part of Our Time by Murray Kempton The Case of Comrade Tulayev by Victor Serge Boredom by Alberto Moravia Contempt by Alberto Moravia The Diary of a Rapist by Evan S. Connell Monsieur Monde Vanishes by Georges Simenon The Siege of Krishnapur by J.G. Farrell W. H. Auden's Book of Light Verse by W. H. Auden Asleep in the Sun by Adolfo Bioy Casares The Bog People by P.V. Glob Moravagine by Blaise Cendrars The Selected Poems of Osip Mandelstam by Osip Mandelstam Cassandra at the Wedding by Dorothy Baker The Furies by Janet Hobhouse Hons and Rebels by Jessica Mitford Indian Summer by William Dean Howells Memoirs of Hecate County by Edmund Wilson The Inferno of Dante Alighieri by Dante Alighieri The Year of the French by Thomas Flanagan Flaubert and Madame Bovary by Francis Steegmuller The Late Mattia Pascal by Luigi Pirandello The Life of Lazarillo de Tormes by W.S. Merwin The Peregrine by J.A. Baker Blood on the Forge by William Attaway The Child by Jules Valles The Lord Chandos Letter by Hugo Von Hofmannsthal The Singapore Grip by J.G. Farrell Count D'Orgel's Ball by Raymond Radiguet War and the Iliad by Simone Weil Anglo-Saxon Attitudes by Angus Wilson The Crisis of the Negro Intellectual by Harold Cruse Kaputt by Curzio Malaparte Memed, My Hawk by Yashar Kemal The Notebooks of Joseph Joubert by Joseph Joubert The Thirty Years War by C.V. Wedgwood Shakespeare by Mark Van Doren The Stalin Front by Gert Ledig Tropic Moon by Georges Simenon Between the Woods and the Water by Patrick Leigh Fermor A Time of Gifts by Patrick Leigh Fermor Jejuri by Arun Kolatkar The Man Who Watched Trains Go By by Georges Simenon Mouchette by Georges Bernanos Warlock by Oakley Hall The New York Stories of Henry James by Henry James Chess Story by Stefan Zweig What's for Dinner? by James Schuyler English, August by Upamanyu Chatterjee Conundrum by Jan Morris Life and Fate by Vasily Grossman Mani by Patrick Leigh Fermor Roumeli by Patrick Leigh Fermor Beware of Pity by Stefan Zweig Stoner by John Williams The Big Clock by Kenneth Fearing Red Lights by Georges Simenon The Jeffersonian Transformation by Henry Adams Love in a Fallen City by Eileen Chang A Savage War of Peace by Alistair Horne Clark Gifford's Body by Kenneth Fearing The Strangers in the House by Georges Simenon Pages from the Goncourt Journals by Edmond and Jules de Goncourt They Burn the Thistles by Yashar Kemal Born Under Saturn by Rudolf and Margot Wittkower The Stray Dog Cabaret by Edited by Honor Moore and Catherine Ciepiela Butcher's Crossing by John Williams Dante by Erich Auerbach The Slaves of Solitude by Patrick Hamilton That Awful Mess on the Via Merulana by Carlo Emilio Gadda The Engagement by Georges Simenon The Enchanted April by Elizabeth von Arnim The Slynx by Tatyana Tolstaya White Walls by Tatyana Tolstaya Memoirs of Montparnasse by John Glassco The Dud Avocado by Elaine Dundy The Education Of A Gardener by Russell Page The Book of Ebenezer Le Page by G. B. Edwards Sunflower by Gyula Krudy Novels in Three Lines by Felix Feneon The Goshawk by T. H. White The New York Stories of Edith Wharton by Edith Wharton A Time to Keep Silence by Patrick Leigh Fermor All About H. Hatterr by G. V. Desani Rogue Male by Geoffrey Household Memoirs of an Anti-Semite by Gregor von Rezzori Soul by Andrey Platonov Sheppard Lee, Written by Himself by Robert Montgomery Bird Poems of the Late T'ang by A. C. Graham Twenty Thousand Streets Under the Sky by Patrick Hamilton Unforgiving Years by Victor Serge Belchamber by Howard Sturgis A Journey Round My Skull by Frigyes Karinthy The Widow by Georges Simenon The Post-Office Girl by Stefan Zweig Afloat by Guy de Maupassant The Family Mashber by Der Nister The Summer Book by Tove Jansson Names on the Land by George R. Stewart Miami and the Siege of Chicago by Norman Mailer Inverted World by Christopher Priest My Fantoms by Theophile Gautier Stones of Aran: Pilgrimage by Tim Robinson In Hazard by Richard Hughes Victorine by Maude Hutchins Grief Lessons by Euripides Rock Crystal by Adalbert Stifter The Liberal Imagination by Lionel Trilling The Queue by Vladimir Sorokin Ringolevio by Emmett Grogan Defeat: Napoleon’s Russian Campaign by Philippe-Paul de Segur Don't Look Now by Daphne Du Maurier The Chrysalids by John Wyndham Pinocchio by Carlo Collodi The Snows of Yesteryear by Gregor von Rezzori The Rider on the White Horse by Theodor Storm School for Love by Olivia Manning Chaos and Night by Henry de Montherlant A Meaningful Life by L. J. Davis Short Letter, Long Farewell by Peter Handke Slow Homecoming by Peter Handke Season of Migration to the North by Tayeb Salih The Foundation Pit by Andrey Platonov The Complete Fiction by Francis Wyndham The One-Straw Revolution by Masanobu Fukuoka The Old Man and Me by Elaine Dundy Summer Will Show by Syliva Townsend Warner Niki by Tibor Dery Hard Rain Falling by Don Carpenter Stones of Aran: Labyrinth by Tim Robinson The Cost of Living by Mavis Gallant Memories of the Future by Sigizmund Krzhizhanovsky Poem Strip by Dino Buzzati No Tomorrow by Vivant Denon The Way of the World by Nicolas Bouvier
Author: Antonio Di Benedetto
Publisher: New York Review of Books
Release Date: 2016
An NYRB Classics Original First published in 1956, Zama is now universally recognized as one of the masterpieces of modern Argentine and Spanish-language literature. Written in a style that is both precise and sumptuous, weirdly archaic and powerfully novel, Zama takes place in the last decade of the eighteenth century and describes the solitary, suspended existence of Don Diego de Zama, a highly placed servant of the Spanish crown who has been posted to Asunci�n, the capital of remote Paraguay. There, eaten up by pride, lust, petty grudges, and paranoid fantasies, he does as little as he possibly can while plotting his eventual transfer to Buenos Aires, where everything about his hopeless existence will, he is confident, be miraculously transformed and made good. Don Diego's slow, nightmarish slide into the abyss is not just a tale of one man's perdition but an exploration of existential, and very American, loneliness. Zama, with its stark dreamlike prose and spare imagery, is at once dense and unforeseen, terse and fateful, marked throughout by a haunting movement between sentences, paragraphs, and sections, so that every word seems to emerge from an ocean of things left unsaid. The philosophical depths of this great book spring directly from its dazzling prose.
The essays collected in this volume develop the theoretical perspective initiated in Laclau and Mouffe’s Hegemony and Socialist Strategy in three main directions. First, by exploring the specificity of social antagonisms and answering the question ‘What is an antagonistic relation?’, an issue which has become increasingly crucial in our globalized world, where the proliferation of conflicts and points of rupture is eroding their links to the social subjects postulated by classical social analysis. This leads the author to a second line of questioning: what is the ontological terrain that allows us to conceive the nature of social relations in our heterogeneous world, a task that he addresses with theoretical instruments coming from analytical philosophy and from the phenomenological and structuralist traditions. Finally, central to the argument of the book is the basic role attributed to rhetorical movements – metaphor, metonymy, catachresis – in shaping the ‘non-foundational’ grounds of society.