Author: Wanda Jackson
Publisher: BMG Books
Release Date: 2017-12-01
Wanda Jackson's debut single, "You Can't Have My Love," reached the Top 10 while she was still a sixteen-year-old high school student. She hit the road after graduation, playing package shows with Carl Perkins, Johnny Cash, Jerry Lee Lewis, and Elvis Presley, who gave Wanda his ring and asked her to be "his girl." With Presley's encouragement, the Oklahoma native began recording rock music, often releasing singles with country on one side and rock on the other during her decade-and-a-half tenure on Capitol Records. Known for her energetic stage shows and pioneering presence as a female artist, Wanda stormed the charts with a series of hit singles, including "Let's Have a Party," "Right or Wrong," and "In the Middle of a Heartache." With more than 40 albums to her credit, Wanda has proven to be an enduring and genre-defying legend of American music. In Every Night is Saturday Night, Wanda tells her own story of getting discovered by Country Music Hall of Famer Hank Thompson; shy she refused to return to The Grand Ole Opry for more than fifty years; the challenges she and her integrated band, The Party Timers, faced in the early 1960s; finding the love of her life; her recent work with rock luminaries Jack White and Joan Jett; and how her deep faith has sustained her over more than seven decades of rocking, shocking, and thrilling audiences around the globe.
Born in Slaton, Texas, Bobby Keys has lived the kind of life that qualifies as a rock 'n' roll folktale. In his early teens, Keys bribed his way into Buddy Holly’s garage band rehearsals. He took up the saxophone because it was the only instrument left unclaimed in the school band, and he convinced his grandfather to sign his guardianship over to Crickets drummer J.I. Allison so that he could go on tour as a teenager. Keys spent years on the road during the early days of rock ‘n’ roll with hitmakers like Bobby Vee and the various acts on Dick Clark’s Caravan of Stars Tour, followed by decades as top touring and session sax man for the likes of Mad Dogs and Englishmen, George Harrison, John Lennon, and onto his gig with The Rolling Stone from 1970 onward. Every Night's a Saturday Night finds Keys setting down the many tales of an over-the-top rock ‘n’ roll life in his own inimitable voice. Augmented by exclusive contributions with famous friends like Keith Richards, Joe Crocker, and Jim Keltner, Every Night's a Saturday Night paints a unique picture of the coming-of-age of rock 'n' roll.
Ein großes Leben – der Rolling Stone erzählt Bei den Rolling Stones erschuf Keith Richards die Songs, die die Welt veränderten. Sein Leben ist purer Rock’n’Roll. Jetzt endlich erzählt er selbst seine atemberaubende Geschichte inmitten eines »crossfire hurricane«. Und er tut dies mit einer entwaffnenden Ehrlichkeit, die bis heute sein Markenzeichen geblieben ist. Die Geschichte, auf die wir alle gewartet haben – unverwechselbar, kompromisslos und authentisch. Wie er als Kind in England die Platten von Chuck Berry und Muddy Waters rauf und runter hörte. Wie er Gitarre lernte und mit Mick Jagger und Brian Jones die bis heute größte Rockband aller Zeiten gründete – die Rolling Stones. Er berichtet von dem frühen Ruhm und den berüchtigten Drogen-Razzien, die ihm sein Image als ewiger Rebell und Volksheld einbrachten. Wie er die unsterblichen Riffs zu Songs wie »Jumpin’ Jack Flash« oder »Honky Tonk Women« erfand. Die Beziehung mit Anita Pallenberg und der tragische Tod von Brian Jones. Die Flucht vor der Steuerfahndung nach Frankreich, die legendären Konzerte und Tourneen in den USA. Isolation und Sucht. Die Liebe zu Patti Hansen. Streitereien mit Mick Jagger und die anschließende Versöhnung. Heirat, Familie, die Soloalben und die Xpensive Winos – und das, was am Ende bleibt.
Author: Phillip Hayes Dean
Publisher: Dramatists Play Service Inc
Release Date: 1976
THE STORY: Set in a seedy hotel of a black neighborhood in a Midwestern city, the play introduces a series of finely drawn representative characters: a pimp who sends his girl out on the street to earn money for his drugs; the light-skinned dancer
Combining bright colors and musical patterns with rhythmic text, this toe-tapping, finger-snapping picture book pays tribute to such jazz greats as Miles Davis, Charlie Parker, and John Coltrane. 50,000 first printing.
Author: Richard Grudens
Publisher: celebrity profiles publilshing
Release Date: 1999
This book looks at the anatomy of a big band radio station with the broadcasters and the songwriters. Chapters cover the early dance bands of Paul Whiteman, Leo Reisman, Fred Waring, Casa Loma, Coon-Sanders Nighthawks, Fletcher Henderson, Vincent Lopez, Wayne King and covers vignettes about the ballrooms and pavillions where the bands performed the music of America's Golden Age. Max Wirz of Swiss radio recalls the big bands of Europe, from Syd Lawrence and Ted Heath, right up to today's exciting Thilo Wolf and Andy Prior. A special section covers vocalists Beryl Davis and Carmel Quin, the Wizard of the guitar Les Paul, and magical radio journalist Sally Bennett. The book concludes with Honourable Mentions of bands and vocalists you may or may not know. Richard Grudens again provides a special insight into the lives of the performers who lived within the Jukebox of our lives in this book with over 60 exceptional photos provided by most of the books subjects themselves.
Saturday Night is the intimate history of the original Saturday Night Live, from its beginnings as an outlaw program produced by an unruly band of renegades from the comedy underground to a TV institution that made stars of John Belushi, Bill Murray, Chevy Chase, Gilda Radner, Jane Curtin, Laraine Newman, Garrett Morris, Joe Piscopo and Eddie Murphy. This is the book that revealed to the world what really happened behind the scenes during the first ten years of this groundbreaking program, from the battles SNL fought with NBC to the battles fought within the show itself. It's all here: The love affairs, betrayals, rivalries, drug problems, overnight successes, and bitter failures, mixed with the creation of some of the most outrageous and original comedy ever. "It reads like a thriller," said the Associated Press, "and may be the best book ever written about television." Available for the first time in ebook format, this edition features nearly fifty photographs of cast, crew and sketches.
Author: Robert Tallant
Publisher: Pelican Publishing Company
Release Date: 1987-05-31
The living folklore of Louisiana returns in this new edition of the classic Gumbo Ya-Ya. Long considered the finest collection of Louisiana folk tales and customs, Gumbo Ya-Ya chronicles the stories and legends that have emerged from the bayou country. Meet the Krewe of Zulu, New Orleans' most colorful all-black Carnival club, and the many tribes of Indians who help celebrate Mardi Gras with their fierce pageantry. Listen to the street criers entice customers to buy their goods. Produce peddlers hawk watermelon, cantaloupe, snap and butter beans, and strawberries. The charcoal man sells fuel to stoke the wash-day fires, while the kindling man offers to saw two cords for a dollar and dinner. Zabette and Rose Gla dispense the choicest coffee available in the French Quarter of New Orleans. The bottle man collects old bottles, rags, and bones, driving a hard bargain with the children who expect handfuls of peppermints, whistles, horns, and rattles for their hoards of treasure. All aspects of society are detailed in this wonderful album of Louisiana tradition: the Vieux Carr Creoles, with their strict codes of family honor; the burly Irish Channel immigrants; the lively Italians who still honor St. Joseph and St. Rosalia with all the pomp of the Old Country; and the fun-loving Cajuns, with their curious family names and spirited fais do do. There's no escaping superstition and voodoo in Louisiana. Several sections explain the customs and beliefs that have sprung up over the centuries. Always burn onion peels to ensure a steady supply of money. Sprinkle nutmeg in a woman's left shoe every night at midnight to drive her crazy. Kiss your elbow to change your sex. Gumbo Ya-Ya ( Everybody Talks at Once ) is a charming look at the legends and practices of Louisiana, particularly New Orleans. Originally written as part of the WPA's Louisiana Writers' Program, it has endured as a classic of its genre and is again available in a beautiful Pelican edition.
Thomas Fitzwalter, a young builder, is waiting in a site porta cabin to price a job when he is a witness to an assault on a young woman. Through the porta cabin window Thomas captures images of the assault with a camera he has with him. One of the images is of a charismatic American preacher, so called, who is standing in the doorway of the trailer angrily gesticulating at the woman. The builder intervenes and a fight occurs in which he holds his own against the woman’s assailant but when a second thug appears on the scene - from out of the blue – Thomas is overwhelmed by the bigger man. His quietus is approaching but he is saved from serious injury by the woman who takes off one of her shoes and using it club fashion batters the thug into submission. The consequences that follow from the fight unfold against a backdrop of building site values, police corruption, religious hypocrisy, various human relationships and social events, all of which have a bearing on one of the most dramatic Saturday nights Thomas has ever experienced.
Author: Lindsey A. Freeman
Publisher: UNC Press Books
Release Date: 2015-04-13
Genre: Social Science
Longing for the Bomb traces the unusual story of the first atomic city and the emergence of American nuclear culture. Tucked into the folds of Appalachia and kept off all commercial maps, Oak Ridge, Tennessee, was created for the Manhattan Project by the U.S. government in the 1940s. Its workers labored at a breakneck pace, most aware only that their jobs were helping "the war effort." The city has experienced the entire lifespan of the Atomic Age, from the fevered wartime enrichment of the uranium that fueled Little Boy, through a brief period of atomic utopianism after World War II when it began to brand itself as "The Atomic City," to the anxieties of the Cold War, to the contradictory contemporary period of nuclear unease and atomic nostalgia. Oak Ridge's story deepens our understanding of the complex relationship between America and its bombs. Blending historiography and ethnography, Lindsey Freeman shows how a once-secret city is visibly caught in an uncertain present, no longer what it was historically yet still clinging to the hope of a nuclear future. It is a place where history, memory, and myth compete and conspire to tell the story of America's atomic past and to explain the nuclear present.