A memoir done in the form of a graphic novel by a cult favorite comic artist offers a darkly funny family portrait that details her relationship with her father--a funeral home director, high school English teacher, and closeted homosexual.
From the best-selling author of Fun Home, Time magazine’s No. 1 Book of the Year, a brilliantly told graphic memoir of Alison Bechdel becoming the artist her mother wanted to be. Alison Bechdel’s Fun Home was a pop culture and literary phenomenon. Now, a second thrilling tale of filial sleuthery, this time about her mother: voracious reader, music lover, passionate amateur actor. Also a woman, unhappily married to a closeted gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood . . . and who stopped touching or kissing her daughter good night, forever, when she was seven. Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf. It's a richly layered search that leads readers from the fascinating life and work of the iconic twentieth-century psychoanalyst Donald Winnicott, to one explosively illuminating Dr. Seuss illustration, to Bechdel’s own (serially monogamous) adult love life. And, finally, back to Mother—to a truce, fragile and real-time, that will move and astonish all adult children of gifted mothers.
In his first novel, A Happy Death, written when he was in his early twenties and retrieved from his private papers following his death in I960, Albert Camus laid the foundation for The Stranger, focusing in both works on an Algerian clerk who kills a man in cold blood. But he also revealed himself to an extent that he never would in his later fiction. For if A Happy Death is the study of a rule-bound being shattering the fetters of his existence, it is also a remarkably candid portrait of its author as a young man. As the novel follows the protagonist, Patrice Mersault, to his victim's house -- and then, fleeing, in a journey that takes him through stages of exile, hedonism, privation, and death -it gives us a glimpse into the imagination of one of the great writers of the twentieth century. For here is the young Camus himself, in love with the sea and sun, enraptured by women yet disdainful of romantic love, and already formulating the philosophy of action and moral responsibility that would make him central to the thought of our time. Translated from the French by Richard Howard
Author: Adam Rapp
Publisher: First Second
Release Date: 2017-02-14
Genre: Young Adult Fiction
The future waits for no one. In this new world, speed and efficiency are everything, and the populace zooms along in a perpetually stimulated haze. Angela thinks she's the only person in her family—maybe the only person on the planet—who sees anything wrong with this picture. But the truth is she's not alone. Angela finds herself recruited into a resistance movement where the key to rebellion is taking things slow. In their secret underground hideout, they create a life unplugged from the rapid-fire culture outside. Can they free the rest of the world before the powers that be shut down their utopian experiment? From revolutionary and award-winning playwright Adam Rapp and veteran cartoonist and animator Mike Cavallaro comes Decelerate Blue, a dark, breath-taking new vision of an all-too-plausible future for America.
The groundbreaking graphic memoir that inspires breast cancer patients to fight back—and do so with style. “What happens when a shoe-crazy, lipstick-obsessed, wine-swilling, pasta-slurping, fashion-fanatic, about-to-get-married big-city girl cartoonist with a fabulous life finds . . . a lump in her breast?” That’s the question that sets this powerful, funny, and poignant graphic memoir in motion. In vivid color and with a taboo-breaking sense of humor, Marisa Acocella Marchetto tells the story of her eleven-month, ultimately triumphant bout with breast cancer—from diagnosis to cure, and every challenging step in between. •One of Time’s top ten graphic novels of the year •Slate.com’s medical book of the year •One of the Wall Street Journal’s five best books on living with illness •Finalist, Books for a Better Life •Finalist, National Cartoonists Society Graphic Novel of the Year “Powerful . . . A vibrant, neon chronicle with plenty of attitude . . . A triumph of imagination and spirit.” —Los Angeles Times “Ebullient . . . Visually invigorating and unflinching.” —The New York Times Book Review “Irresistibly authentic . . . These words and pictures convey humility and humanity with witty grace and heartfelt power.” —The Miami Herald “Funny, eye-opening, moving.” —Time From the Trade Paperback edition.
Author: Allison Stanger
Publisher: Yale University Press
Release Date: 2014-05-14
Genre: Business & Economics
Allison Stanger examines the American government's approach to outsourcing, discussing the evolution of military outsourcing, the privatization of diplomacy, and homeland security; and offering an alternative approach.
Amy Bloom was nominated for a National Book Award for her first collection, Come to Me, and her fiction has appeared in The New Yorker, Story, Antaeus, and other magazines, and in The Best American Short Stories and Prize Stories: The O. Henry Awards. In her new collection, she enhances her reputation as a true artist of the form. Here are characters confronted with tragedy, perplexed by emotions, and challenged to endure whatever modern life may have in store. A loving mother accompanies her daughter in her journey to become a man, and discovers a new, hopeful love. A stepmother and stepson meet again after fifteen years and a devastating mistake, and rediscover their familial affection for each other. And in "The Story," a widow bent on seducing another woman's husband constructs and deconstructs her story until she has "made the best and happiest ending" possible "in this world." From the Trade Paperback edition.
Author: Chip Kidd
Publisher: Simon and Schuster
Release Date: 2008-12-26
'Show me something I've never seen before and will never be able to forget - if you can do that, you can do anything.' It's 1957, long before computers have replaced the trained eye and skilful hand. Our narrator at State University is determined to major in Art, and after several risible false starts, he accidentally ends up in a new class: 'Introduction to Graphic Design'. His teacher is the enigmatic Winter Sorbeck, equal parts genius, seducer and sadist. Sorbeck is a bitter yet fascinating man whose assignments hurl his charges through a gauntlet of humiliation and heartache, shame and triumph, ego-bashing and enlightenment. Along the way, friendships are made and undone, jealousies simmer, and the sexual tango weaves and dips. By the end of their 'Introduction to Graphic Design', Sorbeck's students will never see the world in the same way again. And, with Chip Kidd's insights into the secrets of graphic design, neither will you.
Features excerpts from graphic novels, newspapers, webcomics, and other sources and features work by up-and-coming contributors as well as such established artists as Joe Sacco, Jeff Smith, and Dash Shaw.
This thesis will examine how Alison Bechdels 2006 graphic memoir "Fun Home: A Family Tragicomic" uses references to William Shakespeare, Oscar Wilde and their works to explore Bechdels and her fathers sexual identities and gender identities. First, I will argue that Bechdels use of dramatic intertextuality is often ignored in favour of her use of modernist canonical fiction. Then I will proceed to explain why dramatic intertextuality is important for the graphic narrative and for Fun Home in particular. Afterwards, I will specifically focus on the dramatic intertextual references to Shakespeare and Wilde. I will argue that Bechdel explores her own gender identity by indirectly referencing Shakespeares use of theatrical transvestitism. Then I will argue that she explores her fathers sexuality by comparing him to Oscar Wilde and the homosexual archetypes he used in his plays. I will conclude my thesis with a discussion on how Bechdel employs indirect and direct dramatic intertextual references and what these references convey about her gender identity and her fathers sexual identity.