Author: John Haiman
Publisher: Oxford University Press
Release Date: 1998-03-26
Genre: Language Arts & Disciplines
Putting aside questions of truth and falsehood, the old "talk is cheap" maxim carries as much weight as ever. Indeed, perhaps more. For one need not be an expert in irony or sarcasm to realize that people don't necessarily mean what they say. Phrases such as "Yeah, right" and "I couldn't care less" are so much a part of the way we speak--and the way we live--that we are more likely to notice when they are absent (for example, Forrest Gump). From our everyday dialogues and conversations ("Thanks a lot!") to the screenplays of our popular films (Pulp Fiction and Fargo), what is said is frequently very different from what is meant. Talk is Cheap begins with this telling observation and proceeds to argue that such "unplain speaking" is fundamentally embedded in the way we now talk. Author John Haiman traces this sea-change in our use of language to the emergence of a postmodern "divided self" who is hyper-conscious that what he or she is saying has been said before; "cheap talk" thus allows us to distance ourselves from a social role with which we are uncomfortable. Haiman goes on to examine the full range of these pervasive distancing mechanisms, from clich?s and quotation marks to camp and parody. Also, and importantly, this text highlights several new ways in which the English language is evolving (and has evolved) in response to our postmodern world view. In other words, this study shows us how what we are saying is gradually separating itself from how we say it. As provocative as it is timely, the book will be fascinating reading for students of linguistics, literature, communication, anthropology, philosophy, and popular culture.
Dieses Werk ist Teil der Buchreihe TREDITION CLASSICS. Der Verlag tredition aus Hamburg veroffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Grossteil vergriffen oder nur noch antiquarisch erhaltlich. Mit der Buchreihe TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte Bucher zu verlegen - und das weltweit! Die Buchreihe dient zur Bewahrung der Literatur und Forderung der Kultur. Sie tragt so dazu bei, dass viele tausend Werke nicht in Vergessenheit geraten
Author: Helen Macdonald
Publisher: Grove/Atlantic, Inc.
Release Date: 2016-02-02
Before Helen Macdonald rose to international acclaim with her "beautiful and nearly feral" (New York Times) bestselling memoir H Is for Hawk, she wrote a collection of poetry, Shaler's Fish. In robust, lyrical verse, Shaler's Fish roams both the outer and inner landscapes of the poet's universe, seamlessly fusing reflections on language, science, and literature, with the loamy environments of the natural worlds around her. Moving between the epic—war, history, art, myth, philosophy—and the specific—CNN, Ancient Rome, Auden, Merleau-Ponty—Macdonald examines with humor and intellect what it means to be awake and watchful in the world. These are poems that probe and question, within whose nimble ecosystems we are as likely to encounter Schubert as we are "a hand of violets," Isaac Newton as a "winged quail on turf." Nothing escapes Macdonald's eye and every creature herein—from the smallest bird to the loftiest thinker—holds a significant place in her poems. This is an unparalleled collection from one of greatest nature writers, and a poet of dazzling music and vision.
Author: Beat Wyss
Publisher: Cambridge University Press
Release Date: 2008-06-19
In this study, Beat Wyss provides a critical analysis of Hegel's theories of art history. Analogous to his philosophy of history, Hegel viewed the history of art in dialectical terms: With its origins in the Ancient Near East, Western art culminated in Classical Greece, but began its decline already in the Hellenistic period. Yet, as Wyss posits, art refuses its programmed demise. He highlights the political dimension of this contradiction, showing the implications of theories that subordinate art to the will of absolute rule.