Informing the designs of architects as diverse as Peter Zumthor, Steven Holl, Hans Scharoun and Colin St. John Wilson, the work of Martin Heidegger has proved of great interest to architects and architectural theorists. The first introduction to Heidegger’s philosophy written specifically for architects and students of architecture introduces key themes in his thinking, which has proved highly influential among architects as well as architectural historians and theorists. This guide familiarizes readers with significant texts and helps to decodes terms as well as providing quick referencing for further reading. This concise introduction is ideal for students of architecture in design studio at all levels; students of architecture pursuing undergraduate and postgraduate courses in architectural theory; academics and interested architectural practitioners. Heidegger for Architects is the second book in the new Thinkers for Architects series.
"Providing a concise and accessible introduction to the work of the twentieth century's celebrated German philosopher, Hans-Georg Gadamer, this book focuses on the aspects of Gadamer's philosophy that have been the most influential among architects, educators in architecture, and architectural theorists. Gadamer's philosophy of art gives a special place to the activity of "play" as it occurs in artistic creation, in language, and in thinking. His ideas on the function of symbols and meaning in art draw upon his teacher, Martin Heidegger, while developing further the applicability of Heideggerian thinking. His theory of interpretation, or "philosophical hermeneutics" offers profound ways to understand the influence of the past upon the present, and to appropriate the past in ever new forms. Gadamer's sensitivity to the way that theory arises out of practice and must maintain its relevance to practice gives his thought a remarkable usefulness and applicability. For architects, architectural theorists, architectural historians, and undergraduate and postgraduate students of architecture, Gadamer's thinking opens a world of possibilities for understanding how building today can be rich with human meaning, relating to architecture's history in an insightful manner that does not merely repeat nor merely repudiate that history"--
Author: Miguel de Beistegui
Publisher: Indiana University Press
Release Date: 2003-07-18
"... a real philosophical page-turner, a book that is difficult to put down, even given the complexity of its issues." -- Jeffrey Powell "This is a fine addition to existing books on Heidegger's thought.... The author has both a command of Heidegger and of how best to elucidate him to a contemporary audience." -- David Wood In Thinking with Heidegger, Miguel de Beistegui looks into the essence of Heidegger's thought and engages the philosopher's transformative thinking with contemporary Western culture. Rather than isolate and explore a single theme or aspect of Heidegger, de Beistegui chooses multiple points of entry that unfold from the same question or idea. De Beistegui examines Heidegger's translations of Greek philosophy and his interpretations and displacements of anthropology, ethics and politics, science, and aesthetics. Thinking with Heidegger proposes fresh answers to some of philosophy's most fundamental questions and extends Heideggerian discourse into philosophical regions not treated by Heidegger himself.
The work of Gilles Deleuze and Felix Guattari has been inspirational for architects and architectural theorists in recent years. It has influenced the design work of architects as diverse as Greg Lynn and David Chipperfield, and is regularly cited by avant-gardist architects and by students, but usually without being well understood. The first collaboration between Deleuze and Guattari was Anti-Oedipus: Capitalism and Schizophrenia, which was taken up as a manifesto for the post-structuralist life, and was associated with the spirit of the student revolts of 1968. Their ideas promote creativity and innovation, and their work is wide-ranging, complex and endlessly stimulating. They range across politics, psychoanalysis, physics, art and literature, changing preconceptions along the way. Deleuze & Guattari for Architects is a perfect introduction for students of architecture in design studio at all levels, students of architecture pursuing undergraduate and postgraduate courses in architectural theory, academics and interested architectural practitioners.
Brought together for the first time - the seminal writing on architecture by key philosophers and cultural theorist of the twentieth century. Issues around the built environment are increasingly central to the study of the social sciences and humanities. The essays offer a refreshing take on the question of architecture and provocatively rethink many of the accepted tenets of architecture theory from a broader cultural perspective. The book represents a careful selection of the very best theoretical writings on the ideas which have shaped our cities and our experiences of architecture. As such, Rethinking Architecture provides invaluable core source material for students on a range of courses.
Christian Norberg-Schulz’s Interpretation of Heidegger’s Philosophy investigates the theoretical contribution of the world-renowned Norwegian architectural theorist Christian Norberg-Schulz (1926 – 2000) and considers his architectural interpretation of the writings of German philosopher Martin Heidegger. Though widely recognised as providing the most comprehensive reading of Heideggerian philosophy through the lens of architecture, this book argues that Norberg-Schulz neglected one of the key aspects of the philosopher’s contributions: the temporal nature of being-in-the-world as care. The undeveloped architectural implications of the ontological concept of care in his work prevented the fruition of his ultimate aim, transforming the ‘art of place’ into an ‘art of living’. This book seeks to realign Norberg-Schulz’s understanding of time as continuity and change to present a holistic approach grounded in Heidegger’s phenomenological philosophy; architecture as art of care. Aimed at academics and scholars in architectural theory, history and philosophy, Christian Norberg-Schulz’s Interpretation of Heidegger’s Philosophy surveys the implications and significance of the theorist’s works on architectural criticism in the late 20th century.
Looking afresh at the implications of Jacques Derrida’s thinking for architecture, this book simplifies his ideas in a clear, concise way. Derrida‘s treatment of key philosophical texts has been labelled as "deconstruction," a term that resonates with architecture. Although his main focus is language, his thinking has been applied by architectural theorists widely. As well as a review of Derrida’s interaction with architecture, this book is also a careful consideration of the implications of his thinking, particularly on the way architecture is practiced.
Architektur kann inspirierend und einnehmend sein, sie kann sogar im Sinne Goethes -das Leben steigern-. Wie kommt es aber, dass architektonische Entwurfe am Zeichentisch oder am Computer-Bildschirm zwar meist recht gut aussehen, in der gebauten Realitat jedoch oft enttauschen? Die Antwort hierfur, behauptet Juhani Pallasmaa, findet sich in der Vorherrschaft des Visuellen, die alle Bereiche von Technologie- und Konsumkultur umfasst und so auch in die Architekturpraxis und -lehre Einzug gehalten hat. Wahrend unsere Erfahrung der Welt auf der Kombination aller funf Sinne beruht, berucksichtigt die Mehrheit der heute realisierten Architektur gerade mal einen den Sehsinn. Die Unterdruckung der anderen Erfahrungsbereiche hat unsere Umwelt sinnlich verarmen lassen und ruft Gefuhle von Distanz und Entfremdung hervor. Erstmalig 1996 (in englischer Sprache) veroffentlicht, ist "Die Augen der Haut" inzwischen zu einem Klassiker der Architekturtheorie geworden, der weltweit zur Pflichtlekture an den Architekturhochschulen gehort. Das Buch besteht aus zwei Essays. Der erste gibt einen Uberblick uber die Entwicklung des okularzentrischen Paradigmas in der westlichen Kultur seit der griechischen Antike sowie uber dessen Einfluss auf unsere Welterfahrung und die Eigenschaften der Architektur. Der zweite Essay untersucht, welche Rolle die ubrigen Sinne bei authentischen Architekturerfahrungen spielen, und weist einen Weg in Richtung einer multisensorischen Architektur, welche ein Gefuhl von Zugehorigkeit und Integration ermoglicht. Seit der Erstveroffentlichung des Buchs hat die Rolle des Korpers und der Sinne ein gesteigertes Interesse in der Architekturphilosophie und Architekturlehre erfahren. Die neue, uberarbeitete und erganzte Ausgabe dieses wegweisenden Werks wird nicht nur Architekten und Studenten dazu anregen, eine ganzheitlichere Architektur zu entwerfen, sondern auch die Wahrnehmung des interessierten Laien bereichern. -Seit "Architektur Erlebnis" (1959) des danischen Architekten Steen Eiler Rasmussen hat es keinen derart pragnanten und klar verstandlichen Text mehr gegeben, der Studenten und Architekten in diesen kritischen Zeiten dabei helfen kann, eine Architektur des 21. Jahrhunderts zu entwickeln.- Steven Holl Juhani Pallasmaa ist einer der angesehensten finnischen Architekten und Architekturtheoretiker. In allen Bereichen seiner theoretischen und gestalterischen Tatigkeit welche Architektur, Grafik Design, Stadteplanung und Ausstellungen umfasst betont er stets die zentrale Rolle von Identitat, Sinneserfahrung und Taktilitat."
Author: Marco Kaiser
Publisher: GRIN Verlag
Release Date: 2007-11
Seminar paper from the year 2003 in the subject Art - Architecture / History of Construction, grade: 2, University of Constance, course:, 13 entries in the bibliography, language: English, abstract: The issue of the second discussion in Darmstadt was set under the title "Mensch und Raum" (Man and Space) August 5th, 1951. The lecture, which was presented by Martin Heidegger called "Building - Dwelling - Thinking." This lecture will obtain the most important interest in this paper. The main intention is to understand what Martin Heidegger meant with his philosophical approach towards architecture and also trying to see what is the purpose of architecture. The art of architecture with its enigma will be enlightened or will be still a mystery. To look for hints and statements in several sources will hopefully help us to find a way or at least will let us understand. The aim towards this goal at first is to explain the most important terms, which Martin Heidegger is using. Especially with Martin Heidegger it will be important to know, what kind of language he is using and what is behind the terms he using in his descriptions. An other point which makes it important to deal with, will be the problem that we have two disciplines: philosophy and architecture, we know that the use of certain terms can be different in these cases, so similar than Martin Heidegger was doing it in his work "Building - Dwelling - Thinking," there will be an explanation of the important terms. The second part will deal with the explanation and the understanding of the enigma we worked on trough this paper. If it will be possible to understand or will it be to abstract to explain in such a short work. For the fact, that the lecture was presented more than 50 years ago and for an amount of time almost nobody was interested in this work, it became more and more important in the last decades, especially in the theoretical architecture, as well as in philosophy and art itself. Therefore the main
Theorizing a New Agenda for Architecture: An Anthology of ArchitecturalTheory collects in a single volume the most significant essays on architectural theory of the last thirty years. A dynamic period of reexamination of the discipline, the postmodern eraproduced widely divergent and radical viewpoints on issues of making, meaning, history, and the city. Among the paradigms presented arearchitectural postmodernism, phenomenology, semiotics, poststructuralism, deconstruction, and feminism. By gathering these influential articles from a vast array of books and journals into a comprehensive anthology, Kate Nesbitt has created a resource of great value. Indispensable to professors and students of architecture and architectural theory, Theorizing a New Agenda also serves practitioners and the general public, as Nesbitt provides an overview, a thematic structure, and a critical introduction to each essay. The list of authors in Theorizing a New Agenda reads like a "Who's Who" of contemporary architectural thought: Tadao Ando, Giulio Carlo Argan, Alan Colquhoun, Jacques Derrida, Peter Eisenman, Marco Frascari, Kenneth Frampton, Diane Ghirardo, Vittorio Gregotti, Karsten Harries, Rem Koolhaas, Christian Norberg-Schulz, Aldo Rossi, Colin Rowe, Thomas Schumacher, Ignasi de Sol-Morales Rubi, Bernard Tschumi, Robert Venturi and Denise Scott Brown, and Anthony Vidler. A bibliography and notes on all the contributors are also included.
Drawing on cultural theory, phenomenology and concepts from Asian art and philosophy, this book reflects on the role of interpretation in the act of architectural creation, bringing an intellectual and scholarly dimension to real-world architectural design practice. For practising architects as well as academic researchers, these essays consider interpretation from three theoretical standpoints or themes: play, edification and otherness. Focusing on these, the book draws together strands of thought informed by the diverse reflections of hermeneutical scholarship, the uses of digital media and studio teaching and practice.
Author: Robert Mugerauer
Release Date: 2014-10-01
Genre: Performing Arts
Responding to Loss: Heideggerian Reflections on Literature, Architecture, and Film closely attends to a novel, a building, and a film that powerfully bring forth and call on us to respond to dimensions of loss: The Crossing by Cormack McCarthy, the Jewish Museum Berlin by Daniel Libeskind, and Wings of Desire directed by Wim Wenders. Explicating these difficult but rich works using the thinking of Martin Heidegger and related philosophers Jean-Luc Marion, Hannah Arendt, and Immanuel Levinas helps us to experience the multiple and diverse ways in which all of us are opened to the saturated phenomena of loss, violence, witnessing, and responsibility. This approach is timely because a good deal of recent theory supposedly illuminates the arts and culture or the great dilemmas of human existence, but too often over-generalizes, failing to treat the art works themselves. In fact, the way trauma-inducing phenomena befall us requires close and patient focus if we are to let them come, if we are to adequately receive them. The goal is to provide specific, detailed treatment of the material in order to clarify the intense force of the novel, the building, and the film in a way that does not reduce what they compellingly, even overwhelmingly, bring forth into our world but that instead enables us to more fully absorb the dense, dark and troubling subject matter. Thus, in the face of both what is irrevocably taken away and what continues to be given the task of interpretation is ours alone and unavoidable how could it be otherwise?