New Modernist Studies, while reviving and revitalizing modernist studies through lively, scholarly debate about historicity, aesthetics, politics, and genres, is struggling with important questions concerning the delineation that makes discussion fruitful and possible. This volume aims to explore and clarify the position of the so-called ‘core’ of literary modernism in its seminal engagement with the Great War. In studying the years of the Great War, we find ourselves once more studying ‘the giants,’ about whom there is so much more to say, as well as adding hitherto marginalized writers – and a few visual artists – to the canon. The contention here is that these war years were seminal to the development of a distinguishable literary practice which is called ‘modernism,’ but perhaps could be further delineated as ‘Great War modernism,’ a practice whose aesthetic merits can be addressed through formal analysis. This collection of essays offers new insight into canonical British/American/European modernism of the Great War period using the critical tools of contemporary, expansionist modernist studies. By focusing on war, and on the experience of the soldier and of those dealing with issues of war and survival, these studies link the unique forms of expression found in modernism with the fragmented, violent, and traumatic experience of the time.
Author: Édouard Louis
Publisher: S. Fischer Verlag
Release Date: 2015-02-19
Ein Befreiungsschlag, ein Aufbruch in ein neues Leben – mit unglaublicher Sprachgewalt erzählt der junge französische Autor Édouard Louis die Geschichte einer geglückten Flucht aus einer unerträglichen Kindheit: inspiriert von seiner eigenen. ›Das Ende von Eddy‹ ist sein Debütroman, der zu einem großen Erfolg und einer der meistdiskutierten Veröffentlichungen des Jahres wurde.
In this comprehensive essay, I re-frame David Jones' modern First World War epic poem In Parenthesis while deploying theories of conceptual metaphor, mental spaces, and perception of time, much as Jones re-framed the War within his distinct style of form and narrative. Rich with illustrated figures, my argument is not only built from the careful consideration of ideas put forth by literary critics like T.S. Eliot, but it is also grounded with work by renowned cognitive scientists like George Lakoff and (monk riddle teller) Gilles Fauconnier. The ability to analyze literature systematically and in bio-psychological context is a true innovation, much like David Jones’ exquisite poem itself. The field of cognitive poetics encourages us to experiment in literary criticism. Psychology has unearthed so much about consciousness and unconsciousness in recent decades that we can effectively go backward in time to use that new knowledge as a lens to observe what unconscious and conscious motivations may lay within an author’s mind as he pens a work. Enjoy.
Author: Brian McHale
Publisher: Edinburgh University Press
Release Date: 2006-06-28
An imaginatively constructed new literary history of the twentieth century.This companion with a difference sets a controversial new agenda for literary -historical analysis. Far from the usual forced march through the decades, genres and national literatures, this reference work for the new century cuts across familiar categories, focusing instead on literary 'hot spots': Freud's Vienna and Conrad's Congo in 1899, Chicago and London in 1912, the Somme in July 1916, Dublin, London and Harlem in 1922, and so on, down to Bradford and Berlin in 1989 (the fatwa against Salman Rushdie, the new digital media), Stockholm in 1993 (Toni Morrison's Nobel Prize) and September 11, 2001.
Author: Felix Feneon
Publisher: New York Review of Books
Release Date: 2011-08-17
Genre: True Crime
A NEW YORK REVIEW BOOKS ORIGINAL Novels in Three Lines collects more than a thousand items that appeared anonymously in the French newspaper Le Matin in 1906—true stories of murder, mayhem, and everyday life presented with a ruthless economy that provokes laughter even as it shocks. This extraordinary trove, undiscovered until the 1940s and here translated for the first time into English, is the work of the mysterious Félix Fénéon. Dandy, anarchist, and critic of genius, the discoverer of Georges Seurat and the first French publisher of James Joyce, Fénéon carefully maintained his own anonymity, toiling for years as an obscure clerk in the French War Department. Novels in Three Lines is his secret chef-d’oeuvre, a work of strange and singular art that brings back the long-ago year of 1906 with the haunting immediacy of a photograph while looking forward to such disparate works as Walter Benjamin’s Arcades Project and the Death and Disaster series of Andy Warhol.
Smart women, sophisticated ladies, savvy writers . . . Edna St. Vincent Millay, Dorothy Parker, Anita Loos, Lois Long, Jessie Fauset, Dawn Powell, Mary McCarthy, and others imagined New York as a place where they could claim professional status, define urban independence, and shrug off confining feminine roles. It might be said that during the 1920s and 1930s these literary artists painted the town red on the pages of magazines like Vanity Fair and the New Yorker. Playing Smart, Catherine Keyser's homage to their literary genius, is a captivating celebration of their causes and careers. Through humor writing, this "smart set" expressed both sides of the story-promoting their urbanity and wit while using irony and caricature to challenge feminine stereotypes. Their fiction raised questions about what it meant to be a woman in the public eye, how gender roles would change because men and women were working together, and how the growth of the magazine industry would affect women's relationships to their bodies and minds. Keyser provides a refreshing and informative chronicle, saluting the value of being "smart" as incisive and innovative humor showed off the wit and talent of women writers and satirized the fantasy world created by magazines.
Author: David Jones
Publisher: New York Review of Books
Release Date: 1937
"This writing has to do with some things I saw, felt, and was part of": with quiet modesty, David Jones begins a work that is among the most powerful imaginative efforts to grapple with the carnage of the First World War, a book celebrated by W.B. Yeats and T.S. Eliot as one of the masterpieces of modern literature. Fusing poetry and prose, gutter talk and high music, wartime terror and ancient myth, Jones, who served as an infantryman on the Western Front, presents a picture at once panoramic and intimate of a world of interminable waiting and unforeseen death. And yet throughout he remains alert to the flashes of humanity that light up the wasteland of war.
Author: Hans Herbert Grimm
Publisher: Kiepenheuer & Witsch
Release Date: 2014-04-10
Die Wiederentdeckung: Schlump ist ein vergessener Klassiker, ein grandioser Antikriegsroman aus dem Jahr 1928 »Antinationalistisch, unheroisch, menschenfreundlich, pazifistisch, franzosenfreundlich, humanistisch, europäisch, ziemlich gut gelaunt und ziemlich gut geschrieben. Ein helles Buch aus dunkler Zeit.« So beschrieb Volker Weidermann diesen Roman in seinem FAS-Artikel im April 2013.Hans Herbert Grimm bekannte sich erst nach dem Zweiten Weltkrieg dazu, einen Roman über den Ersten Weltkrieg geschrieben zu haben, der sich immer noch ganz frisch, ganz gegenwärtig liest und sich damit abhebt von vielen heute nur noch literaturgeschichtlich kanonisierten Romanen. Die »Geschichten und Abenteuer aus dem Leben des unbekannten Musketiers Emil Schulz, genannt ›Schlump‹, von ihm selbst erzählt« – so der Untertitel – zeigen den Weg eines unbedarften jungen Helden von der Etappe aufs Schlachtfeld, ins Lazarett und zurück. Und sie erzählen die Geschichte eines modernen Hans im Glück, der nach Romanzen Ausschau hält und am Ende die große Liebe trifft, die immer schon auf ihn wartete. »Ein französisch anmutendes Weisheitsbuch von lateinischer Heiterkeit«, so Volker Weidermann, der in seinem Nachwort Informationen zu Autor und Werk liefert.
Author: RANDOM HOUSE INC
Publisher: NYRB Classics
Release Date: 2009-10-27
The NYRB Classics series is designedly and determinedly exploratory and eclectic, a mix of fiction and non-fiction from different eras and times and of various sorts. The series includes nineteenth century novels and experimental novels, reportage and belles lettres, tell-all memoirs and learned studies, established classics and cult favorites, literature high, low, unsuspected, and unheard of. NYRB Classics are, to a large degree, discoveries, the kind of books that people typically run into outside of the classroom and then remember for life. Inevitably literature in translation constitutes a major part of the NYRB Classics series, simply because so much great literature has been left untranslated into English, or translated poorly, or deserves to be translated again, much as any outstanding book asks to be read again. The series started in 1999 with the publication of Richard Hughes's A High Wind in Jamaica. NYRB Classics includes new translations of canonical figures such as Euripides, Dante, Balzac, and Chekhov; fiction by modern and contemporary masters such as Vasily Grossman, Mavis Gallant, Daphne du Maurier, Stefan Zweig, and Upamanyu Chatterjee; tales of crime and punishment by George Simenon and Kenneth Fearing; masterpieces of narrative history and literary criticism, poetry, travel writing, biography, cookbooks, and memoirs from such writers as Norman Mailer, Lionel Trilling, and Patrick Leigh Fermor; and unclassifiable classics on the order of J. R. Ackerley's My Dog Tulip and Robert Burton's The Anatomy of Melancholy. Fall 2009 sees the publication of the series' first graphic novel, Poem Strip by Dino Buzzati, translated into English for the first time. Published in handsome uniform trade paperback editions, almost all the 250 NYRB Classics included in this collection feature an introduction by an outstanding writer, scholar, or critic of our day. Taken as a whole, NYRB Classics may be considered a series of books of unrivaled variety and quality for discerning and adventurous readers. This collection includes one each of the following titles: A High Wind in Jamaica by Richard Hughes Jakob von Gunten by Robert Walser The Living Thoughts of Kierkegaard by Soren Kierkegaard Lolly Willowes by Sylvia Townsend Warner My Dog Tulip by J.R. Ackerley My Father and Myself by J.R. Ackerley The Other House by Henry James Peasants and Other Stories by Anton Chekhov Prison Memoirs of an Anarchist by Alexander Berkman A Handbook on Hanging by Charles Duff Hindoo Holiday by J.R. Ackerley Memoirs of My Nervous Illness by Daniel Paul Schreber The Wooden Shepherdess by Richard Hughes The Stories of J.F. Powers by J.F. Powers Memoirs of Lorenzo Da Ponte by Lorenzo Da Ponte Morte D'Urban by J.F. Powers Records of Shelley, Byron, and the Author by Edward John Trelawny Wheat that Springeth Green by J.F. Powers Classic Crimes by William Roughead The Lore and Language of Schoolchildren by Iona Opie The Unknown Masterpiece by Honore de Balzac Virgin Soil by Ivan Turgenev The Glass Bees by Ernst Junger The Pure and the Impure by Colette The Waste Books by Georg Christoph Lichtenberg A Month in the Country by J.L. Carr Seven Men by Max Beerbohm To Each His Own by Leonardo Sciascia The Wine-Dark Sea by Leonardo Sciascia Alfred and Guinevere by James Schuyler The Pilgrim Hawk by Glenway Wescott The Fox in the Attic by Richard Hughes The Haunted Looking Glass by Edward Gorey A House and Its Head by Ivy Compton-Burnett Manservant and Maidservant by Ivy Compton-Burnett Hadrian the Seventh by Fr. Rolfe Madame de Pompadour by Nancy Mitford The Quest for Corvo by A.J.A. Symons The Root and the Flower by L.H. Myers The Anatomy of Melancholy by Robert Burton Exploits and Adventures of Brigadier Gerard by Sir Arthur Conan Doyle Letty Fox by Christina Stead The Golovlyov Family by Shchedrin The Radiance of the King by Camara Laye Eustace and Hilda by L.P. Hartley Seduction and Betrayal by Elizabeth Hardwick Sleepless Nights by Elizabeth Hardwick A Way of Life, Like Any Other by Darcy O'Brien As a Man Grows Older by Italo Svevo Autobiography of an Unknown Indian by Nirad C. Chaudhuri Renoir, My Father by Jean Renoir An African in Greenland by Tete-Michel Kpomassie Letters: Summer 1926 by Boris Pasternak Mr. Fortune' s Maggot by Sylvia Townsend Warner Selected Works of Cesare Pavese by Cesare Pavese The Life of Henry Brulard by Stendhal On the Yard by Malcolm Braly Selected Stories of Robert Walser by Robert Walser The Adventures and Misadventures of Maqroll by Alvaro Mutis Mawrdew Czgowchwz by James McCourt The Go-Between by L.P. Hartley The Outcry by Henry James A Book of Mediterranean Food by Elizabeth David Letters from Russia by Astolphe De Custine Miserable Miracle by Henri Michaux Riders in the Chariot by Patrick White Summer Cooking by Elizabeth David Corrigan by Caroline Blackwood Great Granny Webster by Caroline Blackwood Mary Olivier by May Sinclair Randall Jarrell's Book of Stories by Randall Jarrell The New Life by Dante Alighieri The Ten Thousand Things by Maria Dermout The Unpossessed by Tess Slesinger The Middle of the Journey by Lionel Trilling The World of Odysseus by M.I. Finley The Book of My Life by Girolamo Cardano The Moon and the Bonfires by Cesare Pavese Paris Stories by Mavis Gallant Troubles by J.G. Farrell In the Freud Archives by Janet Malcolm The Private Memoirs and Confessions of a Justified Sinner by James Hogg A Sorrow Beyond Dreams by Peter Handke The Fountain Overflows by Rebecca West Prisoner of Love by Jean Genet We Always Treat Women Too Well by Raymond Queneau Witch Grass by Raymond Queneau The Stuffed Owl by D.B. Wyndham Lewis To the Finland Station by Edmund Wilson The Vet's Daughter by Barbara Comyns Walter Benjamin by Gershom Scholem Fancies and Goodnights by John Collier Shelley: The Pursuit by Richard Holmes In Parenthesis by David Jones Peking Story by David Kidd Rene Leys by Victor Segalen Black Sun by Geoffrey Wolff Dirty Snow by Georges Simenon The Invention of Morel by Adolfo Bioy Casares The Day of the Owl by Leonardo Sciascia Equal Danger by Leonardo Sciascia Monsieur Proust by Celeste Albaret Three Bedrooms in Manhattan by Georges Simenon The Tenants of Moonbloom by Edward Lewis Wallant The Towers of Trebizond by Rose MacAulay Varieties of Exile by Mavis Gallant My Century by Aleksander Wat The World I Live In by Helen Keller American Humor by Constance Rourke The Ivory Tower by Henry James The Gallery by John Horne Burns Paris and Elsewhere by Richard Cobb Apartment in Athens by Glenway Wescott Envy by Yuri Olesha The Moro Affair by Leonardo Sciascia Nights in the Gardens of Brooklyn by Harvey Swados Part of Our Time by Murray Kempton The Case of Comrade Tulayev by Victor Serge Boredom by Alberto Moravia Contempt by Alberto Moravia The Diary of a Rapist by Evan S. Connell Monsieur Monde Vanishes by Georges Simenon The Siege of Krishnapur by J.G. Farrell W. H. Auden's Book of Light Verse by W. H. Auden Asleep in the Sun by Adolfo Bioy Casares The Bog People by P.V. Glob Moravagine by Blaise Cendrars The Selected Poems of Osip Mandelstam by Osip Mandelstam Cassandra at the Wedding by Dorothy Baker The Furies by Janet Hobhouse Hons and Rebels by Jessica Mitford Indian Summer by William Dean Howells Memoirs of Hecate County by Edmund Wilson The Inferno of Dante Alighieri by Dante Alighieri The Year of the French by Thomas Flanagan Flaubert and Madame Bovary by Francis Steegmuller The Late Mattia Pascal by Luigi Pirandello The Life of Lazarillo de Tormes by W.S. Merwin The Peregrine by J.A. Baker Blood on the Forge by William Attaway The Child by Jules Valles The Lord Chandos Letter by Hugo Von Hofmannsthal The Singapore Grip by J.G. Farrell Count D'Orgel's Ball by Raymond Radiguet War and the Iliad by Simone Weil Anglo-Saxon Attitudes by Angus Wilson The Crisis of the Negro Intellectual by Harold Cruse Kaputt by Curzio Malaparte Memed, My Hawk by Yashar Kemal The Notebooks of Joseph Joubert by Joseph Joubert The Thirty Years War by C.V. Wedgwood Shakespeare by Mark Van Doren The Stalin Front by Gert Ledig Tropic Moon by Georges Simenon Between the Woods and the Water by Patrick Leigh Fermor A Time of Gifts by Patrick Leigh Fermor Jejuri by Arun Kolatkar The Man Who Watched Trains Go By by Georges Simenon Mouchette by Georges Bernanos Warlock by Oakley Hall The New York Stories of Henry James by Henry James Chess Story by Stefan Zweig What's for Dinner? by James Schuyler English, August by Upamanyu Chatterjee Conundrum by Jan Morris Life and Fate by Vasily Grossman Mani by Patrick Leigh Fermor Roumeli by Patrick Leigh Fermor Beware of Pity by Stefan Zweig Stoner by John Williams The Big Clock by Kenneth Fearing Red Lights by Georges Simenon The Jeffersonian Transformation by Henry Adams Love in a Fallen City by Eileen Chang A Savage War of Peace by Alistair Horne Clark Gifford's Body by Kenneth Fearing The Strangers in the House by Georges Simenon Pages from the Goncourt Journals by Edmond and Jules de Goncourt They Burn the Thistles by Yashar Kemal Born Under Saturn by Rudolf and Margot Wittkower The Stray Dog Cabaret by Edited by Honor Moore and Catherine Ciepiela Butcher's Crossing by John Williams Dante by Erich Auerbach The Slaves of Solitude by Patrick Hamilton That Awful Mess on the Via Merulana by Carlo Emilio Gadda The Engagement by Georges Simenon The Enchanted April by Elizabeth von Arnim The Slynx by Tatyana Tolstaya White Walls by Tatyana Tolstaya Memoirs of Montparnasse by John Glassco The Dud Avocado by Elaine Dundy The Education Of A Gardener by Russell Page The Book of Ebenezer Le Page by G. B. Edwards Sunflower by Gyula Krudy Novels in Three Lines by Felix Feneon The Goshawk by T. H. White The New York Stories of Edith Wharton by Edith Wharton A Time to Keep Silence by Patrick Leigh Fermor All About H. Hatterr by G. V. Desani Rogue Male by Geoffrey Household Memoirs of an Anti-Semite by Gregor von Rezzori Soul by Andrey Platonov Sheppard Lee, Written by Himself by Robert Montgomery Bird Poems of the Late T'ang by A. C. Graham Twenty Thousand Streets Under the Sky by Patrick Hamilton Unforgiving Years by Victor Serge Belchamber by Howard Sturgis A Journey Round My Skull by Frigyes Karinthy The Widow by Georges Simenon The Post-Office Girl by Stefan Zweig Afloat by Guy de Maupassant The Family Mashber by Der Nister The Summer Book by Tove Jansson Names on the Land by George R. Stewart Miami and the Siege of Chicago by Norman Mailer Inverted World by Christopher Priest My Fantoms by Theophile Gautier Stones of Aran: Pilgrimage by Tim Robinson In Hazard by Richard Hughes Victorine by Maude Hutchins Grief Lessons by Euripides Rock Crystal by Adalbert Stifter The Liberal Imagination by Lionel Trilling The Queue by Vladimir Sorokin Ringolevio by Emmett Grogan Defeat: Napoleon’s Russian Campaign by Philippe-Paul de Segur Don't Look Now by Daphne Du Maurier The Chrysalids by John Wyndham Pinocchio by Carlo Collodi The Snows of Yesteryear by Gregor von Rezzori The Rider on the White Horse by Theodor Storm School for Love by Olivia Manning Chaos and Night by Henry de Montherlant A Meaningful Life by L. J. Davis Short Letter, Long Farewell by Peter Handke Slow Homecoming by Peter Handke Season of Migration to the North by Tayeb Salih The Foundation Pit by Andrey Platonov The Complete Fiction by Francis Wyndham The One-Straw Revolution by Masanobu Fukuoka The Old Man and Me by Elaine Dundy Summer Will Show by Syliva Townsend Warner Niki by Tibor Dery Hard Rain Falling by Don Carpenter Stones of Aran: Labyrinth by Tim Robinson The Cost of Living by Mavis Gallant Memories of the Future by Sigizmund Krzhizhanovsky Poem Strip by Dino Buzzati No Tomorrow by Vivant Denon The Way of the World by Nicolas Bouvier
The question of the relation between the visual and the textual in literature is at the heart of an increasing number of scholarly projects, and in turn, the investigation of evolving visual-verbal dynamics is becoming an independent discipline. This volume explores these profound literary shifts through the work of twelve talented, and in some cases, emerging scholars who study text and image relations in diverse forms and contexts. The inter-medial conjunctures investigated in this book play with and against the traditional roles of the visual and the verbal. The Future of Text and Image presents explorations of the incorporation of visual elements into works of literature, of visual writing modes, and of the textuality and literariness of images. It focuses on the special potential literature offers for the combination of these two functions. Alongside examinations of major forms and genres such as memoirs, novels, and poetry, this volume expands the discussion of text and image relations into more marginal forms, for instance, collage books, the PostSecret collections of anonymous postcards, and digital poetry. In other words, while exploring the destiny of text and image as an independent discipline, this volume simultaneously looks at the very literal future of text and image forms in an ever-changing technological reality. The essays in this book will help to define the emergent practices and politics of this growing field of study, and at the same time, reflect the tremendous significance of the visual in today’s image culture.
The essays of Roberto Bolano in English at last. Between Parentheses collects most of the newspaper columns and articles Bolano wrote during the last five years of his life, as well as the texts of some of his speeches and talks and a few scattered prologues. “Taken together,” as the editor Ignacio Echevarría remarks in his introduction, they provide “a personal cartography of the writer: the closest thing, among all his writings, to a kind of fragmented ‘autobiography.’” Bolano’s career as a nonfiction writer began in 1998, the year he became famous overnight for The Savage Detectives; he was suddenly in demand for articles and speeches, and he took to this new vocation like a duck to water. Cantankerous, irreverent, and insufferably opinionated, Bolano also could be tender (about his family and favorite places) as well as a fierce advocate for his heroes (Borges, Cortázar, Parra) and his favorite contemporaries, whose books he read assiduously and promoted generously. A demanding critic, he declares that in his “ideal literary kitchen there lives a warrior”: he argues for courage, and especially for bravery in the face of failure. Between Parentheses fully lives up to his own demands: “I ask for creativity from literary criticism, creativity at all levels.”
In this original collection, several of today's finest writers introduce little-known treasures of literature that they count among their favorite books. Here Toni Morrison celebrates a great Guinean storyteller whose novel of mystical adventure and surprising revelation transforms our image of Africa, while Susan Sontag raises the curtain on a distant summer when three of the greatest poets of the twentieth century exchanged love letters like no others. Here too John Updike analyzes the rare art of an English comic genius, Jonathan Lethem considers a hard-boiled and heartbreaking story of prison life, and Michael Cunningham uncovers the secrets of what may well be the finest short novel in modern American literature. Other contributors include such noted authors as Arthur C. Danto, Lydia Davis, Elizabeth Hardwick, Francine Prose, Luc Sante, Colm Tóibín, Eliot Weinberger, and James Wood. Lucid, polished, provocative, inspiring, these essays are models of critical appreciation, offering personal, impassioned, thoughtful responses to a wide range of wonderful books. Unknown Masterpieces is a treat for all lovers of great writing and a useful and stimulating guidebook for readers eager to venture off literature's beaten tracks. Eliot Weinberger on Hindoo Holiday by J.R. Ackerley Arthur C. Danto on The Unknown Masterpiece by Honoré de Balzac John Updike on Seven Men by Max Beerbohm Jonathan Lethem on On the Yard by Malcolm Braly Toni Morrison on The Radiance of the King by Camara Laye Colm Tóibín on The Go-Between by L.P. Hartley Francine Prose on A High Wind in Jamaica by Richard Hughes Susan Sontag on Letters: Summer 1926 by Boris Pasternak, Marina Tsvetayeva, and Rainer Maria Rilke Luc Sante on Classic Crimes by William Roughead James Wood on The Golovlyov Family by Shchedrin Elizabeth Hardwick on The Unpossessed by Tess Slesinger Lydia Davis on The Life of Henry Brulard by Stendhal Michael Cunningham on The Pilgrim Hawk by Glenway Wescott