Introduction to African Oral Literature and Performance

Author: Bayo Ogunjimi
Publisher: Africa World Press
ISBN: 1592211518
Release Date: 2005
Genre: Literary Criticism

This book brings together in one volume two earlier books by the authors, now revised to meet the callenges of 21st century scholarship in African performance and cultural studies. Topics covered range from sources of oral traditions, the relevance of cosmology to oral performance, myths and legends, occupational and heroic poetry to name but a few. The central theme is performance and the reader is provided with projects and exercises intended to keep them involved in research and performance experience.

African Oral Literature

Author: Russell Kaschula
Publisher: New Africa Books
ISBN: 1919876073
Release Date: 2001
Genre: Folk literature, African

Throughout Africa, oral literature is flourishing, though it is perceived by some as anachronistic to the modern world. This work refutes this idea in its entirety by presenting 22 chapters, which firmly place the study of oral literature within contemporary African existence. The study analyzes how oral literature relates to media, music, technology, text, gender, religion, power, politics and globalization.

Globalization Oral Performance and African Traditional Poetry

Author: Abdul-Rasheed Na'allah
Publisher: Palgrave Pivot
ISBN: 3030091430
Release Date: 2019-04-06
Genre:

This book discusses globalization trends and influences on traditional African oral literary performance and the direction that Ilorin oral art is forced to take by the changes of the twenty-first century electronic age. It seeks a new definition of contemporary African bourgeois in terms of their global reach, imitation of foreign forms, and collaboration with the owners of primary agencies. Additionally, it makes a case that African global lords or new bourgeoisie who are largely products of the new global capital and multinational corporations' socio-political and cultural influences fashion their tastes after Western cultures as portrayed in the digital realm. Abdul-Rasheed Na'Allah is Vice-Chancellor, Chief Executive Officer, and Professor of English and Comparative Literature at Kwara State University, Nigeria. He is co-author of Introduction to African Oral Literature and Performance (2005), and author of Africanity, Islamicity and Performativity: Identity in the House of Ilorin (2009), African Discourse in Islam, Oral Traditions, and Performance (2010), and Cultural Globalization And Plurality: Africa and the New World (2011).

Cultural Sociology of the Middle East Asia and Africa

Author: Andrea L. Stanton
Publisher: SAGE Publications
ISBN: 9781452266626
Release Date: 2012-01-05
Genre: Social Science

In our age of globalization and multiculturalism, it has never been more important for Americans to understand and appreciate foreign cultures and how people live, love, and learn in areas of the world unfamiliar to most U.S. students and the general public. The four volumes in our cultural sociology reference encyclopedia take a step forward in this endeavor by presenting concise information on those regions likely to be most "foreign" to U.S. students: the Middle East, Asia, and Africa. The intent is to convey what daily life is like for people in these selected regions. It is hoped entries within these volumes will aid readers in efforts to understand the importance of cultural sociology, to appreciate the effects of cultural forces around the world, and to learn the history of countries and cultures within these important regions.

Ethnosensitive Dimensions of African Oral Literature

Author: Ebeogu, Afam
Publisher: African Heritage Press
ISBN: 9781940729190
Release Date: 2017-05-25
Genre: Literary Criticism

Ethnosensitive Dimensions of African Oral Literature: Igbo Perspectives is a collection of nineteen essays spanning all genres of African Oral literature, from the poetic genre to the rhetorical genre. Part One of the book is introductory, and includes three essays that are of a general kind, touching all aspects of the genres, while Part Two includes six essays concerned with the poetic genre. Part Three, made up of two essays and concern the prose genre while Part Four, of two essays, examines the drama genre. Part Five, made up of three essays, addresses the rhetorical genre, and Part Six has three essays that cut across all the genres. The contributions examine the implications of ethnocentric imperatives of oral literature in relation to nationalistic demands.

Oral Literature in Africa

Author: Ruth Finnegan
Publisher: Open Book Publishers
ISBN: 9781906924706
Release Date: 2012-09
Genre: Social Science

Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.

Art Society and Performance

Author: Ode Ogede
Publisher: University Press of Florida
ISBN: 0813015413
Release Date: 1997
Genre: History

"This is the first detailed study in African oral literature that examines the complementary elements of praise and criticism in traditional oral poetry. . . . One of the few studies today that give us an insight into the folklore of less well known African communities, as against the vast majority of works that concentrate on larger groups like the Yoruba. . . . There is a freshness about this work that recommends it greatly."--Isidore Okpewho, SUNY-Binghamton "A very important and welcome addition to the growing scholarship on song traditions in Africa."--Helen Nabasuta Mugambi, California State University, Fullerton Conventionally, scholars of oral literature have studied works of praise and criticism as distinct from one another. Ogede examines the ways in which praise and criticism work in tandem in the oral performance of the Igede of West Africa. He explains how they are used in negotiating social relationships and in navigating the political, religious, and spiritual spheres. He further demonstrates how oral performance among the Igede is not the exclusive preserve of any particular group but is ultimately a means of public expression, available to and employed by all in dealing with powerful emotions and events. Ogede focuses on the minority Igede of Nigeria's Benue State in order to extend the study of oral literature beyond such familiar majority ethnic groups as the Yoruba, Igbo, and Zulu. By drawing from work by leading oral artists and younger composers, he examines how oral materials are created and transmitted among the unlettered Igede, how they vary from one performance to another, and how mutual influences between the audience and the artist are essential to the power of the oral performance. Ode Ogede is professor of English at North Carolina Central University and author of Ayi Kwei Armah, Radical Iconoclast and Achebe and Armah: Language, Narrative, and Metaphors of Death and Beauty. He has published numerous essays on modern African poetry and fiction.

Oral Literature of the Luo

Author: Simon Okumba Miruka
Publisher: East African Publishers
ISBN: 9966250867
Release Date: 2001-01
Genre: Literary Criticism

This is the sixth title in a series of titles focussing on the oral literary tradition of various East African ethnic groups - the Maasai, the Embu and the Mbeere amongst others - published by EAEP. Okumba Miruka, particularly known for his contribution to oral literature in Kenya, sets out to contexualise his subject by first explaining about the Luo people and culture - from migratory patterns and economic activity to the concept of divinity, death, warfare and Luo cuisine and eating culture. He then approaches the oral literature of the Luo through the genres of riddles, proverbs, poetry and narratives. For each genre, he offers a general introduction, notes on style, convention, performance and social function, and a wide range of samples, or 'primary texts' with commentaries.

In Search of Sunjata

Author: Ralph A. Austen
Publisher: Indiana University Press
ISBN: 0253334527
Release Date: 1999
Genre: Literary Criticism

The Sunjata epic, which celebrates the founder of the 13th century Mali empire, is the most famous African epic. The essays in this watershed volume examine Sunjata from a variety of perspectives.

Prosimetrum

Author: Joseph Harris, Ph.D.
Publisher: Boydell & Brewer
ISBN: 0859914755
Release Date: 1997
Genre: Literary Criticism

Comparative studies of a number of mixed prose-and-verse literatures, from Europe to the Orient, from classical culture to the 19th century.

Song of Lawino

Author: Okot p'Bitek
Publisher: East African Publishers
ISBN: 9966468455
Release Date: 1995
Genre: African poetry


The Caribbean Oral Tradition

Author: Hanétha Vété-Congolo
Publisher: Springer
ISBN: 9783319320885
Release Date: 2016-10-27
Genre: History

The book uses an innovative prism of interorality that powerfully reevaluates Caribbean orality and innovatively casts light on its overlooked and fundamental epistemological contribution into the formation of Caribbean philosophy. It defines the innovative prism of interorality as the systematic transposition of previously composed storytales into new and distinct tales. The book offers a powerful consideration of the interconnections between Caribbean orality and Caribbean philosophy, especially as this pertains to aesthetics and ethics. This is a new area of thought, a new methodological approach and a new conceptual paradigm and proposition to scholars, students, writers, artists and intellectuals who conceive and examine intellectual and cultural productions in the Black Atlantic world and beyond.