The collected works of the late author of "I Remember" is comprised of journal entries, mini-essays, and other rare pieces that offer insight into Brainard's views about the hopefulness and unlimited potential of youth.
Author: Ron Padgett
Publisher: Library of America
Release Date: 2012-03-29
Genre: Biography & Autobiography
An artist associated with the New York School of poets, Joe Brainard (1942-1994) was a wonderful writer whose one-of-a-kind autobiographical work I Remember ("a completely original book" -Edmund White) has had a wide and growing influence. It is joined in this major new retrospective with many other pieces that for the first time present the full range of Brainard's writing in all its deadpan wit, madcap inventiveness, self-revealing frankness, and generosity of spirit. The Collected Writings of Joe Brainard gathers intimate journals, jottings, stories, one-liners, comic strips, mini-essays, and short plays, many of them available until now only as expensive rarities, if at all. "Brainard disarms us with the seemingly tossed- off, spontaneous nature of his writing and his stubborn refusal to accede to the pieties of self-importance," writes Paul Auster in the introduction to this collection. "These little works . . . are not really about anything so much as what it means to be young, that hopeful, anarchic time when all horizons are open to us and the future appears to be without limits." Assembled by the author's longtime friend and biographer Ron Padgett and including fourteen previously unpublished works, here is a fresh and affordable way to rediscover a unique American artist.
Author: Robert Hampson
Publisher: Liverpool University Press
Release Date: 2010
Genre: Literary Criticism
The work of Frank O'Hara (1926–66) is central to any consideration of twentieth-century American poetry. Frank O'Hara Now, the first collection of essays to be dedicated to O'Hara in nearly two decades, asks why O'Hara remains so important to twenty-first-century readers and writers of poetry. For many, O'Hara's distinctive appeal depends on his witty depictions of urban experience, his relationship to the painters of abstract expressionism, and the exhilarating immediacy of his poetic voice. Yet these approachable qualities coexist with a demanding engagement with currents in European and American modernism. The book includes coverage of O'Hara moods that have rarely been discussed in the criticism to date, including boredom, hatred, and nihilism. Throughout, there is a powerful sense that fresh readings of O'Hara are crucial to understanding his continuing influence, making it essential reading for scholars and students of American poetry.
Poetry. LGBT Studies. African American Studies. Inspired by the underground classic I REMEMBER by Joe Brainard, Shane Allison takes us on a fragmented, lustful, and poetic tour of his life, from a turbulent childhood in Florida to his life in New York City. Allison's book is an epic poem/memoir full of frozen moments that capture a sexual, cultural, and emotional coming of age. "Shane Allison taps directly into memory, like a faucet pushed into a maple tree to procure the sweet syrup. Sexy things, embarrassing things, the ugly and the fraught, the things of the child and the things of the man, all pour out in profusion. His testimony—of bullying, racism, and casual homophobia, but also the best rimjob he ever had—has the power to dismantle centuries of chains, the crippling superego."—Kevin Killian
Over a period of four decades--from the early 1960s until his death in 1994--artist, writer, and designer Joe Brainard contributed greatly to the arts in a number of media. From his early paintings and assemblages, which built upon the work of Jasper Johns and Joseph Cornell, to his set designs for LeRoi Jone's The Dutchmanand Frank O'Hara's The General Returns from One Place to Another; from his comic book collaborations with various poets, C Comicsand C Comics 2, to his later drawing, collage, painting, and assemblage work, Brainard exemplified the link between avant-garde art, writing, and theater that defined the New York School. In addition to a checklist and bibliographies of work by and about Brainard, this exhibition catalogue includes the artist's published and unpublished writings, as well as interviews and letters. Also included are essays by John Ashbery, Carter Ratcliff, and Constance Lewallen, who chronicles Joe Brainard's formative years in Oklahoma and move to New York City, his involvement with Pop Art, assemblage and painting, and his literary and artistic associations.
Author: Joe Brainard
Release Date: 2008
Art. LGBT Studies. From 1963 through 1978, Joe Brainard created more than one hundred works of art that appropriated the classic comic strip character Nancy and sent her into an astonishing variety of spaces, all electrified by the incongruity of her presence. THE NANCY BOOK is the first collection of Brainard's Nancy texts, drawings, collages and paintings, with full page reproductions of over fifty works, several of which have never been exhibited or published before. In THE NANCY BOOK, Joe Brainard's Nancy traverses high art and low, the poetic and pornographic, the surreal and the absurd. Whether inserted into hypothetical situations, dispatched on erotic adventures, or seemingly rendered by the hands of artists as varied as Leonardo da Vinci, R. Crumb, Larry Rivers, and Willem de Kooning, Brainard's Nancy revels in as well as transcends her two-dimensionality.
Author: David Lehman
Publisher: Simon and Schuster
Release Date: 2017-03-07
"Best American Poetry series editor and respected poet David Lehman channels, translates, and imagines a collection of "poems in the manner of" and in homage to Emily Dickinson, Shakespeare, Yeats, Robert Frost, Gertrude Stein, Rilke, William Carlos Williams, and others. Poems in the Manner Of is an illuminating journey through centuries of writers that continue to inspire new work today"--
Author: Richard Elliott
Release Date: 2017-07-05
Fado, often described as 'urban folk music', emerged from the streets of Lisbon in the mid-nineteenth century and went on to become Portugal's 'national' music during the twentieth. It is known for its strong emphasis on loss, memory and nostalgia within its song texts, which often refer to absent people and places. One of the main lyrical themes of fado is the city itself. Fado music has played a significant role in the interlacing of mythology, history, memory and regionalism in Portugal in the second half of the twentieth century. Richard Elliott considers the ways in which fado songs bear witness to the city of Lisbon, in relation to the construction and maintenance of the local. Elliott explores the ways in which fado acts as a cultural product reaffirming local identity via recourse to social memory and an imagined community, while also providing a distinctive cultural export for the dissemination of a 'remembered Portugal' on the global stage.