Octavia E. Butler’s bestselling literary science-fiction masterpiece, Kindred, now in graphic novel format. More than 35 years after its release, Kindred continues to draw in new readers with its deep exploration of the violence and loss of humanity caused by slavery in the United States, and its complex and lasting impact on the present day. Adapted by celebrated academics and comics artists Damian Duffy and John Jennings, this graphic novel powerfully renders Butler’s mysterious and moving story, which spans racial and gender divides in the antebellum South through the 20th century. Butler’s most celebrated, critically acclaimed work tells the story of Dana, a young black woman who is suddenly and inexplicably transported from her home in 1970s California to the pre–Civil War South. As she time-travels between worlds, one in which she is a free woman and one where she is part of her own complicated familial history on a southern plantation, she becomes frighteningly entangled in the lives of Rufus, a conflicted white slaveholder and one of Dana’s own ancestors, and the many people who are enslaved by him. Held up as an essential work in feminist, science-fiction, and fantasy genres, and a cornerstone of the Afrofuturism movement, there are over 500,000 copies of Kindred in print. The intersectionality of race, history, and the treatment of women addressed within the original work remain critical topics in contemporary dialogue, both in the classroom and in the public sphere. Frightening, compelling, and richly imagined, Kindred offers an unflinching look at our complicated social history, transformed by the graphic novel format into a visually stunning work for a new generation of readers.
Dana, a modern black woman, is celebrating her twenty-sixth birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him. Dana is drawn back repeatedly through time to the slave quarters, and each time the stay grows longer, more arduous, and more dangerous until it is uncertain whether or not Dana's life will end, long before it has a chance to begin.
The spirit of Anne is alive and well in Mariah Marsden's crisp adaptation, and it's a thrill to watch as the beloved orphan rushes headlong through Brenna Thummler's heavenly landscapes. Together Marsden and Thummler conjure all the magic and beauty of Green Gables. Like Anne herself, you won't want to leave. — Brian Selznick, author/illustrator of “The Invention of Hugo Cabret” and “The Marvels” The magic of L.M. Montgomery’s treasured classic is reimagined in a whimsically-illustrated graphic novel adaptation perfect for newcomers and kindred spirits alike. When Matthew and Marilla Cuthbert decide to adopt an orphan who can help manage their family farm, they have no idea what delightful trouble awaits them. With flame-red hair and an unstoppable imagination, 11-year-old Anne Shirley takes Green Gables by storm. Anne’s misadventures bring a little romance to the lives of everyone she meets: her bosom friend, Diana Barry; the town gossip, Mrs. Lynde; and that infuriating tease, Gilbert Blythe. From triumphs and thrills to the depths of despair, Anne turns each everyday moment into something extraordinary.
Author: Damian Duffy
Publisher: Mark Batty Pub
Release Date: 2010
The immense popularity of comics and graphic novels cannot be ignored. But in light of the comics boom that has taken place over the past 10 years the artists, writers and publishers that comprise the vibrant African American independent comics community have remained relatively unknown, until now. Black Comix brings together an unprecedented collection of largely unheard of, and undeniably masterful, comics art while also framing the work of these men and women in a broader historical and cultural context. With a foreword by Keith Knight and over 50 contributors, including Phonzie Davis, Jan-Michael Franklin, Frances Liddell, Kenjji Marshall, Lance Tooks, Rob Stull, Ashley A. Woods and many more, the cross section of comics genres represented includes manga, superheroes, humor, history, science fiction and fantasy. This book is a must-have for comics readers of a wide variety of tastes and ages. Damian Duffy is editor in chief of Eye Trauma Comix, the writer and letterer of several graphic novels, including the award winning The Hole: Consumer Culture, with John Jennings. He is a curator, PhD candidate in the Graduate School of Library and Information Science at the University of Illinois in Urbana-Champaign, and has presented extensively at international conferences on comics, art and education.John Jennings is a cofounder of Eye Trauma Comix, as well as an illustrator, designer, graphic novelist, curator and associate professor of graphic design at the University of Illinois at Urbana-Champaign. He is a frequent lecturer on comics, visual literacy, popular culture and visual communication in hip-hop. He is currently illustrating the graphic novel Double Dealing, written by Damian Duffy and Christopher D. Benson.
1931. Bronzeville. Chicago. The mage, Frank "Half Dead" Johnson, is a marked man. Literally. A drunken decision fueled by tragedy has left him with half a soul, sorcerous powers, and two centuries to work off his debt to Scratch (aka The Devil) himself. This graphic novel chronicles three adventures with this tragic conjure man. Watch as "Half Dead" attempts to save his own soul, pay his debt, and help as many people as he can along the way. It's a hard-hitting Hoodoo Noir highball with just a splash of Southern Gothic. Smack-dab in the dark heart of the Windy City. Hold on tight! It's going to be a bumpy ride down Hard Times Road.
Timely and heartfelt, Rollins’ graphic novel debut The Furnace is a literary science fiction glimpse into our future, in the vein of mainstream successes for fans of Black Mirror and The Twilight Zone One decision. Thousands of lives ruined. Can someone ever repent for the sins of their past? When Professor Walton Honderich was a young grad student, he participated in a government prison program and committed an act that led to the death of his friend, the brilliant physicist Marc Lepore, and resulted in unimaginable torment for an entire class of people across the United States. Twenty years later, now an insecure father slipping into alcoholism, Walton struggles against the ghosts that haunt him in a futuristic New York City. With full-color art and a dark, compelling work of psychological suspense and a cutting-edge critique of our increasingly technological world, The Furnace speaks fluently to the terrifying scope of the surveillance state, the dangerous allure of legacy, and the hope of redemption despite our flaws. “Surreal and evocative, The Furnace is a great critique of technology and the human condition.” —John Jennings, illustrator for the New York Times #1 bestseller Octavia Butler’s Kindred: A Graphic Novel Adaptation At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Author: Frances Gateward
Publisher: Rutgers University Press
Release Date: 2015-07-16
When many think of comic books the first thing that comes to mind are caped crusaders and spandex-wearing super-heroes. Perhaps, inevitably, these images are of white men (and more rarely, women). It was not until the 1970s that African American superheroes such as Luke Cage, Blade, and others emerged. But as this exciting new collection reveals, these superhero comics are only one small component in a wealth of representations of black characters within comic strips, comic books, and graphic novels over the past century. The Blacker the Ink is the first book to explore not only the diverse range of black characters in comics, but also the multitude of ways that black artists, writers, and publishers have made a mark on the industry. Organized thematically into “panels” in tribute to sequential art published in the funny pages of newspapers, the fifteen original essays take us on a journey that reaches from the African American newspaper comics of the 1930s to the Francophone graphic novels of the 2000s. Even as it demonstrates the wide spectrum of images of African Americans in comics and sequential art, the collection also identifies common character types and themes running through everything from the strip The Boondocks to the graphic novel Nat Turner. Though it does not shy away from examining the legacy of racial stereotypes in comics and racial biases in the industry, The Blacker the Ink also offers inspiring stories of trailblazing African American artists and writers. Whether you are a diehard comic book fan or a casual reader of the funny pages, these essays will give you a new appreciation for how black characters and creators have brought a vibrant splash of color to the world of comics.
Author: Nalo Hopkinson
Publisher: Grand Central Publishing
Release Date: 2007-02-23
First it's her mother's missing gold brooch. Then, a blue and white dish she hasn't seen in years. Followed by an entire grove of cashew trees. When objects begin appearing out of nowhere, Calamity knows that the special gift she has not felt since childhood has returned-her ability to find lost things. Calamity, a woman as contrary as the tides around her Caribbean island home, is confronting two of life's biggest dramas. First is the death of her father, who raised her alone until a pregnant Calamity rejected him when she was sixteen years old. The second drama: she's starting menopause. Now when she has a hot flash and feels a tingling in her hands, she knows it's a lost object calling to her. Then she finds something unexpected: a four-year-old boy washes up on the shore, his dreadlocked hair matted with shells. Calamity decides to take the orphaned child into her care, which brings unexpected upheaval into her life and further strains her relationship with her adult daughter. Fostering this child will force her to confront all the memories of her own childhood-and the disappearance of her mother so many years before.
Author: John Jennings
Publisher: Lion Forge
Release Date: 2018-02
Genre: African American cartoonists
In 2010, Professor John Jennings and Dr. Damian Duffy compiled and published a 176-page collection of art and essays celebrating the vibrant African American independent comics community. Black Comix featured over 50 contributors, including Dawud Anyabwile, Eric Battle, Kenji Marshall, Afua Richardson, Larry Stroman, Rob Stull, Lance Tooks, and many, many more. It met high praise throughout the industry and quickly sold through its respectable print run despite interest and demand--used copies now fetch $60-150 on Amazon and eBay. Flash-forward eight years: the comic industry has changed a lot since then, and the amount of African American talent continues to grow and amaze. While huge strides in diversity have been made, John and Damian felt the time was right for another spotlight on the topic. Rather than simply reprinting the first edition, considering the number of fresh new voices and changes in the industry, a whole new volume felt necessary. This massive volume will be a brand-new milestone spotlight on the amazing diversity in comics today.
Fledgling, Octavia Butler’s last novel, is the story of an apparently young, amnesiac girl whose alarmingly un-human needs and abilities lead her to a startling conclusion: she is in fact a genetically modified, 53-year-old vampire. Forced to discover what she can about her stolen former life, she must at the same time learn who wanted—and still wants—to destroy her and those she cares for, and how she can save herself. Fledgling is a captivating novel that tests the limits of "otherness" and questions what it means to be truly human. From the Hardcover edition.
Author: Jan Baetens
Publisher: Cambridge University Press
Release Date: 2014-10-27
Genre: Literary Criticism
This book provides both students and scholars with a critical and historical introduction to the graphic novel. Jan Baetens and Hugo Frey explore this exciting form of visual and literary communication, showing readers how to situate and analyse graphic novels since their rise to prominence half a century ago. Several key questions are addressed: what is the graphic novel? How do we read graphic novels as narrative forms? Why is page design and publishing format so significant? What theories are developing to explain the genre? How is this form blurring the categories of high and popular literature? Why are graphic novelists nostalgic for the old comics? The authors address these and many other questions raised by the genre. Through their analysis of the works of many well-known graphic novelists - including Bechdel, Clowes, Spiegelman and Ware - Baetens and Frey offer significant insights for future teaching and research on the graphic novel.