The tragedy is done, the tyrant Macbeth dead. The time is free. But for how long? As Macduff pursues dreams of national revival, smaller lives are seeding. In the ruins of Dunsinane, the Porter tries to keep his three young boys safe from the nightmare of history. In a nunnery deep in Birnam Wood, a girl attempts to forget what she lost in war. Flitting between them, a tortured clairvoyant shakes with the knowledge of what's to come. An unprecedented collaboration between two leading Shakespeareans, Macbeth, Macbeth sparks a whole new world from the embers of Shakespeare's great tragedy. The crow makes wing to the rooky wood...
Fifty years after the Sexual Offences Act of 1967 decriminalised homosexual acts, Jonathan Dollimore explores, in, through and beyond the gay sub-cultures of cities like New York, Brighton and Sydney, what the new freedoms meant for him and others in the following decades. He writes honestly and movingly about his teenage attraction to risk and danger; of accidents and escapes; of curiosity as a flight from boredom; of suicidal depression and ecstasy; and, beneath all, of the life of desire haunted and torn by loss. For more than thirty years Jonathan Dollimore has been one of contemporary culture's most influential critics of politics, literature, and sexuality. Desire: A Memoir, a hybrid of autobiography, meditation and philosophical reflection, explores the existential sources of his writing.
Ever wonder what the odds are of being struck by lightning? Or winning the lottery? Or meeting someone from Timbuktu with the same middle name as you? BEYOND COINCIDENCE recounts and analyzes over 200 amazing stories of synchronicity, the likes of: Laura Buxton, age ten, releases a balloon from her back yard. It lands 140 miles away in the backyard of another Laura Buxton, also age ten. Two sisters in Alabama decide, independently, to visit the other. En route, their identical jeeps collide and both sisters are killed. A British cavalry officer was fighting in the last year of World War One when he was knocked off his horse by a flash of lightning. He was paralyzed from the waist down. The man moved to Vancouver, Canada where, six years later, while fishing in a river, lightning struck him again, paralyzing his right side. Two years later, he was sufficiently recovered to take walks in a local park when, in 1930, lightning sought him out again, this time permanently paralyzing him. He died soon after. Four years later, lightning destroyed his tomb.
Author: Robert W. Uphaus
Publisher: University Press of Kentucky
Release Date: 2015-01-13
Genre: Literary Criticism
In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy." The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life, characters can experience a second time of joy and peace, and the audience's conventional expectations about reality and literature are challenged and enlarged. In the late tragedies of King Lear and Antony and Cleopatra, Uphaus finds the tragic structure augmented by elements that will later contribute to the form of the romances. Turning then to the romances themselves, he sees these plays as forming a profession in which Pericles is a brilliant outline of the conventions of romance and Cymbeline is romance taken to its dramatic limits, in fact to the point of parody. Through his fresh and provocative readings of the plays we experience anew the delight of Shakespearean romance and glimpse the world of renewal at its heart.
Author: Harald William Fawkner
Publisher: Fairleigh Dickinson Univ Press
Release Date: 1990
Genre: Literary Criticism
Macbeth is discussed in relation to Derrida's notion of the metaphysics of presence. Fawkner argues that the quest for metaphysical certitude in Macbeth is related to the hero's transformation from a heroic to a post-heroic status.
Fiona Ritchie analyses the significant role played by women in the construction of Shakespeare's reputation which took place in the eighteenth century. The period's perception of Shakespeare as unlearned allowed many women to identify with him and in doing so they seized an opportunity to enter public life by writing about and performing his works. Actresses (such as Hannah Pritchard, Kitty Clive, Susannah Cibber, Dorothy Jordan and Sarah Siddons), female playgoers (including the Shakespeare Ladies Club) and women critics (like Charlotte Lennox, Elizabeth Montagu, Elizabeth Griffith and Elizabeth Inchbald), had a profound effect on Shakespeare's reception. Interdisciplinary in approach and employing a broad range of sources, this book's analysis of criticism, performance and audience response shows that in constructing Shakespeare's significance for themselves and for society, women were instrumental in the establishment of Shakespeare at the forefront of English literature, theatre, culture and society in the eighteenth century and beyond.
Author: Jo Nesbø
Publisher: Verlagsgruppe Random House GmbH
Release Date: 2018-08-27
Jo Nesbøs packender Thriller über die Gier nach Macht Er kennt seine Feinde nur allzu gut. Inspector Macbeth ist der taffste Cop in einer maroden Industriestadt im Norden. Einen Deal nach dem anderen lässt er hochgehen, die Drogenbosse beißen sich an ihm die Zähne aus. Doch irgendwann wird die Verlockung zu groß: Geld, Respekt, Macht. Schnell aber wird ihm klar, dass einer wie er, der schon in der Gosse war, niemals ganz nach oben kommen wird. Außer – er tötet. Angestachelt von seiner Geliebten, schafft er sich einen Konkurrenten nach dem anderen vom Hals. In seinem Blutrausch merkt er nicht, dass er längst jenen dunklen Kräften verfallen ist, denen er einst den Kampf angesagt hat.
Author: Donald C. Mullin
Publisher: Westport, Conn. : Greenwood Press
Release Date: 1983
Genre: Biography & Autobiography
"An informative and scholarly survey by Donald Mullin, Victorian Actors and Actresses in Review, compiles extensive critical assessments by contemporary reviewers of some 250 British and American players who performed between 1837 and 1901." Backstage