Author: Michael Krausz
Publisher: Penn State Press
Release Date: 2010-11-01
Is there a single right interpretation for such cultural phenomena as works of literature, visual artworks, works of music, the self, and legal and sacred texts? In these essays, almost all written especially for this volume, twenty leading philosophers pursue different answers to this question by examining the nature of interpretation and its objects and ideals. The fundamental conflict between positions that universally require the ideal of a single admissible interpretation (singularism) and those that allow a multiplicity of some admissible interpretations (multiplism) leads to a host of engrossing questions explored in these essays: Does multiplism invite interpretive anarchy? Can opposing interpretations be jointly defended? Should competition between contending interpretations be understood in terms of (bivalent) truth or (multivalent) reasonableness, appropriateness, aptness, or the like? Is interpretation itself an essentially contested concept? Does interpretive activity seek truth or aim at something else as well? Should one focus on interpretive acts rather than interpretations? Should admissible interpretations be fixed by locating intentions of a historical or hypothetical creator, or neither? What bearing does the fact of the historical situatedness of cultural entities have on their identities? The contributors are Annette Barnes, No&ël Carroll, Stephen Davies, Susan Feagin, Alan Goldman, Charles Guignon, Chhanda Gupta, Garry Hagberg, Michael Krausz, Peter Lamarque, Jerrold Levinson, Joseph Margolis, Rex Martin, Jitendra Mohanty, David Novitz, Philip Percival, Torsten Pettersson, Robert Stecker, Laurent Stern, and Paul Thom.
With an Introduction and Notes by R.T.Jones, Honorary Fellow of the University of York. The novel follows the life of its eponymous heroine, Moll Flanders, through its many vicissitudes, which include her early seduction, careers in crime and prostitution, conviction for theft and transportation to the plantations of Virginia, and her ultimate redemption and prosperity in the New World. Moll Flanders was one of the first social novels to be published in English and draws heavily on Defoe's experience of the topography and social conditions prevailing in the London of the late 17th century.
Author: Daniel Defoe
Publisher: New York : Norton
Release Date: 1722
Genre: Adventure stories
This Norton Critical Edition is again based on the first edition text (1722), the only text known to be Defoe s own. It is accompanied by detailed explanatory annotations and the editor s essay outlining the novel s textual history. Contexts collects related documents on criminal transport, contemporary accounts of lives of crime, and colonial laws as they applied to servants, slaves, and runaways. Criticism includes eleven interpretations by Juliet McMaster, Everett Zimmerman, Maximillian E. Novak, Henry Knight Miller, Ian A. Bell, Carol Kay, Paula B. Backscheider, John Rietz, Ann Louise Kibbie, John Richetti, and Ellen Pollak. A Chronology and Selected Bibliography are also included."
A Study Guide for Daniel Defoe's "Moll Flanders," excerpted from Gale's acclaimed Novels for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.
Author: Jennifer Thorn
Publisher: University of Delaware Press
Release Date: 2003
The essays brought together in this volume pose the question: How are we to understand the proliferation of writing about child-murder in eighteenth- and nineteenth-century Britain, or, more specifically, the overlap of an expanding print culture with the widely evident narration of this particular crime? Further, what are we to make of the recurrent and remarkably consistent representation of child-murder as the special province of unmarried, desperate women? Writing British Infanticide demonstrates the ways that narratives of child-murder in eighteenth- and early nineteenth-century Britain reflect, and in certain ways elicit, complexity if not outright paradox: it was a capital crime for which most of those indicted received no punishment; a crime definitive of barbarity for which juries and many observing writers urged sympathy; a crime in which the consideration of alleged perpetrators' motivations repeatedly founders in an inability to understand the economic and the affective as related. So doing, it argues both for the role of "writing British infanticide" in an emergent professionalism dependent upon print and for the special utility of a focus upon child-murder to the evaluation of the mutual constitution of gender and class.
Author: Toni Bowers
Publisher: Cambridge University Press
Release Date: 1996-07-13
Genre: Literary Criticism
Through detailed examination of a wide variety of novels, plays, sermons, songs, popular engravings, portraiture, and propaganda from the period, Toni Bowers examines the eighteenth-century social and cultural struggle to develop new ideals for virtuous motherhood. She shows how popular representations of mothers codified and enforced a private and domestic model of maternal excellence, and argues that contemporary Western culture is still limited by its commitment to the contradictory maternal ideals established in early-eighteenth-century discourse.
Diese illustrierte Ausgabe von "Oberst Hannes" wurde mit einem funktionalen Layout erstellt und sorgfältig formatiert. Hannes wird durch eine Hinterlist nach Afrika verkauft und wird Sklave, doch dort wird er seinen Weg finden und Erstaunliches erleben. Daniel Defoe (1660-1731) war ein englischer Schriftsteller, der durch seinen Roman Robinson Crusoe weltberühmt wurde. Defoe gilt damit als einer der Begründer des englischen Romans."
Author: Joseph Conrad
Publisher: S. Fischer Verlag
Release Date: 2010-11-11
Mit dem Werkbeitrag aus Kindlers Literatur Lexikon. Mit dem Autorenporträt aus dem Metzler Lexikon Weltliteratur. Mit Daten zu Leben und Werk, exklusiv verfasst von der Redaktion der Zeitschrift für Literatur TEXT + KRITIK. Kolonialwarenhändler erschließen den Dschungel von Belgisch-Kongo im Dienste der Mächte Europas. Der berüchtigte Mr. Kurtz, erfolgreichster aller Elfenbein-Lieferanten, beutet gnadenlos die Ureinwohner aus und lässt sich als Gott verehren. Zunehmend wird er Opfer seiner eigenen Allmachtsphantasien ... Der Horror lauert überall, wo der vermeintlich zivilisierte Westen glaubt, Heil bringen zu müssen.