A variety of crucial and still most relevant ideas about nothingness or emptiness have gained profound philosophical prominence in the history and development of a number of South and East Asian traditions—including in Buddhism, Daoism, Neo-Confucianism, Hinduism, Korean philosophy, and the Japanese Kyoto School. These traditions share the insight that in order to explain both the great mysteries and mundane facts about our experience, ideas of "nothingness" must play a primary role. This collection of essays brings together the work of twenty of the world’s prominent scholars of Hindu, Buddhist, Daoist, Neo-Confucian, Japanese and Korean thought to illuminate fascinating philosophical conceptualizations of "nothingness" in both classical and modern Asian traditions. The unique collection offers new work from accomplished scholars and provides a coherent, panoramic view of the most significant ways that "nothingness" plays crucial roles in Asian philosophy. It includes both traditional and contemporary formulations, sometimes putting Asian traditions into dialogue with one another and sometimes with classical and modern Western thought. The result is a book of immense value for students and researchers in Asian and comparative philosophy.
Author: Stephen R. Palmquist
Publisher: Walter de Gruyter
Release Date: 2011-01-01
Authors from all over the world unite in an effort to cultivate dialogue between Asian and Western philosophy. The papers forge a new, East-West comparative path on the whole range of issues in Kant studies. The concept of personhood, crucial for both traditions, serves as a springboard to address issues such as knowledge acquisition and education, ethics and self-identity, religious/political community building, and cross-cultural understanding. Edited by Stephen Palmquist, founder of the Hong Kong Philosophy Café and well known for both his Kant expertise and his devotion to fostering philosophical dialogue, the book presents selected and reworked papers from the first ever Kant Congress in Hong Kong, held in May 2009. Among others the contributors are Patricia Kitcher (New York City, USA), Günther Wohlfahrt (Wuppertal, Germany), Cheng Chung-ying (Hawaii, USA), Sammy Xie Xia-ling (Shanghai, China), Lau Chong-fuk (Hong Kong), Anita Ho (Vancouver/Kelowna, Canada), Ellen Zhang (Hong Kong), Pong Wen-berng (Taipei, Taiwan), Simon Xie Shengjian (Melbourne, Australia), Makoto Suzuki (Aichi, Japan), Kiyoshi Himi (Mie, Japan), Park Chan-Goo (Seoul, South Korea), Chong Chaeh-yun (Seoul, South Korea), Mohammad Raayat Jahromi (Tehran, Iran), Mohsen Abhari Javadi (Qom, Iran), Soraj Hongladarom (Bangkok, Thailand), Ruchira Majumdar (Kolkata, India), A.T. Nuyen (Singapore), Stephen Palmquist (Hong Kong), Christian Wenzel (Taipei, Taiwan), Mario Wenning (Macau).
Author: William Shakespeare
Publisher: Clap Publishing, LLC.
Release Date: 2017-10-26
Genre: Performing Arts
Viel Lärm um nichts ist eine Komödie um Liebe und Intrigen von William Shakespeare; sie unterscheidet sich von Shakespeares anderen romanesken Komödien durch den realeren Bezug zur Liebe. Claudio interessiert sich vor allem für Heros Erbschaft, Benedikt und Beatrice erliegen nicht der konventionellen Augenliebe, sondern finden sich erst nach Einmischungen der anderen Figuren. Besonders hervorstechend ist das Spiel mit dem Sein und dem Schein, worauf schon das Wortspiel im Titel hinweist – nothing und noting („nichts“ und „wahrnehmen, erkennen“). Damit sind einerseits die Intrigen gegen Hero, andererseits die Sitten der höfischen Selbstinszenierung, insbesondere bei Benedikt und Beatrice, gemeint. Geschrieben wurde das Stück 1598/99 und erstmals in der Quartoausgabe von 1600 gedruckt.
Author: Graham Priest
Publisher: Open Court
Release Date: 2010-10-22
Socrates, an Athenian soldier, was a calmly efficient killing machine. His student Plato was an accomplished and broad-shouldered wrestler. Martial arts and philosophy have always gone hand in hand, as well as fist in throat. Philosophical argument is closely parallel with hand-to-hand combat. And all of today’s Asian martial arts—like Karate, Kung-Fu, Judo, or Aikido—were developed to embody and apply philosophical ideas. The Japanese martial tradition of Budo, for instance, was influenced by the three philosophical traditions of Shinto, Confucianism, and Zen Buddhism, and these philosophies are still taught in Japanese martial arts schools all across the world. As Damon Young explains in his chapter, the Japanese martial arts customs of courtesy are derived from Shinto purity, Confucian virtues, and the loving brutality of Zen. In his interview with Bodidharma (included in the book), Graham Priest brings out aspects of Buddhist philosophy behind Shaolin Kung-Fu—how fighting monks are seeking Buddhahood, not brawls. But as Scott Farrell’s chapter reveals, Eastern martial arts have no monopoly on philosophical traditions. Western chivalry is an education in and living revival of Aristotelian ethical theories. The Western martial art of fencing is explored by Nick Michaud, who looks at the morality of selfishness in fencing, and Christopher Lawrence and Jeremy Moss, who try to pin down what makes fencing unique: is it the sword, the techniques, the footwork, the aristocratic aura, or something else? Jack Fuller argues that his training in Karate was an education in Stoicism. Travis Taylor and Sasha Cooper reveal the utilitarian thinking behind Jigoro Kano’s Judo. Kevin Krein maintains that the martial arts are a reply to the existentialist’s anxiety about the meaninglessness of life. Patricia Peterson examines Karate’s contribution to feminism, and Scott Beattie analyzes the role of space in the martial arts school. Joe Lynch pits the Western ideas of Plato against the Eastern ideas of the Shaolin monks. Bronwyn Finnigan and Koji Tanaka uncover the meaning of human action as it appears in Kendo. Rick Schubert explains the meaning of mastery in the fighting arts. Moving to ethical issues, Tamara Kohn discovers what we owe to others in Aikido. Chris Mortensen questions whether his own Buddhist pacifism is compatible with being a martial artist. In different ways, Gillian Russell and John Haffner and Jason Vogel assess the ways in which martial arts can morally compromise us. How can the sweaty and the brutal be exquisitely beautiful? Judy Saltzman looks into the curious charm of fighting and forms, with help from Friedrich Nietzsche.
Author: Ellen M. Chen
Publisher: Xlibris Corporation
Release Date: 2010-12-22
This is the fi rst work devoted to an expositi on on Daoist metaphysics and presenti ng Dao as a feminine principle. The work should be of interest to scholars and general readers in many disciplines: Comparati ve philosophy, religious studies, metaphysics, Asian studies, Chinese studies... etc.
Author: James W. Heisig
Publisher: University of Hawaii Press
Release Date: 2001
The past twenty years have seen the publication of numerous translations and commentaries on the principal philosophers of the Kyoto School, but so far no general overview and evaluation of their thought has been available, either in Japanese or in Western languages. James Heisig, a longstanding participant in these efforts, has filled that gap with Philosophers of Nothingness. In this extensive study, the ideas of Nishida Kitaro, Tanabe Hajime, and Nishitani Keiji are presented both as a consistent school of thought in its own right and as a challenge to the Western philosophical tradition to open itself to the original contribution of Japan.
Author: Keiji Nishitani
Publisher: Univ of California Press
Release Date: 1983
In Religion and Nothingness the leading representative of the Kyoto School of Philosophy lays the foundation of thought for a world in the making, for a world united beyond the differences of East and West. Keiji Nishitani notes the irreversible trend of Western civilization to nihilism, and singles out the conquest of nihilism as the task for contemporary philosophy. Nihility, or relative nothingness, can only be overcome by being radicalized to Emptiness, or absolute nothingness. Taking absolute nothingness as the fundamental notion in rational explanations of the Eastern experience of human life, Professor Nishitani examines the relevance of this notion for contemporary life, and in particular for Western philosophical theories and religious believes. Everywhere his basic intention remains the same: to direct our modern predicament to a resolution through this insight. The challenge that the thought of Keiji Nishitani presents to the West, as a modern version of an Eastern speculative tradition that is every bit as old and as variegated as our own, is one that brings into unity the principle of reality and the principle of salvation. In the process, one traditional Western idea after another comes under scrutiny: the dichotomy of faith and reason, of being and substance, the personal and transcendent notions of God, the exaggerated role given to the knowing ego, and even the Judeo-Christian view of history itself. Religion and Nothingness represents the major work of one of Japan's most powerful and committed philosophical minds.
The Christian philosopher Muto Kazuo contributed substantially to the predominantly Buddhist “Kyoto School of Philosophy.” Through critical exchange with its representatives, he opened up new perceptions of Christian faith, enabled mutual understanding between Buddhism and Christianity, and challenged the Western dialectical method.
Author: JeeLoo Liu
Publisher: John Wiley & Sons
Release Date: 2017-06-19
"Solidly grounded in Chinese primary sources, this book engages the latest global scholarship to provide an innovative, rigorous, and clear articulation of neo-Confucianism and its application to Western philosophy"--
Incorporating cultural and religious contexts, this unique Encyclopedia provides a vital guide to the main concepts and thinkers in Asian philosophy - starting with Abhidharma and ending with Zurvan. The main philosophical trends and thinkers in each geographical area are featured, with an emphasis on endtemporary developments and movements. The A-Z structured encyclopedia emphasizes that Asian philosophy is not merely an ancient form of thought but that it is a living philosophy, with roots in the past, and also a potent and animate presence today. This translates into the reciprocal exchange of theories between Eastern and Western thinking, for example of new schools of thought such as orientalism. Requiring no prior knowledge of philosophy, religion or Asian cultures, this book is essential reading for students, teachers and the interested individual who wishes to gain an understanding of the philosophical basis to Asian cultural systems.
Richard Wagner war einer der ersten Europaer, der den Buddhismus schatzte und darf als der erste grosse Kunstler des Westens gelten, der sich von dieser Religion inspirieren liess. Im Jahre 1856, auf dem Gipfel seiner kunstlerischen Kreativitat, las der 33-jahrige Kunstler in Zurich sein erstes Buch uber den Buddhismus. Er war damals vollig verliebt in die glucklich verheiratete Mathilde Wesendonck und ersann zwei zutiefst verbundene Opernprojekte, die den Zwiespalt in seinem Herzen widerspiegelten: Tristan und Isolde, wo zur Befriedigung des Begehrens alle Konventionen gebrochen werden, und Die Sieger, ein von einer indischen Buddhalegende inspiriertes Opernszenario wo Entsagung als hochster Ausdruck der Liebe dargestellt wird. Dieses buddhistische Opernprojekt beschaftigte Wagner jahrzehntelang bis zu seinem Tod im Jahre 1883. In der Tat galten seine letzten Worte der Buddhafigur in seinem Szenario und deren Bezug zu den Frauen. Urs App, der weltbekannte Historiker der westlichen Rezeption des Buddhismus, erzahlt die Geschichte von Richard Wagners kreativer Begegnung mit dieser Religion und erlautert die letzten Worte des Komponiste