Author: Jane Ellen Harrison
Publisher: Princeton University Press
Release Date: 1991-06-25
Jane Harrison examines the festivals of ancient Greek religion to identify the primitive "substratum" of ritual and its persistence in the realm of classical religious observance and literature. In Harrison's preface to this remarkable book, she writes that J. G. Frazer's work had become part and parcel of her "mental furniture" and that of others studying primitive religion. Today, those who write on ancient myth or ritual are bound to say the same about Harrison. Her essential ideas, best developed and most clearly put in the Prolegomena, have never been eclipsed.
Author: Franz Valery Marie Cumont
Publisher: Wentworth Press
Release Date: 2018-07-26
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Ueli Dill
Publisher: Walter de Gruyter
Release Date: 2009-08-17
Contributions by respected European and American scholars from the field of classical and religious studies are collected in this volume. It is a representative selection of contemporary research on myths, the forms they can take, and their transformation in various environments and ages.
Warum bebt die Erde? Wie entstanden Ebbe und Flut? Wie kam die Poesie in unsere Welt? Neil Gaiman erzählt die nordischen Sagen und Mythen neu, mit Witz und Sinnlichkeit, voller Zuneigung und Neugierde. Wir machen Bekanntschaft mit dem mächtigen Odin, reisen mit Thor und seinem Hammer durch die neun nordischen Welten, sind bezaubert von den Göttern und entsetzt von mancher Skrupellosigkeit. Machen Sie sich die Sagen zu eigen, erzählen Sie sie weiter, an den langen kalten Winterabenden, in den lauen Sommernächten. Nach der Lektüre werden Sie selbst die Wolken mit anderen Augen betrachten.
Author: Mark Evan Bonds
Publisher: Oxford University Press
Release Date: 2014-05-09
What is music, and why does it move us? From Pythagoras to the present, writers have struggled to isolate the essence of "pure" or "absolute" music in ways that also account for its profound effect. In Absolute Music: The History of an Idea, Mark Evan Bonds traces the history of these efforts across more than two millennia, paying special attention to the relationship between music's essence and its qualities of form, expression, beauty, autonomy, as well as its perceived capacity to disclose philosophical truths. The core of this book focuses on the period between 1850 and 1945. Although the idea of pure music is as old as antiquity, the term "absolute music" is itself relatively recent. It was Richard Wagner who coined the term, in 1846, and he used it as a pejorative in his efforts to expose the limitations of purely instrumental music. For Wagner, music that was "absolute" was isolated, detached from the world, sterile. His contemporary, the Viennese critic Eduard Hanslick, embraced this quality of isolation as a guarantor of purity. Only pure, absolute music, he argued, could realize the highest potential of the art. Bonds reveals how and why perceptions of absolute music changed so radically between the 1850s and 1920s. When it first appeared, "absolute music" was a new term applied to old music, but by the early decades of the twentieth century, it had become-paradoxically--an old term associated with the new music of modernists like Schoenberg and Stravinsky. Bonds argues that the key developments in this shift lay not in discourse about music but rather the visual arts. The growing prestige of abstraction and form in painting at the turn of the twentieth century-line and color, as opposed to object-helped move the idea of purely abstract, absolute music to the cutting edge of musical modernism. By carefully tracing the evolution of absolute music from Ancient Greece through the Middle Ages to the twentieth-century, Bonds not only provides the first comprehensive history of this pivotal concept but also provokes new thoughts on the essence of music and how essence has been used to explain music's effect. A long awaited book from one of the most respected senior scholars in the field, Absolute Music will be essential reading for anyone interested in the history, theory, and aesthetics of music.
Author: Barry B. Powell
Release Date: 2016-08-18
Antike Mythen verstehen. Die griechischen und römischen Mythen von Homer, Ovid, Vergil u. a. gehören zum Kernbestand der europäischen Kultur. Die fundierte Einführung liefert den historischen und theoretischen Hintergrund, beschreibt die zentralen Themen und Figuren der klassischen Mythologie und beleuchtet den kulturellen Kontext ihrer Entstehung im antiken Griechenland. Ausführlich werden die Mythentheorien und -interpretationen von der Antike bis zur Moderne behandelt.
Author: Ken Dowden
Publisher: John Wiley & Sons
Release Date: 2011-03-21
Genre: Literary Criticism
A Companion to Greek Mythology presents a series of essays that explore the phenomenon of Greek myth from its origins in shared Indo-European story patterns and the Greeks’ contacts with their Eastern Mediterranean neighbours through its development as a shared language and thought-system for the Greco-Roman world. Features essays from a prestigious international team of literary experts Includes coverage of Greek myth’s intersection with history, philosophy and religion Introduces readers to topics in mythology that are often inaccessible to non-specialists Addresses the Hellenistic and Roman periods as well as Archaic and Classical Greece
A proper understanding of the words and and the context in which they occur is fundamental to the study of Greek religion. This volume seeks to make a significant portion of the source material available to present-day students of religions in the Graeco-Roman world. The ancient texts are accompanied by English translations. Revised chapters from the seminal works by Zijderveld (1934) and Van der Burg (1939) show a whole range of different contexts in ancient literature, thus arguing against an automatic equation of and with mystery rites. New chapters give an overview of the loanword orgia in Latin poetry, and of and in the epigraphical evidence.
Wer könnte die griechischen Göttersagen besser nacherzählen als der Sohn des Poseidon höchstpersönlich? Percy Jackson haucht den alten Klassikern turbulentes Leben ein und gibt ganz neue Einblicke in den Alltag auf dem Olymp. Mit einem Augenzwinkern berichtet er unter anderem davon, wie Athene ein Taschentuch adoptiert, Persephone ihren Stalker heiratet und Zeus sie alle umbringt. Ein urkomisches Leseerlebnis für jeden, der Spaß an griechischer Mythologie hat – und für alle anderen garantiert auch! Alle Bände der Percy-Jackson-Serie: Percy Jackson – Diebe im Olymp (Band 1) Percy Jackson – Im Bann des Zyklopen (Band 2) Percy Jackson – Der Fluch des Titanen (Band 3) Percy Jackson – Die Schlacht um das Labyrinth (Band 4) Percy Jackson – Die letzte Göttin (Band 5) Percy Jackson – Auf Monsterjagd mit den Geschwistern Kane (Sonderband) Percy Jackson erzählt: Griechische Göttersagen Percy Jackson erzählt: Griechische Heldensagen Und dann geht es weiter mit den »Helden des Olymp«!