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Author: Eleanor Cook
Publisher: University of Toronto Press
Release Date: 1974-12-15
Genre: Literary Criticism
Browning's lyrics are favourite choices for anthologies but are rarely examined closely. This is the first full-length study of the lyrics, and includes detailed analyses of such well-known poems as Love Among the Ruins, Two in the Campagna, A Serenade at the Villa, A Toccata of Galuppi's, By the Fireside, and James Lee's Wife. Eleanor Cook explores Browning's use of repeated images and themes in the lyrics, examines these patterns in other poems and in his letters, and analyses their growth and change in all his work. She demonstrates how the lyrics may be linked with Browning's other work and shows something of his essential artistic unity. His imaginary is found to be more consistent and complex than is usually assumed. Students of Browning will find this work stimulating and instructive, while lovers of Browning will read it with pure pleasure. The reader will return to many of the poems with a rciher sense of their continuing vitality. In an earlier form this study was awarded the first A.S.P. Woodhouse Prize by the University of Toronto.
Author: Robert Browning
Publisher: Oxford University Press
Release Date: 1998-06-25
Genre: Literary Criticism
Henry James described Browning's extended dramatic poem The Ring and the Book, over 20,000 lines in length, as `a great living thing', `a proportioned monstrous magnificence'. The story was developed from some old legal documents discovered by Browning concerning an actual murder which took place in Rome in 1698, and its writing was his major preoccupation in the 1860s, the early years of his widowerhood in London. This volume gives us the first third of the poems, Books I to IV. The Introduction draws on unpublished letters, journals, and working papers not examined by previous editors, to illuminate how the poem was conceived and researched, the range of people the poet consulted, and the five-year period of composition. The poem's complex publishing history is disentangled in the Text part of the Introduction, including a discussion of the corrections and revisions Browning made on sheets from volumes I, III, and IV of the second edition, which he later forgot and which never appeared in print. Appendix E gives these important variants in full. The annotation presents new contextual matter, including unpublished letters relating to `Lyric Love', Browning's famous invocation to his dead wife. The appendices give the original Italian text of Browning's second source, `Morte dell'Uxoricida Guido Franceschini Decapitato'; two previously unpublished autograph chronologies in which the poet worked out historical details of his story; and a new account of the biographical significance of the `Ring' image. The editors have made six substantive emendations to the text, ranging from inaccuracies in the original typesetting to changes made by Browning after publication. The evolution of the text from manuscript to copy text is also discussed, and an appendix is devoted to a set of corrected proofs preserved at Yale, a textual evolutionary dead end of great interest and significance.
This book examines the dramatic work of Dickens, Browning, Collins, and Tennyson, their interaction with the theatrical world, and their attempts to develop their reputations as playwrights. These major Victorian writers each authored several professional plays, but why has their achievement been overlooked?