Since its publication in 1988, Philip Larkin's Collected Poems has become essential reading on any poetry bookshelf. This new edition returns to Larkin's own deliberate ordering of his poems, presenting, in their original sequence, his four published books: The North Ship, The Less Deceived, The Whitsun Weddings and High Windows. It also includes an appendix of poems that Larkin published in other places, from his juvenilia to his final years - some of which might have appeared in a late book, if he had lived. Preserving everything that he published in his lifetime, this new Collected Poems returns the reader to the book Larkin might have intended.
For the first time, Faber publish a selection from the poetry of Philip Larkin. Drawing on Larkin's four collections and on his uncollected poems. Chosen by Martin Amis. 'Many poets make us smile; how many poets make us laugh - or, in that curious phrase, "laugh out loud" (as if there's another way of doing it)? Who else uses an essentially conversational idiom to achieve such a variety of emotional effects? Who else takes us, and takes us so often, from sunlit levity to mellifluous gloom?... Larkin, often, is more than memorable: he is instantly unforgettable.' - Martin Amis
Seven hundred of the great poet's letters are collected here offering a moving, instructive portrait of Larken, from his early correspondence with school friends to his last year of life, 1985, when he died at the age of sixty-three.
Author: Philip Larkin
Publisher: Farrar, Straus and Giroux
Release Date: 2013-04-02
The complete poems of the most admired British poet of his generation This entirely new edition brings together all of Philip Larkin's poems. In addition to those that appear in Collected Poems (1988) and Early Poems and Juvenilia (2005), some unpublished pieces from Larkin's typescripts and workbooks are included, as well as verse--by turns scurrilous, satirical, affectionate, and sentimental--that had been tucked away in his letters. For the first time, Larkin's poems are given a comprehensive commentary. This draws critically upon, and substantially extends, the accumulated scholarship on Larkin, and covers closely relevant historical contexts, persons and places, allusions and echoes, and linguistic usage. Prominence is given to the poet's comments on his own work, which often outline the circumstances that gave rise to a poem or state that he was trying to achieve. Larkin often played down his literariness, but his poetry enrichingly alludes to and echoes the writings of many others. Archie Burnett's commentary establishes Larkin as a more complex and more literary poet than many readers have suspected.
Author: Janice Rossen
Publisher: University of Iowa Press
Release Date: 1989
Genre: Biography & Autobiography
Following hard upon the posthumous publication of Larkin's Collected poems, Rossen (visiting scholar, U. of Texas) assesses the nature of his literary achievement and his life in the light of the poetry recently made available, examining the ambivalence with which the reticent poet regarded his own literary reputation. Annotation copyrighted by Book News, Inc., Portland, OR
Philip Larkin met Monica Jones at University College Leicester in autumn 1946, when they were both twenty-four; he was the newly-appointed assistant librarian and she was an English lecturer. In 1950 Larkin moved to Belfast, and thence to Hull, while Monica remained in Leicester, becoming by turns his correspondent, lover and closest confidante, in a relationship which lasted over forty years until the poet's death in 1985. This remarkable unpublished correspondence only came to light after Monica Jones's death in 2001, and consists of nearly two thousand letters, postcards and telegrams, which chronicle - day by day, sometimes hour by hour - every aspect of Larkin's life and the convolutions of their relationship.
Author: Philip Larkin
Release Date: 2012-01-01
Genre: English poetry
This entirely new edition brings together all of Philip Larkin's poems. In addition to those in Collected Poems (1988), and in the Early Poems and Juvenilia (2005), some unpublished pieces from Larkin's typescripts and workbooks are included, as well as verse (by turns scurrilous, satirical, affectionate, and sentimental) tucked away in his letters. The manuscript and printed sources have been scrutinized afresh; more detailed accounts than hitherto available of the sources of the text and of dates of composition are provided; and previous accounts of composition dates have been corrected. Variant wordings from Larkin's typescripts and the early printings are recorded.For the first time, the poems are given a comprehensive commentary. This draws critically upon, and substantially extends, the accumulated scholarship on Larkin, and covers closely relevant historical contexts, persons and places, allusions and echoes, and linguistic usage. Due prominence is given to the poet's comments on his poems, which often outline the circumstances that gave rise to a poem, or state what he was trying to achieve. Larkin played down his literariness, but his poetry enrichingly alludes to and echoes the writings of many others; Archie Burnett's commentary establishes him as a more complex and more literary poet than many readers have suspected.
Author: Ali Smith
Publisher: Luchterhand Literaturverlag
Release Date: 2016-04-28
Über die Grammatik der Liebe und die Abgründe der Realität Der Alltag steckt voller verblüffender Geschichten – wenn Ali Smith sie erzählt. Hier reden, denken und lieben hellwache Frauen, sie lassen sich auf Nähe ein und nehmen die Sprache beim Wort. Die Grenzen zwischen Realität und Phantasie verschwimmen, und immer neue Welten tun sich auf. Eine zufällig im Café aufgeschnappte Bemerkung über das Wesen der Nymphe lässt eine Frau namens Ali nicht mehr los. Sie telefoniert mit ihrer kranken Freundin, und während die beiden ihren Assoziationen über Ovid und die alten Griechen freien Lauf lassen, entsteht die Geschichte einer innigen Freundschaft. Oder ein Tag im Leben von zwei Frauen, die sich lieben: Frühstück im Garten vor der Tür, zärtliche, beschwingte, witzige, literarisch verspielte Dialoge, Geschichten, die sie sich gegenseitig erzählen – darüber, wie sie sich kennengelernt haben, wie sie den Augenblick empfinden, wie sie das Du der anderen, das Ich von sich selbst wahrnehmen. Eine wunderschöne, leichte, lakonisch erzählte und doch tiefe Liebesgeschichte, die das Jetzt feiert. Eine andere Geschichte erzählt amüsant-intelligent von einer heimlichen Liebesbeziehung, die dem Ende zugeht, und davon, was dieses Paar mit Beethovens Oper »Fidelio« und Gershwins Musical »Porgy and Bess« gemein hat. Raffiniert, verspielt, mit einer unbändigen Sprachlust öffnet die preisgekrönte schottische Autorin in ihren Erzählungen Räume, in denen man sich gern verliert.
Philip Larkin (1922-1985) remains England's best-loved poet - a writer matchlessly capable of evoking his native land and of touching all readers from the most sophisticated intellectual to the proverbial common reader. The late John Betjeman observed that 'this tenderly observant poet writes clearly, rhythmically, and thoughtfully about what all of us can understand'. Behind this modest description lies a poet who made greatness look, in Milton's prescription, 'simple, sensuous and passionate'. This collection, first published in 1967, contains many of his best-loved poems, including The Whitsun Weddings, An Arundel Tomb, Days, Mr Bleaney and MCMXIV.
Philip Larkin's Required Writing, a selection from his miscellaneous prose from 1953-82, was highly praised and enjoyed when it appeared in 1983. Further Requirements gathers together many other interviews, broadcasts, statements and reviews. Some of them date from the period after he had chosen the contents of Required Writing; others come from obscure publications, including some early pieces. This second edition of Further Requirements includes two more essays by Larkin: 'Operation Manuscript' and his Introduction to Earth Memories by Llewelyn Powys.
Focusing on the significance of place, connection and relationship in three poets who are seldom considered in conjunction, Rory Waterman argues that Philip Larkin, R.S. Thomas and Charles Causley epitomize many of the emotional and societal shifts and mores of their age. Waterman looks at the foundations underpinning their poetry; the attempts of all three to forge a sense of belonging with or separateness from their readers; the poets’ varying responses to their geographical and cultural origins; the belonging and estrangement that inheres in relationships, including marriage; the forced estrangements of war; the antagonism between social belonging and a need for isolation; and, finally, the charged issues of faith and mortality in an increasingly secularized country.
Our best-selling poetry introduction offers a detailed commentary on the poetry of Philip Larkin, exploring the political and cultural contexts which have shaped his contemporary reputation. Part 1, Life and Times, traces Larkin's early years and follows his development, within his career as a university librarian, into one of the most important and popular voices in twentieth-century poetry. Part 2, Artistic Strategies, explores a range of methodologies and aesthetic influences by which Larkin was empowered to create poetry at once both accessible and profound. Part 3, Reading Larkin, provides detailed critical commentary on many of the poems from his three major collections, The Less Deceived, The Whitsun Weddings and High Windows. Part 4, Reception, outlines the history of Larkin's reputation from the mid-1950s to the present, examining the debates to which his poetry has given rise. John Gilroy teaches at Anglia Ruskin University and for the University of Cambridge Institute of Continuing Education.
Philip Larkin was one of the greatest and most popular English poets of the twentieth century, and also one of the most private. Living in towns "where only salesmen and relations come", refusing to read or lecture before an audience, he was by the end of his life affectionately known as "the hermit of Hull". At sixty he promised that as soon as he saw "the Grim Reaper coming up the path" he would burn all his personal papers. Instead, be left behind him an archival treasure trove, a cache of letters, journals, and papers that reveal a man who, from very early on, made art, especially poetry, his aspiration and believed himself destined for fame. Larkin's friend and fellow poet Andrew Motion has drawn deeply from this rich lode of previously unknown and unpublished material and from conversations with those who knew Larkin best, to give us an intimate and detailed portrait - the first, and undoubtedly the definitive, biography of this great poet. Even before he was twenty, Larkin formed close friendships with other aspiring writers, painters, and musicians. He found family life constraining and repressive, and much of his adult life was a seesaw between his strong sensual appetite and need for affection and the fear of entrapment and encroachment on his writing life that love and marriage represented. Over and over in the course of his life, Larkin would find himself holding lovers - sometimes, to his dismay or bemusement, more than one at a time - at arm's length, retreating into an intermittent misogyny in his struggle to focus his emotional life in his work. Though shy and to some forbidding, this lifelong librarian had a strong talent for friendship and a sharp, ribald wit. AndrewMotion's engrossing portrait shows us a complex and contradictory man of genius, warts and all, in the throes of creating poetry of greatness.