Covers all of Photoshop's channel-related features and functionality, including an improved Histogram palette that displays channels in color with a dynamic view of how filters, levels, curves, and other settings will affect tonal range and bit depth.
The commonsense, by-the-numbers approach of Professional Photoshop has shaped the workflows of a generation of Photoshop experts. This new edition, the first in nearly five years, is completely updated for the age of digital photography. It continues the book’s tradition of introducing astoundingly effective, previously unknown methods of image enhancement. The original photographs found in the book come from a variety of professional sources, and all correction exercises are on the included CD. Professional Photoshop has changed radically from edition to edition, and this time is no exception—with almost 90 percent new content and completely overhauled coverage of curves, channel blending, and sharpening.Professional Photoshop offers a full explanation of: How curves bring out detail in the most important areas of the imagen A comprehensive strategy for blending channels to create deeper, stronger images The strengths and weaknesses of CMYK, LAB, and RGB, and when to use each one The first detailed look at the Shadow/Highlight command—and even more sophis-ticated ways to enhance contrast in the lightest and darkest parts of the imagen Sharpening strategies, in three full chapters, including the innovative hiraloam method (High Radius, Low Amount). Plus, a fiendishly effective method of merging hiraloam and conventional unsharp masking The realities—and the politics—of preparing files for commercial offset printing and how to deal with colors that are out of the press’s gamut What Camera Raw and similar acquisition modules can offer Typical problems of digital captures that were not found in the age of film— and how to correct for them
Author: Tim Grey
Publisher: John Wiley & Sons
Release Date: 2009-04-20
In this latest edition of his bestselling guide, expert digital photographer and author Tim Grey explains how proper workflow can alleviate repetitive parts of a project to allow you to focus on producing stunning results and he reveals expert tips and techniques that automate tasks, optimize output, and reduce time spent at the computer, and offers insights to using Lightroom and Bridge. He also demonstrates how to process RAW captures; crop, rotate, repair, and adjust tone and color; harness new Clone, Curves, and Blend Mode features; download, sort, and organize digital images on a computer; and more.
Learn How to Get the Color Right! 4 With techniques the pros use . . . 4 With hundreds of four-color images . . . 4 With the latest features of Photoshop 3! The unsurpassed image-manipulation capabilities of Adobe Photoshop make it the professional's choice for prepping digital photographs. The problem is, most books on Photoshop devote so much space to telling you how to achieve spectacular special effects that they shortchange you on the details of basic image enhancement?color correction, conversions, composites, and all the other fundamental techniques you need to make images ready for press. Written especially for desktop and graphics professionals, Professional Photoshop shows how to get the most out of an image, even one that at first seems unacceptable. Beginning with a concise review of color theory, it provides guidelines on how to analyze a picture before scanning and color correction, and explains in exhaustive detail Photoshop's single most powerful tool?the input-output curves. Here, at last, is a book that: Covers color correction extensively, including how to create lifelike skin tones, how to correct for color casts, how to guarantee that the full tonal range is used, the problem of neutral colors, and how to sacrifice one part of the image to improve another Reveals how professionals use the tools you would least expect to create contrast and sharpness, with complete coverage of the role of black ink and of "unwanted color" Describes advanced cut-and-paste techniques, how to convert color images into snappy black and whites, and the best way to create convincing duotones
Author: David Biedny
Publisher: New Riders
Release Date: 1998
The Master of Photoshop unveils his secrets of the true power behind the most popular image processing program. Unlock the intimidating high-end features of Photoshop to create stunning digital images with this book that takes the experienced designer and digital artist to new heights of proficiency.
Author: Katrin Eismann
Publisher: New Riders
Release Date: 2018-07-16
Whether you're a professional photographer or the family shutterbug, you can't afford to miss the long-awaited Fourth Edition of the classic Photoshop Restoration and Retouching. Katrin Eismann and co-authors Wayne Palmer and Dennis Dunbar have reviewed, updated, and revised every single technique to address the most important features in Adobe Photoshop CC. They've also added three brand new chapters on how to photograph, scan, and process RAW files; how to apply the techniques taught in the book when using Photoshop Elements; and how to retouch and enhance still life, product, and real estate shots. Using clear, step-by-step instructions and professional examples, the authors present powerful tools and techniques photographers, designers, restoration studios, and beauty retouchers can use to restore valuable antique images, retouch portraits and product shots, and enhance glamour photography. You'll master today's best ways to: Correct extreme exposure errors and improve color, contrast, and tone Rescue heirloom originals suffering from mold damage, cracks, and torn edges Replace missing image information Remove dust and scratches quickly and easily Transform old photos into beautiful, original works of art by converting them to black-and-white or tinted images Use sharpening techniques and tonal correction tools to add life and sparkle to digital photos Enhance portraits by removing blemishes, reducing wrinkles, and enhancing eyes, lips, and hair, while maintaining your subject's essential character Apply the secrets of top glamour and beauty industry retouchers to perfect skin, make-up, and hair With new example images, illustrations, and techniques throughout, Photoshop Restoration and Retouching, Fourth Edition will help you transform faded, damaged photographs into beautiful images that are as clear and crisp as the day they were taken (maybe even better!) - and how to turn casual snapshots and studio portraits into the most flattering images possible.
Contrary to popular belief, print is not dead! With all the interest in online publishing here in the 21st century, it’s easy to lose sight of the fact that information is still widely disseminated through the good old medium of print. The advent of desktop publishing granted new levels of power and control to the layout artist and graphic designer, but it hasn’t made the process of getting the perfect print foolproof. Sometimes managing the disparate elements of fonts, images, colors, and more, while dealing with the quirks of page-layout applications makes even the bravest designer and production editor long for the hands-on days of moveable type. Creating a great layout on your monitor is only half the battle; how do you make it work on paper? Print production expert Claudia McCue takes on the challenge of putting ink to paper, offering clear, authoritative guidance to print professionals and anyone else who has been frustrated by the obstacles of getting electronic documents to print perfectly. This new edition of Claudia’s classic book is now fully Adobe-centric, and shows readers how to use the different applications in the Adobe Creative Suite 4 together to create and produce great print documents. Use Photoshop and Illustrator to create raster and vector images, and combine them with text in InDesign to create eye-catching yet readable page layouts. Learn the ins and outs of fonts, and gain a better understanding of how ink and paper work together. Finally, “prefilight” or prepare your job for submission to a printer to make sure the printing process goes off without a hitch.
Author: Charles A. Hill
Release Date: 2012-08-21
Genre: Language Arts & Disciplines
Images play an important role in developing consciousness and the relationship of the self to its surroundings. In this distinctive collection, editors Charles A. Hill and Marguerite Helmers examine the connection between visual images and persuasion, or how images act rhetorically upon viewers. Chapters included here highlight the differences and commonalities among a variety of projects identified as "visual rhetoric," leading to a more precise definition of the term and its role in rhetorical studies. Contributions to this volume consider a wide variety of sites of image production--from architecture to paintings, from film to needlepoint--in order to understand how images and texts work upon readers as symbolic forms of representation. Each chapter discusses, analyzes, and explains the visual aspect of a particular subject, and illustrates the ways in which messages and meaning are communicated visually. The contributions include work from rhetoric scholars in the English and communication disciplines, and represent a variety of methodologies--theoretical, textual analysis, psychological research, and cultural studies, among others. The editors seek to demonstrate that every new turn in the study of rhetorical practices reveals more possibilities for discussion, and that the recent "turn to the visual" has revealed an inexhaustible supply of new questions, problems, and objects for investigation. As a whole, the chapters presented here demonstrate the wide range of scholarship that is possible when a field begins to take seriously the analysis of images as important cultural and rhetorical forces. Defining Visual Rhetorics is appropriate for graduate or advanced undergraduate courses in rhetoric, English, mass communication, cultural studies, technical communication, and visual studies. It will also serve as an insightful resource for researchers, scholars, and educators interested in rhetoric, cultural studies, and communication studies.
Author: Robert Gendler
Publisher: Springer Science & Business Media
Release Date: 2013-08-13
There are currently thousands of amateur astronomers around the world engaged in astrophotography at a sophisticated level. Their ranks far outnumber professional astronomers doing the same and their contributions both technically and artistically are the dominant drivers of progress in the field today. This book is a unique collaboration of individuals world-renowned in their particular area and covers in detail each of the major sub-disciplines of astrophotography. This approach offers the reader the greatest opportunity to learn the most current information and the latest techniques directly from the foremost innovators in the field today. “Lessons from the Masters” includes a brilliant body of recognized leaders in astronomical imaging, assembled by Robert Gendler, who delivers the most current, sophisticated and useful information on digital enhancement techniques in astrophotography available today. Each chapter focuses on a particular technique, but the book as a whole covers all types of astronomical image processing, including processing of events such as eclipses, using DSLRs, and deep-sky, planetary, widefield, and high resolution astronomical image processing. Recognized contributors include deep-sky experts such as Jay GaBany, Tony Hallas, and Ken Crawford, high-resolution planetary expert Damian Peach, and the founder of TWAN (The World at Night) Babak A. Tafreshi. A large number of illustrations (150, 75 in color) present the challenges and accomplishments involved in the processing of astronomical images by enthusiasts.
Eismann is world known for her talent as a Photoshop expert and photographer, but above all she's considered one of the best teachers her field has ever seen. In this book she uses the tutorial approach that made her two previous Photoshop books bestsellers to take photographers beyond quick tips and gimmicky effects.
Author: Louis Benjamin
Publisher: Focal Press
Release Date: 2015-12-18
Genre: Photography of the nude
Nude photography can be intimidating, for the artist and the subject. Technique, creativity, and psychology all need to be considered and executed seamlessly to achieve a photographer's desired artistic and professional result. Author Louis Benjamin has built a career by studying the intricacies of the perfect nude photography photo shoot and he has compiled what he has learned for you in this second edition of the best-selling book, The Naked and the Lens. This revised text updates and builds upon the key concepts presented in the first edition that guide photographers from finding models and planning a shoot, all the way through to post production. New material includes discussions of the latest equipment, software, web publishing options, as well as fresh and more diverse photographs and interviews.
Shooting in the raw format gives digital photographers complete control over every aspect of image quality. The Digital Negative is devoted exclusively to the topic and shows you how to make the most of that control to extract the best-possible raw rendering of your digital negatives and to use Photoshop to achieve the highest quality in your images. In this update of his best-selling book, renowned photographer and author Jeff Schewe outlines a foolproof process for working with these digital negatives and presents his real-world expertise on optimizing raw images. You’ll learn hands-on techniques for exposing and shooting for raw image capture and developing a raw processing workflow, as well as Photoshop techniques for perfecting the master image, converting color to black and white, and processing for panoramic and HDR images. This second edition covers all the major updates and new features in Camera Raw, Lightroom, and Photoshop, such as GPU acceleration, Radial Filters, Pano Merge, and more. Get the best tone and color from your digital negatives. Use Lightroom and Camera Raw sharpening controls to maximize image quality. Produce stunning black and white images. Learn how to remove people from photos in Photoshop using Smart Objects and Layer Blending. Use HDR in Camera Raw and Lightroom. And much more! Visit the book’s companion website at TheDigitalNegativeBook.com for sample images and more.
Author: Katrin Eismann
Publisher: New Riders
Release Date: 2012-08-24
Designers, photographers, and artists use Photoshop to create fantastic and realistic images for illustrations, fine art, and editorial content. Whether they're landscape or portrait photographers, illustrators or fine artists, masking and compositing are essential skills to master for combining images to the extent that it is impossible to tell where one image stops and the other one begins. In this completely revised edition of her best-selling guide to masking and compositing, Photoshop artist and educator Katrin Eismann--along with compositing experts Sean Duggan and James Porto--takes readers through numerous step-by-step examples, highlighting the tools and techniques used for masking and combining images. Featuring work by leading artists and photographers, this book focuses on the techniques used to create compelling compositions, including making fast and accurate selections, mastering Photoshop's masking tools, and implementing the concept and photography from start to finish. The book addresses working with Photoshop's selection tools; selecting and maintaining fine details and edges; and working with difficult image elements, such as cloth, hair, or translucent objects. All-new photographic examples, updated instruction to cover the latest version of Adobe Photoshop, and an expanded section on shooting photographs for composite work make this a must-have guide for anyone interested in photographing and creating professional composite images. Visit www.peachpit.com/pmc2e to download dozens of the images featured in this book and practice the illustrated techniques with the same files used in the book. Also, download a full, free chapter on how to use the Pen Tool, one of the best selection tools in Photoshop.