Physical Theatres

Author: Simon Murray
Publisher: Routledge
ISBN: 9781317379393
Release Date: 2016-03-17
Genre: Performing Arts

This new edition of Physical Theatres: A Critical Introduction continues to provide an unparalleled overview of non-text-based theatre, from experimental dance to traditional mime. It synthesizes the history, theory and practice of physical theatres for students and performers in what is both a core area of study and a dynamic and innovative aspect of theatrical practice. This comprehensive book: traces the roots of physical performance in classical and popular theatrical traditions looks at the Dance Theatre of DV8, Pina Bausch, Liz Aggiss and Jérôme Bel examines the contemporary practice of companies such as Théatre du Soleil, Complicite and Goat Island focuses on principles and practices in actor training, with reference to figures such as Jacques Lecoq, Lev Dodin, Philippe Gaulier, Monika Pagneux, Etienne Decroux, Anne Bogart and Joan Littlewood. Extensive cross references ensure that Physical Theatres: A Critical Introduction can be used as a standalone text or together with its companion volume, Physical Theatres: A Critical Reader, to provide an invaluable introduction to the physical in theatre and performance. New to this edition: a chapter on The Body and Technology, exploring the impact of digital technologies on the portrayal, perception and reading of the theatre body, spanning from onstage technology to virtual realities and motion capture; additional profiles of Jerzy Grotowski, Wrights and Sites, Punchdrunk and Mike Pearson; focus on circus and aerial performance, new training practices, immersive and site-specific theatres, and the latest developments in neuroscience, especially as these impact on the place and role of the spectator.

Physical Theatres A Critical Introduction

Author: Simon Murray
Publisher: Routledge
ISBN: 9781134231034
Release Date: 2007-11-14
Genre: Performing Arts

Physical Theatres: A Critical Introduction is the first account to provide a comprehensive overview of non text-based theatre, from experimental dance to traditional mime. This book synthesizes the history, theory and practice of physical theatres for students and performers, in what is both a core area of study and a dynamic and innovative aspect of theatrical practice. This comprehensive book: traces the roots of physical performance in classical and popular theatrical traditions looks at the Dance Theatre of DV8, Pina Bausch, Liz Aggiss and Jérôme Bel examines the contemporary practice of companies such as Théatre du Soleil, Complicité and Goat Island focuses on principles and practices in actor training, with reference to figures such as Jacques Lecoq, Lev Dodin, Philippe Gaulier, Monika Pagneux, Etienne Decroux, Anne Bogart and Joan Littlewood. Physical Theatres: A Critical Introduction can be used as a standalone text, or together with its companion volume, Physical Theatres: A Critical Reader, to provide an invaluable introduction to the physical in theatre and performance.

Physical Theatres A Critical Reader

Author: John Keefe
Publisher: Routledge
ISBN: 9781134230976
Release Date: 2007-11-13
Genre: Performing Arts

Physical Theatres: A Critical Reader is an invaluable resource for students of physically orientated theatre and performance. This book aims to trace the roots and development of physicality in theatre by combining practical experience of the field with a strong historical and theoretical underpinning. In exploring the histories, cross-overs and intersections of physical theatres, this critical Reader provides: six new, specially commissioned essays, covering each of the book’s main themes, from technical traditions to contemporary practises discussion of issues such as the foregrounding of the body, training and performance processes, and the origins of theatre in both play and human cognition a focus on the relationship and tensions between the verbal and the physical in theatre contributions from Augusto Boal, Stephen Berkoff, Étienne Decroux, Bertolt Brecht, David George, J-J. Rousseau, Ana Sanchez Colberg, Michael Chekhov, Jeff Nuttall, Jacques Lecoq, Yoshi Oida, Mike Pearson, and Aristotle.

Performance

Author: Marvin A. Carlson
Publisher: Psychology Press
ISBN: 0415137039
Release Date: 1996
Genre: Art - 20e siècle

This book provides an overview of the modern concept of performace and how it has developed in various fields. Topics discussed include the evolution of performance art since the 1960s and performance in society.

Research Methods in Theatre and Performance

Author: Baz Kershaw
Publisher: Edinburgh University Press
ISBN: 9780748688104
Release Date: 2011-04-18
Genre: Performing Arts

How have theatre and performance research methods and methodologies engaged the expanding diversity of performing arts practices? How can students best combine performance/theatre research approaches in their projects? This book's 29 contributors provide

Performance Perspectives

Author: Jonathan Pitches
Publisher: Macmillan International Higher Education
ISBN: 9780230356801
Release Date: 2011-10-18
Genre: Performing Arts

What is 'performance'? What are the boundaries of Performance Studies? How do we talk about contemporary performance practices today in simple but probing terms? What kinds of practices represent the field and how can we interpret them? Combining the voices of academics, artists, cultural critics and teachers, Performance Perspectives answers these questions and provides a critical introduction to Performance Studies. Presenting an accessible way into key terminology and context, it offers a new model for analyzing contemporary performance based on six frames or perspectives: • Body • Space • Time • Technology • Interactivity • Organization. Drawing on examples from a wide range of practices across site specific performance, virtual reality, dance, applied theatre and everyday performance, Performance Perspectives addresses the binary of theory and practice and highlights the many meeting points between studio and seminar room. Each chapter takes the innovative form of a three-way conversation, bringing together theoretical introductions with artist interviews and practitioner statements. The book is supported by activities for discussion and practical devising work, as well as clear guidance for further reading and an extensive reference list across media Performance Perspectives is essential reading for anyone studying, interpreting or making performance.

The Articulate Body

Author: Anne Dennis
Publisher: MIT Press
ISBN: 1854596837
Release Date: 2002
Genre: Acting

The highly regarded actor training manual by a top movement teacher. This inspirational and instructive book shows how actors can use their body to be as expressive and 'articulate' as they are with words. It attempts to rethink and analyse the actor's physical needs, offering a graded series of exercises aimed at realising those needs and making the body fully articulate as a medium of expression. The book will also be of use to teachers, directors, movement directors and choreographers.

Fifty Key Theatre Directors

Author: Shomit Mitter
Publisher: Psychology Press
ISBN: 041518732X
Release Date: 2005
Genre: Performing Arts

Discusses each director's key productions, ideas and rehearsal methods, combining theory and practice.

Utopia in Performance

Author: Jill Dolan
Publisher: University of Michigan Press
ISBN: 0472069071
Release Date: 2005-11-10
Genre: Drama

"Jill Dolan is the theatre's most astute critic, and this new book is perhaps her most important. Utopia in Performance argues with eloquence and insight how theatre makes a difference, and in the process demonstrates that scholarship matters, too. It is a book that readers will cherish and hold close as a personal favorite, and that scholars will cite for years to come." ---David Román, University of Southern California What is it about performance that draws people to sit and listen attentively in a theater, hoping to be moved and provoked, challenged and comforted? In Utopia in Performance, Jill Dolan traces the sense of visceral, emotional, and social connection that we experience at such times, connections that allow us to feel for a moment not what a better world might look like, but what it might feel like, and how that hopeful utopic sentiment might become motivation for social change. She traces these "utopian performatives" in a range of performances, including the solo performances of feminist artists Holly Hughes, Deb Margolin, and Peggy Shaw; multicharacter solo performances by Lily Tomlin, Danny Hoch, and Anna Deavere Smith; the slam poetry event Def Poetry Jam; The Laramie Project; Blanket, a performance by postmodern choreographer Ann Carlson; Metamorphoses by Mary Zimmerman; and Deborah Warner's production of Medea starring Fiona Shaw. While the book richly captures moments of "feeling utopia" found within specific performances, it also celebrates the broad potential that performance has to provide a forum for being human together; for feeling love, hope, and commonality in particular and historical (rather than universal and transcendent) ways.

Performance A Critical Introduction

Author: Marvin Carlson
Publisher: Routledge
ISBN: 9781136498725
Release Date: 2013-12-16
Genre: Performing Arts

This comprehensively revised, illustrated edition discusses recent performance work and takes into consideration changes that have taken place since the book's original publication in 1996. Marvin Carlson guides the reader through the contested definition of performance as a theatrical activity and the myriad ways in which performance has been interpreted by ethnographers, anthropologists, linguists, and cultural theorists. Topics covered include: *the evolution of performance art since the 1960s *the relationship between performance, postmodernism, the politics of identity, and current cultural studies *the recent theoretical developments in the study of performance in the fields of anthropology, psychoanalysis, linguistics, and technology. With a fully updated bibliography and additional glossary of terms, students of performance studies, visual and performing arts or theatre history will welcome this new version of a classic text.

Terror Tantchen

Author: David Walliams
Publisher: Rowohlt Verlag GmbH
ISBN: 9783644560116
Release Date: 2016-07-08
Genre: Juvenile Fiction

Nach dem überraschenden Tod ihrer Eltern ist Stella Saxby plötzlich Erbin von Schloss Saxby Hall. Doch ihre grässliche Tante Alberta und deren riesiger Berg-Uhu Wagner schrecken vor nichts zurück, um sich die Erbschaft unter den Nagel zu reißen. Vor gar nichts! Wie gut, dass Stella Freunde hat – wenn auch etwas spezielle Freunde: den schwerhörigen und fast blinden alten Butler Gibbon, zum Beispiel. Oder den Schornsteinfeger Ruß, der ein echter Geist ist. Werden sie es schaffen, Stellas Terror-Tantchen aus Schloss Saxby Hall zu vertreiben?

Eugenio Barba

Author: Jane Turner
Publisher: Psychology Press
ISBN: 0415273277
Release Date: 2004
Genre: Performing Arts

Eugenio Barba is one of the most important theatre practitioners working today. This guidebook provides exercises for both students and teachers, and also offers an historical perspective on European and world theatre.