Author: Mike Hoyt
Publisher: Melville House Pub
Release Date: 2007-10-01
“A searing document, one of the most revealing chronicles of the war yet published. It is as though correspondents are talking late into the night, trying to explain what it was like, what sights and smells haunt them, what they're proud of and what they regret, what they saw coming and what they didn't.” —Anthony Swofford, The Washington Post The world's best known reporters tell the story of what really happened in Iraq in a gripping and gritty narrative history of the war. Included are contributions from fifty international journalists, including Dexter Filkins, the New York Times correspondent who won widespread praise for his coverage of Fallujah; Rajiv Chandrassekaran, author of Imperial Life in the Emerald City; Anthony Shadid of The Washington Post, who won the Pulitzer Prize for his war coverage; Richard Engel of NBC; Anne Garrels of NPR, and other star reporters from both the print and broadcast world, not to mention their translators, photo journalists, and a military reporter. All come together to discuss the war from its beginning on, and they hold back nothing on the violence they faced—Farnaz Fassihi of The Wall Street Journal talks about her near–kidnapping by "five men with AK–47s" chasing her car ("I kept thinking, 'This is it.'") Nor do they hold back discussing how this impacted their work—British reporter Patrick Cockburn of The Independent notes that "One had to spend an enormous amount of time thinking about one's own security," and NPR reporter Deborah Amos observes that it was even more complicated for women: "As time went on we had to dress as Iraqi women, in the most conservative costumes Iraqi women would wear." But perhaps the most fascinating—and chilling—observation is that most saw a disaster in Iraq unfolding long before they were allowed to report it. As Jon Lee Anderson of The New Yorker puts it, various governmental authorities and the media's own fears combined "to keep bad news away from the public," an observation supported by over 21 stunning, full–color photographs—many of which have never been published before due to such censorship. Collected by the editors of America's most prestigious media monitor, the Columbia Journalism Review, such revelations make Reporting Iraq a fascinating and unique look at the war, as well as an important critique of international press coverage.
In recent years questions of ethical responsibility and justice in war have become increasingly significant in international relations. This focus has been precipitated by United States (U.S.) led invasions in Afghanistan and Iraq. In turn, Western conceptions of ethical responsibility have been largely informed by human rights based understandings of morality. This book directly addresses the question of what it means to act ethically in times of war by drawing upon first-hand accounts of U.S. war fighting in Iraq during the 2003 invasion and occupation. The book focuses upon the prominent rights based justification of war of Michael Walzer. Through an in-depth critical reading of Walzer’s work, this title demonstrates the broader problems implicit to human rights based justifications of war and elucidates an alternative account of ethical responsibility: ethics as response. Putting forward a compelling case for people to remain troubled and engaged with questions of ethical responsibility in war, this work will be of great interest to students and scholars in a range of areas including international relations theory, ethics and security studies.
Author: Mark H. Massé
Publisher: Bloomsbury Publishing USA
Release Date: 2011-10-06
Genre: Social Science
The role of journalists in covering trauma and tragedy isn't new. Witnessing acts of violence, destruction and terror has long been the professional responsibility of countless print and broadcast reporters and photographers. But what is new is a growing awareness of the emotional consequences of such coverage on the victims, their families and loved ones, their communities, and on the journalists whose job it is to tell these stories. Trauma Journalism personalizes this movement with in-depth profiles of reporters, researchers and trauma experts engaged in an international effort to transform how the media work under the most difficult of conditions. Through biographical sketches concerning several significant traumatic events (Oklahoma City bombing, Columbine school tragedy, 9/11, Iraq War, the South Asian tsunami, Hurricane Katrina), students and working reporters will gain insights into the critical components of contemporary journalism practices affecting news judgment, news gathering techniques, as well as legal and ethical issues. Trauma Journalism calls for the creation - through ongoing education - of a culture of caring among journalists worldwide.
Reporting War and Conflict brings together history, theory and practice to explore the issues and obstacles involved in the reporting of contemporary war and conflict. The book examines the radical changes taking place in the working practices and day-to-day routines of war journalists, arguing that managing risk has become central to modern war correspondence. How individual reporters and news organisations organise their coverage of war and conflict is increasingly shaped by a variety of personal, professional and institutional risks. The book provides an historical and theoretical context to risk culture and the work of war correspondents, paying particular attention to the changing nature of technology, organisational structures and the role of witnessing. The conflicts in Iraq, Afghanistan and Syria are examined to highlight how risk and the calculations of risk vary according to the type of conflict. The focus is on the relationship between propaganda, censorship, the sourcing of information and the challenges of reporting war in the digital world. The authors then move on to discuss the arguments around risk in relation to gender and war reporting and the coverage of death on the battlefield. Reporting War and Conflict is a guide to the contemporary changes in warfare and the media environment that have influenced war reporting. It offers students and researchers in journalism and media studies an invaluable overview of the life of a modern war correspondent.
Author: Fay Anderson
Publisher: Melbourne Univ. Publishing
Release Date: 2011-04-01
Genre: Social Science
Witnesses to War is a landmark history of Australian war journalism covering the regional conflicts of the nineteenth century to the major conflicts of the twentieth: World War I, World War II, Vietnam and Bosnia through to recent and ongoing wars in Iraq and Afghanistan. Fay Anderson and Richard Trembath look at how journalists reported the horrors and politics of war, the rise of the celebrity journalist, issues of censorship and the ethics of 'embedding'. Interviews with over 40 leading journalists and photographers reveal the challenges of covering wars and the impact of the violence they witness, the fear and exhilaration, the regrets and successes, the private costs and personal dangers. Witnesses to War examines issues with continued and contemporary relevance, including the genesis of the Anzac ideal and its continued use; the representation of enemy and race and how technology has changed the nature of conflict reporting.
Author: Michael Kamber
Publisher: University of Texas Press
Release Date: 2013-05-15
With previously unpublished photographs by an incredibly diverse group of the world’s top news photographers, Photojournalists on War presents a groundbreaking new visual and oral history of America’s nine-year conflict in the Middle East. Michael Kamber interviewed photojournalists from many leading news organizations, including Agence France-Presse, the Associated Press, the Guardian, the Los Angeles Times, Magnum, Newsweek, the New York Times, Paris Match, Reuters, Time, the Times of London, VII Photo Agency, and the Washington Post, to create the most comprehensive collection of eyewitness accounts of the Iraq War yet published. These in-depth interviews offer first-person, frontline reports of the war as it unfolded, including key moments such as the battle for Fallujah, the toppling of Saddam’s statue, and the Haditha massacre. The photographers also vividly describe the often shocking and sometimes heroic actions that journalists undertook in trying to cover the war, as they discuss the role of the media and issues of censorship. These hard-hitting accounts and photographs, rare in the annals of any war, reveal the inside and untold stories behind the headlines in Iraq.
Author: Trish Wood
Publisher: Back Bay Books
Release Date: 2007-11-02
"A visceral account of the war . . . honest, agenda-free, and chilling." -New York Times Book Review The Iraq war officially began on March 20, 2003, and since then more than one million young Americans have rotated through the country's insurgent-infested hot spots. But although stories of dramatic ambushes and attacks dominate the front pages of newspapers, most of us do not truly know what the war is like for the Americans who fight it. What Was Asked of Us helps us bridge that gap. The in-depth and intensely probing interviews this book brings together document the soldiers' experiences and darkest secrets, offering a multitude of authentic, unfiltered voices - at times raw and emotional, at other times eloquent and lyrical. These voices walk us through the war, from the successful push to Baghdad, through the erroneous "Mission Accomplished" moment, and into the dangerous, murky present. "Monumental. . . . Amid the glut of policy debates, and amid the flurry of news reports that add names each day to the lists of the dead, Trish Wood has produced what is perhaps, to date, the only text about Iraq that matter."- San Francisco Chronicle "An illuminating glimpse of American fighters' experiences in Iraq. . . . There are moments of strange beauty in the soldiers' recollections." -Chicago Tribune "Stunning . . . chillingly eloquent. . . . Powerful and unflinchingly honest, Wood's book deserves to be a bestseller." -People
Author: Michael R. Gordon
Release Date: 2012
An inside account based on extensive reporting from Iraq between 2006 and 2011 as well as highly classified military and diplomatic information offers insight into the diplomacy and political struggles shaping the war in Iraq as they are viewed by Sunni and Sh'ia leaders and other high-ranking figures. 100,000 first printing.
In iRecording Oral History, Second Editioni, Valerie Raleigh Yow builds on the foundation of her classic text with a fully updated and substantially expanded new edition. One of the most widely used and highly regarded textbooks ever published in the field, Yows seminal work now includes illuminating new material on using the internet, an examination of the interactions between oral history and memory processes, and exploration into testimony analysis and the interpretation of meanings in different contexts. This exceptional new edition will interest researchers and students in a wide variety of disciplines including history, sociology, anthropology, education, psychology, social work and ethnographic methods.
Author: Damon DiMarco
Publisher: Santa Monica Press
Release Date: 2007-08-01
Damon DiMarco's Tower Stories: An Oral History of 9/11 eternally preserves a monumental tragedy in American history through the voices of the people who were in Lower Manhattan and elsewhere in New York City on that fateful day. The stories DiMarco has collected come from a diverse group of human beings: individuals who managed to escape from the Towers; the bereaved of 9/11; the policemen, firemen, paramedics, reporters, and volunteers who risked their lives to help others; eyewitnesses who stood in shock on the streets below the Towers; WTC structural engineers, political experts, political dissidents, small business owners, and, of course, children whose lives will be forever impacted by the horror and chaos they witnessed. In the tradition of Studs Terkel, DiMarco's moving oral history chronicles the stories of everyone from the small group of people who miraculously made it safely down from the 89th floor of Tower 1 to the New York Times reporter trying desperately to fight her way through the fleeing crowds into Lower Manhattan, to the paramedic who set up a triage area 200 yards from the base of the Towers before they collapsed to the ordinary citizens of New York City who tried to get on with their lives in the days following the tragic event. This expanded second edition of DiMarco's literary time capsule includes follow-up interviews that track contributors' lives in the years since 9/11, as well as dozens of never-before-published photographs.
Author: Farnaz Fassihi
Publisher: Hachette UK
Release Date: 2008-09-09
Since 2003, Iraq's bloody legacy has been well-documented by journalists, historians, politicians, and others confounded by how Americans were seduced into the war. Yet almost no one has spoken at length to the constituency that represents Iraq's last best hope for a stable country: its ordinary working and middle class. Farnaz Fassihi, The Wall Street Journal's intrepid senior Middle East correspondent, bridges this gap by unveiling an Iraq that has remained largely hidden since the United States declared their “Mission Accomplished.” Fassihi chronicles the experience of the disenfranchised as they come to terms with the realities of the overthrow of Saddam Hussein. In an unforgettable portrait of Iraqis whose voices have remained eerily silent—from art gallery owners to clairvoyants, taxi drivers to radicalized teenagers—Fassihi brings to life the very people whose goodwill the U.S. depended upon for a successful occupation. Haunting and lyrical, Waiting for An Ordinary Day tells the long-awaited story of post-occupation Iraq through native eyes.
Author: Omar El Akkad
Publisher: S. Fischer Verlag
Release Date: 2017-08-17
Gleich hier die kostenlose XXL-Leseprobe lesen! »American War« - das Buch der Stunde. »Ein gewaltiger Roman«, schreibt die renommierteste Literaturkritikerin der USA, Michiko Kakutani. Ein Roman über den nächsten amerikanischen Bürgerkrieg und das dramatische Schicksal einer Familie. Was wird sein, wenn die erschütternde Realität der Gegenwart - Drohnenangriffe, Folter, Selbstmordattentate und die Folgen von Umweltkatastrophen - mit aller Gewalt in die USA zurückkehrt? Vor diesem Hintergrund entfaltet Omar El Akkad mit großer erzählerischer Kraft den dramatischen Kampf der jungen Sarat Chestnut, die beschließt, mit allen Mitteln für das Überleben zu kämpfen. »American War« ist in den USA ein literarisches Ereignis, das schon jetzt mit Cormac McCarthy »Die Straße« und Philip Roth »Verschwörung gegen Amerika« verglichen wird.