Ridley Scott

Author: William B. Parrill
Publisher: McFarland
ISBN: 9780786485932
Release Date: 2011-08-10
Genre: Performing Arts

Ridley Scott, the director of such seminal films as Blade Runner, Alien and Thelma & Louise, is one of the most important directors of the last fifty years. Unlike many directors, Scott has been remarkably transparent about his craft, offering the audience glimpses into his creative process. This book explores Scott’s oeuvre in depth, devoting a chapter to his 22 primary works, from his first effort, Boy and Bicycle (1962), through Robin Hood (2010). Topics discussed include the critical reception of the films, and the ways in which Scott’s works function as cinematic mediators of issues such as religion, women’s rights and history.

Ridley Scott

Author: Vincent LoBrutto
Publisher: University Press of Kentucky
ISBN: 9780813177113
Release Date: 2019-04-22
Genre: Performing Arts

With celebrated works such as Alien, Blade Runner, Thelma & Louise, and Gladiator, Ridley Scott has secured his place in Hollywood. This legendary director and filmmaker has had an undeniable influence on art and the culture of filmmaking, but is also a respected media businessman. In Ridley Scott: A Biography, Vincent LoBrutto delves into Ridley Scott's oeuvre in a way that allows readers to understand the yin and yang of his exceptional career. Presented is a unique crosscut between the biographical facts of Ridley Scott's personal life -- his birth and early days in northeast England, his life in New York City -- and his career in Hollywood as a director and producer of television commercials, TV series, miniseries, and feature films. Every film is presented, analyzed, and probed for a greater understanding of the visionary, his personality, and his thought process, for a deeper perception of his astounding work and accomplishments. The voices of cast and crew who have worked with Ridley Scott, as well as the words of the man himself, are woven throughout this book for a fully realized, critical biography, revealing the depth of the artist and his achievements.

Pop Culture in Europe

Author: Juliana Tzvetkova
Publisher: ABC-CLIO
ISBN: 9781440844669
Release Date: 2017-10-12
Genre: Social Science

A fascinating survey of popular culture in Europe, from Celtic punk and British TV shows to Spanish fashion and Italian sports. • Makes connections between pop culture in Europe to that of the United States • Provides further readings and a bibliography at the end of the work • Includes sidebars throughout the text with additional anecdotal information • Features appendices with top-ten lists of songs, movies, and books

The Culture and Philosophy of Ridley Scott

Author: Adam Barkman
Publisher: Rowman & Littlefield
ISBN: 9780739178720
Release Date: 2013
Genre: Performing Arts

While recognizing Scott's undeniable contributions to contemporary popular cinema, the volume does not shy away from honest and well-evidenced critique. Each chapter's approach correlates with philosophical, literary, or cultural studies perspectives. Using both combined and single-film discussions, the contributors examine such topics as gender roles and feminist theory; philosophical abstractions like ethics, honor, and personal responsibility; historical memory and the challenges of accurately rendering historical events on screen; literary archetypes and generic conventions; race relations and the effect of class difference on character construction; how religion shapes personal and collective values; the role of a constantly changing technological universe; and the schism between individual and group-based power structures.

Critical Cinema

Author: Clive Myer
Publisher: Columbia University Press
ISBN: 9780231504560
Release Date: 2012-04-10
Genre: Performing Arts

Critical Cinema: Beyond the Theory of Practice purges the obstructive line between the making of and the theorising on film, uniting theory and practice in order to move beyond the commercial confines of Hollywood. Opening with an introduction by Bill Nichols, one of the world's leading writers on nonfiction film, this volume features contributions by such prominent authors as Noel Burch, Laura Mulvey, Peter Wollen, Brian Winston and Patrick Fuery. Seminal filmmakers such as Peter Greenaway and Mike Figgis also contribute to the debate, making this book a critical text for students, academics, and independent filmmakers as well as for any reader interested in new perspectives on culture and film.

Latin American Films 1932 1994

Author: Ronald Schwartz
Publisher: McFarland Publishing
ISBN: UOM:39015041071559
Release Date: 1997-01-01
Genre: Performing Arts

In 1931 Antonio Moreno completed Santa, Mexico's first true sound film. In it he established one of the foremost genres of Latin American cinema--the popular melodrama--which continues to this day. Latin American filmmakers came to the fore in the fifties and sixties and, as 1992's Como agua para chocolate (Like Water for Chocolate) showed, Latin American films continue to be a major part of the international film scene. In this work over 300 of the most significant films from Argentina, Brazil, Cuba, Mexico, Bolivia, Colombia, Ecuador, Peru and other Latin American countries are covered. Each entry includes the English title, director, year of release, running time, language, country, and a detailed plot synopsis. Notes about the production and the filmmakers are also provided for many entries.

Science Fiction Film

Author: Keith M. Johnston
Publisher: Berg
ISBN: 9780857850560
Release Date: 2013-05-09
Genre: Performing Arts

Science Fiction Film develops a historical and cultural approach to the genre that moves beyond close readings of iconography and formal conventions. It explores how this increasingly influential genre has been constructed from disparate elements into a hybrid genre. Science Fiction Film goes beyond a textual exploration of these films to place them within a larger network of influences that includes studio politics and promotional discourses. The book also challenges the perceived limits of the genre - it includes a wide range of films, from canonical SF, such as Le voyage dans la lune, Star Wars and Blade Runner, to films that stretch and reshape the definition of the genre. This expansion of generic focus offers an innovative approach for students and fans of science fiction alike.

The Stop motion Filmography

Author: Neil Pettigrew
Publisher: McFarland Publishing
ISBN: UOM:39015061183151
Release Date: 1999
Genre: Performing Arts

This is a major McFarland reference work providing in-depth analyses of all puppet animation sequences in every film that has featured the process, including King Kong and Jason and the Argonauts. The focus is on how effective the sequence was and how it was executed. In addition to the analysis, each entry provides title, year of release, cast and production credits including producer, director, screenplay, director of photography, art director or production designer, music, stop-motion animators, armature builders, puppet makers, stop-motion cameramen, sequence supervisors, and more. Ratings of the film and of the effectiveness of its stop-motion sequences are also given.

Contemporary British and Irish film directors

Author: Yoram Allon
Publisher: Wallflower Pr
ISBN: STANFORD:36105025774881
Release Date: 2001
Genre: Performing Arts

The guide encompasses the careers of over 350 directors from the last 20 years. A must for any film studies library, it is a unique reference to the changing dynamics of these cinemas.

Horror Films of the 1980s

Author: John Kenneth Muir
Publisher: McFarland
ISBN: 9780786455010
Release Date: 2010-07-28
Genre: Performing Arts

John Kenneth Muir is back! This time, the author of the acclaimed Horror Films of the 1970s turns his attention to 300 films from the 1980s. From horror franchises like Friday the 13th and Hellraiser to obscurities like The Children and The Boogens, Muir is our informative guide. Muir introduces the scope of the decade’s horrors, and offers a history that draws parallels between current events and the nightmares unfolding on cinema screens. Each of the 300 films is discussed with detailed credits, a brief synopsis, a critical commentary, and where applicable, notes on the film’s legacy beyond the 80s. Also included is the author’s ranking of the 15 best horror films of the 80s.

Wagner Cinema

Author: Jeongwon Joe
Publisher: Indiana University Press
ISBN: 9780253221636
Release Date: 2010
Genre: Music

The work of Richard Wagner is a continuing source of artistic inspiration and ideological controversy in literature, philosophy, and music, as well as cinema. In Wagner and Cinema, a diverse group of established and emerging scholars examines Wagner's influence on cinema from the silent era to the present. The essays in this collection engage in a critical dialogue with existing studies—extending and renovating current theories related to the topic—and propose unexplored topics and new methodological perspectives. The contributors discuss films ranging from the 1913 biopic of Wagner to Ridley Scott's Gladiator, with essays on silent cinema, film scoring, Wagner in Hollywood, German cinema, and Wagner beyond the soundtrack.

Nuclear Movies

Author: Mick Broderick
Publisher:
ISBN: UOM:39015024944939
Release Date: 1991
Genre: Performing Arts


Studying Gladiator

Author: Sandy Irvine
Publisher: Auteur Pub
ISBN: PSU:000065788158
Release Date: 2008-03-01
Genre: Performing Arts

Gladiator was one of the great commercial successes of the early twenty-first century, a fascinating example of how an old genre can be resuscitated for a new generation. The film's story is not complex yet the ways in which it is told says much about mainstream narrative techniques. And beneath its action-packed scenes and richly detailed sets, Gladiator carries specific values and messages which deserve close scrutiny. In Studying Gladiator, Sandy Irvine considers:Film language -- how Gladiator overcomes incredulity with compelling use of sound, costume and mise-en-scène; The industrial context -- Gladiator as a product of a partnership between an infant studio (DreamWorks) and a transnational corporation (Universal); Genre and Narrative -- what do we mean by an 'epic', and can we describe Gladiator as such? Audience -- how did the makers of Gladiator 'win the crowd' and appeal to today's block-buster audience? Film-makers -- what did Ridley Scott personally bring to Gladiator, and can he be considered an auteur? Representation and Ideology -- can we relate historical representations to contemporary society?