Author: August Frugé
Publisher: Univ of California Press
Release Date: 1993-09-15
When August Frugé joined the University of California Press in 1944, it was part of the University's printing department, publishing a modest number of books a year, mainly monographs by UC faculty members. When he retired as director 32 years later, the Press had been transformed into one of the largest, most distinguished university presses in the country, publishing more than 150 books annually in fields ranging from ancient history to contemporary film criticism, by notable authors from all over the world. August Frugé's memoir provides an exciting intellectual and topical story of the building of this great press. Along the way, it recalls battles for independence from the University administration, the Press's distinctive early style of book design, and many of the authors and staff who helped shape the Press in its formative years.
Author: Alex Drace-Francis
Release Date: 2013-06-07
Based on hundreds of primary sources in a wide range of languages, this book offers a reevaluation of Romanian images of self and other, as well as of foreign images of the country and people. A nuanced and historically-grounded contribution to the lively debates over Balkanism, Orientalism and identities in Romania and in Europe as a whole.
Author: Phillip E. Wegner
Publisher: Northwestern University Press
Release Date: 2014-06-30
Genre: Literary Criticism
For a half century, the American intellectual Fredric Jameson has been a driving force in literary and cultural theory. In Periodizing Jameson, Phillip E. Wegner builds upon Jameson’s unique dialectical method to demonstrate the value of Jameson’s tools—periodization, the fourfold hermeneutic, and the Greimasian semiotic square, among others—and to develop virtuoso readings of Jameson’s own work and the history of the contemporary American university in which it unfolds. Wegner shows how Jameson’s work intervenes in particular social, cultural, and political situations, using his scholarship both to develop original explorations of nineteenth-century fiction, popular films, and other promiment theorists, and to examine the changing fortunes of theory itself. In this way, Periodizing Jameson casts new light on the potential of and challenges to humanist intellectual work in the present.
Author: N. Katherine Hayles
Publisher: University of Chicago Press
Release Date: 2012-06-05
Genre: Literary Criticism
“How do we think?” N. Katherine Hayles poses this question at the beginning of this bracing exploration of the idea that we think through, with, and alongside media. As the age of print passes and new technologies appear every day, this proposition has become far more complicated, particularly for the traditionally print-based disciplines in the humanities and qualitative social sciences. With a rift growing between digital scholarship and its print-based counterpart, Hayles argues for contemporary technogenesis—the belief that humans and technics are coevolving—and advocates for what she calls comparative media studies, a new approach to locating digital work within print traditions and vice versa. Hayles examines the evolution of the field from the traditional humanities and how the digital humanities are changing academic scholarship, research, teaching, and publication. She goes on to depict the neurological consequences of working in digital media, where skimming and scanning, or “hyper reading,” and analysis through machine algorithms are forms of reading as valid as close reading once was. Hayles contends that we must recognize all three types of reading and understand the limitations and possibilities of each. In addition to illustrating what a comparative media perspective entails, Hayles explores the technogenesis spiral in its full complexity. She considers the effects of early databases such as telegraph code books and confronts our changing perceptions of time and space in the digital age, illustrating this through three innovative digital productions—Steve Tomasula’s electronic novel, TOC; Steven Hall’s The Raw Shark Texts; and Mark Z. Danielewski’s Only Revolutions. Deepening our understanding of the extraordinary transformative powers digital technologies have placed in the hands of humanists, How We Think presents a cogent rationale for tackling the challenges facing the humanities today.
Author: Jeff Adams
Publisher: Peter Lang
Release Date: 2008
This book analyses graphic novels which document social crises. It demonstrates that artists' documentary use of this medium is a form of social realism, inextricably bound up with politics and ideology. Theoretical and visual approaches are employed throughout, introducing the principal themes of the graphic novels under scrutiny: political realism, visual documentary, traumatic childhood, ethnic discrimination, state oppression, and military occupation. The key works examined are Keiji Nakazawa's "Barefoot Gen," Joe Sacco's "Palestine," Marjane Satrapi's "Persepolis," W.G. Sebald's "Emigrants "and Art Spiegelman's "Maus." Innovative techniques, radical methods of depiction, sequence and text organisation are analysed throughout to explain how the authors use visual realism to represent these social crises. The book is well illustrated as a visual support for its exploration of this emerging and vital documentary medium.
Author: S. Newstok
Release Date: 2016-04-30
Genre: Performing Arts
Weyward Macbeth, a volume of entirely new essays, provides innovative, interdisciplinary approaches to the various ways Shakespeare's 'Macbeth' has been adapted and appropriated within the context of American racial constructions. Comprehensive in its scope, this collection addresses the enduringly fraught history of 'Macbeth' in the United States, from its appearance as the first Shakespearean play documented in the American colonies to a proposed Hollywood film version with a black diasporic cast. Over two dozen contributions explore 'Macbeth's' haunting presence in American drama, poetry, film, music, history, politics, acting, and directing — all through the intersections of race and performance.
Author: Doris G. Bargen
Publisher: University of Hawaii Press
Release Date: 2006
Genre: Literary Criticism
On September 13, 1912, the day of Emperor Meiji s funeral, General Nogi Maresuke committed ritual suicide by seppuku (disembowelment). It was an act of delayed atonement that paid a debt of honor incurred thirty-five years earlier. The revered military hero s wife joined in his act of junshi (following one s lord into death). The violence of their double suicide shocked the nation. What had impelled the general and his wife, on the threshold of a new era, to resort so drastically, so dramatically, to this forbidden, anachronistic practice? The nation was divided. There were those who saw the suicides as a heroic affirmation of the samurai code; others found them a cause for embarrassment, a sign that Japan had not yet crossed the cultural line separating tradition from modernity. While acknowledging the nation s sharply divided reaction to the Nogis junshi as a useful indicator of the event s seismic impact on Japanese culture, Doris G. Bargen in the first half of her book demonstrates that the deeper significance of Nogi s action must be sought in his personal history, enmeshed as it was in the tumultuous politics of the Meiji period. Suicidal Honor traces Nogi s military career (and personal travail) through the armed struggles of the collapsing shogunate and through the two wars of imperial conquest during which Nogi played a significant role: the Sino-Japanese War (1894 1895) and the Russo-Japanese War (1904 1905). It also probes beneath the political to explore the religious origins of ritual self-sacrifice in cultures as different as ancient Rome and today s Nigeria. Seen in this context, Nogi s death was homage to the divine emperor. But what was the significance of Nogi s waiting thirty-five years before he offered himself as a human sacrifice to a dead rather than living deity? To answer this question, Bargen delves deeply and with great insight into the story of Nogi s conflicted career as a military hero who longed to be a peaceful man of letters. In the second half of Suicidal Honor Bargen turns to the extraordinary influence of the Nogis deaths on two of Japan s greatest writers, Mori Ogai and Natsume Soseki. Ogai s historical fiction, written in the immediate aftermath of his friend s junshi, is a profound meditation on the significance of ritual suicide in a time of historical transition. Stories such as The Sakai Incident (Sakai jiken) appear in a new light and with greatly enhanced resonance in Bargen s interpretation. In Soseki s masterpiece, Kokoro, Sensei, the protagonist, refers to the emperor s death and his general s junshi before taking his own life. Scholars routinely mention these references, but Bargen demonstrates convincingly the uncanny ways in which Soseki s agonized response to Nogi s suicide structures the entire novel. By exploring the historical and literary legacies of Nogi, Ogai, and Soseki from an interdisciplinary perspective, Suicidal Honor illuminates Japan s prolonged and painful transition from the idealized heroic world of samurai culture to the mundane anxieties of modernity. It is a study that will fascinate specialists in the fields of Japanese literature, history, and religion, and anyone seeking a deeper understanding of Japan s warrior culture. "
This book reappraises the place of children's literature, showing it to be a creative space where writers and illustrators try out new ideas about books, society, and narratives in an age of instant communication and multi-media. It looks at the stories about the world and young people; the interaction with changing childhoods and new technologies.
Author: Charles Forsdick
Publisher: Duke University Press
Release Date: 2016-12-16
Containing a wealth of new scholarship and rare primary documents, The Black Jacobins Reader provides a comprehensive analysis of C. L. R. James's classic history of the Haitian Revolution. In addition to considering the book's literary qualities and its role in James's emergence as a writer and thinker, the contributors discuss its production, context, and enduring importance in relation to debates about decolonization, globalization, postcolonialism, and the emergence of neocolonial modernity. The Reader also includes the reflections of activists and novelists on the book's influence and a transcript of James's 1970 interview with Studs Terkel. Contributors. Mumia Abu-Jamal, David Austin, Madison Smartt Bell, Anthony Bogues, John H. Bracey Jr., Rachel Douglas, Laurent Dubois, Claudius K. Fergus, Carolyn E. Fick, Charles Forsdick, Dan Georgakas, Robert A. Hill, Christian Høgsbjerg, Selma James, Pierre Naville, Nick Nesbitt, Aldon Lynn Nielsen, Matthew Quest, David M. Rudder, Bill Schwarz, David Scott, Russell Maroon Shoatz, Matthew J. Smith, Studs Terkel
Author: Arthur Ransome
Publisher: David R. Godine Publisher
Release Date: 1990
Genre: Juvenile Fiction
Dorothy and Dick have an adventure in the English countryside, involving frantic chases, calamitous boat collisions, and the attempts of their friends to protect nesting birds from rude holiday boaters.
Author: Bryan D. Palmer
Release Date: 2015-08-31
Genre: Political Science
The pieces collected in the first volume of Marxism and Historical Practice: Interpretive Essays on Class Formation and Class Struggle, offer a rich, empirically grounded survey of North American social struggles and a sustained reflection on the more general questions of historical transformation.
Author: Jeroen W Boekhoven
Release Date: 2011
After Western-Europeans first heard the word 'shaman' in Siberia at the end of the seventeenth century, the term rapidly acquired a remarkable range of meanings in different contexts. This book traces the long genealogical journey of the notions of 'shaman' and 'shamanism'. It starts with the eighteenth-century discovery of Siberian shamans and ends with the contemporary field of shamanism in the Netherlands. By exploring the ways in which the notions came to be constructed and authorised historically, the various interpretations and conceptualisations of 'shaman' and 'shamanism' are interpreted as outcomes of struggles within distinct milieus.
Author: Ronald W. Walker
Publisher: Oxford University Press
Release Date: 2011-02-09
On September 11, 1857, a band of Mormon militia, under a flag of truce, lured unarmed members of a party of emigrants from their fortified encampment and, with their Paiute allies, killed them. More than 120 men, women, and children perished in the slaughter. Massacre at Mountain Meadows offers the most thoroughly researched account of the massacre ever written. Drawn from documents previously not available to scholars and a careful re-reading of traditional sources, this gripping narrative offers fascinating new insight into why Mormons settlers in isolated southern Utah deceived the emigrant party with a promise of safety and then killed the adults and all but seventeen of the youngest children. The book sheds light on factors contributing to the tragic event, including the war hysteria that overcame the Mormons after President James Buchanan dispatched federal troops to Utah Territory to put down a supposed rebellion, the suspicion and conflicts that polarized the perpetrators and victims, and the reminders of attacks on Mormons in earlier settlements in Missouri and Illinois. It also analyzes the influence of Brigham Young's rhetoric and military strategy during the infamous "Utah War" and the role of local Mormon militia leaders in enticing Paiute Indians to join in the attack. Throughout the book, the authors paint finely drawn portraits of the key players in the drama, their backgrounds, personalities, and roles in the unfolding story of misunderstanding, misinformation, indecision, and personal vendettas. The Mountain Meadows Massacre stands as one of the darkest events in Mormon history. Neither a whitewash nor an expos?, Massacre at Mountain Meadows provides the clearest and most accurate account of a key event in American religious history.
Author: Wanda Jackson
Publisher: BMG Books
Release Date: 2017-12-01
Wanda Jackson's debut single, "You Can't Have My Love," reached the Top 10 while she was still a sixteen-year-old high school student. She hit the road after graduation, playing package shows with Carl Perkins, Johnny Cash, Jerry Lee Lewis, and Elvis Presley, who gave Wanda his ring and asked her to be "his girl." With Presley's encouragement, the Oklahoma native began recording rock music, often releasing singles with country on one side and rock on the other during her decade-and-a-half tenure on Capitol Records. Known for her energetic stage shows and pioneering presence as a female artist, Wanda stormed the charts with a series of hit singles, including "Let's Have a Party," "Right or Wrong," and "In the Middle of a Heartache." With more than 40 albums to her credit, Wanda has proven to be an enduring and genre-defying legend of American music. In Every Night is Saturday Night, Wanda tells her own story of getting discovered by Country Music Hall of Famer Hank Thompson; shy she refused to return to The Grand Ole Opry for more than fifty years; the challenges she and her integrated band, The Party Timers, faced in the early 1960s; finding the love of her life; her recent work with rock luminaries Jack White and Joan Jett; and how her deep faith has sustained her over more than seven decades of rocking, shocking, and thrilling audiences around the globe.