Author: Steve Clark
Release Date: 2003-09-02
Genre: Literary Criticism
In this extraordinary and bold book, S.H. Clark explores and constructs a history of poetic misogyny. For the first time, a wide range of English poetry by men is examined for evidence of the articulation of heterosexual masculine desires. But Clark goes beyond a straightforward oppositional model of reading the male canon, to ask how we read this work 'after feminism', and whether it is possible to value these texts as misogynist texts in the light of feminist theory? Sordid Images is a challenging, controversial book. It will excite and unsettle its readers, and inspire many to look again at some of the cornerstone works of English literature.
The stolen snapshot is a staple of the modern tabloid press, as ubiquitous as it is notorious. The first in-depth history of British tabloid photojournalism, this book explores the origin of the unauthorised celebrity photograph in the early 20th century, tracing its rise in the 1900s through to the first legal trial concerning the right to privacy from photographers shortly after the Second World War. Packed with case studies from the glamorous to the infamous, the book argues that the candid snap was a tabloid innovation that drew its power from Britain's unique class tensions. Used by papers such as the Daily Mirror and Daily Sketch as a vehicle of mass communication, this new form of image played an important and often overlooked role in constructing the idea of the press photographer as a documentary eyewitness. From Edward VIII and Wallis Simpson to aristocratic debutantes Lady Diana Cooper and Margaret Whigham, the rage of the social elite at being pictured so intimately without permission was matched only by the fascination of working class readers, while the relationship of the British press to social, economic and political power was changed forever. Initially pioneered in the metropole, tabloid-style photojournalism soon penetrated the journalistic culture of most of the globe. This in-depth account of its social and cultural history is an invaluable source of new research for historians of photography, journalism, visual culture, media and celebrity studies.
With special attention to the Romantic poets from Wordsworth and Coleridge down to Pound and Eliot, distinguished scholar Marion Montgomery explores the disorientation of image and metaphor from reality. The book focuses on the virtues and limits of the intuitive intellect as they are explicated by Thomas Aquinas in relational intellect, and the 'Romantic' poet's dependence upon the intuitive and rational modes of intellectual action, two species of 'romanticism' centering in presumptuous autonomy emerge: that of the poet and that of the scientist.
Author: Robert Crawford
Publisher: Farrar, Straus and Giroux
Release Date: 2015-04-07
Genre: Biography & Autobiography
A groundbreaking new biography of one of the twentieth century's most important poets On the fiftieth anniversary of the death of T. S. Eliot, the award-winning biographer Robert Crawford presents us with the first volume of a comprehensive account of this poetic genius. Young Eliot traces the life of the twentieth century's most important poet from his childhood in St. Louis to the publication of his revolutionary poem The Waste Land. Crawford provides readers with a new understanding of the foundations of some of the most widely read poems in the English language through his depiction of Eliot's childhood—laced with tragedy and shaped by an idealistic, bookish family in which knowledge of saints and martyrs was taken for granted—as well as through his exploration of Eliot's marriage to Vivien Haigh-Wood, a woman who believed she loved Eliot "in a way that destroys us both." Quoting extensively from Eliot's poetry and prose as well as drawing on new interviews, archives, and previously undisclosed memoirs, Crawford shows how the poet's background in Missouri, Massachusetts, and Paris made him a lightning rod for modernity. Most impressively, Young Eliot reveals the way he accessed his inner life—his anguishes and his fears—and blended them with his omnivorous reading to create his masterpieces "The Love Song of J. Alfred Prufrock" and The Waste Land. At last, we experience T. S. Eliot in all his tender complexity as student and lover, penitent and provocateur, banker and philosopher—but most of all, Young Eliot shows us as an epoch-shaping poet struggling to make art among personal disasters.
Author: Alexandra Lane
Publisher: Tate Publishing
Release Date: 2012-04
Minty stood with her feet planted firmly on the ground while beads of sweat rolled down her face. She was bracing herself for the inevitable. So as she stood there frightened yet defiant, she began to think how she didn't ask for this life. It was passed down to her like some birthright, and as much as she hated it, there was nothing she could do about it, or at least that's what everyone kept telling her. But for some unknown reason, Minty had refused to accept the fact that her life, her fate, was sealed and could never be undone. From the moment she was snatched from her mother's womb, Minty's life was shrouded in darkness and pain. It was a life she didn't deserve. As Minty lay on her mother's bed bleeding profusely from the brutal beating she endured earlier, a cool breeze blew in through the open door and encircled her bruised and battered body; a change was set in motion. Minty will embark on a journey that few survive, a journey that guarantees her death should she fail. But to not try would also be her death.
Author: Eric Sigg
Publisher: Cambridge University Press
Release Date: 2009-04-30
Genre: Biography & Autobiography
This is the first book to explore in detail how Eliot's writings at once preserved and reacted against his complex American heritage. Analysing major poems from 'Prufrock' through The Waste Land, Sigg draws upon Eliot's early philosophical writing, essays and reviews to reveal Eliot's early poetry both as a distinct entity and as a stage in his development.
Author: Michael Riera
Publisher: Da Capo Press
Release Date: 2009-02-23
Integrity is not simply something that happens as a result of family stability, unconditional love, healthy genes, or good luck; it emerges, if it does, because parents make it important and because they choose to exercise influence in this arena. Combining stories of children in their natural settings with compassionate, in-depth analysis and pragmatic counsel, Right from Wrong makes the promotion of integrity possible, feasible, indispensable. It shows parents how their use of praise and discipline, honesty, listening, and consequences will help foster integrity in young children, making them people whom we admire as well as people who are proud of themselves.
Author: Robert Penn Warren
Publisher: Harvard University Press
Release Date: 1975
Genre: Literary Criticism
The distinguished poet, novelist, and critic offers two personal meditations on the interrelationships among American democracy, conceptual and actual, the making of art, and the diminishing notion of selfhood crucial to both
Author: Gerhard Richter
Publisher: Columbia University Press
Release Date: 2011-10-25
Gerhard Richter's groundbreaking study argues that the concept of "afterness" is key to understanding the thought and aesthetics of modernity. He pursues such questions as what it means for something to "follow" something else and whether that which follows marks a clear break with what comes before. Or does that which follows tacitly perpetuate its predecessor as a consequence of its indebtedness to the terms and conditions of that from which it claims to have departed? Indeed, Richter asks, is not the very act of breaking with, and then following upon, a way of retroactively constructing and fortifying that from which the break that set the movement of following into motion had occurred? Richter explores the concept and movement of afterness as a privileged yet uncanny category through close readings of Immanuel Kant, Franz Kafka, Martin Heidegger, Ernst Bloch, Walter Benjamin, Bertold Brecht, Theodor W. Adorno, Hannah Arendt, Jean-François Lyotard, and Jacques Derrida. Through his work, the vexed concepts of afterness, following, and coming after illuminate a constellation of modern preoccupations, including personal and cultural memory, translation, photography, hope, and the historical and conceptual specificity of what has been termed "after Auschwitz." Richter's various threads of analysis—which cross an expansive collection of modern writers and thinkers, diverse historical moments of articulation, and a range of media-richly develop Lyotard's incontrovertible statement that "after philosophy comes philosophy. But it has been altered by the 'after.'" As this intricate inquiry demonstrates, much hinges on our interpretation of the "after," for our most fundamental assumptions concerning modern aesthetic representation, conceptual discourse, community, subjectivity, and politics are at stake.
Author: Tahar Ben Jelloun
Publisher: Columbia University Press
Release Date: 1999
A Moroccan who emigrated to France in 1971, Tahar Ben Jelloun draws upon his own encounters with racism along with his insights as a practicing psychologist and gifted novelist to elucidate the racial divisions that plague contemporary society.
Author: Daniel F. Owsley
Release Date: 2012-02-25
The Last Gospel of Christ can be described beautifully by the words of James Hefley who long ago wrote “Here is a man who was born in an obscure village, the Child of a peasant woman. He worked in a carpenter shop until He was thirty, and then for three years He was an itinerant (educated) preacher. He never wrote a book. He never held an office. He never owned a home. He never had a family. He never went to college. He never put His foot inside a big city. He never travelled two hundred miles from the place where He was born. He never did one of the things that usually accompany greatness. He had no credentials but Himself. He had nothing to do with this world except the naked power of His Divine manhood. While still a young man, the tide of popular opinion turned against Him. He was turned over to His enemies. He went through the mockery of a trial. He was nailed to a Cross between two thieves. His executioners gambled for the only piece of property He had on earth while He was dying—and that was His coat. When He was dead He was taken down and laid in a borrowed grave through the pity of a friend. Such was His human life—He rises from the dead. Nineteen wide centuries have come and gone and today He is the Centerpiece of the human race and the Leader of the column of progress. I am within the mark when I say that all the armies that ever marched, and all the navies that ever were built, and all the parliaments that ever sat, and all the kings that ever reigned, put together, have not affected the life of man upon this earth as powerfully as has that One Solitary Life.” And to sum up this work, it's simply about the life and death of our Lion of Judea that's told from a prophetic fundamental viewpoint through many authors. And as the gospel is unfolded it clearly spells out that there are only two kind of Christians. And I'm not talking about Catholic or Protestant: For so it is that the only two kinds of followers are those who know that they're victorious no matter what, and then there's the kind of believer that doesn't know that at all. But it's very unfortunate that people in that group sadly settle for the mistaken belief that they've been defeated somehow. For they easily forget that Christ within them stands much taller, than the devil, who has already been long ago defeated at the cross. But it doesn't need to be said that even though those confused true followers might walk daily in defeat, they're still pretty big winners in our Lord God's sight due to their faith even though it might be the size of a mustard seed.
Author: Alice Ferrebe
Publisher: Edinburgh University Press
Release Date: 2015-09-30
Genre: Literary Criticism
This lively study challenges the myths about apathy and smugness surrounding British literature of the period. It rereads the decade and its literature as crucial in twentieth-century British history for its emergent and increasingly complicated politics
Author: Harriet I. Flower
Publisher: Univ of North Carolina Press
Release Date: 2011-02-01
Elite Romans periodically chose to limit or destroy the memory of a leading citizen who was deemed an unworthy member of the community. Sanctions against memory could lead to the removal or mutilation of portraits and public inscriptions. Harriet Flower provides the first chronological overview of the development of this Roman practice--an instruction to forget--from archaic times into the second century A.D. Flower explores Roman memory sanctions against the background of Greek and Hellenistic cultural influence and in the context of the wider Mediterranean world. Combining literary texts, inscriptions, coins, and material evidence, this richly illustrated study contributes to a deeper understanding of Roman political culture.