This publication presents a retrospective survey of the work of German photographer Hans Hansen (born 1940), one of the foremost contemporary practitioners of the still life genre. Hansen combines technical precision and graphic minimalism to create poetic images of everyday objects.
The successful photographer's secret! Thousands of successful photographers have trusted Photographer's Market as a resource for growing their businesses. This edition contains the most comprehensive and up-to-date market contacts for working photographers today: magazines, book publishers, greeting card companies, stock agencies, advertising firms, contests, and more. In addition to the more than 1,500 individually verified contacts, 2017 Photographer's Market includes: A FREE 1-year subscription to ArtistsMarketOnline.com, where you can search industry contacts, track your submissions, get the latest photography news, and much more Up-to-date information on how to start and run a photography business, including how to find clients, who to contact to submit your photos, what types of photos they need, and how to submit both digital and film images Markets for fine art photographers, including hundreds of galleries and art fairs Informative articles on business topics, such as submitting to galleries, creating a business plan, networking with other photographers, improving your portfolio, and more Inspiring and informative interviews with successful professionals, including wedding, magazine, and commercial photographers
Only Imagine offers a theory of fictional content or, as it is sometimes known, 'fictional truth'. The theory of fictional content Kathleen Stock argues for is known as 'extreme intentionalism'; the idea that the fictional content of a particular work is equivalent to exactly what the author of the work intended the reader to imagine. Historically, this sort of view has been highly unpopular. Literary theorists and philosophers alike have poured scorn upon it. The first half of this book attempts to argue that it should in fact be taken very seriously as an adequate account of fictional truth: better, in fact, than many of its more popular rivals. The second half explores various explanatory benefits of extreme intentionalism for other issues in the philosophy of fiction and imagination. Namely, can fiction give us reliable knowledge? Why do we 'resist' imagining certain fictions? What, in fact, is a fiction? And, how should the imagination be characterised?
Author: Krzysztof Fijalkowski
Release Date: 2017-07-05
Surrealism and Photography in Czechoslovakia: On the Needles of Days sheds much-needed light on the location of the greatest concentration of Surrealist photography and examines the culture and tradition within which it has taken root and flourished. The volume explores a rich and important artistic output, very little of which has been seen outside of its land of origin. Based on extensive research at museums in Prague and Brno and many conversations with participants in and historians of the movement, Krzysztof Fijalkowski, Michael Richardson and Ian Walker analyse how this photographic work has developed cohesively and rigorously, from the beginnings of Czech Surrealism in 1934, to the intriguing researches of the present-day Czech and Slovak Surrealist group by way of mysterious veiled responses to the repressive contexts with which they were faced from the 1950s to the 1980s. The main chapters, ordered chronologically, are intersected with shorter texts examining specific works. The reader will find in this volume images that present challenges to our understanding of how photographic work has been used within surrealism, pinpointing individual pictures whose dynamic charge may induce instants of compelling interrogation and disruption.
The master of the silent moment trains his lens on his lifelong obsession: birds As a small boy growing up in the Japanese countryside, photographer Masao Yamamoto enjoyed looking up at the sky. From his classroom window, he would gaze at the windblown clouds, mesmerized by airborne creatures such as birds, butterflies and winged insects. He sometimes dreamed of riding on the back of a bird and flying away to faraway places. Yamamoto's career as a photographer began in 1993. One of Japan's most important living photographers, Yamamoto has taken many different approaches to photography over the past 20 years. But what has remained constant is the artist's belief that humans are just a small part of nature, united with it and part of it. Throughout his career, Yamamoto has often returned to animals, particularly birds, as a subject, reflecting his childhood fascination with the creatures and his eternal commitment to the unity of humanity and nature. With Tori, the photographer departs on yet another artistic journey, with a new series of quietly moving animal images (torimeans "bird" in Japanese). Yamamoto asks himself, and his viewers: What do we see, and what do we identify with, in birds? Yamamoto Masao (born 1957) trained as an oil painter before turning to photography. His portraits, landscapes and still lifes are silver prints that are delicately toned and sometimes overpainted/dyed. Among his previous publications is Small Things in Silence (RM/Seigensha, 2015). In the US, Yamamoto is represented by the Yancey Richardson Gallery in New York, Jackson Fine Arts in Atlanta, Craig Krull Gallery in Los Angeles and the Etherton Gallery in Tucson, among others.
A collection of short stories about life in the Caribbean in the seventies featuring a host of characters: some ambitious, some hopelessly naïve, all determined to make a name for themselves in the world.