Author: Neal Holman
Publisher: Dey Street Books
Release Date: 2016-12-06
Genre: Performing Arts
A fully illustrated and highly visual guide to everything Archer—from storyboards to character sketches to script excerpts—making it a collector’s item for Archer fans everywhere, and featuring a foreword by Christian Slater. The Art of Archer is a comprehensive look behind the scenes of the award-winning animated series. Featuring 240 pages of concept art, exclusive interviews, script excerpts and the never-before-released original pitch for the series, this amazing collection offers an utterly unique view of the Archer creative process. Commentary from the crew will walk fans all the way from squiggles to the gorgeous final picture, detailing not only their process but their history as well. Exclusive interviews with the Emmy-nominated cast offer insights to their beloved characters and a glimpse of their favorite moments. With storyboards, costume designs, reference photographs, immaculate background paintings and more, this is Archer as you have never seen it. The Art of Archer is a must have companion to the groundbreaking animated series, for fans and cinephiles alike.
The path to achieving Zen (a balance between the body and the mind) is brilliantly explained by Professor Eugen Herrigel in this timeless account. This book is the result of the author's six year quest to learn archery in the hands of Japanese Zen masters. It is an honest account of one man's journey to complete abandonment of 'the self' and the Western principles that we use to define ourselves. Professor Herrigel imparts knowledge from his experiences and guides the reader through physical and spiritual lessons in a clear and insightful way. Mastering archery is not the key to achieving Zen, and this is not a practical guide to archery. It is more a guide to Zen principles and learning and perfect for practitioners and non-practitioners alike.
Excerpt from The Art of Archery That many young men, noble as well as others, willingly spend time shooting with the bow, I am not astonished. We learn from the first book of the Bible that the bow has been in use since the beginning of the world, for in it we are told that Lamech slew beasts with it. Further on, David took a sign from it from Jonathan, as appears in the first book of Kings. Again, as appears from his history, Hercules, the most mighty archer of his time, killed with it, while he was crossing the river, the giant who had robbed him of his wife. Also it was used by the archers who lived in the time of the Trojans. Similarly the book called The Art of War, says that the ancients taught their children to shoot with the bow, hold it in the left hand, and draw it with the right, of which more hereafter. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Learn the ancient art of Japanese archery or Kyudo with this illustrated guide. The Japanese Art of Archery, is deeply rooted in tradition. It not only continues to enjoy widespread popularity in Japan, but is also attracting the interest of more and more foreigners, in much the same manner as Japan's other distinctive sports, such as judo, sumo, kendo, and karate. Kyudo: The Japanese Art of Archery offers a concise description of kyudo by an ardent American enthusiast, describing the aims, the techniques, and the philosophic basis of its ceremonial aspect, which is strongly influenced by Zen philosophy. Carefully illustrated, this is a practical text, giving all of the necessary fundamentals. The author clearly describes the basic difference between American and Japanese archery. He points out the superior neatness and schematic beauty of the Oriental full draw, in which the chest is fully extended and the shoulders are thrust as far apart as possible, inasmuch as the string is drawn to a point well back, as was done in the old English archery of Roger Ascham’s time.
This book is a journey through almost forty years of practice. Each chapter is independent of the others and develops around a specific theme: psychoanalysis in France, the transference, fathers today, psychic bisexuality, the sick body, human destructivity, and so on. The underlying thread is none the less the question of knowing how the drive operates between the biological body and mental functioning consisting of representations and affects, and, especially, how it gives rise to thinking.If thinking is an "act of the flesh", as the author asserts, how can we refine our understanding of the vicissitudes of the "mysterious leap from the mind to the body"? Furthermore, how does Freudian metapsychology still help us today in our encounters with patients? Contemporary clinical practice is sometimes bewildering: acts, violence, pain, and somatization often replace neurotic conflicts and speech. The clinical stories related here have the aim of showing that a psychoanalysis rooted in the Freudian corpus is still alive and can continue to offer creative responses today.
Author: Henry Walrond Henri Gallice
Publisher: BiblioBazaar, LLC
Release Date: 2009-08
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
Author: Archer Jones
Publisher: University of Illinois Press
Release Date: 2001
Based on how the three major operational components of war - tactics, logistics, and strategy - have evolved and changed over time. This monumental work encompasses 2,500 years of military history, from infantry combat in ancient Greece through the dissolution of the Roman Empire to the Thirty Years' War.
Author: Shoji Yamada
Publisher: University of Chicago Press
Release Date: 2011-11-29
In the years after World War II, Westerners and Japanese alike elevated Zen to the quintessence of spirituality in Japan. Pursuing the sources of Zen as a Japanese ideal, Shoji Yamada uncovers the surprising role of two cultural touchstones: Eugen Herrigel’s Zen in the Art of Archery and the Ryoanji dry-landscape rock garden. Yamada shows how both became facile conduits for exporting and importing Japanese culture. First published in German in 1948 and translated into Japanese in 1956, Herrigel’s book popularized ideas of Zen both in the West and in Japan. Yamada traces the prewar history of Japanese archery, reveals how Herrigel mistakenly came to understand it as a traditional practice, and explains why the Japanese themselves embraced his interpretation as spiritual discipline. Turning to Ryoanji, Yamada argues that this epitome of Zen in fact bears little relation to Buddhism and is best understood in relation to Chinese myth. For much of its modern history, Ryoanji was a weedy, neglected plot; only after its allegorical role in a 1949 Ozu film was it popularly linked to Zen. Westerners have had a part in redefining Ryoanji, but as in the case of archery, Yamada’s interest is primarily in how the Japanese themselves have invested this cultural site with new value through a spurious association with Zen.
Author: Robert M. Pirsig
Publisher: S. Fischer Verlag
Release Date: 2013-04-11
»Dieses Buch bietet eine andere, ernsthaftere Alternative zum materiellen Erfolg an. Das heißt, es ist eigentlich weniger eine Alternative als viel-mehr eine Ausweitung der Bedeutung von ›Erfolg‹ auf etwas Größeres als das bloße Bemühen, eine gute Stellung zu finden und sich nichts zuschulden kommen zu lassen. Und auch etwas Größeres als bloße Freiheit. Es setzt ein positives Ziel, auf das man hinarbeiten kann, das einen aber nicht einengt. Das, so scheint mir, ist der Hauptgrund für den Erfolg des Buches. Es traf sich, daß die ganze Kultur genau nach dem auf der Suche war, was dieses Buch anzubieten hat.« Robert M. Pirsig