Written between the ages of twelve and fifteen, this diary tells the story of Jim Carroll, a kid growing up stealing, hustling, getting high, playing basketball, and trying to find something pure on the streets of New York
A moving, vividly rendered novel from the late author of The Basketball Diaries. When poet, musician, and diarist Jim Carroll died in September 2009, he was putting the finishing touches on a potent work of fiction. The Petting Zoo tells the story of Billy Wolfram, an enigmatic thirty- eight-year-old artist who has become a hot star in the late-1980s New York art scene. As the novel opens, Billy, after viewing a show of Velázquez paintings, is so humbled and awed by their spiritual power that he suffers an emotional breakdown and withdraws to his Chelsea loft. In seclusion, Billy searches for the divine spark in his own work and life. Carroll's novel moves back and forth in time to present emblematic moments from Billy's life (his Irish Catholic upbringing, his teenage escapades, his evolution as an artist and meteoric rise to fame) and sharply etched portraits of the characters who mattered most to him, including his childhood friend Denny MacAbee, now a famous rock musician; his mentor, the unforgettable art dealer Max Bernbaum; and one extraordinary black bird. Marked by Carroll's sharp wit, hallucinatory imagery, and street-smart style, The Petting Zoo is a frank, haunting examination of one artist's personal and professional struggles.
Author: Jim Carroll
Publisher: Penguin Group USA
Release Date: 1993
Fear of Dreaming collects all of Carroll's poems from Living at the Movies and most of The Book of Nods. While some of the poems originally published in The Book of Nods are not included in Fear of Dreaming, one of the "New York City Variations" originally left out of The Book of Nods can be found in Fear of Dreaming; this piece was originally published in Paris Review in 1985. In addition, the final section of the book, "New Work 1989-1993,"offers fifteen new poems and prose works. Among these are the short story "Curtis'sCharm" (which first appeared in Paris Review in 1993 and was adapted to film in 1996 by Canadian director John L'Ecuyer), and the poems "Fear of Dreaming," "Praying Mantis," and "To the National Endowment for the Arts."
Author: Hubert Selby
Publisher: Open Road Media
Release Date: 2011-12-13
A tale of four people trapped by their addictions, the basis for the acclaimed Darren Aronofsky film, by the author of Last Exit to Brooklyn. Sara Goldfarb is devastated by the death of her husband. She spends her days watching game shows and obsessing over appearing on television as a contestant—and her prescription diet pills only accelerate her mania. Her son, Harry, is living in the streets with his friend Tyrone and girlfriend Marion, where they spend their days selling drugs and dreaming of escape. When their heroin supply dries up, all three descend into an abyss of dependence and despair, their lives, like Sara’s, doomed by the destructive power of drugs. Tragic and captivating, Requiem for a Dream is one of Selby’s most powerful works, and an indelible portrait of the ravages of addiction. This ebook features an illustrated biography of Hubert Selby Jr. including rare photos from the author’s estate.
Author: Hubert Selby
Publisher: Open Road Media
Release Date: 2011-12-13
“An extraordinary achievement . . . a vision of hell so stern it cannot be chuckled or raged aside.”—The New York Times Book Review A classic of postwar American literature, Last Exit to Brooklyn created shock waves upon its release in 1964 with its raw, vibrant language and startling revelations of New York City’s underbelly. The prostitutes, drunks, addicts, and johns of Selby’s Brooklyn are fierce and lonely creatures, desperately searching for a moment of transcendence amidst the decay and brutality of the waterfront—though none have any real hope of escape. Last Exit to Brooklyn offers a disturbing yet hauntingly sensitive portrayal of American life, and nearly fifty years after publication, it stands as a crucial and masterful work of modern fiction. This ebook features an illustrated biography of Hubert Selby Jr. including rare photos from the author’s estate.
In a city mired in endless decay, where the youth suffer through all the horrors of urban blight, hope comes in a most unassuming form: a tiny brick schoolhouse run by two Felician nuns where a singular basketball genius takes teenagers from the mean streets of Jersey City and turns them into champions on the hardcourt. Coach Bob Hurley had been working miracles at St. Anthony High School for over thirty years, winning state and national championships and offering his players rescue from their surroundings through college scholarships, when he met his most dysfunctional team yet. In The Miracle of St. Anthony Adrian Wojnarowski follows Hurley through a gripping and heartrending season as he struggles to lead a troubled team to glory through his unparalleled understanding of the game and his ceaseless determination to see no more children lost to these streets. In The Miracle of St. Anthony, acclaimed sports journalist Adrian Wojnarowski follows Hurley through a gripping and heartrending season, as he struggles to lead a troubled team to glory through his unparalleled understanding of the game and his ceaseless determination to see no more children lost to the city streets.
A searing confessional infused with the darkest humour, Permanent Midnight chronicles the opiated abyss of a Hollywood screenwriter and his formidable climb into society. Made into a major motion picture starring Ben Stiller and Owen Wilson, Permanent Midnight is revered by critics and an ever-growing cult of devoted readers as one of the most compelling contemporary memoirs. From the author of the hugely popular I, Fatty.
Mishna Wolff grew up in a poor black neighborhood with her single father, a white man who truly believed he was black. "He strutted around with a short perm, a Cosby-esqe sweater, gold chains and a Kangol—telling jokes like Redd Fox, and giving advice like Jesse Jackson. You couldn't tell my father he was white. Believe me, I tried," writes Wolff. And so from early childhood on, her father began his crusade to make his white daughter Down. Unfortunately, Mishna didn't quite fit in with the neighborhood kids: she couldn't dance, she couldn't sing, she couldn't double dutch and she was the worst player on her all-black basketball team. She was shy, uncool and painfully white. And yet when she was suddenly sent to a rich white school, she found she was too "black" to fit in with her white classmates. I'm Down is a hip, hysterical and at the same time beautiful memoir that will have you howling with laughter, recommending it to friends and questioning what it means to be black and white in America.
Poignant, keenly observed, and irresistibly funny: a memoir about literary New York in the late nineties, a pre-digital world on the cusp of vanishing, where a young woman finds herself entangled with one of the last great figures of the century. At twenty-three, after leaving graduate school to pursue her dreams of becoming a poet, Joanna Rakoff moves to New York City and takes a job as assistant to the storied literary agent for J. D. Salinger. She spends her days in a plush, wood-paneled office, where Dictaphones and typewriters still reign and old-time agents doze at their desks after martini lunches. At night she goes home to the tiny, threadbare Williamsburg apartment she shares with her socialist boyfriend. Precariously balanced between glamour and poverty, surrounded by titanic personalities, and struggling to trust her own artistic instinct, Rakoff is tasked with answering Salinger’s voluminous fan mail. But as she reads the candid, heart-wrenching letters from his readers around the world, she finds herself unable to type out the agency’s decades-old form response. Instead, drawn inexorably into the emotional world of Salinger’s devotees, she abandons the template and begins writing back. Over the course of the year, she finds her own voice by acting as Salinger’s, on her own dangerous and liberating terms. Rakoff paints a vibrant portrait of a bright, hungry young woman navigating a heady and longed-for world, trying to square romantic aspirations with burgeoning self-awareness, the idea of a life with life itself. Charming and deeply moving, filled with electrifying glimpses of an American literary icon, My Salinger Year is the coming-of-age story of a talented writer. Above all, it is a testament to the universal power of books to shape our lives and awaken our true selves. From the Hardcover edition.
Author: Albert "Prodigy" Johnson
Publisher: Simon and Schuster
Release Date: 2011-04-19
Genre: Biography & Autobiography
From one of the greatest rappers of all time, the memoir of a life cut short, a revealing look at the dark side of hip hop’s Golden Era... In this often violent but always introspective memoir, Mobb Deep’s Prodigy tells his much anticipated story of struggle, survival, and hope down the mean streets of New York City. For the first time, he gives an intimate look at his family background, his battles with drugs, his life of crime, his relentless suffering with sickle-cell anemia, and much more. Recently released after serving three and a half years in state prison due to what many consider an unlawful arrest by a rumored secret NYPD hip hop task force, Prodigy is ready to talk about his life as one of rap’s greatest legends. My Infamous Life is an unblinking account of Prodigy’s wild times with Mobb Deep who, alongside rappers like Nas, The Notorious B.I.G., Tupac Shakur, Jay-Z, and Wu-Tang Clan, changed the musical landscape with their vivid portrayals of early ’90s street life. It is a firsthand chronicle of legendary rap feuds like the East Coast–West Coast rivalry; Prodigy’s beefs with Jay-Z, Nas, Snoop Dogg, Ja Rule, and Capone-N-Noreaga; and run-ins with prodigal hit makers and managers like Puff Daddy, Russell Simmons, Chris Lighty, Irv Gotti, and Lyor Cohen. Taking the reader behind the smoke-and-mirrors glamour of the hip hop world, so often seen as the only way out for those with few options, Prodigy lays down the truth about the intoxicating power of money, the meaning of true friendship and loyalty, and the ultimately redemptive power of self. This is the heartbreaking journey of a child born in privilege, his youth spent among music royalty like Diana Ross and Dizzy Gillespie, educated in private schools, until a family tragedy changed everything. Raised in the mayhem of the Queensbridge projects, Prodigy rose to the dizzying heights of fame and eventually fell into the darkness of a prison cell. A truly candid memoir, part fearless confessional and part ode to the concrete jungles of New York City, from the front line of the last great moment in hip hop history.
Updated and expanded edition of the foundational text of women of color feminism. Originally released in 1981, This Bridge Called My Back is a testimony to women of color feminism as it emerged in the last quarter of the twentieth century. Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherríe Moraga writes, “the complex confluence of identities—race, class, gender, and sexuality—systemic to women of color oppression and liberation.” Reissued here, nearly thirty-five years after its inception, the fourth edition contains an extensive new introduction by Moraga, along with a previously unpublished statement by Gloria Anzaldúa. The new edition also includes visual artists whose work was produced during the same period as Bridge, including Betye Saar, Ana Mendieta, and Yolanda López, as well as current contributor biographies. Bridge continues to reflect an evolving definition of feminism, one that can effectively adapt to, and help inform an understanding of the changing economic and social conditions of women of color in the United States and throughout the world. “Immense is my admiration for the ongoing dialogue and discourse on feminism, Indigenous feminism, the defining discussions in women of color movements and the broader movement. I have loved this book for thirty years, and am so pleased we have returned with our stories, words, and attributes to the growing and resilient movement.” — Winona LaDuke (Anishinaabe), Executive Director, Honor the Earth Praise for the Third Edition “This Bridge Called My Back … dispels all doubt about the power of a single text to radically transform the terrain of our theory and practice. Twenty years after its publication, we can now see how it helped to untether the production of knowledge from its disciplinary anchors—and not only in the field of women’s studies. This Bridge has allowed us to define the promise of research on race, gender, class and sexuality as profoundly linked to collaboration and coalition-building. And perhaps most important, it has offered us strategies for transformative political practice that are as valid today as they were two decades ago.” — Angela Davis, University of California, Santa Cruz “This Bridge Called My Back … has served as a significant rallying call for women of color for a generation, and this new edition keeps that call alive at a time when divisions prove ever more stubborn and dangerous. A much-cited text, its influence has been visible and broad both in academia and among activists. We owe much of the sound of our present voices to the brave scholars and feminists whose ideas and ideals crowd its pages.” — Shirley Geok-lin Lim, University of California, Santa Barbara “This book is a manifesto—the 1981 declaration of a new politics ‘US Third World Feminism.’ No great de-colonial writer, from Fanon, Shaarawi, Blackhawk, or Sartre, to Mountain Wolf Woman, de Beauvoir, Saussure, or Newton could have alone proclaimed this ‘politic born of necessity.’ This politic denies no truths: its luminosities drive into and through our bodies. Writers and readers alike become shape-shifters, are invited to enter the shaman/witness state, to invoke power differently. ‘US Third World Feminism’ requires a re-peopling: the creation of planetary citizen-warriors. This book is a guide that directs citizenry shadowed in hate, terror, suffering, disconnection, and pain toward the light of social justice, gender and erotic liberation, peace, and revolutionary love. This Bridge … transits our dreams, and brings them to the real.” — Chela Sandoval, University of California, Santa Barbara