Author: Angela Carter
Publisher: Random House
Release Date: 2012-10-31
WITH AN INTRODUCTION BY HELEN SIMPSON From familiar fairy tales and legends - Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves - Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
"For the 75th anniversary of her birth, a Deluxe Edition of the master of the literary supernatural's most celebrated book Angela Carter was a storytelling sorceress, the literary godmother of Neil Gaiman, Audrey Niffenegger, J. K. Rowling, and other contemporary masters of supernatural fiction. In her masterpiece, The Bloody Chamber--which includes the story that is the basis of Neil Jordan's 1984 movie The Company of Wolves--she breathed new life into familiar fairy tales and legends in a style steeped in the romantic trappings of the gothic tradition. This edition features a new introduction by Kelly Link, the Nebula and World Fantasy Award-wining author, one of a new generation of writers who've been inspired by Carter's brand of fantastical, subversive, boundlessly imaginative fiction. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators"--
For the 75th anniversary of her birth, a Deluxe Edition of the master of the literary supernatural's most celebrated book Angela Carter was a storytelling sorceress, the literary godmother of Neil Gaiman, Audrey Niffenegger, J. K. Rowling, and other contemporary masters of supernatural fiction. In her masterpiece, The Bloody Chamber--which includes the story that is the basis of Neil Jordan's 1984 movie The Company of Wolves--she breathed new life into familiar fairy tales and legends in a style steeped in the romantic trappings of the gothic tradition. This edition features a new introduction by Kelly Link, the Nebula and World Fantasy Award-wining author, one of a new generation of writers who've been inspired by Carter's brand of fantastical, subversive, boundlessly imaginative fiction. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Author: Angela Carter
Publisher: Hachette UK
Release Date: 2015-11-19
Once upon a time fairy tales weren't meant just for children, and neither is Angela Carter's Book of Fairy Tales. This stunning collection contains lyrical tales, bloody tales and hilariously funny and ripely bawdy stories from countries all around the world- from the Arctic to Asia - and no dippy princesses or soppy fairies. Instead, we have pretty maids and old crones; crafty women and bad girls; enchantresses and midwives; rascal aunts and odd sisters. This fabulous celebration of strong minds, low cunning, black arts and dirty tricks could only have been collected by the unique and much-missed Angela Carter. Illustrated throughout with original woodcuts.
Author: Kimberly J. Lau
Publisher: Wayne State University Press
Release Date: 2014-12-01
In the thirty-five years since the publication of The Bloody Chamber, Angela Carter’s reimagined fairy tales have inspired an impressive body of criticism. Yet none has addressed the ways her fairy tales grapple with and seek to overcome the near impossibility of heterosexual love and desire under patriarchy. In Erotic Infidelities: Love and Enchantment in Angela Carter’s The Bloody Chamber, author Kimberly J. Lau argues that the strangeness of Carter’s fairy-tale enchantments—the moments when love or erotic desire escape the deeply familiar, habitual structures and ideologies that contain them—show the momentary, fleeting possibilities for heterosexual love and desire. Lau begins by situating her reading of The Bloody Chamber—as individual stories and as a collection—within and against the critical literature, especially that which addresses Carter’s relationship to psychoanalytic theory and issues of language and desire. In chapter 2, she illustrates Carter’s construction of gender and language as labyrinthine structures—complex cultural edifices constructed and augmented over time. She moves on to consider Carter’s “feline stories” in chapter 3—“The Courtship of Mr. Lyon,” “The Tiger’s Bride,” and “Puss-in-Boots”—as an initial move away from the labyrinthine structures and toward an alternate erotics. In chapter 4, she reads “The Erl-King” and “The Snow Child” as another pair of mirrored tales, while chapter 5 elaborates on the pedophilic and necrophiliac fantasies of a pornographic culture, introduced in the previous chapter with the Count’s desire for the Snow Child. In chapter 6, Lau situates Carter’s three concluding stories—the wolf trilogy—within the context of feminist psychoanalytic understandings of infidelity as that which destabilizes patriarchal hegemonies and constructs. Lau argues that Carter’s “erotic infidelities” work against our culturally determined expectations and longings and usher us into welcome new enchantments. Situated at the intersection of feminist, psychoanalytic, literary, and fairy-tale studies, readers interested in a variety of scholarly disciplines as well as scholars of Carter’s tales will enjoy Lau’s look at enduring questions of gender, sexuality, and desire.
Author: Angela Carter
Publisher: Random House
Release Date: 2016-05-26
WITH AN INTRODUCTION BY SALMAN RUSHDIE As well as her eight novels, Angela Carter published four wonderful collections of short stories during her lifetime, and contributed stories to several anthologies. The stories were scattered amongst different publishers, and a couple of the volumes are now out of print. In Burning your Boats they are gathered for the first time; this is a key collection and a major event for Angela Carter aficionados.
Once upon a time fairy talesweren't meant just for children, and neither is AngelaCarter's Book of Fairy Tales. This stunning collectioncontains lyrical tales, bloody tales and hilariouslyfunny and ripely bawdy stories from countries all aroundthe world- from the Arctic to Asia - and no dippyprincesses or soppy fairies. Instead, we have prettymaids and old crones; crafty women and bad girls;enchantresses and midwives; rascal aunts and odd sisters.This fabulous celebration of strong minds, low cunning,black arts and dirty tricks could only have beencollected by the unique and much-missed Angela Carter.Illustrated throughout with original woodcuts.
Author: Philip Anselmo
Publisher: Random House
Release Date: 2016-06-16
Genre: Biography & Autobiography
In this brutally honest, no-holds-barred memoir, Philip Anselmo, former frontman of the legendary metal band Pantera, finally tells his side of the story-on everything from the band's meteoric rise to the murder of guitarist Darrell Abbott onstage. From bar band obscurity to the bright spotlight of the world's stage, Anselmo helped lead Pantera to world domination. He soared to the top with the first extreme metal album to debut at #1 on the Billboard music charts with Far Beyond Driven in 1994. He turned a bar-bumping glam metal band into the heaviest, most extreme, and most successful heavy metal unit since Metallica. But the ride to the top wasn't easy. Soon after Far Beyond Driven topped the charts, Anselmo hit rock bottom at the band's celebrated return gig in Dallas, Texas, where he was declared clinically dead for more than four minutes after he overdosed on heroin. He later watched Pantera disintegrate due to backbiting, alcohol and drug abuse, and chronic pain. And in addition to nearly killing himself, Anselmo has been blamed for killing the band and wrongfully accused as the reason his best friend and guitarist "Dimebag" Darrell Abbott was murdered onstage by a deranged fan. Anselmo's rise to the top of the heavy metal heap as the ultimate frontman is the stuff of modern-day legend. Finally, he tells all in this fascinating narrative of his hard-won music career with incredible highs and devastating lows. Mouth of War is the hard, honest, brutal truth.
Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1, Otto-von-Guericke-University Magdeburg (Institut fur fremdsprachliche Philologien), course: Gothic Fiction, language: English, abstract: The attainment of female subjectivity in spite of female sexual maturation, the oppression of female sexuality, the passive role of females bound in the confines of marriage, and as accumulated property are some of the issues that Carter addresses in The Bloody Chamber within the framework of the fairytale genre. Angela Carter adopts Perrault's fairy-tale Bluebeard in her story The Bloody Chamber and transfers it into a feminist rewriting. She breaks through the prescribed role-understanding of women and men in society. Society defines women as being passive, men as being active in every domain of the everyday life. Angela Carter draws a picture against this stigmatization. She does not define women as being merely subversive; victims of male authority and simply fulfilling their role. She wants to show that women have the ability to gain independence and a free will by giving male qualities to her female characters or letting them not behave like society expects them to behave. In society men are said to be powerful and oppressing their wives. They show true qualities of masculinity and exploit their wife's innocence and naivety. Carter on the one hand portrays men as embodying this prescribed role, but also adds female qualities to their actions and behaviours, or being overpowered by their female counterparts. This paper shall show in how far Angela Carter adapts constructed role models, changes them or invents new ones. Therefore the paper is divided into two sections: The first gives a brief overview about the time period as this text is written against the background of the gothic era. The second part concentrates on The Bloody Chamber, which is first of all based on Perrault's Bluebeard story - to realize the
Author: Edmund Gordon
Publisher: Oxford University Press
Release Date: 2017-03-01
Angela Carter is widely considered one of the best loved and most highly acclaimed English writers of the last hundred years. She was prolific and inventive, producing an astounding range of innovative novels, short stories, screenplays, and essays that won her the admiration and respect ofreaders around the world, including renowned peers such as Salman Rushdie, Joyce Carol Oates, and Margaret Atwood. Dozens of books have been written about Carter's work, but only a few have considered the author's life, often as a brief prelude to criticism of her fiction. Edmund Gordon's The Invention of Angela Carter: A Biography will be the first to fully explore Carter's life and career. Written with theexclusive authorization of Carter's estate, and facilitated by interviews with family and friends, as well as unrestricted access to her manuscripts and journals, the book takes readers through Carter's childhood in England, her struggling years as an apprentice writer, her breakthroughs in fiction,and her collaborations with filmmakers like the Irish director Neil Jordan. Alongside these public professional achievements, Gordon offers unique insights into Carter's private life, delving into her two marriages, her encounters with sexism, her frustrations as a university professor, and herstruggle with lung cancer. Because its subject so powerfully embodied the spirit of the times, the book also provides a fresh perspective on Britain's social and cultural history in the second half of the twentieth century. It examines such topics as the 1960s counterculture, the social and imaginative conditions of thenuclear age, and the advent of second wave feminism. Angela Carter's life was as rich with incident, as vigorously modern, as unconventional, as dark, and ultimately as tragic as anything in her fiction. This sharply written narrative will be the definitive biography for years to come.
Author: Angela Carter
Publisher: Random House
Release Date: 2016-08-11
‘I started to write short pieces when I was living in a room too small to write a novel in.’ So says Angela Carter of this collection, written during a period living in Toyko. These exotic, sensuous stories represent Carter’s first major achievement in the short-story form. Lush imaginary forests, a murderous puppet show and an expressionistic vision of Japan: each one instantly conjures an atmosphere, dark and luminous in turn, and recognisably from the daring imagination of one of the great twentieth-century stylists.