Author: Milena Dolezelova-Velingerova
Publisher: University of Toronto Press
Release Date: 1980-12-15
Genre: Literary Criticism
This collection of essays reveals the dynamic role of the late Qing novel in the process of modernization of Chinese fiction. Substantial changes in various aspects of the Chinese novel at the turn of the century, demonstrated by structural analyses of several representative novels, suggest that the evolution of modern Chinese fiction was a more complex process than a simple imitation of Western literatures. The results challenge the scholarly consensus that modern Chinese fiction resulted from a radical change brought about by the May Fourth Movement in 1919. It is demonstrated rather that the transformation had already begun in the first decade of the twentieth century and that the conspicuous changes in Chinese fiction of the 1920s represent a culmination rather than a beginning of the modern evolutionary process. The book consists of nine studies which analyse the late Qing novel in its general and specific aspects. The introduction and first essay explain how social changes conditioned cultural and literary changes during the period and how the resultant new theory of fiction generated new concepts of a politically engaged novel. The two following studies develop a general statement of narrative structures and devices, derived from structural analyses of seven outstanding late Qing novels. The last six articles examine particular novels in detail, focusing on the specific fictional techniques which predominate in each. This is the first volume in a new series, Modern East Asian Studies.
Publisher: University of Hawaii Press
Release Date: 1995
Published within a few months of each other in 1906, Stones in the Sea by Fu Lin and The Sea of Regret by Wu Jianren take opposite sides in the heated turn-of-the-century debate over the place of romantic and sexual love and passion in Chinese life. The Sea of Regret, which came to be the most popular short novel of this period, is a response to the less well-known but equally significant Stones in the Sea. Taken together, this pair of novels provides a fascinating portrait of early twentieth-century China's struggle with its own cultural, ethical, and sexual redefinition. Patrick Hanan's masterful translation brings together these novels -- neither of which has before been available in any foreign language -- in a single volume, with a valuable introduction and notes. A tour de force in the art of translation. 'The Sea of Regret' is not only accurate, but, in the typical Hanan fashion, it is succinct and elegant as well. Impeccable work from an eminent scholar of Chinese fiction and a master of prose. --Lee Ou-fan Lee, UCLA These two short novels are especially interesting for their insights into the debate in educated circles concerning marriage, family, and the status of women. The chaos in China caused by the Boxer Rebellion of 1900 is also vividly rendered in both works. Readers will find not only intrinsic interest but also historical relevance in these early modern novels. --Michael S. Duke, University of British Columbia Patrick Hanan is Victor S. Thomas Professor of Chinese Literature at Harvard University. He is the author of The Chinese Vernacular Story and The Invention of Li Yu and the translator of The Carnal Prayer Mat and A Tower for the Summer Heat.
Author: Tobie Meyer-Fong
Publisher: Stanford University Press
Release Date: 2013-03-27
The Taiping Rebellion was one of the costliest civil wars in human history. Many millions of people lost their lives. Yet while the Rebellion has been intensely studied by scholars in China and elsewhere, we still know little of how individuals coped with these cataclysmic events. Drawing upon a rich array of primary sources, What Remains explores the issues that preoccupied Chinese and Western survivors. Individuals, families, and communities grappled with fundamental questions of loyalty and loss as they struggled to rebuild shattered cities, bury the dead, and make sense of the horrors that they had witnessed. Driven by compelling accounts of raw emotion and deep injury, What Remains opens a window to a world described by survivors themselves. This book transforms our understanding of China's 19th century and recontextualizes suffering and loss in China during the 20th century.
Author: James R. Holmes
Release Date: 2012-09-10
Alfred Thayer Mahan has been called America’s nineteenth-century ‘evangelist of sea power’ and the intellectual father of the modern US Navy. His theories have a timeless appeal, and Chinese analysts now routinely invoke Mahan’s writings, exhorting their nation to build a powerful navy. Economics is the prime motivation for maritime reorientation, and securing the sea lanes that convey foreign energy supplies and other commodities now ranks near or at the top of China’s list of military priorities. This book is the first systematic effort to test the interplay between Western military thought and Chinese strategic traditions vis-à-vis the nautical arena. It uncovers some universal axioms about how theories of sea power influence the behaviour of great powers and examines how Mahanian thought could shape China’s encounters on the high seas. Empirical analysis adds a new dimension to the current debate over China’s ‘rise’ and its importance for international relations. The findings also clarify the possible implications of China’s maritime rise for the United States, and illuminate how the two powers can manage their bilateral interactions on the high seas. Chinese Naval Strategy in the 21st Century will be of much interest to students of naval history, Chinese politics and security studies.
Author: Victor H. Mair
Publisher: Columbia University Press
Release Date: 2010-02-22
Genre: Literary Criticism
Comprehensive yet portable, this account of the development of Chinese literature from the very beginning up to the present brings the riches of this august literary tradition into focus for the general reader. Organized chronologically with thematic chapters interspersed, the fifty-five original chapters by leading specialists cover all genres and periods of poetry, prose, fiction, and drama, with a special focus on such subjects as popular culture, the impact of religion upon literature, the role of women, and relationships with non-Sinitic languages and peoples.
Author: Jane Hunter
Publisher: Yale University Press
Release Date: 1989-08-16
At the turn of the century, women represented over half of the American foreign mission force and had settled in heathen China to preach the lessons of Christian domesticity. In this engrossing narrative, Jane Hunter uses diaries, reminiscences, and letters to recreate the backgrounds of the missionaries and the problems and satisfactions they found in China. Her book offers insights not only into the experiences of these women but also into the ways they mirrored the female culture of Victorian America. A subtle and finely written book... on] an aspect of the mission world in China that has never before received such probing, affectionate, detailed treatment.-Jonathan Spence, New York Review of Books An important and often entertaining work...New angles on imperialism and gentility alike.-Martin E. Marty, Reviews in American History A triumph of sophisticated subtle intelligence. Though quite cognizant of the dark side of the confluence of American nationalism and the missionary enterprise, Hunter's interest is in moving beyond that understanding to explore how the meeting of two cultures affected, and was shaped by, a female angle of vision.-Regina Morantz-Sanchez, Signs Jane Hunter writes better than most novelists, and she has a topic more demanding and rewarding than the subjects many novelists deal with. Her story of the valiant and ofttimes guilt-ridden women who ventured to China, singly or with spouses, to win the country for Christ creates a world and beckons readers into it.-Christian Century
Author: Bangqing Han
Publisher: Columbia University Press
Release Date: 2007-11-01
Courtesans, desire & the denizens of the Shanghai underworld are just some of the elements in Han Bangqing's novel of late imperial China, published in 1892 & now available in English for the first time.
Author: Jin Feng
Publisher: Purdue University Press
Release Date: 2004
Genre: Literary Criticism
In The New Woman in Early Twentieth-century Chinese Fiction, Jin Feng discusses representations of women in May Fourth fiction, issues of gender, modernity, individualism, subjectivity, and narrative strategy. In this thought-provoking book about a crucial period of Chinese literature, Feng argues that male writers such as Lu Xun, Yu Dafu, Ba Jin, and Mao Dun created fictional women as mirror images of their own political inadequacy, but that at the same time this was also an egocentric ploy to affirm and highlight the modernity of the male author. This gender-biased attitude was translated into reality when women writers emerged. Whereas unfair, gender-biased criticism all but stifled the creative output of Bing Xin, Fang Yuanjun, and Lu Yin, Ding Ling's dogged attention to narrative strategy allowed her to maintain subjectivity and independence in her writings; that is until all writers were forced to write for the collective.
Author: Rebecca E. Karl
Publisher: Duke University Press
Release Date: 2002-04-01
Genre: Political Science
In Staging the World Rebecca E. Karl rethinks the production of nationalist discourse in China during the late Qing period, between China’s defeat in the Sino-Japanese War in 1895 and the proclamation of the Republic in 1911. She argues that at this historical moment a growing Chinese identification with what we now call the Third World first made the modern world visible as a totality and that the key components of Chinese nationalist discourse developed in reference to this worldview. The emergence of Chinese nationalism during this period is often portrayed as following from China’s position vis-à-vis Japan and the West. Karl has mined the archives of the late Qing period to discern the foci of Chinese intellectuals from 1895 to 1911 to assert that even though the China/Japan/West triangle was crucial, it alone is an incomplete—and therefore flawed—model of the development of nationalism in China. Although the perceptions and concerns of these thinkers form the basis of Staging the World, Karl begins by examining a 1904 Shanghai production of an opera about a fictional partition of Poland and its modern reincarnation as an ethno-nation. By focusing on the type of dialogue this opera generated in China, Karl elucidates concepts such as race, colonization, globalization, and history. From there, she discusses how Chinese conceptions of nationalism were affected by the “discovery” of Hawai’i as a center of the Pacific, the Philippine revolution against the United States, and the relationship between nationality and ethnicity made apparent by the Boer War in South Africa.
Author: Jie Lu
Release Date: 2013-10-18
Genre: Literary Criticism
China’s literary and cultural production at the turn of the twenty-first century is marked by heterogeneity, plurality, and diversity. Given its complexity, the literary/cultural production of this period perhaps can be understood most productively as a response to a global modernity that has touched and transformed all aspects of contemporary Chinese reality. The eleven essays in this book offer an introduction to some of the most important works published at the turn of the twenty-first century. In combining textual analysis of specific works with theoretical insights, and in locating the texts in their sociocultural and socioeconomic contexts, the essays explore key theoretical issues and intellectual concerns of the time. They collectively draw a broad contour of new developments, major trends, and radical changes, capturing the intellectual and cultural Zeitgeist of the age. All in all, these essays offer new theoretical approaches to, and critical perspectives on, contemporary Chinese literature and culture.
An aristocratic Russian doctor races to contain a deadly plague in an outpost city in Manchuria - before it spreads to the rest of the world. 1910: people are mysteriously dying at an alarming rate in the Russian-ruled city of Kharbin, a major railway outpost in Northern China. Strangely, some of the dead bodies vanish before they can be identified. During a dangerously cold winter in a city gripped by fear, the Baron, a wealthy Russian aristocrat and the city's medical commissioner, is determined to stop this mysterious plague. Battling local customs, an occupying army, and a brutal epidemic with no name, the Baron is torn between duty and compassion, between Western medical science and respect for Chinese tradition. His allies include a French doctor, a black marketeer, and a charismatic Chinese dwarf. His greatest refuge is the intimacy he shares with his young Chinese wife - but she has secrets of her own. Based on a true story that has been lost to history, set during the last days of imperial Russia, THE WINTER STATION is a richly textured and brilliant novel about mortality, fear and love.
Author: Michelle T. King
Publisher: Stanford University Press
Release Date: 2014-01-08
Female infanticide is a social practice often closely associated with Chinese culture. Journalists, social scientists, and historians alike emphasize that it is a result of the persistence of son preference, from China's ancient past to its modern present. Yet how is it that the killing of newborn daughters has come to be so intimately associated with Chinese culture? Between Birth and Death locates a significant historical shift in the representation of female infanticide during the nineteenth century. It was during these years that the practice transformed from a moral and deeply local issue affecting communities into an emblematic cultural marker of a backwards Chinese civilization, requiring the scientific, religious, and political attention of the West. Using a wide array of Chinese, French and English primary sources, the book takes readers on an unusual historical journey, presenting the varied perspectives of those concerned with the fate of an unwanted Chinese daughter: a late imperial Chinese mother in the immediate moments following birth, a male Chinese philanthropist dedicated to rectifying moral behavior in his community, Western Sinological experts preoccupied with determining the comparative prevalence of the practice, Catholic missionaries and schoolchildren intent on saving the souls of heathen Chinese children, and turn-of-the-century reformers grappling with the problem as a challenge for an emerging nation.
This is a critical inquiry into the connections between emergent feminist ideologies in China and the production of 'modern' women's writing from the demise of the last imperial dynasty to the founding of the PRC. It accentuates both well-known and under-represented literary voices who intervened in the gender debates of their generation as well as contextualises the strategies used in imagining alternative stories of female experience and potential. It asks two questions: first, how did the advent of enlightened views of gender relations and sexuality influence literary practices of 'new women' in terms of narrative forms and strategies, readership, and publication venues? Second, how do these representations attest to the way these female intellectuals engaged and expanded social and political concerns from the personal to the national?