Author: Brittney C. Cooper
Publisher: The Feminist Press at CUNY
Release Date: 2016-12-19
Genre: Social Science
For the Crunk Feminist Collective, their academic day jobs were lacking in conversations they actually wanted—relevant, real conversations about how race and gender politics intersect with pop culture and current events. To address this void, they started a blog. Now with an annual readership of nearly one million, their posts foster dialogue about activist methods, intersectionality, and sisterhood. And the writers' personal identities—as black women; as sisters, daughters, and lovers; and as television watchers, sports fans, and music lovers—are never far from the discussion at hand. These essays explore "Sex and Power in the Black Church," discuss how "Clair Huxtable is Dead," list "Five Ways Talib Kweli Can Become a Better Ally to Women in Hip Hop," and dwell on "Dating with a Doctorate (She Got a Big Ego?)." Self-described as "critical homegirls," the authors tackle life stuck between loving hip hop and ratchet culture while hating patriarchy, misogyny, and sexism. Brittney Cooper is an assistant professor at Rutgers University. In addition to a weekly column in Salon.com, her words have appeared in the New York Times, the Washington Post, Cosmo.com, and many others. In 2013 and 2014, she was named to the Root.com's Root 100, an annual list of Top Black Influencers. Susana M. Morris received her Ph.D. from Emory University and is currently an associate professor of English at Auburn University. Robin M. Boylorn is assistant professor at the University of Alabama. She is the author of the award-winning monograph Sweetwater: Black Women and Narratives of Resilience (Peter Lang, 2013).
Author: Brittney Cooper
Publisher: St. Martin's Press
Release Date: 2018-02-20
Genre: Social Science
NAMED A BEST/MOST ANTICIPATED BOOK OF 2018 BY: Glamour • Chicago Reader • Bustle • Autostraddle With searing honesty, intimacy and humor too, America’s leading young black feminist celebrates the power of rage. Melissa Harris Perry says: “I was waiting for an author who wouldn’t forget, ignore, or erase us black girls as they told their own story...I was waiting and she has come—in Brittney Cooper.” Michael Eric Dyson says: “Cooper may be the boldest young feminist writing today. Her critique is sharp, her love of Black people and Black culture is deep, and she will make you laugh out loud.” Rebecca Traister says: "Brittney Cooper is a national treasure." Mychal Denzel Smith says: "Brittney Cooper is the Black Feminist Prophet we urgently need." So what if it’s true that Black women are mad as hell? They have the right to be. In the Black feminist tradition of Audre Lorde, Brittney Cooper reminds us that anger is a powerful source of energy that can give us the strength to keep on fighting. Far too often, Black women’s anger has been caricatured into an ugly and destructive force that threatens the civility and social fabric of American democracy. But Cooper shows us that there is more to the story than that. Black women’s eloquent rage is what makes Serena Williams such a powerful tennis player. It’s what makes Beyoncé’s girl power anthems resonate so hard. It’s what makes Michelle Obama an icon. Eloquent rage keeps us all honest and accountable. It reminds women that they don’t have to settle for less. When Cooper learned of her grandmother's eloquent rage about love, sex, and marriage in an epic and hilarious front-porch confrontation, her life was changed. And it took another intervention, this time staged by one of her homegirls, to turn Brittney into the fierce feminist she is today. In Brittney Cooper’s world, neither mean girls nor fuckboys ever win. But homegirls emerge as heroes. This book argues that ultimately feminism, friendship, and faith in one's own superpowers are all we really need to turn things right side up again.
Author: Brittney C. Cooper
Publisher: University of Illinois Press
Release Date: 2017-05-03
Genre: Social Science
Beyond Respectability charts the development of African American women as public intellectuals and the evolution of their thought from the end of the 1800s through the Black Power era of the 1970s. Eschewing the Great Race Man paradigm so prominent in contemporary discourse, Brittney C. Cooper looks at the far-reaching intellectual achievements of female thinkers and activists like Anna Julia Cooper, Mary Church Terrell, Fannie Barrier Williams, Pauli Murray, and Toni Cade Bambara. Cooper delves into the processes that transformed these women and others into racial leadership figures, including long-overdue discussions of their theoretical output and personal experiences. As Cooper shows, their body of work critically reshaped our understandings of race and gender discourse. It also confronted entrenched ideas of how--and who--produced racial knowledge.
Author: Robin M. Boylorn
Publisher: Peter Lang Pub Incorporated
Release Date: 2013
Genre: Social Science
Sweetwater is about the black female experience as it relates to friendship, family, spirituality, poverty, education, addiction, mental illness, romantic relationships, raising children, and everyday survival. Written from field notes and memory, the author combines narrative and autoethnography to weave her own experiences as a rural black girl into the story, revealing the complexities of black women's lived experiences and exposing the communicative and interpersonal choices black women make through storytelling.--Provided by publisher
Author: Barbara Smith
Publisher: Rutgers University Press
Release Date: 1983
Genre: Literary Collections
The pioneering anthology Home Girls features writings by Black feminist and lesbian activists on topics both provocative and profound. Since its initial publication in 1983, it has become an essential text on Black women's lives and writings. This edition features an updated list of contributor biographies and an all-new preface that provides a fresh assessment of how Black women's lives have changed-or not-since the book was first published. Contributors are Tania Abdulahad, Donna Allegra, Barbara A. Banks, Becky Birtha, Julie Carter, Cenen, Cheryl Clarke, Michelle Cliff, Michelle T. Clinton, Willie M. Coleman, Toi Derricotte, Alexis De Veaux, Jewelle L. Gomez, Akasha (Gloria) Hull, Patricia Jones, June Jordan, Audre Lorde, Raymina Y. Mays, Deidre McCalla, Chirlane McCray, Pat Parker, Linda C. Powell, Bernice Johnson Reagon, Spring Redd, Gwendolyn Rogers, Kate Rushin, Ann Allen Shockley, Barbara Smith, Beverly Smith, Shirley O. Steele, Luisah Teish, Jameelah Waheed, Alice Walker, and Renita Weems.
Twenty-Three Leading Feminist Writers on Protest and Solidarity When 53 percent of white women voted for Donald Trump and 94 percent of black women voted for Hillary Clinton, how can women unite in Trump’s America? Nasty Women includes inspiring essays from a diverse group of talented women writers who seek to provide a broad look at how we got here and what we need to do to move forward. Featuring essays by REBECCA SOLNIT on Trump and his “misogyny army,” CHERYL STRAYED on grappling with the aftermath of Hillary Clinton’s loss, SARAH HEPOLA on resisting the urge to drink after the election, NICOLE CHUNG on family and friends who support Trump, KATHA POLLITT on the state of reproductive rights and what we do next, JILL FILIPOVIC on Trump’s policies and the life of a young woman in West Africa, SAMANTHA IRBY on racism and living as a queer black woman in rural America, RANDA JARRAR on traveling across the country as a queer Muslim American, SARAH HOLLENBECK on Trump’s cruelty toward the disabled, MEREDITH TALUSAN on feminism and the transgender community, and SARAH JAFFE on the labor movement and active and effective resistance, among others.
Author: Shira Tarrant
Publisher: Seal Press
Release Date: 2009-05-12
Genre: Social Science
There's no denying that men's involvement and interest in feminism is key to its continuing relevance and importance. Addressing the question of why men should care about feminism in the first place, Men and Feminism lays the foundation for a larger discussion about feminism as a human issue, not simply a women's issue. Men are crucial to the movement — as fathers, brothers, husbands, boyfriends, and friends. From "why" to "how" to "what can men do", Men and Feminism answers all the questions men have about how and why they should get behind feminism.
Before Buffy, before Twilight, before Octavia Butler's Fledgling, there was The Gilda Stories, Jewelle Gomez's sexy vampire novel. "The Gilda Stories is groundbreaking not just for the wild lives it portrays, but for how it portrays them--communally, unapologetically, roaming fiercely over space and time."--Emma Donoghue, author of Room "Jewelle Gomez sees right into the heart. This is a book to give to those you want most to find their own strength."—Dorothy Allison This remarkable novel begins in 1850s Louisiana, where Gilda escapes slavery and learns about freedom while working in a brothel. After being initiated into eternal life as one who "shares the blood" by two women there, Gilda spends the next two hundred years searching for a place to call home. An instant lesbian classic when it was first published in 1991, The Gilda Stories has endured as an auspiciously prescient book in its explorations of blackness, radical ecology, re-definitions of family, and yes, the erotic potential of the vampire story. Jewelle Gomez is a writer, activist, and the author of many books including Forty-Three Septembers, Don't Explain, The Lipstick Papers, Flamingoes and Bears, and Oral Tradition. The Gilda Stories was the recipient of two Lambda Literary Awards, and was adapted for the stage by the Urban Bush Women theater company in thirteen United States cities. Alexis Pauline Gumbs was named one of UTNE Reader's 50 Visionaries Transforming the World, a Reproductive Reality Check Shero, a Black Woman Rising nominee, and was awarded one of the first-ever "Too Sexy for 501c3" trophies. She lives in Durham, North Carolina. More praise for The Gilda Stories: "Jewelle's big-hearted novel pulls old rhythms out of the earth, the beauty shops and living rooms of black lesbian herstory, expressed by the dazzling vampire Gilda. Her resilience is a testament to black queer women’s love, power, and creativity. Brilliant!"--Joan Steinau Lester, author of Black, White, Other "In sensuous prose, Jewelle Gomez uses the vampire story as a vehicle for a re-telling of American history in which the disenfranchised finally get their say. Her take on queerness, community, and the vampire legend is as radical and relevant as ever."--Michael Nava, author of The City of Palaces "I devoured the 25th anniversary edition of Jewelle Gomez's The Gilda Stories with the same venal hunger as I did when I first read it. I still feel a connection to Gilda: her tenacity, her desire for community, her insistence on living among humanity with all its flaws and danger. The Gilda Stories are both classic and timely. Gilda emphasizes the import of tenets at the crux of black feminism while her stories ring with the urgency of problems that desperately need to be resolved in our current moment."--Theri A. Pickens, author of New Body Politics "This revolutionary classic by a pioneer in black speculative fiction will delight and inspire generations to come."--Tananarive Due, author of Ghost Summer "The Gilda Stories was ahead of its time when it was first published in 1991, and this anniversary edition reminds us why it's still an important novel. Gomez's characters are rooted in historical reality yet lift seductively out of it, to trouble traditional models of family, identity, and literary genre and imagine for us bold new patterns. A lush, exciting, inspiring read."--Sarah Waters, author of Tipping the Velvet " . . . its focus on a black lesbian who possesses considerable agency througout the centuries, and its commentary on gender and race, remain significant and powerful."--Publishers Weekly
Author: Sacha Jenkins
Publisher: St. Martin's Griffin
Release Date: 2014-03-25
Ego Trip's Book of Rap Lists is more popular than racism! Hip hop is huge, and it's time someone wrote it all down. And got it all right. With over 25 aggregate years of interviews, and virtually every hip hop single, remix and album ever recorded at their disposal, the highly respected Ego Trip staff are the ones to do it. The Book of Rap Lists runs the gamut of hip hop information. This is an exhaustive, indispensable and completely irreverent bible of true hip hip knowledge.
“The best site for thoughtful, fierce advice about parenting from a Black perspective” —Ebony For almost a decade, national parenting expert and bestselling author Denene Millner has published thought-provoking, insightful, sometimes wickedly funny commentary about motherhood on her critically acclaimed website MyBrownBaby.com. The site, hailed as a “must-read” by the New York Times, speaks to the experiences, joys, fears, sorrows, and triumphs of African American motherhood, from pregnancy and child-rearing to relationships and the politics of parenting black children. After publishing almost 2,000 posts aimed at lifting the voices of moms and dads of color, Millner has now curated My Brown Baby, a collection of the website’s most important and insightful essays. This one-of-a-kind parenting book offers perspectives on the issues moms of color and mothers of children of color face as they raise their kids—from birthing while black to negotiating discipline to preparing children for racism. Through her website, Millner has created a space for African American moms and parents of black children, many of whom long to lend their critical but all-too-often ignored voices to the national parenting discussion. Full of essays that readers of all backgrounds will find provocative, My Brown Baby acknowledges that there absolutely are issues that African American parents must deal with that white parents never have to confront if they’re not raising brown children. This book chronicles these differences with open arms, a lot of love, and the deep belief that though we may come from separate places and have different backgrounds, all parents want the same things for our families, and especially for our children.
Author: Lyn Mikel Brown
Publisher: Beacon Press
Release Date: 2016-09-13
A playbook for working with and training girls to be activists of their own social movements Armed with a rich array of online media platforms, seemingly endless reserves of creativity, and a keen sense of justice, girl activists are getting things done. But scholar and activist Lyn Mikel Brown knows that for every provocative news story about one "exceptional" girl out to change the world, there is a strong network of passionate adults and seasoned activists behind her. Drawing from a diverse collection of interviews with women and girl activists, Powered by Girl is both a journalistic exploration of how girls have embraced activism and a guide for adults who want to support their organizing. Here we learn about the intergenerational support behind thirteen-year-old Julia Bluhm, when she got Seventeen to go Photoshop free; nineteen-year-old Celeste Montaño, who pressed Google to diversify their Doodles; and sixteen-year-old Yas Necati, who campaigns for better sex education in the UK. And we learn what experienced adult activists like Joanne Smith of Girls for Gender Equity and Dana Edell of SPARK Movement say about how to scaffold girls' social-change work. Brown argues that adults shouldn't encourage girls to "lean in." Rather, girls should be supported in creating their own movements--disrupting the narrative, developing their own ideas--on their own terms.
Author: Beverly Guy-Sheftall
Publisher: The New Press
Release Date: 2011-07-26
Genre: Social Science
"In this pathbreaking collection of articles, Dr. Beverly Guy-Sheftall has taken us from the early 1830s to contemporary times. Only since the seventies have black women used the term "feminism." And yet, it is that concept that she uses to bring into the same frame the ideas and analyses of Maria Stewart, Sojourner Truth, and Frances W.E. Harper of the early nineteenth century, and the work of women such as the late Audre Lorde, Barbara Smith, and bell hooks who stand on the threshold of the twenty-first century... She has refused to cut off contemporary African American women from the long line of sisters who have righteously struggled for the liberation of African American women from the dual oppressions of racism and sexism." —From the epilogue by Johnnetta B. Cole, President, Spelman College "The indefatigable Beverly Guy-Sheftall has put together a breathtaking sweep of African American feminist thought in one indispensable volume." —Elizabeth Spelman, Professor of Philosophy, Smith College