The narrative presented here is a rare, detailed autobiographical account of one woman's experience of mental disorder in seventeenth-century England. Katharine Hodgkin presents in modern typography an annotated edition of the author's manuscript of this unusual and compelling text. Also included are prefaces to the narrative written by Fitzherbert and others, and letters written shortly after her mental crisis, which develop her account of the episode.
In the English-speaking world the Great War maintains a tenacious grip on the public imagination, and also continues to draw historians to an event which has been interpreted variously as a symbol of modernity, the midwife to the twentieth century and an agent of social change. Although much 'common knowledge' about the war and its aftermath has included myth, simplification and generalisation, this has often been accepted uncritically by popular and academic writers alike. While Britain may have suffered a surfeit of war books, many telling much the same story, there is far less written about the impact of the Great War in other combatant nations. Its history was long suppressed in both fascist Italy and the communist Soviet Union: only recently have historians of Russia begun to examine a conflict which killed, maimed and displaced so many millions. Even in France and Germany the experience of 1914-18 has often been overshadowed by the Second World War. The war's social history is now ripe for reassessment and revision. The essays in this volume incorporate a European perspective, engage with the historiography of the war, and consider how the primary textural, oral and pictorial evidence has been used - or abused. Subjects include the politics of shellshock, the impact of war on women, the plight of refugees, food distribution in Berlin and portrait photography, all of which illuminate key debates in war history.
Author: Sandra Schmitt
Publisher: Walter de Gruyter GmbH & Co KG
Release Date: 2018-06-25
Schizophrenie – kaum ein anderer psychiatrischer Krankheitsbegriff wurde in der zweiten Hälfte des 20. Jahrhunderts so intensiv und kritisch diskutiert. Auch innerhalb der Psychiatrie herrschte alles andere als Einigkeit über den Begriff, die Ursachen und Behandlungsmethoden. Von den ersten Berichten psychotherapeutischer Behandlungen bis hin zu den Erfahrungsschilderungen von Betroffenen rekonstruiert Sandra Schmitt, wie sich die Vorstellungen von Schizophrenie nach 1945 veränderten, welche Rolle die Psychoanalyse dabei spielte und wie die Psychiatrie darüber in eine Krise geriet und sich durch methodische Verwissenschaftlichungen wieder stabilisierte. Die Studie beschreibt die Zirkulation von Wissen und die Etablierung neuer Deutungen des Schizophreniekonzeptes und liefert so einen Beitrag zur Wissens- und Kulturgeschichte der Psychiatrie in Ost- und Westdeutschland.
Christiane Carris zentrales Anliegen ist es, die Verschränkungen von Sexualität und Geschlecht in ihrer juristisch-medizinischen Machtdimension zu Beginn des 20. Jahrhunderts zu hinterfragen. Dafür rückt die Autorin die psychiatrischen Gutachten der Gerichtsakten Berliner Entmündigungsverfahren in den Jahren 1900–1933 in den Mittelpunkt ihrer Analyse. Die juristischen Quellen zu ‚weiblichem Wahnsinn‘ sind im deutschsprachigen Raum bislang unbeachtet geblieben und werden im Zuge dieses Buches auf unterschiedlichsten Wegen untersucht. Konzepte von Geisteskrankheit und die Kategorisierungen des Wahnsinns im psychiatrischen Diskurs sowie die Konstruktionen geschlechtlicher Identität werden herausgearbeitet.
This study explores the mother-daughter relationship as the most fundamental and most intimate female relationship. It draws on both early and contemporary writings of Arab women to illuminate the traditional and evolving nature of mother-daughter relationships in Arab families and how these family dynamics reflect and influence modern Arab life.
Author: Emma Domínguez-Rué
Publisher: Logos Verlag Berlin GmbH
Release Date: 2011
Genre: Literary Criticism
This book examines images of female illness and invalidism as a metaphor of women's position of invisibility in Victorian and fin-de-siecle America, which pervade the fiction of the Virginia writer Ellen Glasgow (Richmond, 1873-1945). The study contends that the author explores the Victorian cult of invalidism to reveal the mechanisms of patriarchy: her novels warn against adhering to its values, since women are moulded to become epitomes of extreme delicacy and selflessness, being ultimately reduced to virtual inexistence. Many times physically incapacitating, Glasgow seems to suggest, the doctrine of female self-effacement always debilitates women's autonomy as human beings. The female invalids in Glasgow's fiction thus operate as uncanny mirrors of the self women become if they adhere to the traditional code of femininity and its adjoining principle of self-sacrifice.
Author: R. B. Kershner
Release Date: 2003
Genre: Literary Criticism
The first volume to collect essays from the emergent field of cultural studies that specifically address the work of James Joyce,Cultural Studies of James Joyce includes work from both well-established Joyce scholars such as Margot Norris and Cheryl Herr and by such younger writers as Tracey Teets Schwarze and Paul Saint-Amour. Topics range over the whole field of culture, from “Nipper” the Victrola dog to the statuary of Praxitiles, from the Tank Girl comics to studies of Irish schizophrenia, from the history of University College Dublin to the political ferment over choral singing at the turn of the century. The volume should be of interest to Joyceans, to students of literature and culture in the twentieth century, and especially to those interested in the interactions of different cultural levels between the nineteenth century and our own time. An introductory survey by R. Brandon Kershner discusses the rise of cultural studies and places the issue within modern debates in literary theory.
Although there is a history of rich, complex, and variegated representations of female illness in Western literature over the last two centuries, the sick female body has traditionally remained outside the Arab literary imagination. Hamdar takes on this historical absence in The Female Suffering Body by exploring how both literary and cultural perspectives on female physical illness and disability in the Arab world have transformed in the modern period. In doing so, she examines a range of both canonical and hitherto marginalized Arab writers, including Mahmoud Taymur, Yusuf al-Sibai, Ghassan Kanafani, Naguib Mahfouz, Ziyad Qassim, Colette Khoury, Hanan al-Shaykh, Alia Mamdouh, Salwa Bakr, Hassan Daoud, and Betool Khedair. Hamdar finds that, over the course of sixty years, female physical illness and disability has moved from the margins of Arabic literature—where it was largely the subject of shame, disgust, or revulsion—to the center, as a new wave of female writers have sought to give voice to the "female suffering body."
Author: Erika Dyck
Publisher: University of Toronto Press
Release Date: 2013-12-31
Facing Eugenics is a social history of sexual sterilization operations in twentieth-century Canada. Looking at real-life experiences of men and women who, either coercively or voluntarily, participated in the largest legal eugenics program in Canada, it considers the impact of successive legal policies and medical practices on shaping our understanding of contemporary reproductive rights. The book also provides deep insights into the broader implications of medical experimentation, institutionalization, and health care in North America. Erika Dyck uses a range of historical evidence, including medical files, court testimony, and personal records to place mental health and intelligence at the centre of discussions regarding reproductive fitness. Examining acts of resistance alongside heavy-handed decisions to sterilize people considered “unfit,” Facing Eugenics illuminates how reproductive rights fit into a broader discussion of what constitutes civil liberties, modern feminism, and contemporary psychiatric survivor and disability activism.
Gendering Women is an engaging and accessible account of how constructions of femininity fundamentally affect women's mental wellbeing through the life course. Led by women’s life history accounts of growing up and growing older in the north of England, this book shows how experiences of becoming and being a woman – in family life, education, employment, motherhood and situations of violence – both enable and erode self confidence and esteem. The challenges to women’s mental wellbeing cut across age and class differences and have profound impacts on the material conditions of women’s lives throughout the life course. This is in turn a driver of inequality that is often under-recognised in mainstream policy. Based on feminist and ethnographically informed research with over five hundred women Gendering women provides a critical link between gender theory and the lived realities of women’s daily lives and will appeal to students and academics in sociology and social sciences.
Author: Carole Haber
Publisher: UNC Press Books
Release Date: 2013-08-01
On November 3, 1870, on a San Francisco ferry, Laura Fair shot a bullet into the heart of her married lover, A. P. Crittenden. Throughout her two murder trials, Fair's lawyers, supported by expert testimony from physicians, claimed that the shooting was the result of temporary insanity caused by a severely painful menstrual cycle. The first jury disregarded such testimony, choosing instead to focus on Fair's disreputable character. In the second trial, however, an effective defense built on contemporary medical beliefs and gendered stereotypes led to a verdict that shocked Americans across the country. In this rousing history, Carole Haber probes changing ideas about morality and immorality, masculinity and femininity, love and marriage, health and disease, and mental illness to show that all these concepts were reinvented in the Victorian West. Haber's book examines the era's most controversial issues, including suffrage, the gendered courts, women's physiology, and free love. This notorious story enriches our understanding of Victorian society, opening the door to a discussion about the ways in which reputation, especially female reputation, is shaped.
The Thin Woman provides an in-depth discussion of anorexia nervosa from a feminist social psychological standpoint. Medicine, psychiatry and psychology have all presented us with particular ways of understanding eating disorders, yet the notion of 'anorexia' as a medical condition limits our understanding of anorexia and the extent to which we can explore it as a socially, discursively produced problem. Based on original research using historical and contemporary literature on anorexia nervosa, and a series of interviews with women diagnosed as anorexic, The Thin Woman offers new insights into the problem. It will prove useful both to those with an interest in eating disorders and gender, and to those interested in the new developments in feminist post-structuralist theory and discourse analytic research in psychology.