For the full course of his remarkable career, Gary Snyder has continued his study of Eastern culture and philosophies. From the Ainu to the Mongols, from Hokkaido to Kyoto, from the landscapes of China to the backcountry of contemporary Japan, from the temples of Daitokoji to the Yellow River Valley, it is now clear how this work has influenced his poetry, his stance as an environmental and political activist, and his long practice of Zen. Growing up in the Pacific Northwest, Asia became a vocation for Snyder. While most American writers looked to the capitals of Europe for their inspiration, Sndyer looked East. American letters is profoundly indebted to this geographical choice. Long rumored to exist, The Great Clod collects more than a dozen chapters, several published in The Coevolution Quarterly almost forty years ago when Snyder briefly described this work as “The China Book,” and several others, the majority, never before published in any form. “Summer in Hokkaido,” “Wild in China,” “Ink and Charcoal, “ “Stories to Save the World,” “Walking the Great Ridge,” these essays turn from being memoirs of travel to prolonged considerations of art, culture, natural history and religion. Filled with Snyder’s remarkable insights and briskly beautiful descriptions, this collection adds enormously to the major corpus of his work, certain to delight and instruct his readers now and forever.
Author: David J. Pedersen
Publisher: Odysia Press
Release Date: 2018-02-01
Best Friend Ever? Bullies love to hate Clod. Not just because he’s bigger, clumsier, and uglier than his classmates - he’s also the only student in his school without magic. In a world where all magic is possible and everyone else is born with great gifts to do amazing things, Clod is alone. Living with his mum in a broken-down cottage on barely enough, the only thing Clod has to play with is the clay she occasionally brings him. Bleak is an understatement. More than anything, Clod wants a friend. The only way that’s going to happen, is to make one himself. After an angry visit from the worst of the bullies, his teacher Learned Yugen, Clod’s clay sculpture of a little girl comes to life and introduces herself as Ada. For a clay girl barely the size of his hand, she has more confidence and courage than he knows what to do with. Every adventure she leads him on gets Clod into trouble. She may be the friend he wants, but is she the friend he needs? After many years, and too many pranks, Yugen becomes convinced that Clod is tainted by the evil slowly infiltrating the Kingdom of Pag. Especially when Ada isn’t the only one Clod can bring to life. Clod Makes A Friend is a bittersweet fairy tale for all ages from David J. Pedersen, author of the Angst series of fantasy novels.
Author: Gary Delaney DeAngelis
Publisher: Oxford University Press
Release Date: 2008-04-10
The Daode Jing, a highly enigmatic work rooted in ancient Chinese cosmology, ontology, metaphysics, and moral thinking, is regularly offered to college and high-school students in religion, philosophy, history, literature, Asian studies, and humanities courses. As a result, an ever-expanding group of faculty with very different backgrounds and training routinely confront the question: "How should I teach the Daode Jing?" Written for non-specialists who may not have a background in ancient Chinese culture, the essays collected in this volume provide up-to-date information on contemporary scholarship and classroom strategies that have been successful in a variety of teaching environments. A classic text like the Daode Jing generates debate among scholars and teachers who ask questions like: Should we capitalize on popular interest in the Daode Jing in our classrooms? Which of the many translations and scholarly approaches ought we to use? Is it appropriate to think of the Daode Jing as a religious text at all? These and other controversies are addressed in this volume. Contributors are well-known scholars of Daoism, including Livia Kohn, Norman Girardot, Robert Henricks, Russell Kirkland, Hans-Georg Moeller, Hall Roth, and Michael LaFargue. In addition, there are essays by Eva Wong (Daoist practitioner), David Hall (philosophy), Gary DeAngelis (mysticism), and a jointly written essay on pedagogical strategies by Judith Berling, Geoffrey Foy, and John Thompson (Chinese religion).
Author: Herrlee Glessner Creel
Publisher: University of Chicago Press
Release Date: 1982-09-15
What Is Taoism? traces, in nontechnical language, the history of the development of this often baffling doctrine. Creel shows that there has not been one "Taoism," but at least three, in some respects incompatible and often antagonistic. In eight closely related papers, Creel explicates the widely used concepts he originally introduced of "contemplative Taoism," "purposive Taoism," and "Hsien Taoism." He also discusses Shen Pu-hai, a political philosopher of the fourth century B.C.; the curious interplay between Confucianism, Taoism, and "Legalism" in the second century B.C.; and the role of the horse in Chinese history.
Haikai is an art that parodies and often subverts its linguistic, generic, and personal predecessors, and its intersections include imaginative links to the rest of Japanese literature and culture. This collection of essays explores certain neglected aspects of this haikaimaster's literary and philosophical contributions.
Author: Rick DeMarinis
Release Date: 2001
Genre: Detective and mystery stories.
Hard-drinking "trash" novelist Guido Tarkenen takes a position as a visiting writer in the English department of politically correct La Siberia Tech, where he is drawn into the fray as faculty members start to die amidst rumors of a buyout.
Publisher: Columbia University Press
Release Date: 2013-12-03
Only by inhabiting Dao (the Way of Nature) and dwelling in its unity can humankind achieve true happiness and freedom, in both life and death. This is Daoist philosophy's central tenet, espoused by the person—or group of people—known as Zhuangzi (369?-286? B.C.E.) in a text by the same name. To be free, individuals must discard rigid distinctions between good and bad, right and wrong, and follow a course of action not motivated by gain or striving. When one ceases to judge events as good or bad, man-made suffering disappears and natural suffering is embraced as part of life. Zhuangzi elucidates this mystical philosophy through humor, parable, and anecdote, deploying non sequitur and even nonsense to illuminate a truth beyond the boundaries of ordinary logic. Boldly imaginative and inventively worded, the Zhuangzi floats free of its historical period and society, addressing the spiritual nourishment of all people across time. One of the most justly celebrated texts of the Chinese tradition, the Zhuangzi is read by thousands of English-language scholars each year, yet only in the Wade-Giles romanization. Burton Watson's pinyin romanization brings the text in line with how Chinese scholars, and an increasing number of other scholars, read it.
Author: Patrick Hueller
Publisher: Cedar Fort
Release Date: 2017-01-10
Genre: Juvenile Fiction
There are two things you need to know about my childhood friend Stu Sanderson. The first is that he was tall. Really, really tall. By eighth grade he was close to seven feet tall. The second? His goal in life was to be legendary. Stu Sanderson is no ordinary eighth-grader. Not only is he seven feet tall, but he also vanishes into thin air, duels knights and ninjas, lifts the downtrodden, and woos the prettiest girl in school. Become a middle-grade legend with Stu and his sidekick, Bird Bones, on the journey of a lifetime.
Only the person who gave us Tuesday could have devised this fantastic Caldecott Honor-winning tale, which begins with a school trip to the Empire State Building. There a boy makes friends with a mischievous little cloud, who whisks him away to the Cloud Dispatch Center for Sector 7 (the region that includes New York City). The clouds are bored with their everyday shapes, so the boy obligingly starts to sketch some new ones. . . . The wordless yet eloquent account of this unparalleled adventure is a funny, touching story about art, friendship, and the weather, as well as a visual tour de force.
A groundbreaking anthology of classical Chinese translations by giants of Modern American poetry. A rich compendium of translations, The New Directions Anthology of Classical Chinese Poetry is the first collection to look at Chinese poetry through its enormous influence on American poetry. Weinberger begins with Ezra Pound's Cathay (1915), and includes translations by three other major U.S. poetsWilliam Carlos Williams, Kenneth Rexroth, Gary Snyderand an important poet-translator-scholar, David Hinton, all of whom have long been associated with New Directions. Moreover, it is the first general anthology ever to consider the process of translation by presenting different versions of the same poem by various translators, as well as examples of the translators rewriting themselves. The collection, at once playful and instructive, serves as an excellent introduction to the art and tradition of Chinese poetry, gathering some 250 poems by nearly 40 poets. The anthology also includes previously uncollected translations by Pound; a selection of essays on Chinese poetry by all five translators, some never published before in book form; Lu Chi's famous "Rhymeprose on Literature" translated by Achilles Fang; biographical notes that are a collage of poems and comments by both the American translators and the Chinese poets themselves; and also Weinberger's excellent introduction that historically contextualizes the influence Chinese poetry has had on the work of American poets.