Author: Matthew Lewis
Publisher: Oxford University Press
Release Date: 2016-01-14
'He was deaf to the murmurs of conscience, and resolved to satisfy his desires at any price.' The Monk (1796) is a sensational story of temptation and depravity, a masterpiece of Gothic fiction and the first horror novel in English literature. The respected monk Ambrosio, the Abbot of a Capuchin monastery in Madrid, is overwhelmed with desire for a young girl; once having abandoned his monastic vows he begins a terrible descent into immorality and violence. His appalling fall from grace embraces blasphemy, black magic, torture, rape, and murder, and places his very soul in jeopardy. Lewis's extraordinary tale drew on folklore, legendary ghost stories, and contemporary dread inspired by the terrors of the French Revolution. Its excesses shocked the reading public and it was condemned as obscene. The novel continues to beguile and shock readers today with its gruesome catalogue of iniquities, while at the same time giving a profound insight into the deep anxieties experienced by British citizens during one of the most turbulent periods in the nation's history. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Author: Sherri L. Brown
Publisher: Rowman & Littlefield
Release Date: 2018-03-15
Genre: Literary Criticism
A Research Guide to Gothic Literature in English covers Gothic cultural artifacts such as literature, film, graphic novels, and videogames. This authoritative guide equips researchers with valuable recent information about noteworthy resources that they can use to study the Gothic effectively and thoroughly.
Author: Diana Wallace
Publisher: University of Wales Press
Release Date: 2013-03-15
Genre: Literary Criticism
Female Gothic Histories: Gender, History and the Gothic is an innovative new study of the ways in which women writers have used Gothic historical fiction to symbolise and counter their exclusion from traditional historical narratives.
Never has contemporary fiction been more widely discussed and passionately analysed; recent years have seen a huge growth in the number of reading groups and in the interest of a non-academic readership in the discussion of how novels work. Drawing on his weekly Guardian column, 'Elements of Fiction', John Mullan examines novels mostly of the last ten years, many of which have become firm favourites with reading groups. He reveals the rich resources of novelistic technique, setting recent fiction alongside classics of the past. Nick Hornby's adoption of a female narrator is compared to Daniel Defoe's; Ian McEwan's use of weather is set against Austen's and Hardy's; Carole Shield's chapter divisions are likened to Fanny Burney's. Each section shows how some basic element of fiction is used. Some topics (like plot, dialogue, or location) will appear familiar to most novel readers; others (metanarrative, prolepsis, amplification) will open readers' eyes to new ways of understanding and appreciating the writer's craft. How Novels Work explains how the pleasures of novel reading often come from the formal ingenuity of the novelist. It is an entertaining and stimulating exploration of that ingenuity. Addressed to anyone who is interested in the close reading of fiction, it makes visible techniques and effects we are often only half-aware of as we read. It shows that literary criticism is something that all fiction enthusiasts can do. Contemporary novels discussed include: Monica Ali's Brick Lane; Martin Amis's Money; Margaret Atwood's The Blind Assassin; A.S. Byatt's Possession; Jonathan Coe's The Rotters' Club; J.M. Coetzee's Disgrace; Michael Cunningham's The Hours; Don DeLillo's Underworld; Michel Faber's The Crimson Petal and the White; Ian Fleming's From Russia with Love; Jonathan Franzen's The Corrections; Mark Haddon's The Curious Incident of the Dog in the Night-time; Patricia Highsmith's Ripley under Ground; Alan Hollinghurst's The Spell; Nick Hornby's How to Be Good; Ian McEwan's Atonement; John le Carré's The Constant Gardener; Andrea Levy's Small Island; David Mitchell's Cloud Atlas; Andrew O'Hagan's Personality; Orhan Pamuk's My Name Is Red; Ann Patchett's Bel Canto; Ruth Rendell's Adam and Eve and Pinch Me; Philip Roth's The Human Stain; Jonathan Safran Foer's Everything Is Illuminated; Carol Shields's Unless; Zadie Smith's White Teeth; Muriel Spark's Aiding and Abetting; Graham Swift's Last Orders; Donna Tartt's The Secret History; William Trevor's The Hill Bachelors; and Richard Yates's Revolutionary Road .
Excerpt from Die Lusiaden des Luis De Camoëns Anwenden, bald jene vorn und diese hinten, bald umgekehrt stellen. Diese vvillkühr würde bei uns durch das Ansehen eines Mannes ein. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This is the first edition for nearly 200 years of an unduly neglected work, originally published in 1806, by an intriguing and unconventional woman writer. A Gothic tale of lust, betrayal, and multiple murder set in fifteenth-century Venice, the novel's most daring aspect is its anatomy of the central character, Victoria's, intense sexual attraction to her Moorish servant Zofloya. A minor scandal on its first publication, and a significant influence on Byron and Shelley, it contradicts idealized stereotypes in women's writing and challenges the received idea of the Gothic genre's representation of passive, victimized women.
Author: Joachim von Meien
Publisher: GRIN Verlag
Release Date: 2005-07-11
Genre: Literary Criticism
Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 1-2, University of Constance, 11 entries in the bibliography, language: English, abstract: Catholicism and Puritanism are important elements of the Christian religion. For about 19 % of today’s world population (about 995 million people) Catholicism still plays a major role in their lifes and also Puritan effects can still be observed by looking for instance at the society of the United States of America. But what are the main elements of these religious movements? Chapter 1 is supposed to give a general introduction into the topic. In order to do so Catholicism and Puritanism are separately examined. Chapter 2.1 and 2.2 therefore take a closer look at historical developments, main content elements, standpoints and attitudes of these two religious groups. Since this is a literary studies paper it is going to examine a literary work. In 1796 Matthew Lewis published his first book called “The Monk”. The 19 year old author created it in only ten weeks. The book became extremely popular which made Lewis very well known, often under the name “Monk” Lewis. Chapter 2.3 “The historical and intellectual background in England at the publication of ‘The Monk’ describes the situation in late 18th century England before starting to analyse the text in chapter 3. This seems adequate since it is supposed to provide the reader with background knowledge and help him to understand the intense public reaction towards the publication of the book and also helps to understand contemporary views and issues that preoccupied many people of the time. Thereby general historical facts are neglected. Chapter 2.3 rather takes a closer look at the English society and its attitudes towards moral, religion and reason at the end of the 18th century and tries to find out topic relevant particularities. As can also be concluded by the title “The Monk”, it is religion which plays an important role in Matthew Lewis’ book. But what is his attitude towards religion, especially towards Catholicism, and how does he present it literary, i.e. which metaphors and comparisons does he make use of? Are there hidden or unconcealed assaults on Christianity and if so, what is being criticised? Chapter 3.1 preoccupies with these questions.
Author: Joris-Karl Huysmans
Publisher: Oxford University Press, USA
Release Date: 1998
Resisting the traditional model of nineteenth-century fiction, Joris-Karl Huysman produced in 1884 a novel unlike any other of his time. Against Nature is the story of Des Esseintes, an aesthete who attempts to escape Paris and, along with it, the vulgarity of modern life. As Des Esseintes hides away in his museum of high taste, Huysman offers the reader a treasury of cultural delights and anticipates many aspects of twentieth century modernism. Supplemented by notes and a critical introduction, this new translation is sure to engage today's reader.
Publisher: Oxford University Press, USA
Release Date: 1998
Written in India in the early eighth century AD, Santideva's Bodhicaryavatara became one of the most popular accounts of the Buddhist's spiritual path.The Bodhicaryavatara takes as its subject the profound desire to become a Buddha and save all beings from suffering. The person who enacts such a desire is a Bodhisattva. Santideva not only sets out what the Bodhisattva must do and become, he also invokes the intense feelings of aspiration whichunderlie such a commitment, using language which has inspired Buddhists in their religious life from his time to the present.Important as a manual of training among Mahayana Buddhists, especially in the Tibetan Buddhist tradition, the Bodhicaryavatara continues to be used as the basis for teaching by modern Buddhist teachers.This is a new translation from the original language, with detailed annotations explaining allusions and technical references. The Introduction sets Santideva's work in context, and for the first time explain its structure.
'no one pitied him as he would have liked to be pitied' As Ivan Ilyich lies dying he begins to re-evaluate his life, searching for meaning that will make sense of his sufferings. In 'The Death of Ivan Ilyich' and the other works in this volume, Tolstoy conjures characters who, tested to the limit, reveal glorious and unexpected reserves of courage or baseness of a near inhuman kind. Two vivid parables and 'The Forged Coupon', a tale of criminality, explore class relations after the emancipation of the serfs in 1861 and the connection between an ethical life and worldly issues. In 'Master and Workman' Tolstoy creates one of his most gripping dramas about human relationships put to the test in an extreme situation. 'The Death of Ivan Ilyich' is an existential masterpiece, a biting satire that recounts with extraordinary power the final illness and death of a bourgeois lawyer. In his Introduction Andrew Kahn explores Tolstoy's moral concerns and the stylistic features of these late stories, sensitively translated by Nicolas Pasternak Slater. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
'Look, my lord! See heaven itself declares against your impious intentions!' The Castle of Otranto (1764) is the first supernatural English novel and one of the most influential works of Gothic fiction. It inaugurated a literary genre that will be forever associated with the effects that Walpole pioneered. Professing to be a translation of a mysterious Italian tale from the darkest Middle Ages, the novel tells of Manfred, prince of Otranto, whose fear of an ancient prophecy sets him on a course of destruction. After the grotesque death of his only son, Conrad, on his wedding day, Manfred determines to marry the bride-to-be. The virgin Isabella flees through a castle riddled with secret passages. Chilling coincidences, ghostly visitations, arcane revelations, and violent combat combine in a heady mix that terrified the novel's first readers. In this new edition Nick Groom examines the reasons for its extraordinary impact and the Gothic culture from which it sprang. The Castle of Otranto was a game-changer, and Walpole the writer who paved the way for modern horror exponents. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.