Author: Robert Perks
Release Date: 2015-11-19
The Oral History Reader, now in its third edition, is a comprehensive, international anthology combining major, ‘classic’ articles with cutting-edge pieces on the theory, method and use of oral history. Twenty-seven new chapters introduce the most significant developments in oral history in the last decade to bring this invaluable text up to date, with new pieces on emotions and the senses, on crisis oral history, current thinking around traumatic memory, the impact of digital mobile technologies, and how oral history is being used in public contexts, with more international examples to draw in work from North and South America, Britain and Europe, Australasia, Asia and Africa. Arranged in five thematic sections, each with an introduction by the editors to contextualise the selection and review relevant literature, articles in this collection draw upon diverse oral history experiences to examine issues including: Key debates in the development of oral history over the past seventy years First hand reflections on interview practice, and issues posed by the interview relationship The nature of memory and its significance in oral history The practical and ethical issues surrounding the interpretation, presentation and public use of oral testimonies how oral history projects contribute to the study of the past and involve the wider community. The challenges and contributions of oral history projects committed to advocacy and empowerment With a revised and updated bibliography and useful contacts list, as well as a dedicated online resources page, this third edition of The Oral History Reader is the perfect tool for those encountering oral history for the first time, as well as for seasoned practitioners.
Oral history is increasingly acknowledged as a key tool for anyone studying the history of the recent past, and Oral History Theory provides a comprehensive, systematic and accessible overview of this important field. Combining the study of theories drawn from disciplines ranging from linguistics to psychoanalysis with the observations of practitioners and including extensive examples of oral history practice from around the world, this book constitutes the first integrated discussion of oral history theory. Structured around key themes such as the peculiarities of oral history, the study of the self, subjectivity and intersubjectivity, memory, narrative, performance, power and trauma, each chapter provides a clear and user-friendly explanation of the various theoretical approaches, illustrating these with examples from the rich field of published oral history and making suggestions for the practicing oral historian. This second edition includes a new chapter on trauma and ethics, a preface discussing new developments in the field and updated glossary and further reading sections. Supplemented by a new companion website (www.routledge.com/cw/abrams) containing a comprehensive range of case studies, audio material and further resources, this book will be invaluable to experienced and novice oral historians, professionals, and students who are new to the discipline.
Author: Simon Gunn
Publisher: Edinburgh University Press
Release Date: 2011-11-30
Providing a lively critical survey of methods for historical research at all levels, this textbook covers well-established sources and methods together with those that are less widely known. It reflects current theoretical and technical approaches to hist
Author: Orlando Figes
Publisher: ebook Berlin Verlag
Release Date: 2012-10-08
Viele Darstellungen behandeln die sichtbaren Aspekte der stalinistischen Diktatur: die Verhaftungen und Prozesse, die Versklavung und das Morden in den Gulags. Kein Buch hat jedoch bislang die Auswirkungen des Regimes auf das Privat- und Familienleben der Menschen untersucht, den ?Stalinismus, der uns alle ergriff", wie es ein russischer Historiker einmal formuliert hat. Auf der Basis von Hunderten Interviews mit Zeitzeugen und zahllosen bislang unbekannten Dokumenten liefert nun Orlando Figes in Die Flüsterer erstmals einen unmittelbaren Einblick in die Innenwelt gewöhnlicher Sowjetbürger und zeigt an zahlreichen eindringlichen Beispielen, wie Einzelne oder Familien in einem von Misstrauen, Angst, Kompromissen und Verrat beherrschten Alltag um ihr Überleben kämpften. Für die Zeit der Revolution von 1917 bis zu Stalins Tod und darüber hinaus rekonstruiert Figes das moralische Gespinst, in dem sich die allermeisten Russen gefangen sahen: Eine einzige falsche Bewegung konnte eine Familie zerstören oder am Ende womöglich deren Rettung bedeuten. Keiner konnte sich sicher fühlen, nicht einmal die überzeugtesten Anhänger des Regimes. Wahrheit und Wahn, Schuld und Unschuld waren in diesem Unterdrückungssystem immer wieder auf fatal miteinander verquickt. Orlando Figes' neues Meisterwerk - in seiner erzählerischen Wucht und Aufrichtigkeit vergleichbar mit Grossmans Jahrhundertroman Leben und Schicksal - ist das breit angelegte Porträt einer Gesellschaft, in der jeder nur noch flüstert - entweder um sich und andere zu schützen oder um zu verraten. Ein ebenso schonungsloser wie ergreifender Bericht davon, wie schwach - und wie unvorstellbar stark - Menschen in einer von Paranoia geprägten totalitären Gesellschaft werden können.
Author: David Finkelstein
Publisher: Psychology Press
Release Date: 2005
Genre: Social Science
This second edition of An Introduction to Book History provides a comprehensive critical introduction to the development of the book and print culture. Each fully revised and updated chapter contains new material and covers recent developments in the field, including: The Postcolonial Book Censorship by states and religions Social History, and the recognition of underrepresentation of its value to book history studies Contemporary publishing Each section begins with a summary of the chapter’s aims and contents, followed by a detailed discussion of the relevant issues, concluding with a summary of the chapter and points to ponder. Sections include: the history of the book orality to Literacy literacy to printing authors, authorship and authority printers, booksellers, publishers, agents readers and reading the future of the book. An Introduction to Book History is an ideal introduction to this exciting field of study, and is designed as a companion text to The Book History Reader.
Author: John Tosh
Release Date: 2015-02-11
This classic introduction to the study of history invites the reader to stand back and consider some of its most fundamental questions - what is the point of studying history? How do we know about the past? Does an objective historical truth exist and can we ever access it? In answering these central questions, John Tosh argues that, despite the impression of fragmentation created by postmodernism in recent years, history is a coherent discipline which still bears the imprint of its nineteenth-century origins. Consistently clear-sighted, he provides a lively and compelling guide to a complex and sometimes controversial subject, while making his readers vividly aware of just how far our historical knowledge is conditioned by the character of the sources and the methods of the historians who work on them. The sixth edition has been revised and updated with key new material including: - a brand new chapter on public history - sections on digitised sources and historical controversy - discussion of topics including transnational history and the nature of the archive - an expanded range of examples and case studies - a comprehensive companion website providing valuable supporting material, study questions and a bank of primary sources. Lucid and engaging, this edition retains all the user-friendly features that have helped to make this book a favourite with both students and lecturers, including marginal glosses, illustrations and suggestions for further reading. Along with its companion website, this is an essential guide to the theory and practice of history.
Author: Ken Howarth
Publisher: Sutton Pub Limited
Release Date: 1998
Ken Howarth, one of the leading exponents of the technique, has written a wide-ranging practical introduction for amateurs and professionals which fully explains oral history recording and all its uses. The strength of this book is its breadth, and it is the first to address the relevance of oral history for so many different groups, from teachers, archive, library and museum workers to town planners, health and social care professionals, park rangers and tour operators. There are detailed practical sections on planning and conducting interviews, storage, cataloguing and retrieval, and the applications of oral history, as well as several case studies.
Historical film studies is a burgeoning field, with a large and ever growing number of publications from across the globe. The History on Film Reader distils this mass of work, offering readers an introduction to just under thirty of the most critical and representative writings on the relationship between film and history.Thematically structured, this Reader offers an overview of the varying ways in scholars see film as contributing to our understanding of history, from their relationship with written histories, to their particular characteristics and their role in education, indoctrination and entertainment. It draws together the contributions of scholars from a variety of fields, such as Pierre Sorlin, Natalie Zemon Davis, Robert Rosenstone, Marcia Landy, Hayden White, Jean Baudrillard, Roland Barthes, Philip Rosen, Roy Rosenzweig and David Thelen. Together, these writings represent a novel combination of insights from film theory, cultural studies, historiography, the history of cinema and film promotion and reception.Including an introduction which describes the field of historical film studies, section introductions which contextualise the chapters and a filmography, this is an essential collection for all those interested in the relationship between history and film.