The Walking Dead is a monthly black-and-white American comic that started in 2003, and was created and written by Robert Kirkman with artist Tony Moore. The current artists for the series are Charlie Adlard, Stefano Gaudiano, Cliff Rathburn and Dave Stewart. The comic is published by Image Comics and Skybound Entertainment.
Who is Negan? Since his debut in THE WALKING DEAD #100, the charismatic psychopath has antagonized Rick Grimes, murdered his friend with a baseball bat wrapped in barb wire (which he calls "Lucille"), and led the Saviors into war against Alexandria and the neighboring communities. But who was he before society broke down? That question will be answered here, collecting the ÒHEREÕS NEGAN!Ó story originally serialized in IMAGE+ magazine
Just in time for the new season of The Walking Dead on AMC, the fan-favorite, New York Times bestseller series returns with its third massive paperback collection! With over 1,000 pages, this volume contains the next chapter of Robert Kirkman's Eisner Award-winning continuing story of survival horror. Rick Grimesa dream of rebuilding civilization is tested as the people of Alexandria come into contact with other communities that have developed their own methods of survival. Collects The Walking Dead #97-144.
Author: Paul Vigna
Release Date: 2017-10-03
Genre: Performing Arts
In this first and only guide to AMC’s exceptional hit series The Walking Dead, the Wall Street Journal’s Walking Dead columnist celebrates the show, its storylines, characters, and development, and examines its popularity and cultural resonance. From its first episode, The Walking Dead took fans in the United States and across the world by storm, becoming the highest-rated series in the history of cable television. After each episode airs, Paul Vigna writes a widely read column in which he breaks down the stories and considers what works and what doesn’t, and tries to discern the small details that will become larger plot points. So how did a basic cable television show based on Robert Kirkman's graphic comic series, set in an apocalyptic dog-eat-dog world filled with flesh-eating zombies and even scarier human beings, become a ratings juggernaut and cultural phenomenon? Why is the show such a massive hit? In this playful yet comprehensive guide, Vigna dissect every aspect of The Walking Dead to assess its extraordinary success. In the vein of Seinfeldia,Vigna digs into the show’s guts, exploring its roots, storyline, relevance for fans and the wider popular culture, and more. He explores how the changing nature of television and media have contributed to the show’s success, and goes deep into the zombie genre, delineating why it’s different from vampires, werewolves, and other monsters. He considers why people have found in zombies a mirror for their own fears, and explains how this connection is important to the show’s popularity. He interviews the cast and crew, who share behind-the-scenes tales, and introduces a cross-section of its diverse and rabid viewership, from fantasy nerds to NFL stars. Guts is a must have for every Walking Dead fan.
This spectacular pop-up book from paper engineers David Hawcock and Becca Zerkin forms the perfect guide to the world of AMC's The Walking Dead. Filled with eye-catchingly gory pops, the book takes the reader through some of the most iconic moments from the hugely popular series. The book features five spreads, each with its own central pop that depicts a key element from the show, such as the prison where the survivors found refuge before being attacked by the Governor or the Walker known as "Bicycle Girl" reaching out at the reader. Each spread also includes several smaller pops depicting other memorable elements from The Walking Dead, such as the Governor’s "man cave" (including his unique aquarium complete with severed heads), the Well Walker, and much, much more.
The first book explained how the Governor was created; this thrilling sequel to The New York Times bestseller further reveals his ruthless, inhuman conquest of Woodbury The zombie plague unleashes its horrors on the suburbs of Atlanta without warning, pitting the living against the dead. Caught in the mass exodus, Lilly Caul struggles to survive in a series of ragtag encampments and improvised shelters. But the Walkers are multiplying. Dogged by their feral hunger for flesh and crippled by fear, Lilly relies on the protection of good Samaritans by seeking refuge in a walled-in town once known as Woodbury, Georgia. At first, Woodbury seems like a perfect sanctuary. Squatters barter services for food, people have roofs over their heads, and the barricade expands, growing stronger every day. Best of all, a mysterious self-proclaimed leader named Philip Blake keeps the citizens in line. But Lilly begins to suspect that all is not as it seems. . . . Blake, who has recently begun to call himself The Governor, has disturbing ideas about law and order. Ultimately, Lilly and a band of rebels open up a Pandora's box of mayhem and destruction when they challenge The Governor's reign . . . and the road to Woodbury becomes the highway to hell in this riveting follow-up to Robert Kirkman and Jay Bonansinga's New York Times bestselling The Walking Dead: Rise of the Governor.
"An epidemic of apocalyptic proportions has swept the globe causing the dead to rise and feed on the living. In a matter of months society has crumbled-- no government, no grocery stores, no mail delivery, no cable TV. In a world ruled by the dead, we are forced to finally start living"--P.  of cover.
Author: Jason Mittell
Publisher: NYU Press
Release Date: 2013-09-16
Genre: Performing Arts
We all have opinions about the television shows we watch, but television criticism is about much more than simply evaluating the merits of a particular show and deeming it ‘good’ or ‘bad.’ Rather, criticism uses the close examination of a television program to explore that program’s cultural significance, creative strategies, and its place in a broader social context. How to Watch Television brings together forty original essays from today’s leading scholars on television culture, writing about the programs they care (and think) the most about. Each essay focuses on a particular television show, demonstrating one way to read the program and, through it, our media culture. The essays model how to practice media criticism in accessible language, providing critical insights through analysis—suggesting a way of looking at TV that students and interested viewers might emulate. The contributors discuss a wide range of television programs past and present, covering many formats and genres, spanning fiction and non-fiction, broadcast and cable, providing a broad representation of the programs that are likely to be covered in a media studies course. While the book primarily focuses on American television, important programs with international origins and transnational circulation are also covered. Addressing television series from the medium’s earliest days to contemporary online transformations of television, How to Watch Television is designed to engender classroom discussion among television critics of all backgrounds. Read: Introduction / Table of Contents / Sample Essays Online View: Clips from the Essays Visit the Facebook page.