“Ruth Galloway is a captivating amateur sleuth — an inspired creation.” — Louise Penny “Readers will look forward to learning more about [Ruth Galloway].” — USA Today “Ruth is a terrific character: unglamorous, smart, down-to-earth and completely believable.” — San Jose Mercury News Known as England’s Nazareth, the medieval town of Little Walsingham is famous for religious apparitions. So when Ruth Galloway’s druid friend Cathbad sees a woman in a white dress and a dark blue cloak standing alone in the local cemetery one night, he takes her as a vision of the Virgin Mary. But then a woman wrapped in blue cloth is found dead the next day, and Ruth’s old friend Hilary, an Anglican priest, receives a series of hateful, threatening letters. Could these crimes be connected? When one of Hilary’s fellow female priests is murdered just before Little Walsingham’s annual Good Friday Passion Play, Ruth, Cathbad, and DCI Harry Nelson must team up to find the killer before he strikes again. “An uncommon, down-to-earth heroine whose acute insight, wry humor, and depth of feeling make her a thoroughly engaging companion.” — Erin Hart
The murder of women priests in Norfolk's spooky shrine town of Walsingham draws forensic archaeologist Dr Ruth Galloway into a thrilling new adventure. 'Ever-more ingenious detective stories with a powerful sense of place' The Times When Ruth's friend Cathbad sees a vision of the Virgin Mary, in a white gown and blue cloak, in Walsingham's graveyard, he takes it in his stride. Walsingham has strong connections to Mary, and Cathbad is a druid after all; visions come with the job. But when the body of a woman in a blue dressing-gown is found dead the next day in a nearby ditch, it is clear that a horrible crime has been committed, and DCI Nelson and his team are called in for what is now a murder investigation. Ruth, a devout atheist, has managed to avoid Walsingham during her seventeen years in Norfolk. But then an old university friend asks to meet her in the village, and Ruth is amazed to discover that she is now a priest. She has been receiving vitriolic anonymous letters targeting women priests - letters containing references to local archaeology and a striking phrase about a woman 'clad in blue, weeping for the world'. Then another woman is murdered - a priest. As Walsingham prepares for its annual Easter re-enactment of the Crucifixion, the race is on to unmask the killer before they strike again...
In this highly atmospheric mystery, Ruth Galloway—“a captivating amateur sleuth” (Louise Penny)—and DCI Nelson investigate a murder in a medieval Italian town where dark secrets are buried as deep as bones. It’s not every day that you’re summoned to the Italian countryside on business, so when archaeologist Angelo Morelli asks for Ruth Galloway’s help identifying bones found in the tiny hilltop town of Fontana Liri, she jumps at the chance to go, bringing her daughter along with her for a working vacation. Upon arriving, she begins to hear murmurs of Fontana Liri’s strong resistance movement during World War II and senses the townspeople are dancing around a deeply buried secret. But how could that be connected to the ancient remains she’s been studying? Ruth is just beginning to get her footing in the dig when she’s thrown off-guard by the appearance of DCI Nelson. And when Ruth’s findings lead them to a modern-day murder, their holidays are both turned upside down, and they race to find out what darkness is lurking in this seemingly picturesque town.
Winner of the CWA Dagger in the Library Award Praise for Elly Griffiths’ Ruth Galloway series “Gripping.” —Louise Penny | “Highly atmospheric.” —New York Times Book Review “Remarkable, delightful.” —Associated Press | “Must-reads.” —Deborah Crombie “Wonderfully rich . . . A great series.” —Guardian | “Smart, down-to-earth, and completely believable.” —Mercury News Far below Norwich is a maze of old mining tunnels. When Ruth Galloway is called to examine a set of human remains in one of them, she notices the bones are almost translucent, a sign they were boiled soon after death. Once more, she’s at the helm of a murder investigation. Meanwhile, DCI Nelson is looking for a homeless woman who he hears has gone “underground.” Could she have disappeared into the labyrinth? And if so, is she connected to the body Ruth found? As Ruth and Nelson investigate the tunnels, they hear rumors of secret societies, cannibalism, and ritual killings. And when a dead body is found with a map of what seems to be the full maze, they realize their hunt for the killer has only just begun—and that more bodies may be underfoot.
While on a dig at Norwich Castle, forensic archaeologist Ruth Galloway uncovers the bones Mother Hook, a serial killer who was executed in 1867 for the murder of five children, while DCI Harry Nelson investigates a serial child-abductor called the Childminder. 15,000 first printing.
The unsettling discovery of a downed WWII plane with the pilot's remains still inside leads forensic archaeologist Ruth Galloway and DCI Nelson to uncover a wealthy family's secrets. By the author of The Outcast Dead. Simultaneous. 30,000 first printing.
The first entry in the acclaimed Ruth Galloway series follows the "captivating"* archaeologist as she investigates a child's bones found on a nearby beach, thought to be the remains of a little girl who went missing ten years before. Forensic archeologist Dr. Ruth Galloway is in her late thirties. She lives happily alone with her two cats in a bleak, remote area near Norfolk, land that was sacred to its Iron Age inhabitants—not quite earth, not quite sea. But her routine days of digging up bones and other ancient objects are harshly upended when a child’s bones are found on a desolate beach. Detective Chief Inspector Nelson calls Galloway for help, believing they are the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor continues to taunt him with bizarre letters containing references to ritual sacrifice, Shakespeare, and the Bible. Then a second girl goes missing and Nelson receives a new letter—exactly like the ones about Lucy. Is it the same killer? Or a copycat murderer, linked in some way to the site near Ruth’s remote home? *Louise Penny
Ruth Galloway is shocked when she learns that her old university friend Dan Golding has died tragically in a house fire. But the death takes on a sinister cast when Ruth receives a letter from Dan written just before he died. The letter tells of a great archaeological discovery, but Dan also says that he is scared for his life. Was Dan’s death linked to his find? The only clue is his mention of the Raven King, an ancient name for King Arthur. Then Ruth is invited to examine the bones Dan found. Ruth travels to Lancashire–the hometown of DCI Nelson–with both her eighteen-month-old daughter, Kate, and her druid friend, Cathbad, in tow. She discovers a campus living in fear of a sinister right-wing group called the White Hand. She also finds that the bones revealed a shocking fact about King Arthur–and they’ve mysteriously vanished. When Nelson, visiting his mother in Blackpool, learns about the case, he is drawn into the investigation, especially when Ruth and his beloved Kate seem to be in danger. Who is willing to kill to keep the bones a secret?
'My favourite series' Val McDermidDCI Nelson has been receiving threatening letters telling him to 'go to the stone circle and rescue the innocent who is buried there'. He is shaken, not only because children are very much on his mind, with Michelle's baby due to be born, but because although the letters are anonymous, they are somehow familiar. They read like the letters that first drew him into the case of The Crossing Places, and to Ruth. But the author of those letters is dead. Or are they?Meanwhile Ruth is working on a dig in the Saltmarsh - another henge, known by the archaeologists as the stone circle - trying not to think about the baby. Then bones are found on the site, and identified as those of Margaret Lacey, a twelve-year-old girl who disappeared thirty years ago.As the Margaret Lacey case progresses, more and more aspects of it begin to hark back to that first case of The Crossing Places, and to Scarlett Henderson, the girl Nelson couldn't save. The past is reaching out for Ruth and Nelson, and its grip is deadly.
Investigating the discovery of a murdered child on a demolition site, pregnant archaeologist Ruth Galloway teams up with Detective Harry Nelson to discern the victim's identity before realizing that she is being targeted by a dangerous assailant. By the author of The Crossing Places.
It is Halloween night, and the local museum in King's Lynn is preparing for an unusual event – the opening of a coffin containing the bones of a medieval bishop. But when Ruth Galloway arrives, she finds the museum's curator lying dead beside the coffin.Soon the museum's wealthy owner lies dead in his stables too. These two deaths could be from natural causes but when he is called in to investigate, Nelson isn't convinced, and it is only a matter of time before Ruth and DI Nelson cross paths once more.When threatening letters come to light, events take an even more sinister turn. But as Ruth's friends become involved, where will her loyalties lie? As her convictions are tested, she and Nelson must discover how Aboriginal skulls, drug smuggling and the mystery of The Dreaming may hold the answer to these deaths, and their own survival.
A dark story has been brought to terrifying life. Can the ending be rewritten in time? A gripping contemporary Gothic thriller from the bestselling author of the Dr Ruth Galloway mysteries: Susan Hill meets Gone Girl and Disclaimer. Clare Cassidy is no stranger to murder. As a literature teacher specialising in the Gothic writer RM Holland, she teaches a short course on it every year. Then Clare's life and work collide tragically when one of her colleagues is found dead, a line from an RM Holland story by her body. The investigating police detective is convinced the writer's works somehow hold the key to the case. Not knowing who to trust, and afraid that the killer is someone she knows, Clare confides her darkest suspicions and fears about the case to her journal. Then one day she notices some other writing in the diary. Writing that isn't hers...
When a curator is found murdered, Ruth Galloway and Detective Inspector Nelson track down links between the murder, Aborigine skulls, and a drug-smuggling operation that forces Ruth to question her loyalties.