Author: Friedrich Wilhelm Nietzsche
Publisher: Best Classic Books
Release Date: 1932
This 19th-century literary and philosophical masterpiece introduces the controversial doctrine of the Ubermensch, or "superman," a term later perverted by Nazi propagandists. A provocative work, designed to inspire readers.
Author: Friedrich Wilhelm Nietzsche
Release Date: 1971
The works of Friedrich Nietzsche have fascinated readers around the world ever since the publication of his first book more than a hundred years ago. As Walter Kaufmann, one of the world's leading authorities on Nietzsche, notes in his introduction, "Few writers in any age were so full of ideas," and few writers have been so consistently misinterpreted. The Portable Nietzsche includes Kaufmann's definitive translations of the complete and unabridged texts of Nietzsche's four major works: Twilight of the Idols, The Antichrist, Nietzsche Contra Wagner and Thus Spoke Zarathustra. In addition, Kaufmann brings together selections from his other books, notes, and letters, to give a full picture of Nietzsche's development, versatility, and inexhaustibility. "In this volume, one may very conveniently have a rich review of one of the most sensitive, passionate, and misunderstood writers in Western, or any, literature."-Newsweek
Author: Jürgen Stolzenberg
Publisher: Walter de Gruyter GmbH & Co KG
Release Date: 2014-09-11
The 10th volume of the International Yearbook of German Idealism attends to the issue of “History“. The contributions examine from different perspectives the various roles of history, historiography, philosophy of history and philosophical historiography in German Idealism and analyze their impact in the 19th and 20th century.
Author: Michael Harland
Publisher: Lexington Books
Release Date: 2013-10-24
Genre: Political Science
Democratic Vanguardism explores the origins, development, and implication of the United States’ policy after 9/11 to promote democracy by force and thereby advance its national security. It explores disputes among political theorists, elected statesmen, and public intellectuals to help enrich our understanding of this most fraught period in American foreign relations, and it provides a novel account on the discourse of historical teleology that underpinned the Bush Doctrine.
As the symbolists, constructivists and surrealists of the historical avant-garde began to abandon traditional theatre spaces and embrace the more contingent locations of the theatrical and political ‘event’, the built environment of a performance became not only part of the event, but an event in and of itself. Event-Space radically re-evaluates the avant garde’s championing of nonrepresentational spaces, drawing on the specific fields of performance studies and architectural studies to establish a theory of ‘performative architecture’. ‘Event’ was of immense significance to modernism’s revolutionary agenda, resisting realism and naturalism – and, simultaneously, the monumentality of architecture itself. Event-Space analyzes a number of spatiotemporal models central to that revolution, both illuminating the history of avant-garde performance and inspiring contemporary approaches to performance space.
This investigation addresses a pressing anxiety of our time – that of homelessness. Tersely stated, the philosophical significance of homelessness in its more modern context can be understood to emerge with Nietzsche and his discourse on nihilism, which signals the loss of the highest values hitherto. Diverging from Nietzsche, Heidegger interprets homelessness as a symptom of the oblivion of being. The purpose of the present enquiry is to rigorously confront humanity’s state of homelessness, and at the same time illumine the extent to which Heidegger’s thought engages with this pervasive phenomenon. In questioning the nature of homelessness, Heidegger’s preoccupations with nihilism and modern technology prove crucial. Moreover, his attempts to overcome or prepare for the overcoming of this state of homelessness are also of great import to the current investigation. Adorno and Lévinas offer scathing critiques of Heidegger’s thought as it relates to the motifs of homelessness, homecoming (Heimkunft) and the German Heimat, for they associate it with provincialism, paganism, and a pernicious form of politics. In providing these critiques they bring to light the risks involved in undertaking a homecoming venture, and they also show how a great thinker can err greatly. While acknowledging the importance of these criticisms, the present study reveals how Heidegger’s various discourses on homelessness and homecoming bear fruitful insights that can contribute not just to a Germanic sense of homecoming but to a sense of homecoming that humanity at large can relate to and be enriched by.
Author: Jona Oberski
Publisher: Diogenes Verlag AG
Release Date: 2016-04-27
Die Kinderjahre von vier bis sieben, die die sorglosesten sein sollten, erlebte Jona Oberski im Grauen von Bergen-Belsen. In seinem einzigartigen, verstörenden Buch nimmt er die Perspektive des Kindes ein, das nichts begreift, doch alles Geschehen registriert und einzuordnen versucht. Ein literarisches Monument, in einem Atemzug zu nennen mit den Werken von Anne Frank, Primo Levi und Imre Kertész.
Author: Master Geraint Ap Iorwerth
Publisher: John Hunt Publishing
Release Date: 2011-09-30
'From humble beginnings as a private investigator in the Heavenly Court, Satan worked his way up the career ladder to become God's Chief Prosecutor. It wasn't long before he branched off and started his own global enterprise as Prince of The World. 'The Gospel of The Fallen Angel' is Satan's exclusive, honest account of the life and times of his greatest adversary, Jesus of Galilee.' When Jesus walked on earth he gave strict orders not to let anyone know who he was. My minions couldn't help themselves. They kept blurting it out! I had better self control. Until now! After 2000 years, I've finally broken my silence. Not bad going for the archetypal disobedient one! Satan Geraint's The Gospel of The Fallen Angel is a first to tell the story of Jesus from Satan's perspective. He tells the story of the real Jewish Jesus, not the fictitious Christ of the Christian church. A highly original, clever, often funny, alternative view of the Gospels. It has a lot to say about traditional Christianity that is interesting and uncomfortable. Its appeal is its modern message about what it means to be human, whether one is religious or not.
Author: Christopher Holman
Publisher: University of Toronto Press
Release Date: 2013-10-30
Politics as Radical Creation examines the meaning of democratic practice through the critical social theory of the Frankfurt School. It provides an understanding of democratic politics as a potentially performative good-in-itself, undertaken not just to the extent that it seeks to achieve a certain extrinsic goal, but also in that it functions as a medium for the expression of creative human impulses. Christopher Holman develops this potential model through a critical examination of the political philosophies of Herbert Marcuse and Hannah Arendt. Holman argues that, while Arendt and Marcuse’s respective theorizations each ultimately restrict the potential scope of creative human expression, their juxtaposition – which has not been previously explored – results in a more comprehensive theory of democratic existence, one that is uniquely able to affirm the creative capacities of the human being. Yielding important theoretical results that will interest scholars of each theorist and of theories of democracy more generally, Politics as Radical Creation provides a valuable means for rethinking the nature of contemporary democratic practice.
Die Serie "Meisterwerke der Literatur" beinhaltet die Klassiker der deutschen und weltweiten Literatur in einer einzigartigen Sammlung für Ihren eBook Reader. Lesen Sie die besten Werke großer Schriftsteller,Poeten, Autoren und Philosophen auf Ihrem Reader. Dieses Werk bietet zusätzlich * Eine Biografie/Bibliografie des Autors. Ecce homo. Wie man wird, was man ist ist eine autobiographische Schrift des Philosophen Friedrich Nietzsche. Nietzsche arbeitete von Oktober 1888 bis zu seinem Zusammenbruch Anfang 1889 an dem Werk, das zum ersten Mal 1908 im Auftrag des Nietzsche-Archivs veröffentlicht wurde. Es ist nicht vollständig überliefert und in seiner heute anerkannten Form erst seit den 1970ern bekannt. In Ecce homo gibt Nietzsche rückblickend Deutungen seiner philosophischen Schriften und präsentiert sich selbst und seine Erkenntnisse als schicksalhafte Ereignisse von weltbewegender Größe. Dabei stehen die Themen seines Spätwerks, besonders die Kritik am Christentum und die angekündigte „Umwertung aller Werte“, im Vordergrund. (aus wikipedia.de)