Author: William Shakespeare
Publisher: Cengage Learning EMEA
Release Date: 1995-03-16
After centuries of vilification and neglect by both scholars and actors, Titus Andronicus has at last come to be recognized as one of ShakespeareÃ‚'s early masterpieces. In this powerful and ground-breaking edition, Bate offers a complete and radical reappraisal of ShakespeareÃ‚'s bloodiest tragedy, seeing it as one of the dramatistÃ‚'s most inventive plays, a complex and self-conscious improvisation upon classical sources. BateÃ‚'s introduction does full justice to the playÃ‚'s artfulness and sophistication, puts forward new arguments regarding the playÃ‚'s date, sources and early stage history, and devotes extended discussion to great modern productions such as those of Peter Brook and Deborah Warner. In an age in which dramatic representation of violence has become an issue of enormous controversy, Titus Andronicus is the essential play; BateÃ‚'s seminal edition indicates just how far, with this early work, the young Shakespeare has already travelled towards the masterpiece of his maturity, King Lear. 'Ã‚â€¦a great edition of a great play' Julie Taymor, Director TITUS, 20th Century Fox, 1999 "Bate makes a really positive virtue of his treatment of the play in performance...putting a vigorous account of Titus on stage at very stage-centre in his Introduction. Using this section as a means for raising fundamental questions as to the playÃ‚'s style, coherence, and meaning, Bate achieves a remarkable fusion between performance history and criticism." John Jowett, Shakespeare Survey 'Ã‚â€¦impressive and excitingÃ‚â€¦' Barry Gaines, University of New Mexico, Shakespeare Quarterly 'This is an outstanding edition of Titus, especially for its treatment of textual questions and of recent performance history. It supersedes all previous editions' Dr P Hartle, St Catherines College, Cambridge
Through its rich foray into popular literary culture and medical history, this book investigates representations of regular and irregular medical practice in early modern England. Focusing on the prolific figures of the barber, surgeon and barber-surgeon, the author explores what it meant to the early modern population for a group of practitioners to be associated with both the trade guilds and an emerging professional medical world. The book uncovers the differences and cross-pollinations between barbers and surgeons' practices which play out across the literature: we learn not only about their cultural, civic, medical and occupational histories but also about how we should interpret patterns in language, name choice, performance, materiality, acoustics and semiology in the period. The investigations prompt new readings of Shakespeare, Jonson, Middleton and Beaumont, among others. And with chapters delving into early modern representations of medical instruments, hairiness, bloodletting procedures, waxy or infected ears, wart removals and skeletons, readers will find much of the contribution of this book is in its detail, which brings its subject to life.
This dictionary explores the language of domestic life found in Shakespeare's work and seeks to demonstrate the meanings he attaches to it through his uses of it in particular contexts. "Domestic life" covers a range of topics: the language of the household, clothing, food, family relationships and duties; household practices, the architecture of the home, and all that conditions and governs the life of the home. The dictionary draws on recent cultural materialist research to provide in-depth definitions of the domestic language and life in Shakespeare's works, creating a richly rewarding and informative reference tool for upper level students and scholars.
Shakespeare lived when knowledge of plants and their uses was a given, but also at a time of unique interest in plants and gardens.His lifetime saw the beginning of scientific interest in plants, the first large-scale plant introductions from outside the country since Roman times, and the beginning of gardening as a leisure activity. Shakespeare's works show that he engaged with this new world to illuminate so many facets of his plays and poems. This dictionary offers a complete companion to Shakespeare's references to landscape, plants and gardens, including both formal and rural settings.It covers plants and flowers, gardening terms, and the activities that Shakespeare included within both cultivated and uncultivated landscapes as well as encompassing garden imagery in relation to politics, the state and personal lives. Each alphabetical entry offers an definition and overview of the term discussed in its historical context, followed by a guided tour of its use in Shakespeare's works and finally an extensive bibliography, including primary and secondary sources, books and articles.
This book, the first to trace revenge tragedy's evolving dialogue with early modern law, draws on changing laws of evidence, food riots, piracy, and debates over royal prerogative. By taking the genre's legal potential seriously, it opens up the radical critique embedded in the revenge tragedies of Kyd, Shakespeare, Marston, Chettle and Middleton.
Author: Jonathan Bate
Publisher: Bloomsbury Publishing
Release Date: 2018-01-25
Titus Andronicus is one of Shakespeare's earliest and bloodiest tragedies and was hugely successful in his lifetime. Subsequent generations have struggled with its bold confrontation of violence but in the 20th and 21st centuries the play has chimed with audiences again, perhaps because of its simultaneously shocking and playful approach to violent revenge and bodily mutilation. Jonathan Bate's original Arden edition was first published in 1995 and has had a significant influence on how the play has been performed and studied in the past 20 years. This revised edition includes a new 10,000 word introductory essay in which Bate reassess his views on the play's co-authorship with George Peele in the light of contemporary textual scholarship and updates his lively account of the play's performance history, on the international stage and screen. With detailed on-page commentary notes this will continue to be the edition of choice for students, scholars and theatre-makers.
Author: Dr Andrew Griffin
Publisher: Ashgate Publishing, Ltd.
Release Date: 2013-04-28
Genre: Literary Criticism
Locating the Queen's Men presents new and groundbreaking essays on early modern England's most prominent acting company, from their establishment in 1583 into the 1590s. Offering a far more detailed critical engagement with the plays than is available elsewhere, this volume situates the company in the theatrical and economic context of their time. The essays gathered here focus on four different aspects: playing spaces, repertory, play-types, and performance style, beginning with essays devoted to touring conditions, performances in university towns, London inns and theatres, and the patronage system under Queen Elizabeth. Repertory studies, unique to this volume, consider the elements of the company's distinctive style, and how this style may have influenced, for example, Shakespeare's Henry V. Contributors explore two distinct genres, the morality and the history play, especially focussing on the use of stock characters and on male/female relationships. Revising standard accounts of late Elizabeth theatre history, this collection shows that the Queen's Men, often understood as the last rear-guard of the old theatre, were a vital force that enjoyed continued success in the provinces and in London, representative of the abiding appeal of an older, more ostentatiously theatrical form of drama.