Author: Whitney Davis
Publisher: Princeton University Press
Release Date: 2017-11-07
A provocative and challenging new conceptual framework for the study of images This book builds on the groundbreaking theoretical framework established in Whitney Davis’s acclaimed previous book, A General Theory of Visual Culture, in which he shows how certain culturally constituted aspects of artifacts and pictures are visible to informed viewers. Here, Davis uses revealing archaeological and historical case studies to further develop his theory, presenting an exacting new account of the interaction that occurs when a viewer looks at a picture. Davis argues that pictoriality—the depiction intended by its maker to be seen—emerges at a particular standpoint in space and time. Reconstruction of this standpoint is the first step of the art historian’s craft. Because standpoints are inherently mutable and mobile, pictoriality constantly shifts in form and possible meaning. To capture this complexity, Davis develops new concepts of radical pictorial ambiguity, including “bivisibility” (the fact that pictures can always be seen in ways other than intended), pictorial naturalism, and the behavior of pictures under changing angles of view. He then applies these concepts to four cases—Paleolithic cave painting; ancient Egyptian tomb decoration; classical Greek architectural sculpture, with a focus on the Parthenon frieze; and Renaissance perspective as invented by Brunelleschi. A profound new theory of the work of both makers and viewers by one of the discipline’s most esteemed and engaged thinkers, Visuality and Virtuality is essential reading for art historians, architects, archaeologists, and philosophers of art and visual theory.
Author: Paul A. Kottman
Publisher: Verlag Wilhelm Fink
Release Date: 2018-01-16
This volume explores one of modernity's most profound and far-reaching philosophies of art: the Vorlesungen über die Ästhetik, delivered by Georg Friedrich Wilhelm Hegel in the 1820s. The book has two overriding objectives: first, to ask how Hegel's work illuminates specific periods and artworks in light of contemporary art-historical discussions; second, to explore how art history helps us make better sense and use of Hegelian aesthetics. In bringing together a range of internationally acclaimed critical voices, the volume establishes an important disciplinary bridge between aesthetics and art history. Given the recent resurgence of interest in 'global' art history, and calls for more comparative approaches to 'visual culture', contributors ask what role Hegel has played within the field – and what role he could play in the future. What can a historical treatment of art accomplish? How should we explain the 'need' for certain artistic forms at different historical junctures? Has art history been 'Hegelian' without fully acknowledging it? Indeed, have art historians shirked some of the fundamental questions that Hegel raised?
Author: Whitney Davis
Publisher: Princeton University Press
Release Date: 2011-02-27
What is cultural about vision - or visual about culture? This book provides answers to these questions by presenting a framework for understanding visual culture. It argues that, in a fully consolidated visual culture, artifacts and pictures have been made to be seen in a certain way.
Author: James Elkins
Publisher: Penn State Press
Release Date: 2011-12-15
What Is an Image? raises the stakes for writing in art history, visual studies, art theory, and art criticism by questioning one of the most fundamental terms of all, the image or picture. This innovative collection gathers some of the most influential historians and theorists working on images to discuss what the visual has come to mean. Topics include concepts such as image and picture in the West and outside it; the reception and rejection of semiotics; the question of what is outside the image; the question of whether images have a distinct nature or are products of discourse, like language; the relationship between images and religious meanings; and the study of non-art images in medicine, science, and technology. Among the major writers represented in this book are Gottfried Boehm, Michael Ann Holly, Jacqueline Lichtenstein, W. J. T. Mitchell, Marie-José Mondzain, Keith Moxey, Parul Dave Mukherji, Wolfram Pichler, Alex Potts, and Adrian Rifkin.
Author: Hannah L. Cobb
Publisher: British Archaeological Reports Ltd
Release Date: 2005
Genre: Sports & Recreation
This volume stems from sessions at the 2004 Theoretical Archaeology Conference at Glasgow University, entitled "Hunter-Gatherers in Early Prehistory" and "Hunting for Meaning: Interpretive Approaches to the Mesolithic." The sessions came about as a response to a continuing lack of appreciation of new developments in theoretical approaches to the archaeology of prehistoric hunter-gatherers both in the Pleistocene and Holocene. Contents: 1) Hunter-Gatherers in Early Prehistory (Fiona Coward & Lucy Grimshaw); 2) Upper Palaeolithic Social Colonisation and Lower Palaeolithic Biological Dispersal? A Consideration of the Nature of Movements into Europe During the Pleistocene (Lucy Grimshaw); 3) Transitions, Change and Prehistory: An Ecosystemic Approach to Change in the Archaeological Record (Fiona Coward); 4) Darwin Vs. Bourdieu - Celebrity Deathmatch or Postrocessual Myth? A Prolegomenon for the Reconciliation of Agentive-Interpretive and Ecological-Evolutionary Archaeology (Felix Riede); 5) We're Not Waiting Any More - Or, Hunting for Meaning in the Mesolithic of North-West Europe (Hannah Cobb & Steven Price); 6) Midden, Meaning, Person, Place: Interpreting the Mesolithic of Western Scotland (Hannah Cobb); 7) Reconstructing the Social Topography of an Irish Mesolithic Lakescape (Aimee Little); 8) Can't See the Trees for the Wood: The Social Life of Trees in the Mesolithic of Southern Scandinavia.