Author: Whitney Davis
Publisher: Princeton University Press
Release Date: 2017-11-07
A provocative and challenging new conceptual framework for the study of images This book builds on the groundbreaking theoretical framework established in Whitney Davis’s acclaimed previous book, A General Theory of Visual Culture, in which he shows how certain culturally constituted aspects of artifacts and pictures are visible to informed viewers. Here, Davis uses revealing archaeological and historical case studies to further develop his theory, presenting an exacting new account of the interaction that occurs when a viewer looks at a picture. Davis argues that pictoriality—the depiction intended by its maker to be seen—emerges at a particular standpoint in space and time. Reconstruction of this standpoint is the first step of the art historian’s craft. Because standpoints are inherently mutable and mobile, pictoriality constantly shifts in form and possible meaning. To capture this complexity, Davis develops new concepts of radical pictorial ambiguity, including “bivisibility” (the fact that pictures can always be seen in ways other than intended), pictorial naturalism, and the behavior of pictures under changing angles of view. He then applies these concepts to four cases—Paleolithic cave painting; ancient Egyptian tomb decoration; classical Greek architectural sculpture, with a focus on the Parthenon frieze; and Renaissance perspective as invented by Brunelleschi. A profound new theory of the work of both makers and viewers by one of the discipline’s most esteemed and engaged thinkers, Visuality and Virtuality is essential reading for art historians, architects, archaeologists, and philosophers of art and visual theory.
Author: Whitney Davis
Publisher: Princeton University Press
Release Date: 2017-11-07
What is cultural about vision--or visual about culture? In this ambitious book, Whitney Davis provides new answers to these difficult and important questions by presenting an original framework for understanding visual culture. Grounded in the theoretical traditions of art history, A General Theory of Visual Culture argues that, in a fully consolidated visual culture, artifacts and pictures have been made to be seen in a certain way; what Davis calls "visuality" is the visual perspective from which certain culturally constituted aspects of artifacts and pictures are visible to informed viewers. In this book, Davis provides a systematic analysis of visuality and describes how it comes into being as a historical form of vision. Expansive in scope, A General Theory of Visual Culture draws on art history, aesthetics, the psychology of perception, the philosophy of reference, and vision science, as well as visual-cultural studies in history, sociology, and anthropology. It provides penetrating new definitions of form, style, and iconography, and draws important and sometimes surprising conclusions (for example, that vision does not always attain to visual culture, and that visual culture is not always wholly visible). The book uses examples from a variety of cultural traditions, from prehistory to the twentieth century, to support a theory designed to apply to all human traditions of making artifacts and pictures--that is, to visual culture as a worldwide phenomenon.
Author: William Chapman Sharpe
Publisher: Oxford University Press
Release Date: 2017-08-04
What's in a shadow? Menace, seduction, or salvation? Immaterial but profound, shadows lurk everywhere in literature and the visual arts, signifying everything from the treachery of appearances to the unfathomable power of God. From Plato to Picasso, from Rembrandt to Welles and Warhol, from Lord of the Rings to the latest video game, shadows act as central players in the drama of Western culture. Yet because they work silently, artistic shadows often slip unnoticed past audiences and critics. Conceived as an accessible introduction to this elusive phenomenon, Grasping Shadows is the first book that offers a general theory of how all shadows function in texts and visual media. Arguing that shadow images take shape within a common cultural field where visual and verbal meanings overlap, William Sharpe ranges widely among classic and modern works, revealing the key motifs that link apparently disparate works such as those by Fra Angelico and James Joyce, Clementina Hawarden and Kara Walker, Charles Dickens and Kumi Yamashita. Showing how real-world shadows have shaped the meanings of shadow imagery, Grasping Shadows guides the reader through the techniques used by writers and artists to represent shadows from the Renaissance onward. The last chapter traces how shadows impact the art of the modern city, from Renoir and Zola to film noir and projection systems that capture the shadows of passers-by on streets around the globe. Extending his analysis to contemporary street art, popular songs, billboards, and shadow-theatre, Sharpe demonstrates a practical way to grasp the "dark side" that looms all around us.
Author: Mary McWilliams
Publisher: Yale University Press
Release Date: 2017
Genre: Art, Iranian
-This catalogue accompanies the exhibition Technologies of the Image: Art in 19th-Century Iran, on view at the Harvard Art Museums, Cambridge, Massachusetts, from August 26, 2017 through January 7, 2018.-
Game Programming for Artists provides a foundation for artists and creatives to jumpstart learning to program their own games. It is an accessible and conversational guide focused on three areas: basic programming, understanding game engines, and practical code for commonly employed game systems. The best way to get into games is to make one, and this book will help artists do that!
Author: Simon Hannah
Publisher: Left Book Club
Release Date: 2018-02-15
For over a hundred years, the British Labour Party has been a bastion for working class organisation and struggle. However, has it ever truly been on the side of the workers? Where do its interests really lie? And can we rely on it to provide a barrier against right-wing forces? By looking into its history, this book shines a light on the internal dynamics of the 'party with socialists in it'.From its origins in the late nineteenth century, the Labour Party was uncomfortably divided between a metropolitan liberal and a working class milieu, which characterises the party to this very day. This history guides us through the Bevanite movement and the celebrated government of Clement Attlee, to the emergence of a New Left that was highly sceptical of the Labour party during the Wilson era. It explores the move towards Blairism and the disheartening story of the decline of the Labour Left after their historic defeat in the 1980s.With the emergence of socialist leader Jeremy Corbyn, the Labour Party's fate rests in the balance. Will they reconcile their internal divisions or split into obscurity?Published in partnership with the Left Book Club.
Nili Gold, who was born in Haifa to German-speaking parents in 1948, the first year of Israeli statehood, here offers a remarkable homage to her native city during its heyday as an international port and cultural center. Spanning the 1920s and '30s, when Jews and Arabs lived together amicably and buildings were erected that reflected European, modernist, Jewish, and Arab architectural influences, through 1948, when most Arabs left, and into the '50s and '60s burgeoning of the young state of Israel, Gold anchors her personal and family history in five landmark clusters. All in the neighborhood of Hadar HaCarmel, these landmarks define Haifa as a whole. In exquisite detail, Gold describes Memorial Park and its environs, including the border between the largest Jewish and Arab neighborhoods in Haifa; the intersection of Herzl and Balfour Streets, whose highlight is the European/Middle Eastern Technion edifice; Talpiot Market, recalling Haifa as a lively commercial hub; Alliance High School and the Great Synagogue, the former dedicated to instilling a love of intellectual pursuits, while the synagogue was an arm of the dominant Israeli religious establishment; the Ge'ula Elementary School and neighboring buildings that played a historical role, among them, the Struck House, with its Arab-inspired architecture - all against the dramatic backdrop of the mountain, sea, and bay, and their reverberations in memory and literature. Illustrated with more than thirty-five photographs and six maps, Gold's astute observations of the changing landscape of her childhood and youth highlight literary works that portray deeply held feelings for Haifa, by such canonical Israeli writers as A. B. Yehoshua, Sami Michael, and Dahlia Ravikovitch.
Author: James W. Ure
Publisher: Prometheus Books
Release Date: 2018-01-09
Genre: Language Arts & Disciplines
This disturbing exposé examines how the powerful Mormon Church tried to destroy the Salt Lake Tribune, a voice that had long been critical of many of its activities and its secrets. The author, a Mormon and a journalist who once worked for the Tribune, tells a story of secret deals, behind-the-scenes backstabbing, and manipulation of the political and legal systems by a church that controls the politics of Utah. Based on many interviews and extensive research, the book describes the history of enmity between the Church and the newspaper, which came to a head in 2000. In that year, the Tribune reopened an investigation into an 1857 murder of a wagon train of 120 men, women, and children passing through Utah. The Mountain Meadow Massacre had been conducted by highly-placed church members and historians have said it was condoned by Brigham Young, the leader of the Mormon Church. The published stories intensified efforts by the Church to kill the newspaper. When a hedge fund took ownership of the Tribune, the Church in 2013 saw an opportunity to take advantage and ensure the paper's demise. Just as the paper appeared to be going under, a small group of citizens became the David that took down the Mormon Goliath and delivered the Pulitzer Prize-winning paper to a steady local owner who is willing to fight for its long-term survival. This is a cautionary tale about the dangers of mingling church and state and the ways in which big money can threaten the freedom of the press.
Author: Anne Friedberg
Publisher: MIT Press (MA)
Release Date: 2009
From the Renaissance idea of the painting as an open window to the nested windows andmultiple images on today's cinema, television, and computer screens: a cultural history of themetaphoric, literal, and virtual window.
Since its original release in 1982, Jim Henson’s groundbreaking fantasy film The Dark Crystal has captured the minds and imaginations of authors, artists, filmmakers, and fans across the world with its ambitious worldbuilding and stunning visuals. Now, return to the world of The Dark Crystal and see the vivid locations, lifelike creatures, and beloved heroes as realized by a collection of uniquely original artistic voices in celebration of one of Jim Henson’s most enduring creations. The Dark Crystal Artist Tribute features illustrations from artist luminaries and newcomers alike, including Jae Lee, David Petersen, Mark Buckingham, Cory Godbey, Jeff Stokely, Benjamin Dewey, Sana Takeda, and the film’s original concept artist, Brian Froud.
Author: Russell Bova
Release Date: 2016-01-12
Genre: Political Science
This is the eBook of the printed book and may not include any media, website access codes, or print supplements that may come packaged with the bound book. For courses in International Relations. International Politics: Comparing Paradigms How the World Works: A Brief Survey of International Relations provides the detailed, micro-level knowledge readers need to understand world politics, harnessing their curiosity about global current events. The text covers the continuing swirl of events that dominate world politics in our present–from the Arab Spring, to the Russian invasion of Crimea, to the rise of ISIS, to the Ebola crisis in West Africa. The Third Edition makes improvements upon the book in general while maintaining its core mission: to tap into reader interest in current events and help each reader build a conceptual and theoretical sophistication that remains when these current events become a part of history. The text challenges readers to question their assumptions about the world and what they may think they already know about international relations. Overall, the text makes it clear that even scholars and politicians disagree about the world’s political and economic interactions, and makes a point to introduce readers to all paradigms–encouraging them to form their own opinions about how the world works. Also available with MyPoliSciLab® MyPoliSciLab for the International Relations course extends learning online to engage readers and improve results. Media resources with assignments bring concepts to life, and offer readers opportunities to practice applying what they’ve learned. Please note: this version of MyPoliSciLab does not include an eText. How the World Works: A Brief Survey of International Relations, Third Edition is also available via REVEL™ , an interactive learning environment that enables readers to read, practice, and study in one continuous experience. Note: You are purchasing a standalone product; MyLab™ & Mastering™ does not come packaged with this content. Students, if interested in purchasing this title with MyLab & Mastering, ask your instructor for the correct package ISBN and Course ID. Instructors, contact your Pearson representative for more information. If you would like to purchase both the physical text and MyLab & Mastering, search for: 0134409906 / 9780134409900 How the World Works: A Brief Survey of International Relations Plus MyPoliSciLab for International Relations — Access Card Package, 3/e Package consists of: 0134378849 / 9780134378848 How the World Works: A Brief Survey of International Relations, 3e 0134408233 / 9780134408231 MyPoliSciLab for International Relations
Author: Joanna Bourke
Publisher: Reaktion Books
Release Date: 2017-11
Genre: Art and war
In times of crisis, we often turn to artists for truth-telling and memory-keeping. There is no greater crisis than war, and in this sumptuously illustrated volume, we find a comprehensive visual, cultural, and historical account of the ways in which armed conflict has been represented by artists. Covering the last two centuries, from the Crimean War to the present day, the book shows how the artistic portrayal of war has changed, from a celebration of heroic exploits to a more modern, troubled, and perhaps truthful depiction of warfare and its consequences. The book investigates broad patterns as well as specific genres and themes of war art, and features more than 400 color illustrations by artists including Paul Nash, Judy Chicago, Pablo Picasso, Melanie Friend, Marc Chagall, Francis Bacon, K�the Kollwitz, Joseph Beuys, Yves Klein, Robert Rauschenberg, Dora Meeson, Otto Dix, and many others. The volume also highlights the work of often overlooked artists, including children, non-Europeans, and prisoners of war. A wide range of subjects, from front-line combat to behind-the-lines wartime experiences are represented in paintings, etchings, photography, film, digital art, comics, and graffiti. Edited and with an introduction by Joanna Bourke, War and Art features essays written by premier experts in the field. This extensive survey is a fitting and timely contribution to our understanding of art, memory, and commemoration of war.
Temple Grandin, Ph.D., is a gifted animal scientist who has designed one third of all the livestock-handling facilities in the United States. She also lectures widely on autism—because Temple Grandin is autistic, a woman who thinks, feels, and experiences the world in ways that are incomprehensible to the rest of us. In this unprecedented book, Grandin delivers a report from the country of autism. Writing from the dual perspectives of a scientist and an autistic person, she tells us how that country is experienced by its inhabitants and how she managed to breach its boundaries to function in the outside world. What emerges in Thinking in Pictures is the document of an extraordinary human being, one who, in gracefully and lucidly bridging the gulf between her condition and our own, sheds light on the riddle of our common identity. From the Trade Paperback edition.