La Vita Nuova marked a turning point in European literature, introducing personal experience into the strict formalism of medieval love poetry. The sequence of poems tells the story of Dante's passion for Beatrice, the beautiful sister of one of his closest friends, transformed through his writing into a symbol of love that was both spiritual and romantic. From unrequited passion to the profound grief he experiences at the loss of his love, this work intersperses exquisite verse with Dante's own commentary on the structure and origins of each poem, offering a unique insight into the poet's art and skill. Barbara Reynolds's translation, acclaimed for its lucidity and faithfulness to the original, is now enhanced with a new introduction and other material.
Vita Nuova (1292-94) is regarded as Dante's most profound creation. The thirty-one poems in this, the first of his major writings, are linked by a lyrical prose narrative celebrating and debating the subject of love. Composed upon Dante's meeting with Beatrice and the "Lord of Love," it is a love story set to the task of confirming the "new life" this meeting inspired. With a critical introduction and explanatory notes, this is a new translation of a supreme work which has been read variously as biography, religious allegory, and a meditation on poetry itself.
Author: A. N. Wilson
Publisher: Farrar, Straus and Giroux
Release Date: 2011-10-25
Genre: Biography & Autobiography
For William Butler Yeats, Dante Alighieri was "the chief imagination of Christendom." For T. S. Eliot, he was of supreme importance, both as poet and philosopher. Coleridge championed his introduction to an English readership. Tennyson based his poem "Ulysses" on lines from the Inferno. Byron chastised an "Ungrateful Florence" for exiling Dante. The Divine Comedy resonates across five hundred years of our literary canon. In Dante in Love, A. N. Wilson presents a glittering study of an artist and his world, arguing that without an understanding of medieval Florence, it is impossible to grasp the meaning of Dante's great poem. He explains how the Italian states were at that time locked into violent feuds, mirrored in the ferocious competition between the Holy Roman Empire and the Papacy. He shows how Dante's preoccupations with classical mythology, numerology, and the great Christian philosophers inform every line of the Comedy. Dante in Love also explores the enigma of the man who never wrote about the mother of his children, yet immortalized the mysterious Beatrice whom he barely knew. With a biographer's eye for detail and a novelist's comprehension of the creative process, A. N. Wilson paints a masterful portrait of Dante Alighieri and unlocks one of the seminal works of literature for a new generation of readers.
Author: Robin Healey
Publisher: University of Toronto Press
Release Date: 2011
Genre: Literary Criticism
"Italian Literature before 1900 in English Translation provides the most complete record possible of texts from the early periods that have been translated into English, and published between 1929 and 2008. It lists works from all genres and subjects, and includes translations wherever they have appeared across the globe. In this annotated bibliography, Robin Healey covers over 5,200 distinct editions of pre-1900 Italian writings. Most entries are accompanied by useful notes providing information on authors, works, translators, and how the translations were received. Among the works by over 1,500 authors represented in this volume are hundreds of editions by Italy's most translated authors - Dante Alighieri, [Niccoláo] Machiavelli, and [Giovanni] Boccaccio - and other hundreds which represent the author's only English translation. A significant number of entries describe works originally published in Latin. Together with Healey's Twentieth-Century Italian Literature in English Translation, this volume makes comprehensive information on translations accessible for schools, libraries, and those interested in comparative literature."--Pub. desc.
Author: Barbara Reynolds
Publisher: Wipf and Stock Publishers
Release Date: 2005-02-21
Dorothy L. Sayers, detective novelist, poet, scholar, playwright, and Christian apologist, spent the last fourteen years of her life reading and translating Dante's 'Divine Comedy'. The first two volumes of her translation, 'Hell' and 'Purgatory', were published during her lifetime, but when she died in 1957 the third volume, 'Paradise', was unfinished. It was completed by her friend Barbara Reynolds. Thirty years later Barbara Reynolds wrote this book, the first full-length study of this illuminating stage in the creative life of Dorothy Sayers. Drawing on personal reminiscences and unpublished letters, she tells a moving and compelling story. The work explores the dynamic impact of Dante upon a mature mind. New light is shed on Dorothy Sayers' personality, her relationship with her friends, her methods of work, and her intellectual and spiritual development. Readers of Dante, no less than readers of Sayers, will find this an exciting book.
Author: J. Robert Baker
Release Date: 2002
This newest addition to LTP's Sourcebook series of anthologies honors Mary of Nazareth, mother of Jesus, mother of God and mother of the church. Like the other volumes in the series, A Sourcebook about Mary gathers hymns, poetry, scripture and prayers, arranging them according to the eight phrases of the Ave Maria, or Hail Mary, one the most beloved of Catholic prayers. These phrases are then answered by a section from the Magnificat, Mary's extravagant affirmation of God's enduring love and constant care for the poor. Acclamations from the Litany of Loretto, and extended praise of Mary as model and disciple, grace each section. A Sourcebook about Mary is a marvelous addition to any spiritual library, and it makes a wonderful gift for anyone with a special love for Mary: mother, woman, advocate and protector. It can be used for private prayer and devotional reading, as well as for homily and liturgy preparation during Advent and Christmas, and on feasts of Mary. Parents and grandparents, womenand men, priests and other ministers, young and old, will all find in this collection a treasury of praise for the first and model disciple.
Author: Prudence Allen
Publisher: Wm. B. Eerdmans Publishing
Release Date: 2005-12-01
Genre: Femininity (Philosophy)
This seminal work is the second volume of a widely praised study of the concept of woman in the history of Western philosophy. Sister Prudence Allen explores claims about sex and gender identity in the works of over fifty philosophers (both men and women) in the late medieval and early Renaissance periods. Touching on the thought of every philosopher who considered sex or gender identity between A.D. 1250 and 1500, The Concept of Woman provides the analytical categories necessary for situating contemporary discussion of women in relation to men. Adding to the accessibility of this fine discussion are informative illustrations, helpful summary charts, and extracts of original source material (some not previously available in English). Encyclopedic in coverage yet clearly organized and well written, The Concept of Woman will be an invaluable resource for readers interested in a wide range of disciplines.
Michelangelo Buonarroti (1475-1564) is universally celebrated as one of the greatest artists of all time, yet iconic Renaissance creator was also a prolific and gifted poet. The verses collected here are primarily devoted to love and religion. Intense and passionate, the love poems focus on two figures: Tommaso de Cavalieri and Vittoria Colonna; with the sonnets and madrigals dedicated to de Cavalieri revealing a highly charged, homoerotic fervour - previously obscured in the original versions. Michelangelo's later religious poetry moves away from his earlier wordly concerns, while his letters provide a fasicnating insight into his fanily relations and day-to-day life as a working artist. The result is a revealing picture of one of the towering figures of the Renaissance.
The twenty-five original essays in this remarkable book constitute both a state of the art survey of Dante scholarship and a manifesto for new understandings of one of the world's great poets. The fruit of an historic conference called by the Dante Society of America, the essays confront a range of important questions. What theories, methods, and issues are unique to Dante scholarship? How are they changing? What is the essence of the distinctive American Dante tradition? Why-and how-do we read Dante in today's global, postmodern culture? From John Ahern on the first copies of the Commedia to Peter Hawkins and Rachel Jacoff on Dante after modernism, the essays shed brilliant new light on Dante's texts, his world, and what we make of his legacy. The contributors: John Ahern, H. Wayne Storey, Guglielmo Gorni, Teodolinda Barolini, Gary P. Cestaro, Lino Pertile, F. Regina Psaki, Steven Botterill, Giuseppe Mazzotta, Alison Cornish, Robert M. Durling, Manuele Gragnolati, Giuliana Carugati, Susan Noakes, Zygmunt Baranski, Christopher Kleinhenz, Ronald L. Martinez, Ronald Herzman, Amilcare Iannucci, Albert Russell Ascoli, Michelangelo Picone, Jessica Levenstein, David Wallace, Piero Boitani, Peter Hawkins, and Rachel Jacoff.
Release Date: 1970
Genre: Catalogs, Union