In 1955 the murderers of Emmett Till, a black Mississippi youth, were acquitted of their crime, undoubtedly because they were white. Forty years later, O. J. Simpson, whom many thought would be charged with murder by virtue of the DNA evidence against him, went free after his attorney portrayed him as a victim of racism. Clearly, a sea change had taken place in American culture, but how had it happened? In this important new work, distinguished race relations scholar Shelby Steele argues that the age of white supremacy has given way to an age of white guilt -- and neither has been good for African Americans. As the civil rights victories of the 1960s dealt a blow to racial discrimination, American institutions started acknowledging their injustices, and white Americans -- who held the power in those institutions -- began to lose their moral authority. Since then, our governments and universities, eager to reclaim legitimacy and avoid charges of racism, have made a show of taking responsibility for the problems of black Americans. In doing so, Steele asserts, they have only further exploited blacks, viewing them always as victims, never as equals. This phenomenon, which he calls white guilt, is a way for whites to keep up appearances, to feel righteous, and to acquire an easy moral authority -- all without addressing the real underlying problems of African Americans. Steele argues that calls for diversity and programs of affirmative action serve only to stigmatize minorities, portraying them not as capable individuals but as people defined by their membership in a group for which exceptions must be made. Through his articulate analysis and engrossing recollections of the last half-century of American race relations, Steele calls for a new culture of personal responsibility, a commitment to principles that can fill the moral void created by white guilt. White leaders must stop using minorities as a means to establish their moral authority -- and black leaders must stop indulging them. As White Guilt eloquently concludes, the alternative is a dangerous ethical relativism that extends beyond race relations into all parts of American life.
Author: Cora Daniels
Publisher: Simon and Schuster
Release Date: 2017-02-21
Genre: Social Science
In Impolite Conversations, two respected thinkers and writers openly discuss five "third-rail" topics-from multi-racial identities to celebrity worship to hyper-masculinity among black boys-and open the stage for honest discussions about important and timely concerns. Organized around five subjects--Race, Politics, Sex, Money, Religion--the dialogue between Cora Daniels and John L. Jackson Jr. may surprise, provoke, affirm, or challenge you. In alternating essays, the writers use reporting, interviews, facts, and figures to back up their arguments, always staying firmly rooted in the real world. Sometimes they agree, sometimes they don't, but they always reach their conclusions with respect for the different backgrounds they come from and the reasons they disagree.
Author: Houston A. Baker
Publisher: Columbia University Press
Release Date: 2008
Genre: Literary Criticism
"In the literature, speeches, and academic and public behavior of some black intellectuals in the past quarter century, Baker identifies a "hungry generation" eager for power, respect, and money. Baker critiques his own impoverished childhood in the "Little Africa" section of Louisville, Kentucky, to understand the shaping of this new public figure. He also revisits classical sites of African American literary and historical criticism and critique."
Author: Tom Brokaw
Publisher: Random House
Release Date: 2007-11-06
In The Greatest Generation, his landmark bestseller, Tom Brokaw eloquently evoked for America what it meant to come of age during the Great Depression and the Second World War. Now, in Boom!, one of America’s premier journalists gives us an epic portrait of another defining era in America as he brings to life the tumultuous Sixties, a fault line in American history. The voices and stories of both famous people and ordinary citizens come together as Brokaw takes us on a memorable journey through a remarkable time, exploring how individual lives and the national mindset were affected by a controversial era and showing how the aftershocks of the Sixties continue to resound in our lives today. In the reflections of a generation, Brokaw also discovers lessons that might guide us in the years ahead. Boom! One minute it was Ike and the man in the grey flannel suit, and the next minute it was time to “turn on, tune in, drop out.” While Americans were walking on the moon, Americans were dying in Vietnam. Nothing was beyond question, and there were far fewer answers than before. Published as the fortieth anniversary of 1968 approaches, Boom! gives us what Brokaw sees as a virtual reunion of some members of “the class of ’68,” offering wise and moving reflections and frank personal remembrances about people’s lives during a time of high ideals and profound social, political, and individual change. What were the gains, what were the losses? Who were the winners, who were the losers? As they look back decades later, what do members of the Sixties generation think really mattered in that tumultuous time, and what will have meaning going forward? Race, war, politics, feminism, popular culture, and music are all explored here, and we learn from a wide range of people about their lives. Tom Brokaw explores how members of this generation have gone on to bring activism and a Sixties mindset into individual entrepreneurship today. We hear stories of how this formative decade has led to a recalibrated perspective–on business, the environment, politics, family, our national existence. Remarkable in its insights, profoundly moving, wonderfully written and reported, this revealing portrait of a generation and of an era, and of the impact of the 1960s on our lives today, lets us be present at this reunion ourselves, and join in these frank conversations about America then, now, and tomorrow. From the Hardcover edition.
Offering a fresh theoretical perspective and packed with powerful strategies, New Horizons in Multicultural Counseling clarifies the complexity of culture in our increasingly globalized society. Counselors will find practice-based strategies to help them progress in their clinical practice and gain cultural competence.
Author: Shelby Steele
Publisher: Simon and Schuster
Release Date: 2007-12-04
Genre: Biography & Autobiography
In Shelby Steele's beautifully wrought and thoughtprovoking new book, A Bound Man, the award-winning and bestselling author of The Content of Our Character attests that Senator Barack Obama's groundbreaking quest for the highest office in the land is fast becoming a galvanizing occasion beyond mere presidential politics, one that is forcing a national dialogue on the current state of race relations in America. Says Steele, poverty and inequality usually are the focus of such dialogues, but Obama's bid for so high an office pushes the conversation to a more abstract level where race is a politics of guilt and innocence generated by our painful racial history -- a kind of morality play between (and within) the races in which innocence is power and guilt is impotence. Steele writes of how Obama is caught between the two classic postures that blacks have always used to make their way in the white American mainstream: bargaining and challenging. Bargainers strike a "bargain" with white America in which they say, I will not rub America's ugly history of racism in your face if you will not hold my race against me. Challengers do the opposite of bargainers. They charge whites with inherent racism and then demand that they prove themselves innocent by supporting black-friendly policies like affirmative action and diversity. Steele maintains that Senator Obama is too constrained by these elaborate politics to find his own true political voice. Obama has the temperament, intelligence, and background -- an interracial family, a sterling education -- to guide America beyond the exhausted racial politics that now prevail. And yet he is a Promethean figure, a bound man. Says Steele, Americans are constrained by a racial correctness so totalitarian that we are afraid even to privately ask ourselves what we think about racial matters. Like Obama, most of us find it easier to program ourselves for correctness rather than risk knowing and expressing what we truly feel. Obama emerges as a kind of Everyman in whom we can see our own struggle to accept and honor what we honestly feel about race. In A Bound Man, Steele makes clear the precise constellation of forces that bind Senator Obama, and proposes a way for him to break these bonds and find his own voice.The courage to trust in one's own careful judgment is the new racial progress, the "way out" from the forces that now bind us all.