Can capital be seen? Cartographies of the Absolute surveys the disparate answers to this question offered by artists, film-makers, writers and theorists over the past few decades. It zones in on the crises of representation that have accompanied the enduring crisis of capitalism, foregrounding the production of new visions and artefacts that wrestle with the vastness, invisibility and complexity of the abstractions that rule our lives.
A Cinematic History of New York's World Trade Center
Author: Randy Laist
Category: Performing Arts
For thirty years, the twin towers of the World Trade Center soared above the New York City skyline, eventually becoming one of the most conspicuous symbolic structures in the world. They appeared in hundreds of films, from Godspell and Death Wish to Trading Places, Ghostbusters and The Usual Suspects. The politicians, architects and engineers who developed the towers sought to imbue them with a powerful visual presence. The resulting buildings provided filmmakers with imposing set pieces capable of conveying a range of moods and associations, from the sublime and triumphal to the sinister and paranoid. While they stood, they captured the imagination of the world with their enigmatic symbolism. In their dramatic destruction, they became icons of a history that is still being written. Here viewed in the context of popular cinema, the twin towers are emblematic of how architecture, film and narrative interact to express cultural aspirations and anxieties.
Media are incorporated into our physical environments more dramatically than ever before - literally opening up new spaces of interactivity and connection that transform the experience of being in the city. Public gatherings and movement, even the capabilities of democratic ideology, have been redefined. Urban Screens, mobile media, new digital mappings, and ambient and pervasive media have all created new ecologies in cities. How do we analyze these new spaces? Recognition of the mutual histories and research programs of urban and media studies is only the beginning. Cartographies of Place develops new vocabularies and methodologies for engaging with the distinctive situations and experiences created by media technologies which are reshaping, augmenting, and expanding urban spaces. The book builds upon the rich traditions and insights of a post-war generation of humanist scholars, media theorists, and urban planners. Authors engage with different historical and contemporary currents in urban studies which share a common concern for media forms, either as research tools or as the means for discerning the expressive nature of city spaces around the world. All of the media considered here are not simply "free floating," but are deeply embedded in the geopolitical, economic, and material contexts in which they are used. Cartographies of Place is exemplary of a new direction in interdisciplinary media scholarship, opening up new ways of studying the complexities of cities and urban media in a global context.
In a contemporary landscape of communicative and connective excess, a very novel contemporary exhaustion exacerbated by our relation to the postdigital terrain is ever present. The Brazilian philosopher and schizoanalyst Peter Pál Pelbart pushes the vital question of our nihililstic age to the limits: how can one learn to be left alone, live alone, and perhaps, by way of a Deleuzian "absolute solitude," conjure a vitality for living again and, indeed, finding something truly "worthy of saying"? Through various poetic meanderings, meditations, and building on the works of Blanchot, Musil, Guattari, and Delingy, among others, Pelbart reestablishes the possibility of fighting off the exhaustion of our current state of affairs. For Pelbart, we must chart the cartography of exhaustion as if it were a sort of molecular symptomology.
Japanese Canadian Women, Memory, and the Subjects of the Internment
Author: Mona Oikawa
Pubpsher: University of Toronto Press
In 1942, the federal government expelled more than 22,000 Japanese Canadians from their homes in British Columbia. From 1942 to 1949, they were dispossessed, sent to incarceration sites, and dispersed across Canada. Over 4,000 were deported to Japan. Cartographies of Violence analyses the effects of these processes for some Japanese Canadian women. Using critical race, feminist, anti-colonial, and cultural geographic theory, Mona Oikawa deconstructs prevalent images, stereotypes, and language used to describe the 'Internment' in ways that masks its inherent violence. Through interviews with women survivors and their daughters, Oikawa analyses recurring themes of racism and resistance, as well as the struggle to communicate what happened. Disturbing and provocative, Cartographies of Violence explores women's memories in order to map the effects of forced displacements, incarcerations, and the separations of family, friends, and communities.
Drawing on a mix of political, economic, literary, and filmic texts, Crisis Cultures challenges current cultural histories of the neoliberal period by arguing that financialization, and not just neoliberalism, has been at the center of the dramatic transformations in Latin American societies in the last thirty years. Starting from political economic figures such as crisis, hyperinflation, credit, and circulation and exemplary cultural texts, Whitener traces the interactions between culture, finance, surplus populations, and racialized state violence after 1982 in Mexico and Brazil. Crisis Cultures makes sense of the emergence of new forms of exploitation and terrifying police and militarized violence by tracking the cultural and discursive forms, including real abstraction and the favela and immaterial cadavers and voided collectivities, that have emerged in the complicated aftermath of the long downturn and global turn to finance.
Raúl Ruiz, while considered one of the world's most significant filmmakers by several film critics, is yet to be the subject of any thorough engagement with his work in English. This volume sets out on this task by mapping, as fully as possible, Ruiz's cinematic trajectory across more than five decades of prolific work, up to his death in 2011; ranging from his earliest work in Chile to high-budget 'European' costume dramas culminating in Mysteries of Lisbon (2010). It does so by treating Ruiz's work—with its surrealist, magic realist, popular cultural, and neo-Baroque sources—as a type of 'impossible' cinematic cartography, mapping real, imaginary, and virtual spaces, and crossing between different cultural contexts, aesthetic strategies, and technical media. It argues that across the different phases of Ruiz's work identified, there are key continuities such as the invention of singular cinematic images and the interrogation of their possible and impossible combinations.
New Cultural and Literary Spaces in Post-Colonial Europe
Author: Sandra Ponzanesi,Daniela Merolla
Pubpsher: Lexington Books
Category: Literary Criticism
In recent years, Europe has had to constantly rethink and redefine its attitude towards new flows of immigrations. Issues of boundaries and identity have been integral to this reflection. Through a magnificent collection of essays, Migrant Cartographies examines both sites and conflicts and the way in which forms of belonging and identity have been reinvented.
What is a Global City? Who authorizes the World Class City? This edited volume interrogates the "global cities" literature, which views the city as a shimmering, financial "global network." Through a historical-ethnographic exploration of inter-ethnic relations in the "other global" cities of Cairo, Beirut, Istanbul, Bukhara, Lhasa, Delhi, Singapore, Kuala Lumpur and Tokyo, the well-known contributors highlight cartographies of the Other Global City. The volume contends that thinking about the city in the longue duree and as part of a topography of interconnected regions contests both imperial and nationalist ways of reading cities that have occasioned the many and particularly violent territorial partitions in Asia and the world.